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It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Software improvements include a redesigned hardware configuration panel; refined networking with graphic interface; auto-route inputs; improved auxiliary architecture; a channel presets recall scope; effects presets; and many more. A major overhaul.
DiGiCo TV - or more correctly www.DiGiCo.tv - answers the problem of console operation familiarisation DVDs becoming rapidly obsolete as DiGiCo issues the next software improvement: desk users can go online and find the
In addition to the CV20, Crest showed the Ci20x4 and Ci20x8 power amplifiers providing four or eight channels respectively. Both amps are capable of running from 4 ohms through to 70V line switchable per channel and can run 100V system with an optional unit. Other modules allow the amplifier to sit on a CobraNet-8 network providing a fully monitored and controlled solution.
KV2 Audio was also representing other lines (distributed in the UK under its 'Resolution' company banner), not least Apex Intelli-X and Intelli-Q, two audio DSP units. Also from Apex, Argos measures real-time SPLs to control sound levels, and used in conjunction with Hera, records sound system performance (good for site noise control measurement) and will activate external equipment, e.g. mains switch-off in the event of system abuse.
The Vieta So Cube is a production version of an
Steff Langley, the Barbican's head of sound, ordered the desk from Richard Nowell Sound Services with a brief, "to keep us as mobile as possible. All our outboard is also flightcased, as we move systems not only between the various venues here at the Barbican, but also outside the theatre, to other locations. There's no point in spending £50K on a console, but not spending £1K on a flightcase."
The Barbican's 2006 progra