[LITE]COM named official supplier for Eurovision 2016
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"We really got our teeth into the broadcast space in 2015," he said. "We're involved in an ongoing job with the Stop Animation and Puppet Making faculty at the University of Staffordshire and have some fascinating projects within the media department at Queen's University in Belfast under our belt, as well as working with major shopping c
To keep the lighting fairly simple due to the ballroom being scheduled for another immediate event, Bandit utilized Chauvet Freedom Pars along the convention walls. These battery powered fixtures allow techs to turn on the pre-programmed colour, set it, focus it and walk away, while Chauvet Colordash Blocks added dimension for the Governor's address upstage.
"The upstage was wall-to-wall pipe and drape which we lit with GRNLite LED Pars i
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
The tour's production manager and Front of House engineer was Raymond Rogers who chose an SSL L500 console for FOH duties and used an SSL Live Recorder to multitrack every show and for virtual sound check.
The stage set was based on the Forest Hills Drive home, recently re-purchased by Cole, and included a flown model of the house and an original set, with the stage modelled on the roof of the house. The main audio inputs were from J Co
Setting the stage for the Super Bowl's memorable 'golden anniversary', Lady Gaga delivered a soulful, classy rendition of The Star-Spangled Banner during the pre-game segment, crooning into a Sennheiser SKM 5200 handheld transmitter coupled with an MD 5235 dynamic microphone capsule. Accompanied by just a solo piano, her performance was marked by her incredible dynamic range and subtle use of cadence - captivating the emotions of millions of viewers around the wor
"We had seen great service from our Si2 console - but we've been looking to upgrade for a while now to something with more screen real estate, and a platform which touring engineers are more comfortable with," stated MoS production manager, Chris Thoms. "The Vi3000 is a great trade off for its size and features - and of course the sound quality, steeped in Studer technology, is stunning."
The Realtime Rack plug-in engine connects directly to the Vi3000's built-in MADI interface, and MoS has installed a proprietary BSS BLU-Link card in the console, allowing a 32 x 32 digital
The production runs at the Koninklijke Schouwburg in Amsterdam from until 5 March 2016, after which it tours the country.
Four TiMax Tracker sensors are positioned above the stage area, picking up the zoned stage locations of the 20 'tagged' actors, using their exact positioning, or 'source zones', to localise their vocals via the distributed loudspeaker system. The TiMax SoundHub delay-matrix imaging creates a fully immersive and authentic experience that renders the production more intimate for all audience members regardless of where they are sitting.
The TiMax Tracker system controls the TiMax Soundhub processor, which automatically morphs
Curtain Up opened just over a week ago as part of a year-long programme to celebrate the 40th anniversary of the Olivier Awards, with every show on display having a story to tell in relation to the Olivier or Tony Awards. The exhibition was
The hall, which offers performances from a variety of genres, including classical music, opera, dance, pop, rock, jazz and family-oriented events, was long overdue for an upgrade. The existing system was installed back in 1989 when the concert hall opened. As a result, Stage Manager Henrik Torgersen began exploring options, ultimately contacting regional audio distributor Benum to assist him in the process.
"We began researching systems three years ago," Torgersen explains. "During that time we listened to demonstrations of many different systems. Last June Ronald and Kenneth from Benum visited - along with Adamson's Jochen Sommer - to demonstrate the new Adamson S10 system and o
The Osher Theater is the first in the history of BAMPFA that was designed and built from the outset to meet the highest technical standards for film showings. "Aside from the 10 percent of our film screenings that are silent, sound is a key component of the experience," says Larry Rinder, director of BAMPFA. "We wanted to
The three stages comprised the Festival Stage, Mill Stage and new for 2016, the Village Stage. Selected by PA company, SoundandLight.co.nz, Qu-32 mixers were installed at FOH and monitors on each stage, with AR2412 and AR84 racks for additional remote IO.
"I have managed the folk festival for about 15 years. It requires 14 hours of mixing a day so reliability is key, which is why we have always used A&H mixers," comments Dave Hodge, director and engineer at SoundandLight.co.nz. "Due to the fabulous recall ability, we just use the compact QU-32 at FOH and monitors. Set up is so easy with scene recall for each band, song, individual instrument, and even a 'just in case' scenario, as acoustic groups often bring
"When we were invited to collaborate on this project, a mixture of emotions swirled through us," said Andres Marroqu
The ColourPoint, PinPoint, StripPoint and Flood30 fixtures were used to highlight architecture and enhance the evening atmosphere of this premier historic site and London landmark where the Core units were exclusively used for the lighting throughout.
The creative lighting schemes were a collaboration between Core and its European distributor White Light, designed to illustrate how the dynamics of the different event spaces can be transformed with the application of visual layers - from lighting and projection mapping to floral arrangements and catering - all adding magic and value to the equation.
Core
Recently, the transformative elements of the Shrine were enhanced even further with the addition of a vibrant lighting system anchored by Chauvet Professional fixtures that add layers of depth to its surroundings and changes to reflect different times of the day.
Tyler Hoffman, the owner and principal designer of Spire AVL created the new lighting system, using COLORado 1-Quad Tour pars, an Ovation C-640FC cyc light and Ovation E-190WW LED ellipsoidals, as wel
Lightship works across all industry sectors including corporate and live events, TV productions and theatre shows, the latter hailing back to Ni-Lou's industry roots. His varied workload includes designing and programming his own shows, providing operating and FOH co-ordination / support services for others and working as a lighting systems engineer.
Ni-Lou owns some control kit himself - to keep the business agile and flexible - and has developed symbiotic relationships with other rental and equipment suppliers, a main one being Pretoria based Stage Effects run by Theo Papenfus - to help deli
The acquisition will pave the way for Production Park's popular Backstage Academy and Cato's specialist "Roadie School", Cato Academy, to create a Centre of Excellence for training the next generation of touring and production professionals.
The Cato Academy - based in South West London - is the only training centre in the world that educates future tour and production managers, backline techs and live sound engineers under one roof; whilst the Backstage Academy is renowned for its high quality delivery of degree programmes and courses dedicated to the live events industry. Both Academies have been pioneers in the f
The latest Letters from the Labyrinth tour by the maverick prog rock band - which saw two TSO troupes simultaneously play the east and west coasts of America, eight shows a week reaching up to 45,000 people per day for two months - featured over 100 Robe moving lights on each rig - 60 x Pointes and 44 LEDBeam 100s.
These were part of design number 19 by Bryan for TSO, who are well known for their spectacularly visual live performances which have always enthusiastically embraced lighting, video, lasers and pyro. Bryan has been on-board with TSO since it started touring in 1999 and had also previou
Beatles For Sale - A lock of John Lennon's hair that was cut off as he prepared for a film role has sold for $35,000 (£24,298). The four-inch pie
In his new role, Phil will become a key member of the senior management team and will be responsible for over 70 sales personnel including all regional directors and managers. He will primarily be responsible for spearheading the company's growth plans to double in size again over the next five years. Matthew Buck will succeed Phil as UK Sales Manager.
Commenting on his promotion, Phil said "This is an amazing opportunity to lead our highly ski
The Prototypes Tour will start in Los Angeles at Sound on Monday 14 March and go on to visit club venues around the world including Fabric (London), Robert Johnson (Frankfurt), Watergate (Berlin), Tenax (Florence) and Output (New York). The tour will stop at leading music conventions including Musikmesse (Germany),
As light streams in through stained glass windows it can transform the appearance of floors and walls. So often made from stone or brick, these imposing slabs tend to be enclosed by an exceptionally high ceiling, which invites people to look upwards. Visually, the result can create a sense of spiritual occasion and wonder.
While pleasing to the eye, these physical characteristics can make churches less engaging from an acoustic point of view. A large open area with hard surfaces will always result in the same problem: mul