Canada - Led by CEO Jean-Sébastien Roy, Headroom Productions has become a go-to provider of broadcast equipment rentals for high-profile, unscripted productions, managing everything from consoles to advanced RF systems. With a portfolio that includes Survivor Canada, I’m a Celebrity: Get Me Out of Here and Star Académie, Headroom relies on solutions from Wisycom.
One of the company’s most ambitious projects to date is the reality series The Traitors, which presents significant logistical challenges due to its sprawling set, remote locations and constant on-the-go cast movement. “Traitors is the perfect example of why we use Wisycom,” explains Roy. “We run a full-scale Wisycom setup across the entire production. From the moment the cast leaves the manor to the final challenge, we capture pristine audio, even when we can’t see the cast.”
For The Traitors, Headroom deploys a sophisticated Wisycom system comprised of 16 antennas, multiple Wisycom MAT288 matrix systems for RF-over-fibre connectivity and four of the brand’s MRK16 receivers - two at the manor and two at the challenge venue. The show additionally utilises 26 Wisycom MTP61 bodypack transmitters, chosen for their compact size and robust functionality.
“We use the MTP61 packs not just for wireless transmission, but also for recording inside cars and during large-scale challenges,” continues Roy. “This allows us to keep the audio synced and intact even when coverage isn’t possible in real-time. What really sets Wisycom apart is reliability. These packs never fail. We’ve had receivers dropped in water and exposed to extreme sun, and they still hold up.”
The MRK16’s small form factor has been “invaluable” for this project, which involves frequent travel and outdoor recording. “We’re constantly moving gear by boat or vehicle. The MRK16 makes it easy to transport high-quality RF capabilities without bulky racks,” says Roy. “ENG kits outfitted with MCR54 receivers also allowed the crew to capture spontaneous moments during challenges with maximum flexibility.”
A major advantage of Wisycom, according to Roy, is its end-to-end integration. “It’s a complete solution - from the antennas to the RF amplifiers, to the matrix systems, everything talks to each other,” he notes.
In addition to the Wisycom system, Headroom relies on DPA Microphones - specifically the 6060 Subminiature Lavalier Microphones - for the show. “The mics just sound great,” says Roy. “More importantly, they don’t change over time. That consistency is crucial for long-format reality productions.”