Crown International's focus at AES Los Angeles this year was the introduction of its redesigned IQ Network, previously known as the IQ System. The introduction of Crown's 'IQwic' software and three PIP modules - the IQ-PIP-Lite, IQ-PIP-USP3 and IQ-PIP-USP3/CN - bolstered the launch of this new platform. The IQ System was originally introduced in 1988 as a means of enabling professional audio equipment, particularly Crown amplifiers, to be controlled and monitored via a remote computer. Over the past 14 years, it has grown to become widely successful in both the touring and systems contracting markets.

Until now, IQ's system communication has been based on a proprietary two-wire bus. This new second generation, however, is based on cost-effective Ethernet. Communication now travels via 100Mb Ethernet between components utilizing Crown's new TCP/IQ protocol, which increases communicatio

In response to feedback from the industry that the PLASA show, at 25 years old, was in need of re-energizing, exciting new plans for the exhibition were unveiled to both exhibitors and press at PLASA 2002.

We took time out with Matthew Griffiths, managing director of show-owners the Professional Lighting and Sound Association (PLASA) and Nicola Rowland, acting show director for organizer Clarion Events, to hear about the plans and their implementation. Matthew Griffiths expands on the background to the decision: "The PLASA show is the leading entertainment, communication and presentation technology show in the world. To maintain this position, the Association realises that the show needs to be a pioneer in adapting to industry change. It also needs to ensure that the visitor experience is kept vibrant, fresh and business-focused.

"After ongoing discussions and regular feedb

Neutrik UK Ltd, the specialist in entertainment industry connector technology, has undergone a major management restructure during 2002. The new management team, with over 40 years of cumulative pro audio experience, is spearheaded by company director Cheryl Walker, technical sales and marketing director Bob Davies and production director Chris Arnold. Their aims and objectives will be to refocus the company on customer-specific product development, and high quality service and sales support.

Plans are underway to construct a new purpose-built production and sales facility in a green field site in Ryde on the Isle of Wight. The land has been purchased and completion of the new factory is anticipated in mid-summer 2003. Moving the manufacturing plant and the 110 employees from the existing site just three miles away should be complete by the autumn.

The design of the new facility is i

Frank Cavanaugh of US band Filter has become the latest high-profile bass player to endorse Crown International's K2 power amplifier as a live performance tool. The bassist takes an austere approach to his signal path: an Ampeg SVT-4PRO head is used as a preamp feeding into the Crown K2 for power, which, in turn, drives an Ampeg SVT-810E enclosure.

The concept of using a pro audio power amplifier in his rig first struck Cavanaugh while Filter was touring with White Zombie several years ago. "Sean [Yseult] used a Crown power amp with her Ampeg and it sounded awesome," he says. "Later on, Staind went out on the road with us and Johnny April also had a Crown in his rack. Johnny and Kevin Briers, the bass tech we both use, showed me how much more ballsy my sound could be with a Crown so I decided to put a K2 between my head and cabinet."

He continues: "I'm really

The National Botanic Garden of Wales in Carmarthen offers visitors a view of botany through the years. L&SI looks at the AV installation.

The National Botanic Gardens, officially opened in 2000, was a hugely ambitious project and the first of its kind for nearly 200 years. The Gardens are set in the Middleton Estate - 586 acres of landscaped park set against the stunning Welsh landscape. It has varied topography, a variety of water features offering diverse aquatic habitats, a range of microclimates, rich wildlife, established woodland and, amazingly in the present day, is virtually free from pollution.

Response to the project has been highly positive - during the first year, the Garden attracted over 250,000 visitors. It boasts the largest glasshouse in Europe, designed by architects Norman Foster and Partners to mirror the contours of the surrounding hills. The Theatre Botanica, a

With so many young pretenders to the ‘superclub’ throne now emerging - many of them modelling their soundscapes around the legendary fabric system - the Clerkenwell club’s owner Keith Reilly and technical manager Dave Parry recently decided it was time to reclaim the higher ground.

They already had the Wavefront sound system, the Bodysonic dancefloor, the Timax sound spatializer and the Red Cycloops, enabling them to zigzag sound through three-dimensional space. But recently, when rumours began to resound through the labyrinths under Smithfield Meat Market that fabric was about to fly a line array, it produced all kinds of frissons among visiting acts.

Given the close relationship the two men had built with Martin Audio and distributor Marquee Audio, it was little surprise they should opt to partially upgrade the Wavefront 8C with the new W8L Line Array. "The

Arup Acoustics has been selected from an invited shortlist of international experts to be responsible for the acoustic design of the refurbishment of the Opera Theatre at the Sydney Opera House. Arup’s brief is to achieve the "very best sound in the Opera Theatre".

The Sydney Opera House has been operational for 28 years and has become a worldwide icon, competing as a performance venue and tourist attraction on an international scale. It symbolizes vision and creativity and is one of the busiest arts centres in the world hosting 2,600 performances per year. Arup (the original structural engineer for the building) has an historical association with this iconic building.

Recent work by Jørn Utzon, assisted by Richard Johnson of the Australian firm of Johnson Pilton Walker Architects, has led to the release in May 2002 of the Utzon Design Principles, aimed at guiding th

Lamba plc have announced a business-as-usual response to the acquisition of loudspeaker giants, Cerwin Vega by the Stanton Group. Sales director Gerry Frost, said: "We will continue to serve all our core markets, of hi-fi, home cinema and professional audio, and under the new ownership can anticipate a faster response time for service and delivery. As UK distributor for Stanton we are delighted that Cerwin Vega has joined the same stable."

The Stanton Group announced the purchase of Cerwin Vega on 3 October. Confirming the company’s successful bid, Stanton president and CEO, Gerard Cohen, stated: "We are very excited about this opportunity to grow and expand our business portfolio. We feel that the strength and heritage of the Cerwin-Vega brand name will be a strong complement to our existing businesses and create synergies in the future. We also clearly recognize

In 1992, Audio-Technica introduced the award-winning AT4033 microphone. Now, a decade later, A-T has paid tribute to this classic transducer technology with the launch of the AT4033/CL cardioid condenser microphone.

The AT4033/CL offers exceptional transient response and clean output signal even under the most adverse conditions, say Audio-Technica. A specially contoured, vapour-deposited gold diaphragm provides accurate reproduction of even the subtlest sounds, especially high-frequency signals not easily reproduced by conventional large-diaphragm microphones. The AT4033/CL's symmetrical housing assembly surrounds the microphone capsule, creating an open acoustical environment ideally suited for studio work where natural reproduction of off-axis sound is paramount.

Denise Turner, Audio-Technica's marketing executive said: "The launch of the original AT4033 was a very significan

Mach Speakers is adding a dedicated top-box and bass reflex subwoofer to its T model line of touring speakers. Designed for high quality live sound reinforcement, the new M14T is a dedicated touring top-box designed to be used with the Mach M181T or new M218T subwoofer while the M218T is a dual 18" frontloaded bass reflex subwoofer specially designed to support the new M14T or M30T Touring Series speakers.

Designed as a dedicated top-box, M14T is an ultra-compact, lightweight speaker designed for high quality live sound reinforcement. It features a high output mid/bass driver with excellent output and clarity in the midrange as well as a 2" compression driver with a 3" diaphragm. The mid-bass driver has a 3" voice coil with windings on the inside and outside of the voice coil former. As a result the driver has a very balanced mass with excellent clarity and stabilit

London-based Orbital Sound, specialist in the design and supply of audio systems for theatre and musical productions, has underlined its commitment to advanced digital solutions with the acquisition of two new Digico D5 Live mixing consoles.

Orbital’s MD Chris Headlam commented: "We’ve pushed the envelope of large format digital mixing technology for over two years now and the positive reaction we’ve received from designers, producers and production companies goes to prove that digital mixing solutions represent the future of contemporary sound designs. Despite some arguments from industry sceptics, we’re confident that digital is the way forward - it is not only a powerful creative option, but as it offers positive economic implications to producers with seat and logistics savings - the digital revolution is moving fast. The addition of Digico’s D5 t

Top London rental company Canegreen is on the road this autumn with a brand new pair of PM1D consoles with chart-topping mellow rockers Toploader. At the front-of-house position, engineer Andrew Thornton explains that the choice of console was made after using the PM1D at a one-off show at the Albert Hall: "My original concerns were to do with the sound of a digital system, but this is a long way from the earlier generations of digital mixers. I’ve been especially pleasantly surprised with the EQ."

Thornton insisted on getting to know his PM1D intimately and can now configure and hook up the system as well as operating it. "Because it’s so incredibly configurable, there is an initial learning curve," he admits, "but knowing how it all goes together helps you to gain a good understanding of the whole concept."

For the Magic Hotel tour, Thornt

An updated model of the popular Formula Sound zoner/mixer has been launched, combining improved remote control capabilities with a high degree of flexibility. The new ZMR-243 allows input selection as well as remote control of output volume, plus a number of other features requested by the installers who were consulted during development.

The ZMR-243 is easy to operate, designed for use in applications where precise control of different audio zones is required, such as theme parks, hotels, conference centers, pubs and entertainment venues. Housed in a 19” 1U casing, it allows full control via passive remote panels, and so can be located out of the way. It provides four stereo music inputs, two low impedance balanced microphone inputs and three stereo zone outputs balanced with preset HF and LF equalization. Any stereo zone output may be operated as two mono zones, each with remot

Lamba plc, exclusive UK distributor for KAM, has launched several new products under the KAM brand name. Heading the list is the KCD-800CDG - a karaoke version of the KCD-800. This twin CD mixing unit provides the option of being able to play CDG disks, enabling the DJ to integrate karaoke into CD DJ’ing. Sold individually, or as part of the KAM Karaoke Kit, this robust CD player is aimed at mobile discos, pubs, restaurants and theme bars. Its 19" rack-mount size makes it easy to install into either a KamKase or standard installation mounting. It contains industry-standard connections, with two separate phono outputs for the video signal.

Lamba has also announced the release of the KamKase Pro range of reinforced record boxes. Manufactured in 25/75 and 50/50 black, clear perspex or brush silver/aluminium extrusion, these professional road cases hold 80 pieces of vinyl. The l

September 2002 marked another landmark in Midas's 30-year history as the Heritage 3000 bearing serial number 500 rolled off the production line at the Kidderminster factory.

In just three short years since the launch of the award-winning Heritage 3000 it has become the industry standard for concert touring and the backbone of console stocks for rental companies all over the world. Its status as the premier console of choice for this market, particularly in partnership with the flagship XL4, is further underlined by the fact that eight out of ten of the top-grossing tours to come out of the US used Heritage 3000s or XL4 or both. According to Midas' head of sales, David Cooper, the Heritage 3000 is a perfect example of a manufacturer responding to customer demands and coming up with exactly the right product. "Our customers needed a console that could handle itself both on stage or

Audio plus is the first rental operator in the Netherlands to invest in the new GEO Tangent Array system from Nexo. Located in Wijchen, Audio plus is a joint venture between two independent sound equipment companies, PA Geluid, owned by Paul Achterberg and MC Audio, owned by Martijn Ceulemans. With the majority of its business coming from theatre productions and open-air festivals, Audio plus was looking for a system that could maintain steady SPLs and offer excellent coverage through the audience area, while keeping size and weight to a minimum.

After listening to GEO at a demo hosted by Nexo distributor Iemke Roos, Paul Achterberg knew he had found what he was looking for. "The sonic performance of GEO is very, very good, but the coverage throughout the soundfield and the phase coherency of the system is, in my opinion, simply outstanding," said Achterberg, who placed an or

Danish pro audio manufacturer D-PAC is now offering its high power PWM/class D amplifier modules for the OEM market. The modules are capable of delivering a maximum of 50A 320V P/P depending on PSU size and construction, and have an extremely low idle power (9W) with no need for fans or heat-sinks, even during heavy use.

Anders Christensen, CEO of D-PAC Audio, explains: "We have recently bought a production facility in order to manufacture up to 25,000 modules each year, and as we only expect to use a few thousand on a yearly basis, we see the idea in obtaining extra volume by offering our outstanding modules as OEM."

"Several tests have proven our modules to be more powerful, more quiet and better sounding than everything else we have tried and heard," says Christensen. "In order to give potential customers a try, we have made an evaluation kit with well-des

Stardraw has introduced ‘Rubber-Banding’ as the September Feature of the Month. This much-anticipated upgrade has been under development for many months and represents a significant enhancement to their design and documentation applications.

This major new functionality means that the elements in schematic designs stay connected as you move them within the document. So, if you wish to change the look of your block schematic and move products, either by dragging the selected symbols to their new position, or by nudging them with the arrow keys, the connections follow automatically. Furthermore, Rubber-Banding operates independently of Modifiers (Snap to Grid, Snap to Object, etc.).

This is an extremely important development, says Stardraw’s marketing director, Rob Robinson: "Rubber-Banding has been at the top of our ‘Most Wanted’ list for some time,

VDC has fulfilled a custom-cable order for one of the world's leading recording studios, Air Lyndhurst of London, providing full portability for its Pro Tools suites. Air's three Pro Tools systems have been racked up as 24-tracks and, using custom-made breakouts to SSL DL specification, can now be rolled into any of the Lyndhurst studios and plugged straight into the main console.

"We buy most, if not all, our custom cable from VDC," explains Tim Vine-Lott, Air's technical manager. "With anyone else, we'd have to specify pin outs for each end of the cable, but we never have to do that with VDC."

VDC provided "a vast amount of cable" to Air earlier in the year, supplying additional cable system for Lyndhurst's famous Great Hall studio and its new Neve 88R mixing console, one of only three to be installed in the UK.

(Lee Baldock)

ARX Systems, the Australian-based manufacturer of professional audio products, has appointed Electric Audio as its new exclusive distributor for Belgium and Luxembourg. ARX's managing director, Colin Park announced the appointment, saying: "Consolidating ARX distribution for the three Benelux markets with Axel Nagtegaal and his team at Electric Audio ensures strong representation and support for our signal processing and other product ranges utilizing Electric Audio’s comprehensive warehousing and extensive product support network."

Park added: "Electric Audio have appointed well-known Brussels-based company A.Prevost S.A. as the ARX Belgium sub-distributor to service and support our many Belgian users."

Electric Audio B.V can be contacted at the e-mail address below.

(Lee Baldock)

The largest Christian Festival in the UK is staged on Shepton Mallet show grounds each summer between mid-July and the end of August. Promoted by New Wine, a Watford-based Christian organization specializing in Christian Conferences, the festival is organized by Ron Fernihough through the offices of the newly-formed Wigwam Event Management Company.

As with all modern festivals, there are a variety of performance and presentation venues, the two largest, the main stage and the tent (a four king-pole circus tent supplied by Albion Woods) both sport large d&b audiotechnik C4/C7 PA systems, while the 25 other smaller venues catering for audiences of between 50 and 1,000 people use a variety of sound systems, generally d&b or Ohm Industries equipment. "We spent a lot of time looking at sound systems for the smaller venues," said Fernihough. "Because of the six week running ti

London based tour company, Canegreen, have recently purchased an EAW KF760 Line Array system. Canegreen have been actively involved in the introduction and testing of the KF760 system, mainly within the European tour environment. The Canegreen system consists of 24 KF760 long/medium throw boxes and four KF761 near fill boxes. Sub bass is enhanced by the addition of 16 EAW SB1000 cabinets.

Canegreen's Yan Stile was very focused on what was required from the system: "As opposed to the American arena tour market, touring in Europe often involves venues with differing problems when flying or ground-stacking the sound system." He added: "We used the KF760s in all types of venue, some of them not normally applicable for line arrays. But throughout we were pleasantly surprised with the results, even in venues where there were no fly points and ground space was limited. The cove

Stage Electrics is holding a sale of theatrical and disco lighting and ancillary equipment on Saturday 9 November 2002. The Auction will be held at the company’s headquarters in Third Way, Avonmouth, Bristol and will commence at 10am.

Lots will include Strand Prelude and Cantata spotlights, Par cans, Tempus Dimmer racks, flight cases, cables, disco consoles and a wide range of effects equipment. Patrick Behan, who has organized previous successful Stage Electrics Auctions, told us: "This year it has been difficult to keep the lots to 1000 as we have acquired a considerable amount of new and second-hand kit from our Newcastle branch (ex Lighting Technology). There should be loads of bargains and the usual chance to meet up with a few mates from the industry."

Auction catalogues can be requested by emailing the address below or by phoning 0117 982 7282. An electronic v

Following the news earlier this week that London-based sound specialist Orbital had purchased two new D5 Live consoles from DiGiCo, the company has now given details of the first theatrical use of the D5 Live, at the International Festival of Musical Theatre in Cardiff. Here, the desk is being employed on a number of events, including the European debut of the Broadway musical Ragtime.

Orbital is issuing an invitation for all interested parties to visit them at their London base to find out more about the D5 Live, including the enhancements which have been made to Orbital’s second desk which have increased its capacity to manage even the biggest theatre productions. For more information, contact Chris Headlam at Orbital via the e-mail address given below.

(Lee Baldock)

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