Kingston, London-based hire, sales and installation specialist Podd Sound, supplied the sound systems for the recent Blue Do party in Hampton Court, organized by Exclusive World. The sound for over 2,000 blue-clad clubbers was provided exclusively by Podd’s DAS Audio systems, featuring four of the very latest Compact 1, Class D self-powered three-way cabs - part of the first shipment to arrive in the UK.

The prestigious all-ticket event was the third to use Podd Sound. The extensive DAS rig was part of a high-budget and imaginative design that featured all-blue décor, pyrotechnics and a solid ice bar. Big name DJs Brandon Block and Alex P delivered powerful sets through the DAS array, comprising four 133 dB SPL Compact 1s and eight Sub-118A bass reflex subwoofers; all self-powered with Class D switching amplification. The company’s new DAS rig presented Podd with several a

MAVCO has been awarded the contract to design, supply and install a range of audio, video, lighting and effect systems in over 20 venues on board a third Crystal Cruises ship. Commissioned by ALSTOM Marine Chantiers de l'Atlantique shipyard in St Nazaire, France, MAVCO will be involved with the complete turnkey contract for local entertainment systems.Scheduled for delivery in late June 2003, the as-yet-unnamed 68,000-ton vessel will see an increased number of Crystal Cruises' most successful features, including more entertainment lounges, expanding on the best of Crystal Harmony and Crystal Symphony. The scope of the project ahead for MAVCO incorporates detailed system design, supply, installation and commissioning, shared between the company's offices in Miami and the UK.

The Galaxy Show Lounge is the main entertainment venue for the line's distinctive award-winning production shows,

Proel has announced the latest additions to their cable catalogue, specifically produced for the installation market. The CMP Series are distinguished by their green outer jackets, housing a series of multi-pair fire-resistant cables for fixed applications in recording and television studios as well as cinemas, disco’s theatres and live sound PA applications. Double shielded by aluminium and polyester foil within a flame-resistant PVC jacket, the numbered paired cables are highly resistant to signal loss due to outside interference.

Three models are currently available - the CMP 8, 12 and 20 - each model number representing the number of pairs contained. In addition, a new double-shielded fire-resistant microphone cable has also been introduced. The HPC 210 FR is also contained in a green flexible outer jacket, which is shielded by tinned copper and is light in weight (30g/m).

A National Lottery grant has helped the Merlin Theatre in Frome, Somerset, to purchase a new sound system from Marquee Audio, as part of a major overhaul. The 241-seat venue, which first made contact with the Shepperton-based suppliers at this year’s ABTT Show in London, has replaced its tired former system with a Martin Audio Blackline F12/S15 combination, which technical manager Rick Worringham says has improved the set-up 100%. He explained: "We received £55,000 from the National Lottery plus matched funding from local councils, including Somerset County Council. This enabled us to refurbish practically the entire theatre - including a new stage floor, auditorium seating, dressing rooms and a restructure of the backstage area."The building itself is council-owned - and used as an educational space during the day - although the Merlin Theatre Trust Ltd owns all the acc

JBL Professional has added the SB210 Compact Subwoofer to its extensive line of Control Contractor products. Just 14" tall, the dual 10" unit has a frequency range of 42Hz - 200Hz to add low frequencies to fixed installation sound systems in virtually any professional application, including restaurants, retail, theme parks, exhibits and displays, even small church and performing spaces. The SB210 has two 10" (254 mm) aluminium/ceramic composite cone woofers, for a total power handling capability of 400W continuous (1600W peak). Intended for use indoor or outdoor, the SB210 features a high-impact polystyrene cabinet and multilayer thermoset composite-covered grille for full weather-proofing, and is available in either black or white.

"The small profile of the SB210 belies its power and its ability to offer warm, punchy low end," explained Rick Kamlet, senior dir

Universal Events was called in by Mark Borkowski PR to provide full technical infrastructure for the world launch of the revolutionary smart car (right hand drive versions) from Daimler Chrysler UK. The event took place in the car park at Wembley Stadium, and revealed the vehicle for the first time to UK smart dealers and users, plus the national and motoring press.

Universal supplied everything - from the lighting, sound, video and staging - to the dome-shaped marquee and seating rostra. The company’s brief was to provide a clean, slick, streamlined environment in which to launch one of the most ecologically sound vehicles available. Universal’s Steve Butcher designed the show’s production elements. A flat, empty centre stage at the start of the show was soon filled with the demo smart car, revealed by elevator, clouds of smoke and flashing lights, early on in the p

Developed by Fujitsu Ten, the Eclipse TD 512 is a new studio monitoring system. Aimed at all sectors of the music recording and mastering market (and the high end audiophile market), several clients, including the major new Sphere Studio complex and Mike Ross-Trevor, chief engineer at Sony Music Studios in London, are evaluating the Eclipse TD 512 for improved accuracy in recording and mixing. Producer, artist and musician Brian Eno (Roxy Music, Talking Heads, U2), already uses Eclipse TD 512s in his own studio.

The most immediately obvious difference from conventional speakers is the egg shape of its enclosure, hence no flat surfaces, presenting sound waves internally with an effectively infinite baffle. In a further departure from convention, the driver is decoupled from the cabinet fascia and mounted internally via a massive integrate stand, which provides mechanical 'grounding' of

The annual Heritage Gateway Festival took place in North Bay, Ontario, recently, attracting an audience in the region of 30,000 on the first day alone. 3L Productions Inc has been supplying full staging, sound and lighting for several years. This year, production manager Tom Keay recommended a total of 30 stacks of Flashlight/Floodlight for the main PA system with the technical design also incorporating two 10 x 14 video screens, 96k of conventional lights, 24 intelligent lights and a 50ft x 30ft mobile stage.

For the PA configuration itself, Keay opted for a four-wide hang. "The outside two columns comprised three Flashlight boxes, then a column of three Floodlight, with the inside column of two Floodlights incorporating the final Floodlight cabinet dropped down as an infill," he explained.

Under each side were nine Flashlight TSW-721 21" bass enclosures, stacked thr

PLASA Media is looking for feedback from readers of Lighting&Sound International magazine and PLASA Online News, to find out the products that are making the biggest impact among entertainment technology practitioners - and we want your input.

'Tried & Tested' will take a simple approach: we're not asking for your views on hundreds of different product categories, we're just after your gut reactions to a series of broad-based questions on the equipment you're using, in the fields of lighting, sound, staging and effects.

The aim of this is simply to sniff out what's impressed you, what's made a difference to your working life. There are no awards and no ceremonies - we're just going to stir the pot and see what, if anything, floats to the top. The products you vote for can be new or old, high-tech or low-tech - all are valid.

The products which have the highest profile from among th

For the ninth consecutive year, the organizers of the Pepsi Festival (Sziget Kulturalis Szervezoiroda) in Budapest, asked Production 2000 Ltd to provide sound and lighting for the main stage - and the other areas. The company fielded a high specification of equipment from their hire fleet, including a major Turbosound Flashlight and Floodlight rig. 36 Flashlight TFS 780H mid/high packs were flown in 6 x 3 configurations on either side of the stage, with 48 Floodlight TFL-780L bass enclosures configured four wide and six high on each side. 12 Turbosound Floodlight TFL-760H mid/highs were used for near-fill and infill and a further eight TFL-118 low-frequency Floodlights provided centre coverage.

The sections of the sound system were driven from three amp racks housing configurations of MC2 MC750 and MC2 1250 amplifiers. In addition, Production 2000 supplied all Turbosound stage monitori

The Stage Accompany SSA amplifier range is specifically designed to meet the very high demands of (digital) cinema sound reproduction: these 'digital-cinema' dedicated amplifiers, have been developed with some unique features, to dramatically enhance the cinema experience, say the company. The SSA amplifiers feature SA’s ‘high speed, high current’ class G design. This high efficiency design, together with the 280 joules capacitor bank, makes the SSA 200 deliver 1380W of fast and sustained power per channel.

An important feature is the Dynamic Damping Control (DDC) system that completely eliminates the influence of (in cinema, often very long) speaker cables. The result is a highly accurate bass and mid response, without the need for using high impedance speakers. Through the tamper-free internally accessible EFN circuit slots, extra signal processing functions can be

Expotus-managed distributor Stagecraft, based in the Philippines, were rewarded for their efforts this year, as they received the Turbosound International Distributor of the Year in the Far East Award based on growth in sales throughout financial year 2000/2001. With sales having increased by 156% last year, director of Stagecraft Frankie Zabala (pictured left) commented: "Receiving this commendation was a great surprise and indeed an honour. We hope to do even better for Turbosound next year!" he says. Martin Capp, managing director of Expotus, (pictured right) continues: "Expotus business in the Far East goes back a long way, and we’re proud that Stagecraft has been recognised in this way by Turbosound this year. We’re particularly pleased as the Expotus-managed Chinese distributor Jia Hui won it last year!"

Audient has launched a brand new product to augment its Surround Sound range - the ASP520 bass management processor. Launching in November 2001, designer David Dearden describes the ASP520 as "a unique problem solver for bass management in any surround monitoring system." Any surround sound monitoring environment which does not have five full-range loudspeakers in addition to a subwoofer needs some form of bass management in order to reproduce the full bass content of the surround mixes.

The ASP520 is a flexible bass management controller which permits selection of both the bass redirect source and destination. Phase compensation at the crossover point and two bands of parametric equalisation are provided to enable the LF performance of the monitor system to be optimized without resorting to external EQs. The ASP520 can be used alone, or in conjunction with the ASP510 Surrou

The Adelaide Convention Centre in Australia has recently invested in Turbosound Powered QLight enclosures as part of a venue extension programme that will more than double the size of the facility. The development will offer more than 10,000sq.m of pillarless floor space, (divisible into six sound-proofed halls) for exhibitions, banquets and other events, in addition to existing convention facilities. The combined banqueting capacity will facilitate 6,500 guests, allowing for much larger events and enabling multiple function hosting.

After an extensive evaluation of most major brands in the market place, the ACC chose Turbosound’s new QLight Powered System and 16 TQ-440SP powered three-way enclosures and eight TQ-425SP subwoofers were duly supplied by Australia’s Turbosound distributor Audio Telex.

Arbiter Pro Audio has supplied Edinburgh-based SI Sound & Light with a large quantity of JBL loudspeaker systems for an exciting new sound installation at Genesis nightclub in Dunfermline. The independently-owned 800-capacity club is split into two sections - a large bar/walk-in space, and the main dancefloor area. A good budget had been allocated to allow for a sound system to cater for a diverse selection of musical genres from mainstream pop to hardcore dance. It was also essential not to alienate those wanting to drink rather than dance. SI Sound & Light’s Pete Simpson undertook the sound design - his latest of several using JBL.

Genesis' dancefloor speakers are four SP222s from JBL's Sound Power Series - 1500W each with 12" drivers. For bass, Simpson chose two JBL VS125HS speakers, combined with two SP128 subs. For maximum impact, he has sub-divided the low frequencies:

The recently developed VIGIL CommuniCare from Baldwin Boxall Communications is unique within the emergency communication sector, having been especially designed for use within a completely new market - Disabled Refuge Areas. Market leaders, Baldwin Boxall took the initiative to develop VIGIL CommuniCare, a sophisticated emergency communication system that meets the requirements for public buildings containing Refuge Areas, such as: Cinema Complexes, Hotels, Theatres and Office Blocks.

The main Control Panel allows Fire Officers or Building Managers to keep in contact with wheelchair bound personnel who, in an emergency, are kept from danger within Refuge Areas. The control panel is supplied as a 64 way unit which can be divided into 16-way blocks, is wall mountable and battery backed to meet EN60849, BS5839 part 8 and BS5588. The Remote Unit is housed within the Refuge Area and, once t

NXT's SurfaceSound flat panel loudspeakers have found their latest application in the new Predators exhibition at London's Natural History Museum. Open to visitors until May 2002, this new family-oriented showcase features a range of audio-visual effects enhanced by the use of bespoke acoustic panels made by NXT licensee, Amina Technologies Ltd.

The exhibition uses a series of interactive robotic models, including a 5 metre-long great white shark, a 3 metre chameleon and a 2.5 metre funnel web spider. Using the SurfaceSound technology, clear tri-wall polycarbonate flat panel speakers sited above the models provide the realistic surround-sound effects for each of the animal exhibits.

SSE Hire's work schedule for Christmas and the New Year period is looking busy, with a number of tours and special events in the pipeline for the audio hire company. Tours being serviced by the company include the forthcoming tours of the UK and Europe during November and December by Travis and UB40. Front-of-house engineer for Travis is Giles Woodhead, who will be using the SSE-supplied Midas XL4 desk and the Nexo Alpha system, while Chris Leckie has a Midas XL3 looking after monitors. Front-of-house for UB40 will be Jerry Parchment and Steve 'Gonzo' Smith with an XL4, and SSE's Betamax speaker system. Monitor engineer Graham Blake will be using an XL3. For Faithless' UK and Ireland tour, FOH engineer Mark Kennedy will be using a Midas Heritage 3000 (also with a Nexo Alpha system), while monitor engineer Tim Pattison will be taking advantage of the facilities offered by the Innova Son G

The Music Producers Guild (MPG) has elected Andy East as its new chairman, replacing Phil Harding who has now completed his one-year tenure as chairman but will remain on the MPG board. The appointment was announced at the MPG’s recent AGM. Steve Parr also joins the board as vice-chairman and, as part of the MPG’s rotational chair and directorships, a number of other board members were announced. These include Jim Barrett, Meg Nicholl and Roger Askew.

The final phase of the restoration of Reading Town Hall’s concert venue - with the renovated Father Willis organ providing a magisterial backdrop - has been completed this month under the guidance of English Heritage.

Marquee Audio was responsible for supplying and fitting all the audio, working to a specification from audio consultant Peter Mapp, who had been introduced to the project by former technical manager, Paul Kennedy. By completion, the whole project will have cost around £5 million. Given the constraints of the protected architecture the installation had been no easy feat, as the venue’s chief electrician Tim Liddle emphasized. "We got a grant from English Heritage who wanted the hall restored to its original 120-year-old grandeur. The Borough Council have been restoring the building over a 15-year period and when I came here 10 years ago, there were pigeon

QSC Audio Products Inc has introduced the DSP-30 digital processor. Building on the power and success of the DSP-3 signal processing module, the DSP-30 is a cost-effective, highly customizable, single rack unit, 2-channel signal processor featuring a high degree of functionality that can improve the performance of any sound system, say QSC Audio. The DSP-30's powerful processor facilitates a wide range of signal processing functions, including screen channel crossovers, multiple parametric EQ and time delay for surround channels, or subsonic filters for subwoofers. Compound these functions with compression/limiting, precision attenuation, mixing, plus tone or noise generation, and the DSP-30 is as flexible as your system's needs - easily capable of performing the most complex speaker processing tasks.

Featuring an intuitive front panel layout for easy program selection coupled with a c

Kelsey Acoustics has launched Duracat, a tough Cat5 DMX and AES data cable for industrial applications which provides a durable and reliable data solution for patching, theatre, studio stage and public area usage. According to Kelsey's Michael Whiteside, the brief for this cable was to produce a tough, "stage-proof" Cat5e cable that terminates with standard RJ45 connectors and yet has a build that provides real protection for its structure as a data cable. "We have gone to great lengths to ensure that Duracat is constructed for maximum flexibility combined with the strength and durability that is fundamental to the accurate transmission of data," he commented.

Satisfied customers already include Marquee Audio who have used Duracat for a recent theatre installation, and rental company SSE who were delighted with every aspect of the cable's performance in a live envir

Lightfactor Sales has completed 10 days of extensive training sessions and seminars - the first in a series - covering its most popular product ranges, underlining the company’s ongoing commitment to training and product support. Courses have been run for both beginners and advanced users on products including the LightProcessor Qcommander lighting console - and also the LightProcessor Paradime dimmer range. Demand also proved high for courses featuring assorted High End fixtures distributed in the UK by Lightfactor - including Technobeam, the 250 and 575 series of Studio Spots and Colors and the Cyberlight.

Lightfactor also ran courses for the LDR range of theatrical lanterns and SGM moving lights from Italy. On the sound front, courses on Zeck Audio products from Germany and Apogee Sound Inc products from the USA aroused considerable interest. Lightfactor's MD Paul de Ville tol

Martin had plenty of reason to celebrate at the LDI exhibition in Orlando this past weekend, but one accomplishment appeared extra special. At a press meeting held at the Martin stand on Saturday, Martin President and CEO Kristian Kolding presented the 100,000th MAC automated light produced. The 100,000th unit, a MAC 2000 profile spot, rolled off the production line just prior to the LDI exhibition. It was ceremoniously painted gold and is now displayed in the Martin manufacturing plant’s reception area in Frederikshavn, Denmark.

At the LDI Awards Ceremony Martin won ‘Product of the Year Lighting/Entertainment, Most Promising Prototype’ honours for the TracMAC mini, an easy to operate followspot luminaire that drew a lot of attention from visitors. Mach speakers was awarded the ‘Product of the Year, Sound, Most Promising Prototype’ for the Mach ViroStation

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