Lighting designer Chuck Noble says: "With just days to conceptualize, design, and bring the set to life, Color Kinetics' LED-based systems enabled our vision through sophisticated control and tremendous creative flexibility - allowing us to add an element of movement that translates well
GLP's startube 4 is suitable for both architectural lighting and use on stages and in TV studios. Since the tubes can be installed lengthways and sideways without leaving any gaps, it is also possible to create continuous planes of light. On the RGB principle, th
The latest Harry Potter film utilized a super silent generator with fuel tank to supply extra power for a set being filmed in St Pancras Chambers in London. The Victorian Gothic building, which was being used for some interior shots was unable to supply sufficien
Prior to 2000, Peter was a sales director at Show Lighting Australia, responsible for Clay Paky sales in the Australasian region. Since then he has been sales manager at Selecon's Queensland distributor, The Production Shop. A classically trained musician, McKenzie served his electrical apprenticeship before combining his love for the performing arts and his technology and business interests. "With his considerable co
eDMX units are easily addressed and user configured, either as transmitters or receivers, allowing the fast set up of Point-to-Point, Point-to-Multipoint or Multipoint-to-Multipoint DMX data transmission systems. Each transmit/receive pair of eDMX units relays data for one DMX universe at full speed, with ranges of up to 1km.
eDMX units can be used as a free-standing device to receive data from front-of-house consoles, thus feeding all the data into an existing wired splitter, or it can be attached directly to an intelligent lighting fixture or a chain of fixtures. The deployment of eDMX is totally user definable - on
The three companies are Berkshire-based Stagetec Distribution Ltd (tel: +44 (0)1344 440507, www.stagetec.co.uk); Worcestershire-based Enlightenment Entertainment Technology (tel: +44 (0)1527 522 068, www.enlightenment.co.uk); and Kent-based Lighting Logic Ltd (tel: +44 (0)1622 684899, www.lightinglogic.co.uk.
Compulite's MD Yehuda Shukrun says: "T
Color Kinetics reports that its LED lighting fixtures are widely used to enhance signage, storefronts, and facades of some of the USA's most recognizable brands, with
"My main goal is to improve customer response time," Smith said. "In the live entertainment industry, end users can't afford to sit around waiting for answers. I also believe that if we strengthen our training program, we will increase the level of support we are able to provide through certified Vari-Lite technicians in the field."
Smith spent four years as business manager of Showco, followed by three years with VLPS and Vari-Lite prior to the acquisition of Vari-Lite b
Pen was introduced to Robe Show Lighting's array of moving lights and the great potential of the Robe Spot 1200 in particular, by Robe America's Randy Wade through Linkin Park's production manager, Jim Digby. This is the first time Pen has used Robe, and the powerful 1200 Spots are proving to be a great creative asset for the show. Six Spot 1200s are deployed on the upstage truss for beam effects, four are used as followspots, 10 are rigged on custom trussing and u
These affordable units can be operated from any universal DMX controller, and can also be plugged in and left to run on their own using their many built-in programs or via a sound-activation mode. For an amplified overall effect, DJs can link multiple units together in master-slave configurations. Each of the new lasers has its own distinct feature set.
The Tri Image produces red, green and yellow effects all at the same time. All effects are created using a 4.9mW red laser diode, a 4.9mW green laser diode and a reflector mirror that rotates 360°. The Tri Image is programmed with 50 pre-s
LXCO and DLD were asked to create a lighting system based on the design already used for The Rat Pack production at the S
(Lee Baldock)
Glass panels have been fitted to the previously open elements of the Pavilion. The eye-catching temporary building will now be utilized as the marketing suite promoting the Power Station's redevelopment. The four exterior walls of the Pavilion are now lit with five PixelPAR 90(A)s, fully weatherized architectural fittings. The fixtures are attached to poles, two washing the front wall and one each across the others, and all are positioned to minimize reflect
The system comes ready to use, with PC, Zion 3D software, laser and all necessary cables. The Zion 3D laser show software is a powerful package which provides an easy-to-use interface, enabling quick rendering of 2D, 3D and text based graphics, auto-tracing and animations, and also includes a number of pre-programmed shows. The compact Aurora can be quickly and easily set-up, and because it does not require three-phase or water, it can be rigged in virtually any location, plugged in, and running within 10 minutes. The Auror
The data is stored in standard PC format and can be easily transferred for backup or onto other units. The module is supplied with a 64MB card and must be ordered at the same time as the DMXStreamer.
(Lee Baldock)
Lighting designer Zhao Vanan of Fujian Television created a spectacular, contemporary look for the show that was highly complementary to the ultra-modern set design. Behind three large set pieces hung a 12m wide by 10m high wall of lighting that included MAC moving heads, moving mirrors and conventional fixtures.
MAC 2000 Profiles served as backlighting with stage-positioned MAC 2000 Profiles used for pattern projection onto the large set pieces. MAC 600s coloured the scenery from different angles. The large, black, empty space above the stage was solved using a large triangle tru
Croft started work in the stage lighting business in 1991 after graduating from Manchester University. After a couple of years' technical experience in the warehouse, he headed off on 'tour' for the next six years with Rolling Stones, Van Halen, M People and Take That, among others. The last six years, he has worked as an account handler at Vari-Lite, looking after some of the company's biggest and newest clients.
"I am really happy to be back at the sharp end of our business with a close connection to the clients, the crew and the equipment offered. Utopium Lighting is a great place to be working. There is a young and enthusiastic atmosphere with a prof
However, while the industry at large ponders that, High End has announced the other, more positive side of the latest restructuring, which sees the return of company co-founder Richard Belliveau to a full-time role - as chief technology officer - and HES' stated aim of focusing its energies on digital lighting, and lessening its depende
Stage Electrics Central Stores is now housed in 17,000sq.ft with 5,000 linear feet of space. The building holds 320 pallet spaces as well as the store for the expanding contracting installation arm of Stage Electrics. "This new space will allow us to work more effectively," says Dave Friend, the company's central stores manager, "and will revolutionise the way we pick and process orders ensuring we improve the service to our customers. With a Central Stores Te
(Lee Baldock)
"We've been working with Footstar for about eight years, but this year they brought us in at the very beginning to plan the technical and creative elements of their event, including picking out the meeting's theme and the different venues in Las Vegas, Chicago, and Orlando," said Kirk Garreans, principal of ALP. "I designed the lighting, along with Matt Lemmon of True Light Productions, to feature a variety of presentations from corporate speeches to panel discussions, award ceremonies and musical entertainment."
"I chose to use VLPS beca
The patent development dates back to pioneering inventions by Belliveau in the late 1980s which resulted in multi-colour lighting systems for entertainment applications including High End's famous Colour Pro products. Super Vision's interest in the Belliveau patent was due to the broad coverage of this patent in the use of networked, centrally controlled, addressable colour changing lighting systems incorporating pulse width modulation and variable digital control circuitry which can vary the intensity of individual lamp elements to generate unlimited colours. Su
At countdown to the New Year, the Victoria Harbour foreshores erupted into a blaze of colour as the night skies were lit by hundreds of thousands fireworks, lasers, fibre optics, flares and pulsing lights. Tall city buildings and glistening waters of the harbour were washed in multi-coloured light and the tops of buildings exploded with sprays of molten light. Harbour spectators in their millions stood breathless as they watched and listened to the shows exhilarati
Halpin designed a very symmetrical 'wide look' lighting rig, his colour and movement chases introducing plenty of dynamics. This was juxtaposed with the highly asymmetrical stage set, designed and supplied by Productions North. The rig also had to be adaptable to fit into the non-arena venues on the itinerary. Club-style visual effects and props included a 5ft mirror ball, suspended on a CM Prostar motor
