UK - Shure Incorporated has announced that Tuomo George-Tolonen has been promoted to senior director, pro audio sales, Western Europe.
Tuomo has been with Shure since 2006, when he joined what was to become the Shure UK Systems team as an applications engineer. He previously worked at Genelec US. In 2008, Tuomo assumed responsibility for RF regulatory affairs, joining the BEIRG steering committee to jointly represent PMSE industry needs regarding RF spectrum allocation.
“His enthusiasm, passion for technology, and ability to identify and realise new opportunities, led to this promotion,” comments Peter James, vice president of global sales, pro audio. “Under his leadership, Shure UK has experienced continuous growth in the pro audio vertical, and has been at the

USA - Hot on the heels of the release of SolaFrame 3000 in August, High End Systems will launch the SolaSpot 3000 automated luminaire at LDI this week. Offering the same performance as the SolaFrame 3000, the new SolaSpot 3000 is engineered for designers that require “unprecedented pattern and effect possibilities as well as incredible brightness”.
The SolaSpot 3000 delivers over 37,000lm and features three gobo wheels for a total of 21 patterns, graphic and glass textured animation wheels, light and heavy frost, three-facet and eight-facet prisms, aerial effects plus a full feature set.
HES general manager Becky Koester comments: “We are excited to bring this new luminaire to our Sola Series family. Customers that don’t require the framing capabilities of the SolaFrame 3000 now have a high-powered option with the largest effects selection to date. It further s

USA - At this year’s LDI show, CAST Group (stand 2255) will demo the latest from wysiwyg, BlackTrax and also present a new native software for broadcast. The company will also launch its global training programme.
CAST will present release R41 of wysiwyg in the USA for the first time. On stand, the new BlackTrax V2.3.3 will be at the heart of a presentation designed by Dream Laser that will combine tracking with lighting, media interactivity, moving projection mapping, 3D positional audio and camera tracking for broadcast. Lighting for the demonstration - which will include the opportunity to get hands-on and will feature live performances and interactive games - will be powered by Luminex; media support will come from disguise and Notch; L-Acoustic will provide 3D positional audio; and projectors and PTZ cameras will be from Panasonic.
Meanwhile CAST’s new broadca
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Indochine X PixMob Fan Immersion

It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!

Read more about the Indochine tour in the latest issue of LSi

USA - The Claypaky Sharpy Plus and the Claypaky Axcor Spot 400 will make their international debut at LDI 2018.
Sharpy Plus is billed as “the first true 100% hybrid unit, able to be a perfect beam light and a perfect spotlight”. It fits a new Osram Sirius 330W X8 lamp and weighs only 21.6kg (47.6lb). All its functions are extremely quick. A linear 3° to 36° (1:9) zoom covers the entire range linearly, both in Spot mode and in Beam mode.
The Axcor Spot 400 provides the medium-power applications with compact, bright, LED moving spotlights, complete with “every device you need for exceptional projected visual effects”.
The Axcor Profile 600 stands out for its versatility, its high-level performance and the superior quality of its light. The luminous efficiency is among the highest for this power category, and can be further increased by about 25% if neces

South Africa - Absen users in South Africa were invited to attend a three-day training session with Ricky Qiu from Absen at local distributor DWR Distribution earlier this year.
The ACE Training (Absen Accredited Certified Engineering) was attended by 20 delegates from both the rental and install markets, with the aim of imparting practical user knowledge to operate and set up screens as well as fault-finding.
“The Absen panels have taken off beyond our wildest imagination,” says Schalk Botha, sales representative at DWR. “The panels are user-friendly, reliable, cost effective and easy to maintain.”
Ricky Qiu from Absen adds: “The training went very well and was much better than I had anticipated. The course made sense to the delegates, and I can see a positive future for Absen in South Africa.”
Qui will be in the country again in November to

Croatia - AV solutions provider HUST has completed the design and installation of new audio and video systems for the largest conference hall of the Croatian Catholic University (Hrvatsko Katoličko Sveučilište) in Zagreb.
HUST was commissioned to provide the main conference hall with a triple projection system and high-quality audio throughout, with a focused sound system for the centre screen.
To deliver uniform sound levels and clarity throughout the hall, HUST designed a distributed system using Community D8 two-way high output ceiling loudspeakers, with D10SUB ceiling-mount subwoofers adding extended response and low frequency impact. An additional pair of Community V2-28 dual eight-inch full-range two-way loudspeakers is positioned above the stage to focus sound on the main 5.5m wide screen.
Two further 3.6m screens and three high output Epson 3LCD full

Europe - Colour Sound Experiment supplied lighting, video and rigging equipment plus crew to the recent Tash Sultana UK and European tour.
The Australian singer-songwriter and multi-instrumentalist is wowing fans worldwide with the debut album Flow State and enigmatic one-person show.
Detroit based lighting designer Cam Anderson started working with Tash at the end of 2017 during a US tour, and evolved the current stage design with the artist to compliment the performance and style.
It includes a distinctive flown triangular truss upstage, together with a series of staggered video panels behind the centre-stage position which bring structure and form to the performance space. These elements were crafted working closely with Tash and her international production crew.
The resulting set is highly visual, and the rig can be up/down-scaled to deal with v

Australia - Adelaide Oval has been described as one of the most picturesque Test cricket grounds in Australia. Its importance on the international cricket circuit is undisputed, being headquarters to the South Australian Cricket Association (SACA). Its sporting credentials extend to other areas, with South Australian National Football League (SANFL) also calling it home and the venue playing host to Australian rules football, rugby league and union, soccer and tennis, as well as regularly holding concerts.
It has three stands, the Western, Eastern and Southern or Riverbank Stand, all constructed as part of a major refurbishment completed in 2014. The Riverbank Stand boasts a new L-Acoustics Kara system, supplied by Jands, L-Acoustics certified provider distributor for the region. The system delivers improved coverage and intelligibility, all without the need for expensive ac

UK/USA - They may have their own distinctive flying saucer, but sometimes for Jeff Lynne’s ELO, taking the boat is the smarter option. “The thing was, we were down to the wire,” says production manager Richard ‘Wez’ Wearing. “We simply had no time from the band finishing prior commitments here in the UK to going onto ELO in the States. The only way to get any proper production rehearsals for the US tour was to set up everything in Neg Earth’s LH2 production facility here in the UK, then put it in a sea container and ship it straight to the US‎.”
Not an insignificant call? “There are pros and cons on the financial side - yes, it was a cost, but there was no time to do anything else. When we got there, we had just one set up day then straight into the first show.”
Fortunately, since the triumphant return of Jeff Lynne and ELO, which began in the UK

UK - Specialist illumination company LED Creative is working with lighting director Stuart Pring on the latest series of hit comedy show Roast Battle.
Filmed before a live audience on a custom installed set at the Electric Brixton Theatre, London, Roast Battle features some of the UK’s finest comic performers pitted against each other in a no holds barred verbal assault.
Helping create LD Stuart’s look for the show, LED Creative has supplied a selection of their Alpha Soft Wands, including a consignment of built-to-order 500mm units, all controlled using the company’s in-house designed BIT 8-Way Controllers.
Complementing the installation, which incorporates a range of equipment from Version2 Lights, the Soft Wands provide highly controllable, linear LED accents across the semi-industrial, ‘grunge’ set design, a fitting backdrop to the rut

USA - Nemesis Audio has agreed an exclusive distribution agreement with Pro-Sound for the distribution of the entire range of Nemesis Audio products in North and South America and Canada.
New York-based Pro-Sound is run by industry veterans Jim Flynn and Andy Hilton who combine many years of industry experience with a hand-picked team of technical experts to handle their sales and support operations across many audio disciplines including broadcast, theatre sound and concert touring.
Pro-Sound CEO Andy Hilton comments: “Nemesis products are ground-breaking and very well thought out and are already deployed on many theatre musicals in the USA. We aim to increase the line’s presence within this market area and further expand into new markets.”
Chris Headlam, Nemesis Audio managing director, adds: “With the ever-increasing presence of Nemesis Audio products


USA - Ayrton will highlight new products at LDI 2018, including the newly launched BoraS and KhamsinS fixtures, alongside previews of its new Diablo-S, Diablo-TC, Merak-S and Merak-TC automated fixtures. The new products can be seen on Booth 1139 where Ayrton will be showcasing them in its now much-anticipated lightshow, alongside its exclusive US distributor, A.C.T. Lighting. The Ayrton portfolio will be also on display on Booth 2105, represented by Theatrixx Technologies, Ayrton’s exclusive distributor in Canada.
Launched just last month at PLASA London 2018, BoraS is Ayrton’s exciting new high output, low power LED washlight, complete with gobo projection and framing capabilities for stunning aerial effects. Bora-S’s extreme optical efficiency delivers an output of 38,000lm from an 8000K white LED engine using just 750W to “surpass any other LED fixture in

Hold The Music - The family Prince has hit out at Donald Trump, calling for the US president to stop playing the star's songs at his rallies. The late musician joins a growing list of other artists who have also objected to the billionaire tycoon-turned-world leader playing their music at public events. Omarr Baker, Prince's half-brother, tweeted: "The Prince Estate has never given permission to President Trump or The White House to use Prince's songs and have requested that they cease all use immediately."
Purple Rain was reportedly part of the president's playlist in Mississippi last week. It comes after Trump's team reportedly included the star's hit song in a campaign rally playlist in the lead up to the November midterm elections. Others who have spoken against their music being played at Republican rallies include the Rolling Stones, Adele, Queen, George Harriso

USA - As the second-oldest professional symphony in the United States, the Grammy Award-winning St. Louis Symphony Orchestra is proud of its longevity and tradition. For the past half century, the SLSO has performed in Powell Hall, a world-class acoustic concert hall that seats over 2,600. Its acoustics are excellent for the orchestra itself but far less than excellent for amplified sound.
Until recently, spoken word for lectures and presentations was difficult to understand and sometimes came with feedback. Reinforcement for both instruments and vocalists during amplified concerts was also challenged with gain-before-feedback issues that were only partially remedied by destructive equalization. After extensive research, the SLSO found that Danley Sound Labs’ point-source technologies deliver excellent intelligibility and gain-before-feedback.
“When I first heard t

Germany - Twenty years ago the former central railway station in the spa town of Baden-Baden was repurposed as the ticket office and foyer for a new venue, Festival Hall Baden-Baden, the country’s largest venue for opera, ballet and live classical music.
Thanks to its state-of-the-art acoustics, Festival Hall Baden-Baden is renowned for its excellent sound. It also stages presentations, jazz, rock and other amplified events. For these, a new Yamaha CL5 digital mixing console is helping to keep the venue’s commitment to the highest quality audio on the right track.
Since Festival Hall Baden-Baden opened in 1998, the former station’s neo-Renaissance style ticket hall and waiting rooms have formed a historic entry for visitors into the modern, 2500-capacity auditorium, which was built in the space where the track and platforms used to be.
The auditorium was de

UK - At the recent 30th birthday celebrations for HSL at the company’s Blackburn HQ, Lucid Technologies delivered the gifts of innovation and visual impact for HSL MD, Simon Stuart and his hard-working team who, across the span of 30 years in the lighting industry, have provided the very same gift to others.
Lucid’s contribution sparked two main areas of the event. Delineating the event’s expo space with picture-frame gallery videowalls to highlight the companies supporting the event, the team also created an immersive and interactive demonstration of the latest in video technology, for attendees on the tour of HSL’s impressive 165,000sq.ft premises.
On opposing walls of the expo space, the vibrant backdrop was created on two 60m LED video walls. Content was supplied to the 60m x 2m LED displays from a Disguise GX2 media server running animated backdrops, which

UK - Flare Audio has extended its range of ear plugs with the introduction of Sleeep, billed as “a comfortable, light, and unobtrusive way of blocking out unwanted noise, day, or night”.
Sleeep builds on advances made by Flare’s previous ranges of ear plugs, Isolate and Snoozers, using an engineered metal core to exclude sound, while a comfortable memory foam tip fits snugly to the wearer’s ear, ensuring a comfortable fit for all night use. The addition of dual tips – one at each end - maximise comfort for sleeping on your side. The audio innovators have been able to reduce the size of the sleeping aid by slimming the metal core by over half from its earlier model, Snoozers, from 5.5mm to 2mm, without losing any of its audio qualities.
Sleeep works by blocking sound with its metal core rather than absorbing it, as traditional earplugs do. Available in two mo

New Zealand - Specifying an Audient ASP4816 console to be at the heart of Studio A completed the studio upgrades at Waikato Institute of Technology (Wintec) this July. Bringing analogue back to the School of Media Arts’ studio after a 13-year hiatus was a decision championed by music technician, Brad Morgan.
Brad explains that the original studio centred around an analogue console. “Its age and maintenance downtime was becoming an issue and in 2003/2004 the decision was made to go to Pro Tools HD with a Control|24. The workflow was simple and the ease of an ‘in-the-box’ solution was convenient for staff and students.
“Fast forward 13 years and the decision to create a hybrid system taking in the best of both analogue and digital workflows was something that was welcomed with open arms. External gates/dynamics and effects racks that had been in storage for man

UK - The Hackney Empire recently made for a stunning location for three days of demonstrations of 3D sound by Astro Spatial Audio, hosted by 2B Heard.
The event marked the first full UK demonstrations of Astro Spatial Audio’s immersive audio solution. A guest list of industry VIPs responded, with more than 50 industry influencers gathering to experience two full demos designed to illustrate Astro Spatial Audio’s scalability.
For the first demonstration, the stage of the Hackney Empire was ringed with 16 pole-mounted K-array Kayman KY102 line array columns configured for wide coverage plus eight overhead Domino KF210 enclosures and four Thunder-KMT218 double 18-inch subwoofers.
Guests were invited to stroll freely around the stage as they experienced perfectly phase-free, seamless 3D audio courtesy of a single 3RU Astro Spatial Audio SARA II Rendering Engine,

UK - Situated on The Green in the gentrified North London suburb of Winchmore Hill, Buckle and Vaughan is a spacious bar / dining space that is all about atmosphere.
Owned by Neil Friar, it was atmosphere that was sadly lacking when the venue opened four years ago, largely because the sound system was insufficient for the venue’s needs. Several years later and Penguin Media Solutions have been brought in to upgrade the sound with a potent Martin Audio CDD6 ultra-compact solution, using Coaxial Differential Dispersion technology.
CDD series has provided the solution for many Penguin installations since its launch, and according to director of operations and project manager for this job, Dylan Thompson, “It’s difficult to justify installing anything other than CDD. It’s an attractive box, produces a great sound and has a useful dispersion. On top of that, it’s

France - The annual Yamaha Commercial Audio System Designer’s Conference (SDC) takes place in a different European country each year. This September, over 300 audio industry professionals from 36 countries joined the families and fun at Disneyland Paris.
Co-hosted by Yamaha Music Europe France and Nexo, this year’s SDC was subtitled Experiencing High Quality Sound In Relation To The Five Senses and featured around 70 sessions, which mixed experiential, immersive demonstrations with lectures and discussions. The programme was organised by Yamaha Music Europe’s Ron Bakker.
“My goal was to provide new ideas and insights into new audio technologies and applications, as a basis for discussions – not only about the technologies and their scientific backgrounds, but also about what we do with them now, and what we plan to do with them in the future,” he sa

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