All of the products in Stardraw applications now have at least one link, to the manufacturer's homepage, while other product ranges within Stardraw - BSS for example - already have links to dynamic pages on the manufacturer’s website that use a script to give users instant and sp
Keystone correction was by Wyatt Enever at DHA, and the projection was beamed onto the new limestone arch in the Great Court. It consisted of a simple slide, pastiched in the style of a London Street sign, emblazoned with the words ‘Totally LondON’ and ‘www.visitlondon.com’.
White Light supplied architectural lighting and LD Simon Jones for the event. Both E//T//C UK and White Light were approached for the project after their highly successful illumination of the Tower of Lon
CAT5 cabling with RJ-45 connectors provides a convenient and cost effective alternative to coaxial cable: CAT5 is lighter, more flexible, and a fraction of the cost of coaxial video cable. The result is an all-in-one solution for routing and distributing professional quality video and audio that reduces installation and cable costs in less rack space, say AutoPatch.
(Lee Baldock)
The team also includes Alex Davenport, who joined MCL two years ago, and sales and marketing coordinator, Emma Houlden, from CT’s Wandsworth office. Also joining the team from CT is Charlie Whittock, who has recently returned from the US where he has been working in event and production management, having worked closely with Creative Technology since the company was founded in 1985.
Said Walker: "In centralizing the sales team at Chessington on the Silverglade Business Park, we will be
Heading up the Gearhouse SA team was Ian Watts, who is operation’s manager of the Johannesburg branch’s audio-visual department. Ian was project manager of the Standard Bank Stars and comes with 15 years’ experience in the broadcast industry - at the SABC, and M-Net as well as Gearhouse Broadcast on an international basis. What made the Standard Bank Stars so unique was that the event took place si
Blink’s project manager for the Liberty X tour, Adam Walton, worked in close consultation with lighting designer Jvan Morandi. Morandi is extremely specific about the look and style of all the shows on which he works and used a High End Catalyst video system as an integral part of the show’s visual aspect. Morandi and Walton chose an innovative format for Blink TV, with two Fast-fold video screens onstage for the opening and support band slots, onto which the Blink programmes could also be projected. Aesthetically, this has resulted
AVPS’ Jules Deakin believes that it was his preference for the Christie Roadrunner L6 LCD projector which won them the contract. He recommended the L6, offering 1024 x 768 true XGA resolution, as the best solution in view of its superior brightness and its dual lamp facility. "It allows the college to run both lamps to achieve 5200 ANSI lumens during the day when the am
Barco installed three of its DLite 10 LED displays above the entrance to the store. Each display measures 5' 11" high by 13' 3" wide and are used to show surf, skate, and snow video. All three displays are controlled by Barco's Signam!cs content management system, which allows Quiksilver to schedule the right message at the right time.
"The installation of our total display solution in
Sydney-based Laservision Macro-Media was commissioned by the Hong Kong Tourism Commission last August to draw up a harbour lighting report. The report was wide-ranging, and covered the architectural lighting of Hong Kong’s landmark buildings (as well as opportunities for regular lighting shows in Victoria Harbour), the inclusion of a night-time attraction, and an assessment of current lighting pollution. As a result of the report, the Hong Kong Tourism Commission promptly decided to showcase some of the lighting techniques to be employed under Laservision’s plan during the Chinese New Year holidays. China Light and Power agreed to offer sponsorship to ensure the trial became a r
The technical crew were students on the two-year fast-track BA Honours Degree in Technical Theatre, which is validated by Middlesex University. The production brings the action of Shakespeare’s play forward to the 1920s, using the period’s developments in the fields of quantum physics and genetics as the background for Prospero’s grasp of ‘magic’. It was also decided to use moving projection to visually characterize the ‘masque’ aspects of the play.
Mountview strives to give its students access to the latest technology, and this production has taken them to the leading edge of stage projectio
Mike Walker, sound designer, explained: "Initially we carried out some rehearsals without any vocal reinforcement with the intention of seeing if we could maintain the intimacy of a play. In order for the comedy routines to fully work we found the reinforcement was necessary. We reconfigured the speaker system and added two Sennheiser SK5012 radio mics."
The production has four musical numbers and the music was spec
The tour features an integrated show performed by both S Club Juniors and Seniors, with the Juniors’ high-action set kick-starting the evening’s entertainment. The live camera mix is directed by Blue Leach, working with an XL team of five. Leach was also involved in creating most of the Seniors&r
If you would like your product to be featured in this report, please e-mail L&SI’s technical editor James Eade at the e-mail address below before Thursday 1 May, 2003.
(James Eade)
Mountain View Staging of Salt Lake City has made the bold move of purchasing the first RADlite in the US. The system, supplied by US RADlite distributor TMB, debuted on April 11 at a dance performance in the 22,000-seat Marriott Center in Provo, Utah. Mountain View designers programmed RADlite to manipulate images and video on a backdrop 55 feet wide by 30 feet high! Lighting designer Benjamin Sanders selected a variety of stock images and video, plus client photos, RADlite onboard graphics, and custom-created images. The programming for RADlite and the show’s
Metropolis’s brief also included the design of an integrated operating system for all things technical in the venue. The Metropolis team was headed by Simon Harris, and included site manager Stuart Clowes, technical director Shane Winterbourne, design project manager Martin Geraghty and installation engineers Shane Stanley and Ian Benstead.
The open plan venue has three levels, including a 1200-capacity Function Room/Showroom;
The RADlite was specified by lighting designer Peter Barnes - a great advocate and experimentalist with the RADlite system since first using it last year. Always a pioneer of utilizing video in new and imaginative ways onstage, Barnes has integrated RADlite on the Blue, Will & Gareth, S-Club and Blazin’ Squad tours. This time he went further, evolving its use as a visual effect working with a solo artist. The stage and video design for this final leg of the tour - which started back in 2002 - was a collaboration between Barnes and production manager Iain Whitehead of Production North. It consisted of five vertical upstage panels of Westerha
A very precise fit thanks to highly accurate moulding technology provides the highest levels of protection. Provision within the flightcase can be made for associated accessories such as stands, wall brackets and even speakers where practicable, making it a convenient way of moving these often awkward pieces of equipment around. Custom
Electronics & Engineering Technologies provides one-stop technology converging solutions, involving audio, video, IT and integrated control, and has a long history in system integration for the business, entertainment, conference, cinema and broadcast markets. The company handled the prestigious installation for E-Trading at the Singapore Stock Exchange.
On signing the collaboration agreement, Louis Kangean, CEO of Electronics & EngineeringTechnologies, commented: "We are very happy to be a partner of Digital Projection. They were the pioneers with Texas Instruments in bringing DLP-based projection products to the market. With t
The Open Day will include presentations from a number of key speakers including representatives from PLASA, the DTI and IIR Exhibitions. The presentations will focus specifically on doing business in Russia, emphasizing changes in the business culture, the types of assistance that can be accessed, the pitfalls to avoid and the opportunities available. The event will be a half-day session starting at 11.00am and concluding at 1.15pm with a buffet lunch to follow.
All interested parties are invit
Video has been crucial to all these tours - emphasising the seminal role of the medium in the genre of live pop. With a largely young audience, moving images and camera relay are vital ingredients. Live show IMAG ensures that everyone has a good view of the artists, and on the creative front, video adds a dramatic and effective visual dimension to any show.
Westlife’s action packed, up tempo ‘Unbreakable’ tour is produced by Will Baker and Alan Macdonald, who conceived the eye-catching video visuals, based on
The new creative alliance aims to build on the strengths of both companies in lighting design, video-effects generation and video editing for the performing arts and entertainment industry. The Foundation Design has already created a selection of royalty-free abstract video clips which can be previewed and bought from the Scene Change website.
"We a
Produced by Bill Kenwright and The Really Useful Theatre Company, directed by Matthew Warchus and designed by Rob Howell, this latest production has been expanded to an evening’s entertainment and features five brand new songs.
Serviced by London-based Orbital Sound, the production features the company’s fifth Yamaha PM1D digital mixing console, which was purchased from dealer Marquee Audio. With three of Orbital’s other PM1Ds specified for other West End musicals - Bombay Dreams, Our House and Joseph - the Yamaha desk has certainly made its mark in top-flight theatre.
"Large format digital desks are
Blink are no strangers to Kylie - the company produced all the insert material for last year’s seminal ‘Fever’ tour, and a specially commissioned video for her Royal Variety performance. They were approached by renowned Rambert choreographer Rafael Bonachela, who devised 21 to provide imagery for the dance piece, which runs in three sections, and lasts 21 minutes. The soundtrack for the performance has been composed by Benjamin Wallfisch and its lighting design conceived by Chris Davey.
Bonachela asked film production designer/video artist Alan Macdonald, and Kylie’s own personal image mak
The building in which the Coronet is housed was built in 1872 as the Theatre Royal. Following a fire, it reopened in 1879 as the Elephant & Castle Theatre, seating over 2,000 people. It was here that Charlie Chaplin first took to the stage as a child, and, in fact, the pub next door is named after the silent movie hero. Later remodelled as a 2,315-seat cinema (1931) and modernized as an ABC cinema (1967), the venue became The Coronet in 1997 - eventually closing in 1999.
Jeremy Millins, MD of the Pure Group, realized the potential of the venue two years ago. He contacted investor and theatre producer Dominic Madden, who
