Lighting

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14 March 2016

For the top ten placing Belgian entry by Tom Dice, Me and My Guitar, ShowLED Chameleon starcloths sparkled behind the lone troubadour in vibrant red. During the dramatic vocals of the Belarus group 3+2, the starcloths were diffused by silk drapes to create softer colour accents on the circular stage.

For Ireland's performance, the starcloths hung behind the textured backdrop fabric enabled a transformation from a rich green hue to a warm red glow without any change of scenery.

The ShowLED Chameleon curtains were supplied by rental Partner ShowTex NL, Norway distributor Norsk Sceneteknikk. The ShowLED system allows for full colour mixing, dmx con

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14 March 2016

Production guru Hadden Hipsley of Lambda Productions once again called on Bandit Lites to serve as prime lighting contractor for the three-day arts and music festival. Bandit's Dizzy Gosnell works with Hadden, Leslie Radigan, Joel Carmichael, AC Entertainment, Superfly Productions and Coran Capshaws Red Light Management to provide the artists with their illumination needs at the award-winning event.

Artists at the 2010 Bonnaroo included Dave Mathews Band, The Kings of Leon, Stevie Wonder

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14 March 2016

Inytium is a premier supplier of professional-grade lighting, sound and media control solutions to the Belgian theatre, show and scenic design markets. Recently rebranded from Blue Squares Sales and Distribution, the company has links with the industry dating back over 20 years.

As a supplier of leading brands including Adamson, Clay Paky, D.T.S., MDG, Robert Juliat and Zero 88, the company was looking for a LED brand that would provide a complete range of performance lighting solutions.

A demonstration of the latest generation Chrom

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14 March 2016

The prime-time Saturday show, MC'd by Gerry Scotti, featured 29 singers aged between seven and 15 from singing schools across the country, competing for a trip to the US for a study vacation under the wing of top international producer David Foster. The entrants sang solo and together, as well as duetting with some of Italy's top pop names, accompanied by a resident 33-piece band.

The show's impressive set, designed by Marco Calzavara occupied a third of Studio 20, one of the country's largest TV

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14 March 2016

The appointment, which sees Stage Electrics become one of SGM's first Preferred Resellers and System Integrators, will be formalised at this month's ABTT Show in London.

Now part of the RCF Group, heading SGM's operation in the UK is director of sales, Phil Price. "We are delighted that Stage Electrics have committed to the range," he said. "In so doing they will provide us with a national multi-office presence within the Theatre and Entertainment markets in the UK."

Responding, Stage Electrics' head of marketing & buying, Adam Blaxill, said, "Having dealt successfully with RCF for many years, it has been Arturo Vicari's purchase of SGM that has made us look seriously again at the potential of SGM.

"If they ap

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14 March 2016

The GRNLite equipment is currently on tour with Alan Jackson and designer John Lucksinger, Heart and designer Dale Doucette, Needtobreathe and designer Jay Wadell, Rascal Flatts and designer Bob Peterson, Wynona Judd and designer Kieth Hoagland, Jimmy Buffett and designer Sid Strong, Neil Young and designer Kieth Wissmar, Widespread Panic and designer Paul Hoffman, Billy Currington and designer Chris Lisle, Melissa Ethridge and designer David Hamilton and Shinedown and designer Scott Allee.

The GRNLite equipment is also on tour with the two

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14 March 2016

Northern Stage Services was charged with exchanging the theatres' complex building management system for something much simpler. Project manager David Culshaw comments, "The previous system was aging and becoming unserviceable and it was only a matter of time before the theatres experienced a major outage. We recommended Sensor and Paradigm because they are without doubt the best products on the market in terms of functionality and reliability. We've also seen first hand the excellent long term support and backup that ETC offers.

"We only had five weeks where the venues were dark in which to install the equipment, as a new show needed to open. ETC was very efficient in supplying everything

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14 March 2016

"Robe has always been very reliable and offered plenty of creative options," says Thomas. His show for Cullum, for whom he's worked - initially as a dimmer tech - since 2004, is a blend of elegance and cool to match Cullum's dynamic performance which has won him massive popular success amidst great critical acclaim.

Thomas received a basic lighting brief from show designer Mark Silver, who designed an innovative set based on piano strings. These were fabricated by Zig Zag and consist of a series of boxed winch sets with white nylon rope - the bottom sections sit on the floor upstage, while the top sections are raised up to the trussing mother g

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14 March 2016

"Bob and I spoke about the concert sequence the very first day of production," says Vecchio. "Director Nicholas Stoller expressed to us that he wanted it to look as big and contemporary as any concert out on tour. I knew we needed to call on the services of PRG. They do this day in and day out."

Faris previsualized the concert at PRG's Los Angeles depot so that Yeoman, Vecchio, the producers, director and other designers could see the possibilities before they staged the concert at the Greek Theatre. "We brought

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14 March 2016

Of all the components that Osram is supplying to South Africa, the LED-illuminated arc over the Durban stadium known as The Arch will be the highlight. This spectacular architectural feature is equipped with over 12,000 Golden Dragon Plus LEDs spanning the entire length of the stadium.

At 350m long, 2,600 metric tonnes in weight and 30 stories high, The Arch is visible from far and wide. It symbolises the unification of some 70,000 sports lovers in Durban's stadium. The illumination is provided by LED Beams which Osram developed in collaboration with the local m

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14 March 2016

Gearhouse SA built the 30m wide stage, which was covered with an elegant In2Structures dome roof with clear skins and featured a set, lighting and visuals design created by Tim Dunn. They also supplied audio, power and AV to the event, the evening concert section of which was broadcast live on SABC 2 directed by Sean Pearce and produced by Brad Holmes of The Bassline.

The event started at 8am and included political speeches - including an address by President Jacob Zuma - and traditional African performance and music throughout the day, running into the evening's R'n'B and rock oriented show.

Gearhouse's site crew of 35 was project managed by

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14 March 2016

Bandit CE Lester Cobrin said, "working with Stevie, Peter, Mark and the entire tour staff is an absolute pleasure. They are true professionals in every sense of the word".

The tour features much of the latest technology, including the new Grand MA 2 console, VL 3000 Spots, Martin MAC 3s, and Pixel Range Pixel Pars. There are also VL 2000 Washes, MAC 2000 Spot and Washes, Pixelines, strobe lights, 8 lights and more.

(Jim Evans)

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14 March 2016

"We shot for six days at the South Point Hotel and Casino in Las Vegas, covering 150 hands of poker per day," says Ferri. "In total, we shot 900 hands of poker to get six weeks of programming. Each round of 150 hands is five days of broadcast episodes. It was actually really interesting because poker is unpredictable and the stakes are high."

Ferri has been lighting poker shows for a number of years. His signature method of lighting television, using ellipsoidals mounted to the grid for all of his keylighting, is a departure from the usual use of large light balloons for poker broadcasts from casinos

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14 March 2016

Owners Rochmills initially approached the UK office of LED brand Anolis when they were looking for environmentally-friendly, low maintenance interior and exterior lighting schemes for this new-build project. Anolis had come highly recommended to them, and, explains Anolis's Scott Callis, "They in turn have the foresight to consider green issues and be prepared to invest money now to save in the long term."

The brief then expanded to include lighting for the downstairs VIP lounge and after-party area, which was designed by Nathan Wan of Robe UK.

A basic scheme had already been suggested for the outdoor elements, so that was followe

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14 March 2016

In addition to showing the latest software versions of the company's lighting control desk range, the company were showing the latest portable dimming from the Smart Solutions range and the new additions to award winning Selador series of LED fixtures.

Mark White, ETC's regional manager for UK and Ireland, said, "The signs of economic uplift continue; many of the initial enquiries we received last year are turning into firm orders, and this was reflected in the amount of interest in many of the products on the ETC stand."

The new Selador Vivid Fire and Ice attracted considerable interest. "We set up a brightly dressed mannequin, to demonstrate what happens when Selador lights colours, then compared it to the

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14 March 2016

This year the competition for the coveted Hook Clamp Trophies was as strong as ever, with a host of companies entered across five key categories, which represent the spectrum of the industry. The Awards continue to set a precedent, highlighting the spectrum of products and services for the theatre production and staging market. The winners of the Awards were:

Best New Lighting Product: White Light scooped the Award for best new lighting product with its Prism Reveal, which was chosen by the judges for its flat field, colour correcting ability and overall efficiency. The nominees in this category included: Robin 300 Plasma Spot from Robe; the Gekko Kezia LED Spot Lamp from PRG and the Cyclo LED Panel from Showtex.

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14 March 2016

"According to his doctors, Art is expected to make a full recovery. However, they cannot predict an exact timeline," a statement said. Garfunkel added: "I do feel bad about disrupting so many people's plans but, as I continue to mend, I can't yet bring my A-game to a tour, and I would not perform for you with anything less."

In The Sale Room - John Lennon's handwritten lyrics to Beatles song A Day In The Life have sold for $1.2m (£810,000) at auction, well a

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14 March 2016

The event was managed by MIA Agency, a Dubai based events management company, with TechnoPro, the distributor for PR Lighting, supplying and installing the LED screens, video, audio, lighting fixtures, staging and trussing.

To create the dynamic they used 24 each of PR Lighting's XL1200 Spot and Wash moving lights, and 32 XLED 590 (LED spots). The XLED 590 moving yoke colour-wash LED fixture in particularly impressive as with 90 Osram Diamond Dragon 5W LEDs (30 red, 30 blue and 30 green) it is one of the brightest in the market.

Patrol is Nissan's flagship SUV and enjoys a rich heritage - particularly in the Middle East, which dates back to the 1950's. As one of the first dedicat

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14 March 2016

The lighting design is by Nick Richings and the programming was completed by Jim Beagley. The tour originally started in 2006. This current version has been out since 2009, when it started with another lighting console which was replaced shortly afterwards by the grandMA. Beagley explains, "We needed a reliable rock 'n' roll style touring desk onto which we could easily transfer the show and run in a similar fashion."

The programming for the transfer was done offline at White Light. Beagley took a DMX capture of the

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14 March 2016

Lighting designer Al Gurdon used W-DMX for a special keylight ring built into the Technocrane and cameras in the Green Room to achieve specific lighting effects. The Technocrane ring light was operated by Gurdon himself while the Green Room camera ring lights were operated by Sveinung Solbrekke, lighting designer for the Green Room.

Production manager of design Ola Melzig said, "There's a very good reason that W-DMX is used for Eurovision - it works. You name it and it's at Eurovision: every kind of wireless and broadcast equipment, moving sets, thousands of fixtures and thousands of people. Wireless DMX is required for some aspect every year and we just won't take a chance wi

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14 March 2016

Located in M-NETs Studio 6, Randburg, Johannesburg, this is the first of its kind in South Africa, setting new technological standards with eight Philips Vari-Lite VLX Wash luminaires, plus over 400 Anolis LED units which are integrated into various set elements in a design by Michael Gill.

With sustainability a key issue, this whole elegant, highly versatile lighting rig can be run off two 15 amp plugs.

Gill, who collaborated closely with lighting designer Joshua Cutts of AV Unlimited to produce the original aesthetics, wanted "Something contemporary and totally different that utilised the best technology in the world".

The new studio was launched in time to broadcast compr

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14 March 2016

Hawthorn's general manager, Simon Wood, commented, "The Royal Courts of Justice is a stunning building which lends itself so well to events. We have worked at the Royal Courts of Justice many times in the past, so becoming an approved contractor was the logical next step for Hawthorn and we look forward to offering innovative solutions and to building a strong working relationship with the venue's events team."

"The quality of suppliers we have complements the first-class events we produce at the Royal Courts of Justice, most recently for Vivienne Westwood, Anish Kapoor and the British Fashion Council," said Royal Courts of Justice head of events for seasoned events, Gavin Marshall.

(Jim Evans)

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14 March 2016

The production was conceived by a top team of creatives, with Alan MacDonald designing the set, Stufish's Nicoline Refsing the props - and the currently much in-demand Baz Halpin originating the lighting scheme (which was later carried forward by Nick Whitehouse).

All the lighting production (including 20 GLP impression 120RZ RGB LED Zooms) were supplied by Bandit Lites - and it was left to experienced LD Graham Feast to animate the set.

Having originally intended to use the impression heads to function on elliptical arms - similar to his design for the Alicia Keys 2010 Freedom Tour - a late concept change saw the lighting designer redeploy the GLP heads as floor effects.

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14 March 2016

The Guangzhou Ballet has just finished its tour of over 100 performances in the most

important theatres in China.

The lighting designer of the event, Sun Tianwei chose to use the Infinity Spot XL by Coemar. Tianwei adopts a simple clean-cut style using black and white as the main colours: the key to the show is the emphasis on the spectacular effects of the ballet, the movements and forms of the bodies on stage.

The Infinity Spot XL meet all the requirements