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USA - Chauvet Professional launched new products to its Maverick, Rogue, Ovation, COLORado and STRIKE lines. Drawing attention at the centre of the company’s booth was a running water display of the new Maverick Storm 1 Wash, a high output IP65 LED fixture that’s especially well-suited for outdoor applications.
Another crowd favourite was the large lighting display wall that featured a show by designer Cody James. Commanding attention on that impressive structure were the STRIKE Saber, a bright pixel mapable LED batten-style fixture with amber shift; and the COLORado Solo Batten, an IP65 rated RGBW linear unit that produces seamless edge-to-edge homogenized colour across its lens with no separations, dimmed lens corners or tiny circles.
Also drawing widespread inter

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USA - Robe presented part two of its Lost Worlds exhibition live show trilogy concept at LDI in Las Vegas, with another impressive booth design and an eight-minute live dance extravaganza designed to illustrate its latest technologies in the context for which they have been developed. This included the just launched T1 Profile LED moving light.
Over 200 new and current moving lights and LED fixtures - including the SuperSpikie and the MegaPointe, Spiider and Tarrantula LED wash beams, BMFLs and the RoboSpot remote follow spotting system running with MDC (multi device control) - were central to the show. Robe’s new iParFect - the first in a series of upcoming IP rated luminaires - was utilised in two rain curtains that were integral to the fully immersive and highly detailed show environment.
The show narrative followed the intrepid Explorer character, having j

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USA - Over the past decade, Bon Iver frontman Justin Vernon has emerged from the woods of Wisconsin as one of modern music’s most inventive songsmiths. Although his group’s musical path may have started out sounding something more akin to folk music, Vernon’s trajectory over the course of his last couple of records has explored everything from rustic chamber pop to haunting, textural collages of vocoders and electronica.
With such a broad range of sonic elements in the mix, Bon Iver’s show at the Santa Barbara Bowl on an L-ISA Hyperreal Sound system recently served as an opportunity for 4,500 lucky fans to hear the group in an expansively panoramic soundscape for the first time.
“Bon Iver’s records are amazing and Grammy Award-winning, but anyone who has seen them perform will quickly tell you that their live show is infinitely better,” says L-Acoustics
featured content

Indochine X PixMob Fan Immersion

It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!

Read more about the Indochine tour in the latest issue of LSi

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UK - Reece Productions invested in an Allen & Heath dLive Control Surface that has recently provided high quality sound for The Pineapple Thief's 2018 tour, closing with a triumphant performance at the O2 Shepherd’s Bush Empire.
Founder, James Reece-Ford commented: “We've been big fans of the (dLive) ecosystem. The whole console feels like it was designed with me in mind . . . The sound quality is way beyond my expectations.”
FOH sound engineer, Simon Baxter specifically requested the console for the tour. He commented: “I chose the dLive as I needed a small footprint desk, but with the power and flexibility that it provides. I loved using it. The on-board FX are fantastic, the multi band EQ was really useful and I was impressed with the ease of the workflow throughout. Most of all, the sound quality was fantastic; such a transparent sound and sensitive EQ

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USA - ESTA's Technical Standards Programme has published one revised standard, put another up for public review and a third one is available for public review for reaffirmation (no changes planned).
ANSI E1.1 - 2018, Entertainment Technology--Construction and Use of Wire Rope Ladders, was approved by ANSI's Board of Standards Review on 27 September. It is a revision of the 2012 standard, which was a revision of the 2006 standard with changed load ratings to accommodate heavier workers. Wire rope ladders are commonly used in concert touring for access to lighting trusses, but are rarely used in other industries.
ANSI E1.48 - 2014, A Recommended Luminous Efficiency Function for Stage and Studio Luminaire Photometry is being considered for reaffirmation. It is available for public review for free at

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UK - When SSE Group were looking to replace their old intercom systems with a scalable, all-weather alternative, with both the festival season and the corporate and broadcast markets in mind, they set demanding criteria. The new system needed to be reliable, function both internally and externally, and be operable over IP.
Their search took them to Pliant Technologies’ new wireless CrewCom system, distributed in the UK by Sound Technology.
CrewCom is based on a new technology platform that offers “the industry’s highest user density, unparalleled range and scalability”. “This system looked very promising when it came to replacing our existing systems.” said SSE senior project manager, Miles Hillyard.
He was soon talking to Sound Technology’s application engineer, Danny Kyte, before investing in four of the CrewCom radio packs and two transceivers, w

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USA - Following a successful limited run world premiere at the Oriental Theatre in Chicago in March and April of 2018, Pretty Woman – The Musical made its expected move to Broadway in the summer of 2018 enhanced by a comprehensive point source audio system from KV2 Audio.
Based on the 1990 film Pretty Woman, the book for the musical was written by the film’s director, the late Garry Marshall, and screenwriter J.F. Lawton. The musical opened on Broadway in August 2018, directed and choreographed by Jerry Mitchell and featuring an original score with music and lyrics by Bryan Adams and his songwriting partner Jim Vallance. Orchestration was by Will Van Dyke with sound design by renowned Broadway sound designer, John Shivers, and long-time collaborator, sound designer and audio engineer, David Patridge.
Having used KV2 Audio gear for more than 10 Broadwa

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UK - Technical production specialists Light Fantastic Production Services supported S2 Events with a comprehensive lighting, audio and support package for a spectacular Havana nights themed event.
The networking reception was a key date in the dynamic schedule at Focus/18, the six-day celebration of design excellence that welcomes enthusiasts from around the globe. Held at the Chelsea Design Centre, London, the Focus/18 brief was to assist in the delivery of a magical guest experience, inspired by the season’s new collections; playful, bold and confident.
Delivering a rich mix of crisp lighting effects, deep colour washes and clear audio, the on-site LFPS production crew, headed up by project manager Andrew Maxted, built on the Havana theme, filling the Design Centre’s three grand atriums with a vibrant mix of tropical colour and spicy salsa rhythms.
To match

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UK - Shure UK has announced Aztec Event Services as its 2018 UK Rental Partner of the Year. The award was presented to Aztec's operations director, Steve Colesell in recognition of the company’s commitment to embracing new technologies that ensure the best results for their customers.
Most recently, Aztec technical staff were quick to realise the potential of Shure's new Axient Digital wireless system, and their early adoption was crucial in staying ahead of the game. "The entire team at Aztec are a pleasure to deal with," comments Stuart Moots, regional sales manager. "At Shure, we've always advocated that continued commitment to education in the latest techniques and tools are paramount in delivering solutions fit for the challenges faced by today's production teams, and there's no doubt we see this commitment from the team at Aztec.”
Steve Colesell comments: "Sh

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USA - Central Florida’s Action Church is on the move, with three locations already established and another set to launch later this year, all of which rely on Allen & Heath dLive systems.
First opening its doors not much more than four years ago in Winter Springs, the fast-growing upstart christened its second location two years later in nearby Oviedo, spanned out further in 2017 to another in Sanford, and is set to lay out the welcome mat at a new location in Winter Park later this fall.
John Williams, the church’s music director, also steers the development of the audio systems in use at all locations. Working in conjunction with volunteers and the Bradenton, Florida-based Crown Design Group, Williams installed Allen & Heath’s dLive systems based upon their versatility, sonic quality, budget-friendly price point, and the unified approach they brought t

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South Africa - Cape Town-based Audio Engineering took delivery of their new Absen LED Screens just in time for the Lamborghini Urus launch, followed by the launch of the new Porsche Studio situated at the Cape Town Waterfront.
“We didn’t even have a moment to unbox the panels at our offices,” says Marcel Bezuidenhout, owner of Audio Engineering. The Absen gear, comprising of 84 panels, four senders, two scalers and flying gear, went straight to the Lamborghini dealership in Century City, where DWR Distribution’s Bruce Riley and Bradley Bruchhausen were on site to help set it up for the first time. DWR are the distributors of Absen in South Africa.
“Once the Absen was up, everyone was over the moon,” adds Bezuidenhout. The positive feedback continued at Audio Engineering’s next event, the launch of Porsche’s new home at the V&A Waterfront, and a coup

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USA - The winners of the inaugural Knight of Illumination Awards USA (KOI-USA) have been revealed.
An independent jury picked 18 lighting and video designers who were ‘knighted’ for their creative talent across Theatre, Live for Broadcast, and Concert Touring & Events at a gala ceremony attended by 300 professionals in Las Vegas on 20 October.
The winners are as follows:
Theatre
The DTS Award for Projection Design: Finn Ross & Adam Young for Mean Girls
The ETC Award for Dance: Al Crawford for Victoria
The Altman Award for Plays: Jules Fisher & Peggy Eisenhauer for The Iceman Cometh
The Elation Professional Award for Opera: Joe Levasseur for Cellular Songs
The Robe Lighting Award for Musicals: Tyler Micoleau for The Band's Visit
Live for Broadcast
The Phil

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Germany - Audio rental specialists It’s A Bird, under the direction of Cornelius ‘Conny’ Vogel, are off to a flying start with their newly-purchased Nexo Geo M10 mid-size line array.
Now entering his 20th year as a Nexo rental user, Conny Vogel added the Geo M10 system to inventory, seeing it as an alternative to the Geo S12 array that he has been using since 2008. “The new M10 weighs half as much as the S12 system, and it has significantly easier rigging,” says Vogel. “We notice a longer throw, especially for vocals, and a significantly better performance in the vocal range. Because it has a much better rear rejection, there are fewer feedback problems on stage.”
A good example of Vogel’s observations was a sell-out concert by the internationally-successful German singer Ute Lemper. Performing at Raesfeld with the Russian Chamber Philharmonic St Peters

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South Africa - Festival Sound has invested in additional L-Acoustics equipment to enable them to service more clients and offer flexibility to events.
Petru Palmer, owner of the company, comments: “I purchased my first L-Acoustics system about four years ago. I initially bought two ARCS Wide, two SB18m and an LA4X amplified controller. I remember choosing the ARCS WiFo because it was the only system of its kind and did everything I needed in a PA System. It has been a great investment and I have only had positive results.”
Festival Sound has now purchased ARCS Focus from DWR Distribution, the local L-Acoustics agents. “The ARCS are so versatile that you can use them, pretty much, for anything,” Palmer explains. “I wanted to expand on the system I already have and support the rest of the L-Acoustics network users with more equipment options. As for the L-Acous

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UK - High End Systems’ Hog Factor UK competition is poised to return on 7 November, when the Live Finals will be held during Production Futures in Wakefield.
The previous winner of the contest, Nina Mesitz and her team Status Cue, triumphed at Hog Factor at Prolight + Sound 2018. Six months on she looks back at her progress since and plans for the future.
The team are students from the Austrian vocational school BS Evita. Mesitz, who is a trainee of the Graz theatres, speaks highly of the competition, commenting on the ‘valuable experience and lifelong key contacts’ she made from it. “It’s a unique opportunity that aspiring lighting designers or technicians must take advantage of,” she states.
Mesitz and her team jumped at the chance to participate in the competition, recognising the importance of getting hands-on experience with industry professional

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USA - At LDI 2018, ETC presented entertainment technology charity Behind the Scenes with a cheque for $18,567.19.
The funds were collected from the most recent proceeds from ETC’s iRFR and aRFR Radio Focus Remote mobile applications that enable remote control of the Eos family consoles and controllers.
Fred Foster, ETC’s CEO, comments: “Over the years, it has become clear that this industry draws in great people that truly feel like family. We are honoured to be part of an industry where the whole spectrum of professionals, from technicians to designers to manufacturers, are so willing to contribute to BTS’s mission to support our colleagues in need.”
Rick Rudolph, chair of the BTS Board of Directors, adds: “ETC’s employees and customers should be enormously proud of what they are doing. At a time when feeding profits seems to be the motivating forc

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Russia - Moscow’s new Zaryadye Concert Hall opened in style in September with a gala performance by the Russian National Orchestra. The modernist structure houses a 1,560-seat main auditorium lit by a house rig of Claypaky fixtures.
Claypaky’s Russian distribution partner DOKA was commissioned to provide technical expertise for the project and specify a lighting solution. To facilitate the breadth of events held at the auditorium – from theatre and classical concerts to conferences - the company designed machinery that required specific lighting fixtures to match. Lighting equipment is mounted on special mechanisms allowing to lift projectors up above the ceiling and handle technical maintenance without dismantling them.
DOKA supplied 54x Claypaky A.LEDA B-EYE K20 LED, 12x Claypaky Scenius Spot, 12x Claypaky Scenius Profile and 30x Claypaky Show Batten 100 LED.

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UK - Specialist lighting and rigging services provider TSL has appointed account handlers Dominic Sheerman and Loz Wilcox to its board of directors.
Sheerman and Wilcox joined TSL from Basingstoke-based conference and event lighting specialist Blinding Light in 2017 prior to its acquisition by TSL at the start of 2018.
TSL MD, Sam Tamplin, comments: “We’ve reached the stage where we are a team of more than 60 people. It was time to strengthen the management structure, ready for the next stage of development. Since Blinding Light joined us, we’ve all taken the time to settle in and figure out how we work together, and now the time is right.”
(Jim Evans)

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USA - Signify announced the global launch of the new Philips Vari-Lite VL10 BeamWash luminaire at LDI 2018.
The first lighting fixture to be designed to incorporate the Philips 25R Platinum 550W lamp, the VL10 BeamWash “packs a new level of power, dynamics and personality into a compact, fast-moving body”.
The VL10 BeamWash produces 28,000lm of output from the concentrated power of the new lamp, making it the brightest and most versatile fixture in its class. Its 2.2-48˚ zoom range delivers a broad choice of looks, from crisp, tight beams to wide, smooth washes and mid-air blasts, enhanced by an unrivalled suite of creative beam effects.
Among the effects choices available are dual overlaying prisms, an eight-slot rotating gobo wheel and an aperture wheel featuring 12 designs, including beam reduction to a laser-like 0.7˚ and a range of bold break-ups and

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USA - When describing his lighting design for the second leg of superstar Romeo Santos’ Golden Tour, Bruce Rodgers of Tribe, Inc. says: “It’s all about scale and simplicity.” The scale is immediately apparent to anyone who catches a show on the 18-city tour that began in September.
Dominating the area over centre stage is a colossal overhead truss structure that resembles a UFO about to land. Intense brightness radiates from the hovering form, courtesy of 117 Chauvet Professional Maverick MK3 Wash fixtures, which were supplied by 4Wall Entertainment Lighting.
The ‘simplicity’ Rodgers refers to may not be as instantly obvious, but once the initial awe inspired by this circular overhead panorama passes, it too becomes easy to appreciate. For all its size and power, there is no waste in Rodger’s lighting design. No distractions. No dead-end flourishes

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USA - Harman Professional Solutions has introduced its innovative Martin MAC Allure Profile LED moving head. MAC Allure products were designed to support the special performance lighting needs of rental and install clients, including concert/touring, TV shows, corporate, houses of worship, concert venues, nightclubs, and cruise ships.
Also at LDI, Harman re-introduced the ultra-creative potential and ease of use offered by its Martin P3 Visual Control Solution, which is integrated into the MAC Allure Profile and soon other Martin fixtures.
The Martin MAC Allure Profile is the first fully-featured moving head to combine a proprietary, solid state RGBW additive colour mixing engine, a seven-segment pixelated beam and onboard P3 and DMX controllability that lets users swiftly alternate or mix between control protocols. The overall feature set further includes dimmer, stro
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