Front-of-house engineer John Godenzi reports that both Neumann KK 104-S and KK 105-S microphone capsules on Sennheiser SKM5000N handheld transmitters are being used by Manilow and his four backing singers in the traditional Broadway-style show. "We're using four of the 105s on the backing singers/dancers," he says. "Barry uses four microphones in different places on the stage, but the main two are the cardioid KK 104-S."
Manilow: Music and Passion features a big band-style, but nearly all-electronic, 12-piece orchestra that also makes use of Sennheiser and Neumann microphones, continues Godenzi. "There are Sennheisers on most of the drums. I like the little e604s. I have them on the toms, on the congas, and on the bongos. I have MD441s on the tympanis. And there's a Neumann on the sax. Godenzi, who has been James Taylor's FOH engineer for the last 15 years, was hired originally to create Manilow's personal monitor mix on his 2004 One Night Live! One Last Time! arena tour. During rehearsals for the Las Vegas Hilton engagement, Manilow tapped him for the FOH position. "Barry decided he wanted me to do front-of-house. In the morning I was doing his ears and in the afternoon I was out in front!"
Prior to moving to front-of-house, Godenzi had already put together a hybrid personal monitor system for nearly everybody on stage that combines Sennheiser EW300IEM-G2 wireless systems with wired Aviom personal mixers. The rig was assembled initially in response to problems that Manilow was having with his personal monitor mix, which required one engineer dedicated to his mix and a second engineer to mix for the band members.
The new setup, which is driven by the Yamaha PM1D monitor desk, requires only one engineer and provides the musicians with individual control of their mixes, he explains. "It's a 16-stem system, so they can each create their own mix and dial-up their own balance. If you get the design right in the beginning and you build those 16 stem mixes correctly, then it works really well," he says.
Everybody apart from Manilow uses an Aviom mixer. The three band members - the guitarist and two horn players - prefer to remain on wedges. Godenzi, who put together a similar system for James Taylor's 2004 summer tour, comments: "It's very cost-effective, and it's a good way to go, especially for this type of show, where there's no line of sight to the monitor console."
(Lee Baldock)