"The project was all about 100 years of Ford," said ESS project manager Rob Smalldon, "and was one of the most challenging projects I've been involved with for some time."
From the ground, the structure rose 34m with a width of 25m. Edwin Shirley Trucking (EST) shipped in 217m of regular roof truss, 126m of LT Tower Truss, 604m of cabling and 102 bespoke purlins in a total of 16 trucks. The ESS tea
LiteStructures was called in to build the stage set. John Roe, LiteStructures' sales representative said: "When Sean Cavanagh, the set designer came to us asking for something tough but attractive enough to keep up with the glitzy Las Vegas image, ClearDeck wa
This extended educational platform will examine current trends and issues across the wide range of the industry and provide visitors with the opportunity to broaden their knowledge and learn from the experts. The format has been revised with four different types of sessions - Technical Workshops; Business Seminars; Industry Seminars and Masterclasses.
Many of the sessions are supported by associations, trade bodies and publications and for the first time RIBA (Royal Institute of British Architects) are also supporting the programme. Their endorsement is clear recognit
Lighting veteran and renowned fugitive from justice Mike Gillis will head the new location. Gillis has 20 years' experience in the Canadian lighting industry as a distributor and lighting company owner. Colin Waters, TMB CEO commented: "There's a lot going on up North, but that pesky border keeps getting in the way. This should solve that problem. TMB continues to grow, but all of us are more committed than ever to not forgetting where we came from. Meanwhile, we keep building a global network providing choice, support and service to companies who earn their living from entertainment production."
With locations
While the LiteStructures logo is certainly different, visitors to the stand can rest assured that the company's products are still as stylish and reliable as ever, as Brooks explains: "The quality and service you'll get from LiteStructures is the same as before. The change of image simply brings the LiteStructures 'look' in line with the 21st century." Visitors to stand M40 will also be able to see LiteStruc
This issue will reinforce Le Mark's reciprocal trading policy: the catalogue features exciting accessories from Apollo Design Technology Inc, City Theatrical Inc and GAM Products. For the first time, products from Le Mark's recently-announced production partner Tesa UK Ltd are introduced, including the new high heat-resisting Scroller-Tak splicing tape. "Le Mark offers an 'open house' on the day of the launch, with a Champagne toast at mid-day," says catalogue design co-ordinator Mark Gibbons. "It's been a tough time for many areas of the entertainment industry - we have worked ha
The choice was Metrodeck and the final total was forty 1m x 1m modules, triangles and quadrants. Sets of legs were added to give both flat and raked stages also bolt-on kick-rails and black serge drapes made up a package offering maximum versatility and ease of handling.
The first use of the equipm
Ra'alloy's new Rapi-stage was seen to fit well with plans to promote the Pier. Copycat acts such as Queen, Shania Twain, Britney Spears and many more were scheduled to perform, aiming to encourage a full spectrum of visitors to the pier. The stage was manufactured in just four weeks and stands 25ft high and is clearly visible from the seafront. Face on the stage measures 50ft wide by 18ft deep.
The system was launched last year and is manufactured from aluminium and fabric. Rapi-stage is a fully integrated roof and deck system, therefore minimizing
"T2 systems are in use across the UK and abroad - including two major London venues. With work underway on an exciting new installation in the South West and a number of other UK-based projects, it is only natural
Cathy Lynn from NSR has also joined ARB as the new hire office manager. She will be responsible for enquiries and quotes and ensuring that hire operations out of ARB's Buckingham headquarters are managed efficiently.
(Sarah Rushton-Read)
Phil Wells, Hall Stage director says: "We've been looking to develop a hoist system that met all of the stringent BGV C1 control stipulations and realized ASM . . . units get around every hurdle en route and perform superbly under our required specifications. They're virtually silent, vibration free and very quick, unlike most chain hoists; they don't need cable changes, like
Composer Nicholas Maw was first inspired by seeing the movie and intended the opera to have a cinematic effect - fluidity accompanied by a certain realism. When Maw told designer Rob Howell that he had written one note to ring out with every mention of the Holocaust, the Olivier Award-winning designer decided there should also be one element in his treatment of Auschwitz that should be present in every scene, so that by the time the storyline arrives at the infamous camp, the audience sees it at its most complete, though it was there the whole time. He chose an angle - 16°: "I was looking at photos of Brooklyn taken in the '40s and photographs of Auschwitz a
The Muziektheater has four stages, each one 16.2m by 13.5m in size: one principal stage on which the performance takes place, and three assembly stages, where the scenery can be set up or stored, with approximately 60 percent of the scenery pieces hanging in the fly tower.
Het Muziektheater has 102 fly-bars, each 24m long. Renovation of the venue began in 1997 when a mechanically operated flying system was installed. At that time the type of fly-bar used had several disadvantages, for example they were very heavy, they tended to flex laterally, and diagonal bracing could cause
Promoters Metropolis Music brought in Nine Yards to manage the production located in one of Bristol's best-known landmarks. The site was obviously not designed for hosting concerts, so the production team liased with Bristol City Council and had to be especially considerate of their environment. Hence it was decided to cover the whole area with Rola-Trac to achieve effective protection.
Guy Wightham, Rola-Trac's project manager, had to plan and execute installation of the system. Site visits two weeks
The industry seminars have been expanded to cover a wide range of topics on current debates including 'Theatrical Fog - Knowing when Enough is Enough' and 'White Lighting versus Colour in Architectural Application'. Conversely the masterclasses will provide a forum for industry experts to share their knowledge. Speakers will include Brough Skingley from English Heritage on 'Lighting Up The Past - the Conflict Between Historical Accuracy and Modern Technology' and Bruce Jackson of Lake Technology on 'Sydney Olympics' Audio Design.'
The ChainMaster story began with a request for help from the theatrical world. The need was for an electric chain hoist conforming to the VBG-70 standard which was in force at the time. (VBG is an accident prevention and insurance organization, and VBG-70 was drawn up to improve standards of safety in venues). At the time, there was no equivalent electric chain hoist system on the market, so ChainMaster's managing director, Frank Hartung, who founded the business along with his wife, Susanne, recalls: "That was all the incentive our team needed to develop the requisite system."
In the spri
Most of the press surrounding the event focused on the awful travel experiences of many of the thousands of fans who travelled to Knebworth - 375,000 in total across the three shows - ourselves included. And let's face it travel chaos made for good headlines, as did the sheer number of people who were packed into Knebworth Park: this was not an event for anyone with a fear of crowds - 120,000 plus each night - although a large proportion of these stood no chance of actually seeing the star of the show directly.
However, it was the show itself that made the delays, travel headaches, expensive 'pints' of beer and enormous viewing distances worth i
Secondly, as the structural web is formed from an extrusion, it can be cut into elaborate shapes. new wave comes with the patented OMNI connection system, a fully rotating unisex fork connector, allowing a wide array of reconfigurable two and three-dimensional structures. These can be assembled without the need for expensive custom fabrication. OMNI connectors also behave
Kinesys - Stand R71
Gaf-Fire is the world's first ever matt black self-adhesive tape which is both self-extinguishing and flame retardant to the rigorous standards of BS 5867 part 2 1980 type B. Designed for use in both horizontal and vertical situations, it provides the 'missing link' in the industry's flame retardant armoury. It can be used for many types of applications within the entertainment industry since it provides a non-burn surface for stage, film, TV and concert productions.
On Sunday 7 September at 12 noon, Le Mark will welcome lighting designer Andrew Bridge to the stand to l
Compact in size, it can be plugged directly into a three-phase mains power supply and incorporates all the advantages of servo-motor control, being small, with precise and near-silent operation. With on-screen diagnostics, absolute position feedback, position readout, programmable speed and accelerations and speed override during cue run, the hand-held interface gives the operator complete control. Six preset positions and a Dead Man's handle also ensure that a production's automation requirements are executed seamlessly, accurately and safely.
Stage Technologies - Stand H20
Prolyte - Stand F30
This year there were five awards categories and 79 nominations, generating £12,000 for PLASA'S nominated charities - Light Relief, PSA Welfare and Benevolent Fund and the Golden Lions Children's Trust. This system has been running for five years now and every penny of the entry fees is donated. To date this scheme has raised almost £45,000 for charitable causes.
The five product categories this year were Lighting, Sound, Stage Engineering, Software (a new category introduced this year), Audio-Visual, and finally an Award for the product with the most environmental considerations. The PLASA awards were presented by PLASA's Chairman, Da
