Blackout's team suspended the drape onto the truss and rigged the giant 60f x 25 ft screen supplied by Bell Theatre Services. Andrew Owles explained: "It was great working with Blackout - the team handled the project professionally from start to finish with great attention to detail. W
Those who attended the seminar on the last day of the show were hoping to get an opportunity to discuss the application of the new Regulations and how their impact would affect the entertainment industry, but all that was on offer was a run-through of the existing proposed Regulations published in the last draft, which may or may not have some bearing on the final set of Regulations.
The delayed consult
The Alexandra Theatre, Birmingham is an Edwardian Theatre with a seating capacity of 1,347. The theatre presents a variety of productions from pre- and post-West End productions to touring shows, opera, ballet, musicals and concerts.
(Sarah Rushton-Read)
The company's Francois van der Merwe oversaw the installation and reprogramming of the show on a dummy rig set up in the M.J. Lighting premises a week before the load-in to the Gallagher studio. A variety of fixtures was used on set, including six High End Systems Studio Colors, 13 High End Studio Spots, 11 Martin MAC 2000s, 11 custom-made Zip Strips, 2k Fresnel units, 5k softlights and eight 1k spots or 'Pups'. ETC Source Fours were used as key lights on each contestant, as well as on the quizmaster, Fiona Coyne. M.J.'s back-up Wholehog 2 w
Gray developed three onstage scenic bars with fully working optics and drink mixing facilities. He utilized existing set elements from the ADlite warehouse, and created others with the help of Scenex from the Midlands, who made the bar fronts and mirrors. Them
Each year owners of vehicles from the pre-1966 period descend on Goodwood to display their treasures for the first two days, when visitors can take a good look at the cars. For the owners there is also the business of winning, after two days of qualifying and warming up, the third and final day of the event offered some surprisingly competitive races around the circuit.
This year event was blessed with fine weather, which meant the ground remained very dry and the Rola-Trac gro
Featuring many of the production team from the Mastercard BRIT awards, the MOBOs was directed for television by Julia Knowles and produced by Sharon Ali. MJK, for the eighth year since the event's début, were in charge of the live production and a team that included Britannia Row (audience sound), 021 (broadcast sound), VLPS (lighting), XL Video (video), Outback (rigging), Steel Monkey (set) and Eat Your Hearts Out (catering).
The show featured MJK's trademark five-minute changeovers between live performances, a substantial lighti
Morrissey called SCV London's marketing director, Steve McDonald, and asked him for a Fostex VF-160 Digital Multitracker for free. Steve was more than happy to give the Men Behaving Badly star the equipment to assist the charity, which works with deprived children. The Fostex VF-160 will be used to teach youngsters the elements of sound recording.
Morrissey also put in a call to LiteS
The X-Stage S2 platform is produced in 2m x 1m decks using a custom low-profile aluminium extrusion with a 22mm plywood surface. The deck, which is rated at 750kg per sq.m, weighs only 25kg and is just 100mm deep when stored making it extremely efficient for transportation, storage and
The theatre stages all types of production, including classical to contemporary live music, theatrical productions, dance, musicals, cabaret, panto and comedy. Their busy schedule often sees four or five different shows going through in a week, all with different lighting and production requirements. PCM's projects manager Tony Griffiths spotted an opportunity to recommend the company's new Unibar - winner of the PLASA 2003 Award for Product Design Excellence in the Stage Engineering category.
The Unibar is ideal for this style
Ford was one of the main sponsors of Mela 2003 and the all-encompassing
Star Rigging, part of the newly-formed Star Events Group, was hired to create a structure for the show to centre around and provide an impressive setting for both the live and television audience, working alongside other contractors and the production team. Star Rigging's Phil Broad and Production North's Steve Levitt worked closely to realize Disney's ideas, developing a flying bungee stunt, which involved three aerial dancers from Cirque Bijou appearing from above the set and descending into a blaze of pyrotechnics.
Star Rigging brought all elements together, producing the detailed rigging plot required by
(Sarah Rushton-Read)
The rigging element of the production was co-ordinated by Summit's Jon Bray. Using over 1,100m of various Supertruss types and 120 chain hoists, Summit created two large presentation areas in different auditoriums, occupying 9,000sq.m within ExCel. Auditorium One incorporated raked seating for 750 and featured keynote speakers, a quintet of musicians, fashion shows with dance numbers, interviews and audience participation. Auditorium Two was a star-clothed dining room, which accommodated the black tie gala dinner and entertainment.
Summit's team of 10 riggers
Why change the format of your events?
We wanted to create events which would work within the overall festival calendar and still allow us to focus on our organization and promotion. We wanted to produce top-notch events that gave the public good, free entertainment that they couldn't get anywhere else. We were careful to place our three main shows across the summer months, starting in May in Manchester and finishing in September in Cardiff with the 'On
Although several new products have been introduced in his absence, Jenner's in-depth product knowledge being put to immediate use on a track installation at Harrods for its Christmas window displays.
David Edelstein, Managing Director of Triple E, said: "Triple E has an expanding order book, so I am delighted that Tony has decided to rejoin us. His theatre experience and organising skills plus his technical knowledge of product design and assembly will be invaluable."
(Lee Baldock)
Visual act's battery-based servo amplifiers are used to allow all of the equipment to be installed on the revolve - no slip rings or special cable arrangements are required. The operator desk communicates with the system over a radio link. The lifts are all lit from within and all visible surfaces are translucent, while the framework is designed to reduce shadows so that the lifts appear as boxes of coloured light.
Spoonface is directed by Pia Forsgren who has worked together wit
Show Director Stephen Lance commented: "We are anticipating a good show this year and are all set for a prosperous (and fun filled) exhibition. 2003 has been a great summer - both in terms of the weather, which always helps, and in terms of the numbers at events. There seems to be a more positive outlook towards the state of the industry than we have experienced over recent years. I hope we have succeeded in creating a good forum for outdoor event professionals to carry out their business."
Lance is also looking forward to a couple of significant differences at this year's e
Mr Mott, from Brentwood, Essex, fell through fragile, false ceiling tiles while dismantling mobile platforms as part of a refurbishment project. He was taken to Charing Cross hospital but was pronounced dead on arrival from multiple injuries.
Earls Court Ltd pleaded guilty to breaching sect
Designers can complete the entry process on the WSD2005 website, where they will find information and details of the exhibition, entry documents, they can also obtain a unique ID number and upload digital images.
The WSD2005 is a joint project of the United States Institute for Theatre Technology (USITT), the Canadian Institute for Theatre Technology (CITT), and the International Organization of Scenographers, Technicians and Architects of Theatre (OISTAT
For this year's Newmarket Nights, Liz Hobbs approached LiteStructures to provide the stage, lighting and sound. Having taken LiteStructures on board to build a set for Status Quo's performance at Newmarket last year, Hobbs decided that it would be able to provide exactly the type of permanent stage she required for the five-week duration. Martin Featherstone, LiteStructures' sales executive for the Midlands explains: "Liz Hobbs came to us with the brief of providing her with a stage
The company believes that event organizers will experience improvements in efficiency if they deal with a single contractor supplying these three key areas of production, as it gives one point of contact for the client, maximising co-ordination between the services on site. Secondly, clients will experience reduced production costs through economies such as transport and crewing levels.
Pearce Hire's owner, Shaun Pearce commented: "We have been surprised at various shows this year by organizers
The set design for the event comprised a backdrop of white sails, stretched in a variety of shapes framing a central entrance through which guest presenters would appear. The design required an extension to be built in front of the existing Albert Hall stage, as the client wanted to use the stage as a dance floor for the after-show party. Over 100 pieces of Maltbury Metrodeck, three pallets of chipboard and 200m of white vinyl flooring later, the Stage Electrics team had built a custom stage extension that followed the curve of the arena and met all of the venue's Health and Safety requ
The Powertower is based on a James Thomas Engineering 30.5cm self-climbing tower system with the addition of a lightweight, bolt-together, aluminium base with a footprint of 2.65m squared. The base also incorporates the ballast trays, housing a series 25kg test weights and eight adjustable leveling jacks for easy and safe positioning of the tower. Powertower is configurable in a variety of shapes and forms, and can be used in goal-post format for suspending video screens, for heavier screens, the
