ETC helps future proof Malm
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Lighting designer Tony Anzalone was working for Lyon based GL events Audiovisual, who co-ordinated and supplied the high profile event's technical production.
The 60,000 capacity stadium will be the home of Ligue 1 football team Olympique Lyonnais (OL) as well as hosting concerts and other sporting events including the upcoming European Rugby Champions Cup Final in May.
The grand opening show featured a high energy son et lumi
To keep the lighting fairly simple due to the ballroom being scheduled for another immediate event, Bandit utilized Chauvet Freedom Pars along the convention walls. These battery powered fixtures allow techs to turn on the pre-programmed colour, set it, focus it and walk away, while Chauvet Colordash Blocks added dimension for the Governor's address upstage.
"The upstage was wall-to-wall pipe and drape which we lit with GRNLite LED Pars i
Curtain Up opened just over a week ago as part of a year-long programme to celebrate the 40th anniversary of the Olivier Awards, with every show on display having a story to tell in relation to the Olivier or Tony Awards. The exhibition was
"When we were invited to collaborate on this project, a mixture of emotions swirled through us," said Andres Marroqu
The ColourPoint, PinPoint, StripPoint and Flood30 fixtures were used to highlight architecture and enhance the evening atmosphere of this premier historic site and London landmark where the Core units were exclusively used for the lighting throughout.
The creative lighting schemes were a collaboration between Core and its European distributor White Light, designed to illustrate how the dynamics of the different event spaces can be transformed with the application of visual layers - from lighting and projection mapping to floral arrangements and catering - all adding magic and value to the equation.
Core
Recently, the transformative elements of the Shrine were enhanced even further with the addition of a vibrant lighting system anchored by Chauvet Professional fixtures that add layers of depth to its surroundings and changes to reflect different times of the day.
Tyler Hoffman, the owner and principal designer of Spire AVL created the new lighting system, using COLORado 1-Quad Tour pars, an Ovation C-640FC cyc light and Ovation E-190WW LED ellipsoidals, as wel
Lightship works across all industry sectors including corporate and live events, TV productions and theatre shows, the latter hailing back to Ni-Lou's industry roots. His varied workload includes designing and programming his own shows, providing operating and FOH co-ordination / support services for others and working as a lighting systems engineer.
Ni-Lou owns some control kit himself - to keep the business agile and flexible - and has developed symbiotic relationships with other rental and equipment suppliers, a main one being Pretoria based Stage Effects run by Theo Papenfus - to help deli
The latest Letters from the Labyrinth tour by the maverick prog rock band - which saw two TSO troupes simultaneously play the east and west coasts of America, eight shows a week reaching up to 45,000 people per day for two months - featured over 100 Robe moving lights on each rig - 60 x Pointes and 44 LEDBeam 100s.
These were part of design number 19 by Bryan for TSO, who are well known for their spectacularly visual live performances which have always enthusiastically embraced lighting, video, lasers and pyro. Bryan has been on-board with TSO since it started touring in 1999 and had also previou
Beatles For Sale - A lock of John Lennon's hair that was cut off as he prepared for a film role has sold for $35,000 (£24,298). The four-inch pie
Not only is Banda el Recodo ranked among the world's longest running bands, it's also one of the most successful (20m albums sold) and most eclectic with a repertoire that runs from traditional Mexican Banda and Latin Dance, to Jazz, Swing, Classical, Pop and more. A key goal in acquiring the new lighting rig was to provide a rich and electrifying visual backdrop to the group's sweeping and far-ranging musical expressions.
"When
Holder had been approached by the show's director Bartlett Sher, with whom he has a long-standing relationship, to be part of the revival of this hit musical. "It was a huge deal for me," he said. "I saw the original Broadway production as a child and still remember how deeply affected I was by the experience."
The Broadway is one of the largest proscenium theatres in New York, and this production used almost every square inch of it. Sher wanted to create a production that was "raw, rough-hewn, and poetic" accord to Don Holder. "There's a sense of vastness and a spare, unadorn
The week-long festival, which features a series of events, workshops and artistic projections and installations, saw the festival return to the Great St Mary's Church following an absence - and it was here that the event kicked off with a grand concert featuring the 100-piece Dowsing Sound Collective choir and an opening address from the Mayor.
With assistance from SGM's Ian Kirby, who essentially designed the lighting at the church, Hawthorn Cambridge orchestrated the lighting display that accompanied the concert, with project manager, Richard Clarke-Hill undertaking programming duties.
Calling on 14 of SGM's award-winning IP65-rated P-5's, fitted with 43° lens, to wash the outside of the imposing monument, the H
The training course was devised and delivered by Ambersphere's head of training, Chris West, ably assisted by Thor Andre' from sales and support technician, Sam Parsons. "The dot2 training at Ambersphere is a one-day course," explains West, "teaching the console to such a level that the attendees can easily go straight out and run a show whereas these training sessions at PLASA necessarily offered more of an introductio
With only available truck space limiting him, lighting designer Dylan Mire was given complete creative freedom regarding the reinvention of the look of the show, but remained mindful that due to Vince Gill's renowned status as singer-songwriter and musician, most audiences would be familiar with his extensive song catalogue.
When programming the look of the show, Mire explained, "I wanted to subtly tie into the mood and emotion that the audience associates with these songs rather than to try and introduce something new and potentially detract from the experience."
Using VL 2500 Spots, Robe CycFX8, Martin MAC Auras, GRN
Colour Sound invested in 100 x new Martin VDO Sceptron 10 LED battens for the tour for which lighting is being directed and operated on the road by Matt Arthur.
Says Colour Sound's Haydn Cruickshank, "We've supplied the last few Hurts tours, and you know that anything in which Rob is involved is always going to look interesting. This is no exception."
Rob and the band's initial inspiration for the band-in-boxes set design came from several operatic references to capture the essence of the unique 'classic but dynamic' look they wanted.
The addition of a set of four-position -
The third BBC Radio 6 Music Festival headed to Bristol and saw over 50 acts deliver live music, comedy, film and food events across the city.
Utopium supplied all lighting and crew to Colston Hall as it hosted performances from a range of emerging and established artists, representing the very best in alternative music. Tasked with supplying all the interior and exterior festival lighting, Utopium provided 25 MAC Quantum Profiles, 14 MAC 2000 Washes, 30 Chauvet Q Wash 419s, 12 Chauvet Legend 230SR Beams, 12 SGM S5 Strobes, 20 Chauvet COLORado 1-Quad IP's, 30 Thomas 2 Cell Molefays, four Thomas 4 Cell Molefays, 10 Howie Battens and 12 Source 4's, all controlled from GrandMA Lighting control de
The permanently installed show was the brainchild of Hanger 58's owner Wim Grommers, who approached Painting with Light's Luc Peumans to create storyboards, video artwork and a library of standard content to be made available to various clients renting the space, with custom material available on request.
He wanted something spectacular and eye-catching to set the venue apart and add value to the events hosted there.
The idea is that guests can view the show through the large glass walls of the modern Hanger 58 in the winter and enjoy the large format show standing outside in the summer evenings.
When running, the projection images measure approxi
Comtech supplies lighting, sound and video to concert tours, festivals and music shows and corporate events of all types in Denmark and internationally. "We already carried some other brands and were really looking for something that was genuinely innovative," explains Jes, talking about the decision to go with Robe, "When the Pointe was launched, that was our cue."
The Pointes went straight out on tour with Danish rockers Carpark North, where
Alex Mair, managing director of Lexair, comments, "Adding Elation to Lexair's portfolio is strategic for the company. It is the recognition of Lexair's growing brand recognition and fits in the vision to offer our customers in the region a much wider breadth of quality products, offering the 'one stop shop solution' our customers expect in the current market. We are very excited and proud that Elation has chosen us as a long term partner in Oceania and we guarantee that we will present Elation with the regards it deserves."
Chuck Green, international sales manager at Elation, adds, "We are very pleased to be working with a company of the calibr
Capping off a great run, they have embarked on a farewell tour. Sending them off in spectacular visual style is a dynamic lightshow featuring Chauvet Professional Strike 4 LED fixtures supplied by PRG Belgium.
Luc Peumans of Belgium's Painting With Light created the captivating lightshow. Having worked with K3 for the last decade, Peumans took pride in designing a show that captured the upbeat spirit, daring spirit and high-octane energy level of the beloved girl group.
"During the 10 years i
The Senior Skills Council for Science, Engineering & Manufacturing Technologies (SEMTA) is a not-for-profit organization specializing in engineering training in the UK, and this prestigious annual Awards event recognizes excellence within their various nationwide apprenticeship schemes.
CPL worked for the third consecutive year alongside Redditch based production company Eclipse Communications. The production design was a collaboration by Lee Gruszeckyj from CPL and Dave Bowring from Eclipse. This year's host was business journalist and BBC Breakfast co-presenter Steph McGovern.
"It was great to pool forces and work together with Eclipse," commented Lee.
The designer requisitioned 16 of the battens, which have brought about a paradigm shift since their launch last year. This is largely due to the density with which the 20 LEDs are packed into the 40-inch long bar, generating a broad pallet of pastel and saturated colours which allow for subtle graduated fades, and a 7:1 zoom range which enables it to be deployed equally as a narrow angle light curtain or a wide angle back- or wash-light.
Such versatility has allowed JoJo not only to animate the s