ISCE Hosts Successful AGM
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Jacqueline Tien further commented: "This was a difficult decision for us to make, but we feel it is the right decision." She added: "We will now re-channel our energies toward celebrating and supporting our industry and friends at this year's EDDY Awards, in Entertainment Des
The production, adapted from the Francis Ford Coppola’s 1986 film, is significantly enhanced by Rick Clarke’s sound design, which sees Level Control Systems’ Matrix 3 audio mixing/processing engine used for the first time in a West End musical. Supplied by Orbital (from UK distributor The Sound Dept), the system features LCS’ VRAS technology - the most recent development in electroacoustic enhancement of architectural spaces.
This consists of an electro-acoustic processing system built around a network of microphones feeding into multi-channel digital reverberators, and out again to loudspeakers. Clarke’s goal at the Shaftesbury Theatre was to take an acoustically ‘dead’ room and make it come a
The DC2476 Masterflow Digital Processor is a 24-bit/96K multi-dynamics processor which features Drawmer's acclaimed multi-band digital 'bootstrap' compression, tube saturation and advanced EQ processing suitable for mastering, trackin
In his previous position of systems engineering supervisor (part of QSC’s Technical Services Group), Johnston was instrumental in developing application software for QSC’s computer-controlled network audio system QSControl, and also developed a number of utilities to increase the functionality of that system. "We are extremely pleased to have Jeremy join our team," said Brian English, Portable Live Sound marketing manager. "He brings a wea
The e644’s cardioid response pattern provides highly effective feedback and rear-field signal rejection. In keeping with the evolution ethos, the e664 offers build and performance specifications superior to microphones several times its price. The metal bodied mic features a matt-black, anodised, scratch-resistant finish. A switchable low frequency roll-off filter protects against low level hum and rumble, while the capsule provides a 40 - 20kHz frequency response (+ 2.5dB) and a 130dB
Petri says that Trantec IEMs have already found homes amongst the leading performers in Finland, including Children Of Bodom (S4000IEMs) and Tommi Läntinen Band (S5000IEMs). "We are now looking forward to broade
Such is their confidence in DAS Audio products that To
The venue’s owners had been using a hired system for some years, and were anxious to replace it with a rig that would occupy less of the limited stage space and improve both audience sightlines and sound quality. The new system consists of two Proel TFL212P double 12" full-range speakers with 1.4" compre
The PNX121 and PNX151 provide the solution when more output or tighter direction
He also produces an album every two years or so, and on tonight’s evidence he certainly has an ear for a melody. And that’s essentially why he needs a voice; for the bluesy part of his repertoire he can get away with his shouty vocals, just another cracked walnut veneer on the guitar of melancholy, but when it comes to Parisian Walkway and the like, he needs a voice that can match all the subtlety and nuance of
Layton explained that the desk represents a big step forward for the band, especially in the fast turn-aroun
Commax products were exceptionally well received at the recent PLASA show, say Ampekko. Sussex-based installers Blucat, who supply independent breweries, leisure and retail units with sophisticated 47-channel satellite music systems, have placed a considerable order for Commax specialist amplification. Jennifer Lin
The ProSys PS8810 is a fixed path digital processor, with eight inputs and ten outputs, that each have a dedicated processing path which includes EQ filters, gates, compressors, auto-mixers and delays, as well as other processing objects. With its fixed path design, system installers need only configure the routing matrix and decide which of the processing objects will be utilized. Once these are established, the set-ups may be stored as presets and recalled via the PC, contact closure or the 8810’s own internal events scheduler. All functions of the PS8810 are set-up and controlled from a PC running IQ-WIN software, the control suite that can run a variety of types of audio equipm
The i-Track features a spherical super high polished diamond and is thus ideal for club/dance DJs who need better tracking ability during heavy backcueing. Fabric technical manager Dave Parry explained: "We are quite specific about who uses what cartridge; for example Room 1 generally has i-Tracks, Room 2 uses Trackmasters for the drum ’n’ bass DJs, with i-Tracks on a Saturday. Room 3 usually uses i-Tracks - although we use the 500 for the scratch DJs we have on a Friday, and some DJs request 500s during the weekend sessions."
The deal was confirmed at
The tour will showcase the interactive technologies that Orange has used to transform Manumission in Ibiza, the UK summer music festivals and the Q Awards. These include giant text messaging boards, a glow wall, entertainment pods, video postcard facilities and wirefree games, and are designed to align Orange to music in a technological way. The DJ line up for the tour includes The Stanton Warriors, Deadly Avenger, DJ Touche, Cut La Roc, and Grand Central Records.
The MP418SP is a powerful, single 18-inch (457mm) subwoofer in a compact bass reflex enclosure with a frequency range of 30-150 Hz. It features an integral dual channel amplifier/ signal processing module designed and built by Crown Audio specifically for it. This provides two channels of power with 660W at 4 ohms. The second amplifier channel can be used to power a full range speaker or a second subwoofer (such as the companion MP418S non-amplified version of the MP418SP). The amplifier module also passes through line level signals for powered satellite speakers.
Roadworthi
But, for sound engineers struggling to contend with open-air environmental extremes that included winds of Gale Force 4, the key to success was a tiny miniature microphone from DPA Microphones. Sound designer and front-of-house engineer Cees Wagenaar from BV Oorzaak, supervised the critical matter of miking the artists. Wagenaar specified 114 of them in all, making it one of the biggest shows to standardise on a DPA type.
Sound for Reading (and Leeds too) was supplied by SSE. Chris Beale explained that the company had adopted a slightly different approach for the main stages this year, using BSS systems to split the Nexo systems into six separate zones and thereby optimize performance and controllability.
SSE used SIA SmartPro computer-based analysis software to give them precise system control. This ensured both systems behaved in exactly the same way in terms of SPL, EQ, dynamic performance and other general characteristics, allowing bands to have as near the same sound as possible at both sites - notwithstanding the natural variants of wind and atmosphere. True to form, the elements remained