Lighting

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14 March 2016

Built to MilTec's own specification, the MTA range gives professional sound quality for venues and rental companies operating on a tight budget.

Also on display will be the new StageWash144 LED wash. Suitable for both stage and architectural use, (IP65 rated), it has 48x 3W RGBW LEDs, giving a powerful beam with pastel colours and excellent colour mixing even at short range,l says the company.

Another new addition to the MilTec catalogue is the LEDHead moving head LED profile.

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14 March 2016

At the hub of the building is Real Life Church's main sanctuary, an amphitheatre-style auditorium that seats 1,200. In addition to accommodating worship services, the room was required to function

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14 March 2016

All Bandit Lites offices' computer equipment and components are recycled though Scotts Recycling in Knoxville, TN. They accept complete and partial computers, phone systems, TV's, household electronics, cables, UPS Systems, printers, cameras, VCRs & copy machines. They also accept a wide range of metals, utility equipment, subassemblies, scrap wire and system components. Parts that can be re-used are sold and everything else is separated and recycled.

Office printers and copiers have been replaced to allow for energy efficient units and toner savings. Duplex printing, toner saver modes, and standby modes have been adjusted to allow for the efficient use of supplies and power when not in use. All office computer monitors have been set to turn off when idle a

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14 March 2016

The show, a fusion of video and lighting, is designed by Mark Calvert of Immersive (formally known as Pixel Addicts), together with his colleagues John Munroe and Dave Green. It features a striking set architecture constructed from special dollies containing Barco MiStrip LED screen, which has its own set lighting system some parameters of which are controlled, along with the video content, by Immersive's Addict show control system. Additional lighting onstage is controlled through a 'traditional' lighting console operated by lighting designer Simon Barrington.

Mike Oates is project managing for HSL.

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14 March 2016

During their time at Inner Circle Distribution, Freed, Duncan and Mass, all of whom have previous work experience at Martin US, emerged as key players in the US rental market.

Inner Circle Distribution has been involved in the entertainment industry since 2005 as a distributor of primarily moving head lights throughout the USA, Canada and the Caribbean.

"Through this agreement, a circle has been closed (no pun intended) as all three owners have worked for Martin in the past, effectively earning their stripes here," stated Brian Friborg, president of Martin Professio

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14 March 2016

"We established Goboland UK as a gobo company dedicated to the UK market," says Enever, "which is something that our customers have really responded to in a very positive way. We find people like the local nature of the company and the rapid response to their enquiries and gobo needs that we provide. We offer the same quality of product, attention to detail and customer service which have always been the key to our success and the business is increasing rapidly as a result."

Last year's ABTT saw the launch of the company's Credit Crunch Gobo to celebrate the formation of Gobol

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14 March 2016

The TV lighting specialists have been providing an evolving inventory of dynamic industry standard effects since 2002 - and now the GLP impressions have joined the production.

They recently provided the main focus when Groove Armada (featuring Will Young) performed their latest hit, History.

The special chrome GLP impression XL - purchased in July 2009 - offers 240 LEDs, making the light output almost three times as bright as the original RGB fixture while maintaining all the other advantages.

"I was delighted with the performance of the GLP units on Friday Night With Jonathan Ross," said Chris Kempton. "We always tr

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14 March 2016

At 48.5 lbs./22 kilograms, the Elation Design Spot LED weighs less than the original Design Spot 250 Pro, yet produces a light output comparable to a 250-watt discharge lamp. It also offers the easy maintenance typically associated with LED fixtures, since its extended lamp life is 50,000 hours.

Like the original Design Spot 250 Pro, the new Design Spot LED features a variable Frost Filter, which allows it to function as a hybrid spot/wash effect. Other features include a motorised iris, motor

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14 March 2016

This year, over 200,000 people were connected via the Internet to the event, which took place at the Music Hall in Rennes. To transmit the concert via the Web, broadcast staff used eight high definition cameras, as well as a package of Martin lighting and control gear provided by rental company MES of Nantes at the request of SIWA director Jose Nedelec, who handled technical direction and audio for the event.

Lighting designer was François Guillet of Lumières Utiles who chose to use a Martin Maxxyz Compact lighting controller along with three MaxModules: MaxModule Button, MaxModule Submaster and MaxModule Playback. The Martin ran

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14 March 2016

For this year's event, The National Broadcaster of Norway, NRK utilised a maXim M supplied by Multitechnic in Oslo for Stage Motion control, drapery, silks and drop downs.

The maXim finished up controlling a Kinesys K2, Chain Master products as well as six Wahlberg DMX controlled Winches, six Wahlberg DMX controlled curtain rollups designed specifically for the ESC and three DMX Beamslides.

(Jim Evans)

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14 March 2016

For one evening the various contestants were illuminated by the same lights as those used for the great world artists, a deliberate contribution to the show by the lighting designer Maksim Balashov who used various Coemar projector models in order to create different atmospheres and emotions.

The impressive lighting installation created entirely by the Italian company, comprising over 120 projectors, illuminated a whole range of talents - dancers, singers, musicians, actors and many others.

Fixtures included the follow spots Testa 2500 and Testa 1200, and every moment of the performances was highlighted by 60 iWash 575, 30 I Spot 1200 and

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14 March 2016

HSL was brought onboard by Jerusalem and Tel Aviv based Stage Design, who supplied all the technical infrastructure for the high profile six-day event, and built most of the site. It was the first time the two companies had collaborated, which happened after HSL came highly recommended by several contacts.

HSL's project manager Mike Oates says, "We were delighted to win the contract. Working with the Stage Design team has been a real pleasure. They have the same vision and dedication to providing great service, cutting edge technology and top people as we do."

HSL sea freighted all the gear - which included o

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14 March 2016

White Light's lighting designer Jason Larcombe designed a system to capture the atmosphere of the evening, lighting a performance stage and backdrop, and reinforcing the V&A's distinctive atmosphere in order to create a magical look and feel to the museum for the guests.

To enable the transformation, White Light made use of its extensive equipment stock, including some of its latest vision and media LED equipment which was applied to create a flexible and exciting backdrop to the range of performances, each differing in style and focus. White Light also introduced a range of automated LED equipment, accompanied by battery powered and wireless control systems allowing the lighting to extend to the far

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14 March 2016

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14 March 2016

wysiwyg R25, developed by CAST Software of Toronto, Canada, is the latest update in the industry standard for professional lighting previsualisation. The Company added this addition to R25 as a new third party application extension to work with Luminair 2.0 wireless multi-touch DMX control software for the iPhone and iPod touch, developed by Synthe FX of Cincinnati, Ohio. wysiwyg can download fixture point of view and the necessary DMX data to these handheld devices so users are able to see what a specific fixture's focus should be and adjust the fixture accordingly. Once that fixture is focused, the user can turn th

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14 March 2016

Designer Vince Foster and production manager Julian Marks called upon Bandit to Illuminate the FA Carling Cup Finals.

Designer Greg Hamm along with tour manager Bill Thompson and production manager Peter Edmonds again tapped Bandit to provide touring lighting needs for the always sold out Elvis The Concert.

Ronan Keating put on his ever typical over the top extravaganza with designer Hunter Frith. Ian Whitehead of Production North produced the entire event. The tour manager was Paul Bultitude.

Designer Pat Marks continued his long relationship with Bandit using them again on the Status Quo tour for which production manager Glen Smith was ably assisted by stage manager Lloyd Gilbert.

The British Open Show Jumping C

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14 March 2016

RACPRO, headed by managing director Danny Lau, has put in place a specific lighting team and a technical lighting department headed by Mr Patrick Wong, also an entertainment lighting specialist for over 15 years with deep industry knowledge. The RACPRO team has received full sales and technical training at ADB's head office in Belgium and is fully equipped to serve both existing and new customers.

ADB Lighting CEO Christian Léonard commented, "We are delighted to have the expertise and market knowledge of RACPRO headin

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14 March 2016

The musical La Cage Aux Folles, which began life at the Menier Chocolate Factory in Southwark, south

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14 March 2016

The course saw 11 people become certified Vari-Lite technicians, including five from DWR, whose Duncan Riley organised the workshops following recent significant sales in the region, including to rental company, Gearhouse South Africa and the newly kitted out Supersport HD Studio at M-Net, where VLX Wash luminaires were supplied by AV Unlimited.

DWR has built its success and reputation on providing the very best service and technical support, so as soon as the sales were confirmed, it became essential to train up their own team. Says Riley, "We also realised that there was a demand for training from the companies who will be involved with using

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14 March 2016

"When we were handed this project we looked everywhere for the right technology and found the perfect solution in America. The air-powered mast system we've chosen has successfully established itself as a necessity in Fire Departments across the States," says Craig Collin, Black Light's technical manager. "Although we're using it in a slightly diff

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14 March 2016

Hawthorn's installation team have been installing ETC control and dimming equipment, including Congo desks, into many venues and been very impressed by their reliability and flexibility. Head of installations Alan Jackson, said, "This allows us to provide additional support to our customers and add servicing of Congo's to our ServiceSafe portfolio."

Hawthorn's hire manager, Dave Slater, commented, "We've received nothing but praise for the Congos from a variety of venues, so adding them to rental stock was the logical next step; there's already been a lot of interest from our customers."

Alan Jackson, head of installations at Hawthorns, will be on the stand this year to discuss Service

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14 March 2016

The three-day Coachella Valley Music & Arts Festival held 16-18 April in Indio, California near Palm Springs used the W-DMX system to achieve otherwise impossible cabling for an event of this size.

The production company for the site lighting at Coachella was Visions Lighting of Placentia California run by Todd Roberts. The system consisted of a single W-DMX BlackBox S-1 transmitter and 20 receivers controlling 20 7kW Falcon moving lights from A&0. The lights were mounted on 30ft towers, surrounding the festival area. An 8dBi omni antenna was at the transmitter, and each receiver had a 24dBi grid antenna. The longest distance was 2033ft.

Roberts comments, "The W-DMX system worked perfectly, this was our third year using it since it's proven

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14 March 2016

The event was held at the Aspire Dome, credited as the world's largest indoor multi-purpose dome, offering the highest quality facilities for multiple sports and international events.

The event was managed by Big Events Australia. At the opening and closing ceremonies, TechnoPro (Qatar) provided and installed lighting fixtures and truss structures - with the lighting dominated by automated fixtures from PR Lighting (which they distribute in the region). Suspended from the trusses were 50 XL1200 Wash lights and 12 XL1200 Spots.

(Jim Evans)

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14 March 2016

Noted pianist Balázs Havasi was the featured entertainment, performing with the Havasi Symphony and 40-person choir. Havasi holds the Guinness Record for The Fastest Pianist in the World by managing to beat the same bar on the piano 490 times within a minute - a title he earned in November 2009. No one has ever tried to do the same.

The Budapest Congress & World Trade Centre is the largest, most modern congress and meeting facility in Hungary, located in the heart of Budapest. Lighting designer Attila Lenzsér used nearly all Clay Paky lightin