Projects

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Chile - The LXIV edition of the Viña del Mar Festival took place 23 February through 1 March, and for the first time, it was broadcast live worldwide to more than 5m viewers. To ensure quality performances for the audience and artists alike, Viña del Mar relied on the Shure Axient Digital Wireless System.

With an impressive artist lineup, the Viña del Mar festival has wrapped up another edition where great audio played a crucial role. The technical team relied on 70 channels of Axient Digital technology, 62 channels of PSM 1000 Advanced In-Ear Personal Monitoring System, and four channels of Axient Digital PSM Advanced Digital In-Ear Monitor System, among other Shure gear.

Thanks to its robustness and reliability, Axient Digital and PSM delivered quality audio and solid RF throughout the festival, despite the challenging technical environment.

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UK - Life City Church is a modern, vibrant, multicultural church based in the heart of South London. Music plays a major part in the daily worship, with live bands regularly providing a focus for Sunday meetings, supported by a new sound reinforcement system from K-array, supplied by Audio Related Technology.

With an ever-increasing involvement of live music in its regular activities, Life City Church was looking to update its entire sound and lighting package and turned to Simon Griffett of Chesham-based Audio Related Technology for recommendations. The church’s older Turbosound PA had served it well but had become tired and was inconvenient to move around, as while looking for a permanent home the church was operating out of Woodcote High School in Coulsdon.

“We wanted a portable line array system for a predominantly live band mix,” said Life

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Europe - 2024 was a notable year for Nina Chuba and 2025 is set to be even busier, with a summer of festival appearances already scheduled. Her first large-scale arena tour, starting in October 2025, has sold-out for most dates. Christopher ‘Toffie’ Plaschke has been Nina’s front-of-house engineer since the beginning of her live career. In 2023, he also took on the role of production manager, switching to DiGiCo consoles and sticking with them for every show he has done since.

“Nina is an incredible artist, and I’m truly grateful to be part of her journey,” Plaschke explains. “I used the Quantum 338 throughout the year, for both the tour and festival dates. The experience was fantastic, especially with the additional routing options. Whatever musical ideas I have, with a DiGiCo console, I never face limitations – it always supports my ideas.

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USA - Billie Holiday observed that every song – like every person – must be unique, or it isn’t music. As a lighting designer, Jack Thomas agrees. Guided by this principle, he set out to leave visual fingerprints on each song in Bayside’s current North American Errors Tour.

“I programmed this show with Bayside to be very precise with cue-to-cue transitions so each moment of every song has its own specific fingerprint,” he explained. “Doing so keeps the energy fresh and exciting.”

Thomas’ ‘fingerprints’ provide the accompaniment to the emotionally powerful music on the New York punk rockers 25th anniversary tour. Calling forth a variety of lush colour blends, artful touches of atmospherics, unique light angles, and a touch of geometric patterns courtesy of this Chauvet Professional Epix Bars, Thomas reflects the distinct

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USA - Located in the heart of Landover, Maryland, Northwest Stadium is a premier destination for sports and entertainment enthusiasts. Known for its vibrant atmosphere, the stadium hosts a wide range of events, from electrifying football games to large-scale concerts and community gatherings.

With seating for up to 63,000, Northwest Stadium combines modern design with cutting-edge technology to deliver an unparalleled fan experience. Its commitment to innovation and world-class AV has cemented its reputation as a cornerstone of entertainment in the region.

After 25 years of operation, parts of the stadium’s audio system needed maintenance. Following a competitive bidding process, C.V. Lloyde AudioVisual was selected to oversee the stadium’s audio upgrades. Originally specified with competitive products, the team at C.V. Lloyde saw an advantage in

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USA - After a major production upgrade, Mosaic Nightclub in Kansas City has reopened its doors – reintroducing itself as a premier nightlife destination with a high-performance 1 Sound audio system.

Located in the heart of the Kansas City Power & Light District, Mosaic is known for its high-energy events and sleek design, including an indoor dance floor that opens onto an outdoor balcony overlooking the plaza. To match the versatility of the space, the audio system needed to be as dynamic as the club itself – delivering exceptional clarity and power while also standing up to the elements when the space transitions into open-air mode.

To meet those demands, the team at Definitive Pro Sound, led by Peter Bonavota, designed and installed a 1 Sound system centred around the Contour CT212 loudspeakers paired with SUB2112 subwoofers. This combinati

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UK - Reinforcing a long-standing relationship built on trusted in-house design capabilities, the BRIT Awards chose to work with Britannia Row for a 30th year.

The UK music industry showcase asked Global Success Award recipient Sabrina Carpenter to open the 2025 proceedings, followed by live sets from Sam Fender, JADE, Ezra Collective, Jorja Smith, Lola Young, Teddy Swims and Rising Star winners Myles Smith, and The Last Dinner Party.

The show's audio delivery is overseen by Britannia Row account executive Tom Brown, with the sound system design created by Britannia Row's head of engineering, Josh Lloyd.

“It's a great way to see emerging acts coming through,” says Lloyd. “We're committed to treating all incoming engineers equally, and providing an excellent service, making the event run smoothly for each artist's team. It's impo

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Finland - A large complement of Claypaky Sharpys and Tambora Batten squares illuminated the final qualifying event for Finland’s entry in the Eurovision Song Contest 2025. 

The finale of UMK (Uuden Musiikin Kilpailu), or New Music Competition, was held at the Nokia Arena in Tampere on 8 February when broadcaster Yle treated viewers to six performances to determine who would represent Finland at Eurovision in Basel, Switzerland in May.

Lighting designer Pekka Martti and Ari Levela, creative director/founder of MOBB Helsinki Oy, designed the stage for UMK 2025. Martti chose 68 Sharpys and 46 Tambora Batten squares to light the two-hour show.

“Sharpys were used as audience ‘extras’ for songs with 360º shots and when performers went out on the catwalk,” explains Martti. “Sharpys still giv

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UK - The Human League’s Generations arena tour kicked off its UK leg in December 2024. By the band’s third show they’d already elicited a five-star review from the Guardian, who described the show as “An evening of immaculate electro pop, delivered with grace, precision, and elation”.

Behind the scenes, seasoned production manager Sarah Hollis was at the helm. Hollis has been production managing tours since the late 90s and has worked with The Human League since their 2008, Steel City tour. “I was also the stage manager on that tour,” she explained, “which was a mixture of arenas, theatres and a couple of academies (and not in the order you’d like!) so let’s say it kept me on my toes, and I’ve been working with the band ever since.”

Emmy Award winning designer, Rob Sinclair, was asked by the band’s

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Malaysia - HK Audio helped to deliver an unforgettable experience at Malaysia’s annual Rock in the Jungle festival. The two-day event brought together a combination of local Malaysian and international rock artists from Indonesia and Singapore who all performed through a Cosmo concert sound system on the main stage at the Sarawak Cultural Village.

From its humble beginnings nine years ago, Rock in the Jungle has rapidly become an established event that is the highlight of the year for local rock fans. Taking place at the end of December as an end-of-year celebration and organised by Authentic Ideas And Events, the most recent two-day festival featured performances from Wings, Sweet Charity, XPDC, Jemson, Criss X, JS Boys, Edane, Candy, Criss X, Senseless, and BNB Band.

To cover all performances, the FOH system for the main stage n

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Europe - Raw Cereal, a renowned global creative production studio, was tasked with designing a bold, immersive visual experience for Hardy's Quit!! tour. With Hardy's evolving musical style blending country, rock, and pop, Raw Cereal had to ensure the visual elements matched the energy and variety of his performances. For the second time, they relied on AV Stumpfl's Pixera media server, known for its flexibility and robust feature set.

Cort Lawrence, the tour’s creative director, explained the scope of Raw Cereal's involvement: "On the show, we handled everything from the production design, stage design, lighting design, scenic design, as well as pyro, special effects, video content, and just overall show." The team was responsible for creating a comprehensive experience that connected Hardy's new album visuals with his live performances.

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USA - As a drummer, monitor engineer Travon Snipes always had an interest in live productions, which ultimately led to him travelling the world with major artists like Jaden Smith, Fantasia, Megan Thee Stallion and Brandy, among many others. Most recently, Snipes was out on the road for Post Malone’s F-1 Trillion Tour, running monitors alongside Kevin Brown at front of house. While in the midst of this latest run, the tour’s audio team looked to enhance the quality of sound and replaced the show’s existing microphones with a selection from DPA Microphones.

Among the microphones to grace the stage were several of DPA’s newest live performance microphones, including the 2017 Shotgun and 2015 Wide Cardioid. “We made a great connection with the DPA team and, after hearing more about the brand, we knew the mics could take our sound to the next

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USA - On its latest world tour, metal band Underoath wanted to remind its fans of where the group got its start, while celebrating the 20th anniversary of the successful album, They’re Only Chasing Safety. The set begins with what appears to be a dingy living room and gradually evolves into an expansive, modern show with intense lighting effects provided by Sonus Productions out of Moorestown, N.J.

“I always try to tell the story,” said Lenny Sasso, lighting designer for the tour and director of touring accounts at Sonus Productions. “Essentially for the band, this tour was telling the fans, ‘This is where we came from. This is how we wrote the record’.”

With the minimal initial visuals, Underoath gave a glimpse at the physical practice space in which They’re Only Chasing Safety came to life. The setlist featured a p

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UK - The Road to the Isles tour of the UK and Europe saw Fish bid farewell to the live arena. After a 45-year career during which he enjoyed a meteoric rise with prog-rock favourites Marillion, before an action-packed life as a solo artist, the fan-favourite hung up his microphone to retire to a croft in the Outer Hebrides. More than 30 shows in Europe late last year preceded this year’s 14-date UK tour which concluded with two sold-out shows in Glasgow.

Audio for The Road to the Isles was supplied by IPB Audio, with experienced engineer Ian Bond responsible for delivering the front-of-house and monitor sound for the eclectic and often intricate compositions performed by Fish and his band of seasoned professionals. From modest beginnings on small theatre tours in the 1990s, Bond has built a respected, in-demand rental company, servicing a

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USA - As the lighting designer for the multi-platinum Grammy winners Diamond Rio, Willis Underhill has run his dynamic lightshows in a variety of venues from arenas and music halls to festivals. But it's doubtful that any have been quite like the site of his most recent setting when he lit the band's show at the San Antonio Stock Show & Rodeo.

First, there was the venue's size. The 19,000-capacity Frost Bank Centre, home of the San Antonio Spurs, is big by any measure. Like all massive spaces, it presents a challenge to any designer wanting to foster a sense of intimacy between the artist on stage and the audience. This is especially concerning when lighting a band like Diamond Rio that thrives on connecting to the crowd. Complicating matters even further in this case – the stage was in the centre of the rodeo floor and Underhill's FOH was two levels u

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Slovenia - For the show that determined the Slovenian 2025 Eurovision entry, Crt Birsa from design studio Blackout fitted nearly 400 lighting fixtures into a 20 x 20m space in Studio 1 at the Radiotelevizija Slovenija (RTVSLO) complex in Ljubljana.

A large proportion of these were Robe moving lights – with 54 MegaPointes, 54 Spiiders, 24 Pointes, 12 Fortes and 14 Tetra2s on the rig – all delivered by Slovenian rental company, Event Lighting.

Crt added these to all the fixtures that were available from RTV’s studio in-house rig, which also included two Robe BMFL Blades used as rear spotlights for the main artists.

Crt’s lighting design was developed in close collaboration with set designer Greta Godnic, an elegant diagonally orientated square LED stage – allowing it to change shape and texture – located in the middle of th

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UK - Craig David is a prolific artist and 2024 was a sold-out year of global touring, arena venues, outdoor shows and DJ sets. 2025 sees a UK tour and many more shows across the world.

Mixing front-of-house is Paul Cooper, with Ash Wilkinson on monitors. Both are using DiGiCo Quantum consoles, supplied by UK rental and production company, Major Tom Audio Production. Choosing a Quantum 852 for front-of-house and Quantum 7 for monitors has given the production total flexibility. Whatever shape the show takes, the team can count on the scalability, reliability and customisation that DiGiCo delivers.

Wilkinson has worked with Craig David since 2013. For him, choosing DiGiCo is all about flexibility. Working with an artist who is performing across a wide range of venues, and with a such varied set list, means specifying a DiGiCo guarantees he can cope wit

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USA - The London West Hollywood at Beverly Hills is famed for its blend of classic British elegance and modern Californian style. The hotel offers a range of upscale amenities, from its Boxwood restaurant to its exclusive rooftop pool. However, the crown jewel of this property is its West End Rooftop, a sprawling 107ft by 40ft open-air space that serves as a prime venue for high-profile events, weddings, and corporate functions.

Framed by a glass wall showcasing sweeping ocean views from Long Beach to the Malibu peninsula, the rooftop terrace is illuminated by spectacular sunsets and is a favourite among guests seeking a one-of-a-kind experience. However, alongside the picturesque appeal and vibrant atmosphere, event sound frequently spilled beyond the property, creating friction with nearby residents and leading to repeated noise complaints. To address thes

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USA - When experienced theatre LD Jared Sayeg started planning the design for Topdog/Underdog – Suzan Lori-Parks’ darkly comic fable of brotherly love and family identity at the Pasadena Playhouse – he recognised the importance of having fixtures that “could truly accommodate both slow smooth fades and sharp shuttering as well as big strokes of light that engulf the playing space.”

It was a blend of warm and cool in constant contrast to one another, he explains: “Emulating both a tungsten quality inside, and the ability to pierce through the space with sharp cold light from the outside were key elements to the design.” Helping him achieve his goals were GLP impression X5 IP Bars.

This was Sayeg’s 20th production at the Playhouse, and a primary consideration – especially relevant to proscenium-based venues – was to control

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USA - The Phoenix Raceway hosted the Relentless Beats' Decadence Festival with one of the two main stages named the Royal Ballroom, since people danced their hearts out in this spectacularly lit space to EDM, house and techno heavies like Wooli, Eptic b2b Space Laces, and Svdden Death.

Every fan who crowded into this dynamic space couldn't help but feel like a part of this ‘ball’ thanks to an immersive lighting design by Luis Torres. Working with the teams at Relentless Beats and Kelco, which handled all the production management for the show, Torres pulled the entire area, as well as the 96ft wide by 44ft deep stage, into an embracive sea of bold monochromatic colours accented by stark white light.

Torres, of HiLite Designs, relied on 48 Rogue R3 Beams and 24 Strike Array 2 blinders from Chauvet Professional (supplied by Hardwired Produ

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USA - The sci-fi adventure The Electric State, directed by Anthony and Joe Russo, premiered on Netflix in March, with lighting technology from Elation playing a key behind-the-scenes role.

Lighting console programmer Eric ‘TK’ Androvich skilfully integrated Elation Fuze Max Profile and Proteus Maximus moving heads to help shape the film’s distinctive visual style.

Set in an alternate 1990s where robots have staged an uprising against humans, filming took place across various indoor sets and soundstages at Trilith and Shadowbox Studios, and on location around Atlanta, Georgia – often in the region’s characteristically wet and unpredictable winter weather. Fuze Max Profiles were used indoors, and IP65-rated Proteus Maximus fixtures were employed outdoors.

“The Fuze Max Profiles are a fantastic choice for film and TV,” sta

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Japan - Brompton Technology has announced its pivotal role in powering the impressive LED displays at Expo 2025 Osaka, which officially opened on 13 April in Yumeshima, Osaka Bay. The company’s advanced Tessera LED processors are being used to power AOTO and INFiLED LED screens across multiple key pavilions, including the Japan Pavilion, the Indonesian Pavilion, and the Immersive Entertainment Zone, delivering image quality and reliability for this 184-day global event.

With more than 150 countries and regions participating, and a focus on the theme Designing Future Society for Our Lives, Expo 2025 showcases a vision of our future, forged through technological innovation, cultural exchange, and global partnership. At the heart of the event’s impressive displays are Brompton's Tessera SX40 processors and XD data distribution units, configured spe

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UK - The pace of technical advances in the AV industry means that venues often don’t need entirely new systems to upgrade their audio performance. Sometimes an incremental improvement to the electronics will provide a significant boost to the audio capabilities. This is the case at Celtic Park in Glasgow, the home of Celtic Football Club, which has recently upgraded the electronics for its main PA to an all Dynacord signal chain. 

The 60,000-seat stadium had a full audio refit in 2017 to enhance the audio coverage in the main bowl. This saw the installation of Electro-Voice EVH and EVF loudspeakers driven and processed by Electro-Voice CPS amplifiers and NetMax digital matrix controllers. While the system still performed well, technology has moved on in the last eight years, and there were significant advantages that the stadium could gain in efficiency a

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Germany - In the heart of Berlin's Mitte district, Monsieur Vuong is a thriving family-run restaurant that has brought authentic Vietnamese cuisine to the German capital. Run by brothers Dat and Tan Vuong, along with family friend Andreas Bodenstein, Monsieur Vuong serves fresh, shareable Vietnamese dishes in a lively, communal setting that is popular with Berliners.

To further enhance this convivial atmosphere, the management team recently decided to upgrade the restaurant’s sound system – and for this they turned to Genelec, a brand they were already familiar with. 

“I used to work in the film industry, where Genelec was the de facto standard in audio post-production. In my view, the simplicity and sound quality of Genelec loudspeakers is unparalleled,” Bodenstein explains. “I wanted the restaurant to benefit from that same exceptional s

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