Custom Group Ltd commenced trading 28 years ago as a curtain and blind company, evolving into a supplier of all aspects of theatre equipment, which now also includes seating, lighting and sound, stage engineering and control equipment. Dodsley joins an established team which includes sales manager Ga
Park Avenue, based in London, worked closely with Orange’s Global Corporate Articulation team to devise the concept, a simple structure as the device to house a series of events for Orange. Park Avenue turned to Edwin Shirley Staging’s (ESS) London office to realize the concept. The entire project was installed and commissioned on site at the first attempt in less than one working week and remained in place for events scheduled between 5 April and 9 April.
(Ruth Rossington)
This initiative extends the five-year European projects, which cover Ireland, Holland, Denmark, France and Norway. In July 2001, while on a world tour through South Africa, Cedric Walker met with the president of SARA (South African Roadies Association), Freddie Nyathela, in Johannesburg and discussed ways and means of establishing joint-projects that could foster technical transfer initiatives. Within a year of that historic meeting, the scheme has come to fruition, falling in line with the ob
Major Sir Michael Parker, producer of many royal events during the past 15 years, conceived the show. ESS has previously worked alongside Major Sir Michael on events such as the VE and VJ Day celebrations. The show, an equestrian spectacular, involves a cast of 3000 performers and 1000 horses performing in front of a specially designed stage which will hold an orchestra, a choir and a company of dancers. The night-time event will also feature a floodlit Windsor Castle as a backdrop.
ESS is providing a 25m arched Orbit stage system with a split-level plinth to accommodate the orchestra and choir. The stage will be finished with
(Lee Baldock)
ESS was supplying the festival for the first time and is now looking forward to rejoining the event when it arrives in London, this time at Hackney Marshes in early August. The Hackney site is currently specified to be larger than the Bristol site, with ESS currently estimating
Unusual Rigging was first approached to quote on a lighting grid, but once there, Robin Elias of Unusual was quizzed about ways of 'growing' the cinema's existing screen to make it suitable for widescreen presentations. However, as a listed building there were restrictions that had to be taken into account, making major structural changes impossible. After presenting the initial idea, Unusual contracted Total Fabrications to realise the c
An audience consisting of Bloomberg employees and clients will be able to view the matches from inside an ESS building, which has been designed to Bloomberg’s specifications and includes clear wall panels. The site will also play host to other forms corporate hospitality during the tenure of the World Cup.
ESS will spend four days installing the environmen
To gain the certificate the stage and its documentation were examined in detail by one local authority, whic
By adding several new features to its rental management software system RentalDesk, Navigator Systems have now made it possible to search quickly and easily for the ‘First Available Date’ for the ‘demo’ item required. Thus, if a company requests a mixing desk for a five-day period in June, the sales rep can check whether it’s available for that period and if it isn't, give the
Founded in Belgium in 1985, Stageco now has rental operations in Belgium, The Netherlands, France, Germany and the USA, and has serviced some of the world’s most high-profile tours, sporting events and festivals, counting the Rolling Stones, Elton John, Pink Floyd, U2 and Robbie Williams among its clients.
The company stocks in excess of 7,000 different products - sometimes holding as many as 10,000 examples of each - making for a stock-holding which numbers literally millions of items. Consequently, the logistics of tracking movement and availability presents a huge administrative effort, hence why the company turned to RMS.
The system that
Nick Whitehead, MCL's head of lighting, commented on the controller's performance on its first outing for a big corporate presentation at the ExCel centre in London's Docklands. "It's built well and has a good specification. Importantly, it complies with all current EU safety regulations, that's an essential consideration for us." The controller's features include a three-pole type 'C' MCB protection on each motor channel, allowing identification of a faulty motor or cable from the rack. The controller also auto-senses local voltage; provided the hoists are set to the correct vo
Tomcat also fabricated head blocks and a custom guide system for each tower utilizing six 2-ton chain motors that run in tandem. "The Sandia Casino did not want the grid to block the view of the mountains and the lush casino that sits behind it, therefore it was imperative that the grid design could be easi
BSR E1.21, Temporary Ground-Supported Overhead Structures Used To Cover Stage Areas and Support Equipment in the Production of Outdoor Entertainment Events: The standard will offer guidance to ensure the strength and structural reliability of the structures within its scope (ones in which the structural elements are rigid towers, trusses, and space frames) but does not address fire safety or safe egress issues, nor cover membrane structures and other structures in which the majority of the structural elements under tension are made of flexible elements.
BSR E1.22, Entertainment Technology - Fire Curtain Systems: The standard to be developed
The company is supplying all technical infrastructure, co-ordination, site and production management for this mind-boggling task, working closely with show producer Major Sir Michael Parker and the Golden Jubilee Weekend Trust. Unusual has employed over 250 sub-contractors and mounted a major logistical exercise to ensure the event - being broadcast live worldwide - is a well-oiled operation. To this end, the company has been interfacing with various authorities including Westminster City Council Special Events, the Metropolitan Police, Royal Parks, the GLA, the WRVS, London Underground, London Ambulance, St. John Ambulance and the British Red Cross.
The event i
(Ruth Rossington)
ESS’ US team has just completed a Memorial Day Concert, honouring US soldiers, at Auditorium Shores in Austin, Texas. Grammy Award winners Asleep At The Wheel and Travis Trite headlined the day, performing on an ESS Orbit 15m stage. A second ESS stage hosted five bands billed to provide a backdrop to a traditional Texan barbecue ‘cook-off competition’. In true Texan style, 30 accomplished contestants arrived with their barbecues toed onto the site by trucks and prepared their fayre over 24 hours throughout the course of the event. &
For the last number of the show, all five members of the band took to the air in flying harnesses. Star Rigging had put the members of Westlife through basic training before the tour began to ensure they were safe and confident in being hoisted 30
ESS is providing a similar tower configuration to the one used successfully at this year’s Aintree Grand National to allow the host broadcaster to be able to follow the races by flying a television camera across a suspended line held under tension by ESS’ ballasted towers. John Wilson, ESS’ senior project manager tasked with delivering the trackside solution, has been travelling between Epsom and Finsbury Square in the centre of London during the set-up period, whilst also overseeing an ESS building installation in the City for Bloomberg, the blue chip financial information business. Both installations were completed as ESS were putting the finishing touches
Since time was of the essence, the designers at Total Structures set to work on the proposed form, adapting tried and tested designs and using well known fabrication techniques to create a visually pleasing structure. The canopy tapers down from the rear hinge to a point, with the top chords curved to enhance the elegant form. The truss skeleton is covered with fabric with spaces for lighting fixtures to spotlight the new models with spectacular effect. The canopy is built at ground level and then lifted on chain hoists to trim height. The rear of the canopy is attached to a grid structure above the dividing wall through a hinge, allowing it to be rotated to the required angle.
(Ru
Billy Tubb of APAC, an Albuquerque theatrical consultant, teamed up with Eric Kennedy, a local freelance lighting designer, to design a modern lighting rig which would incorporate both static and modern moving light fixtures for the events centre. The upstage and downstage trusses were specified as conventional pre rig truss, whereas the grid over centre stage area comprises Intelligent Pre-Rig Truss (IPRT) with straight legs radiating from a central circular hub, to form the Zia, the state symbol of New Mexico.
The circular IPRT provides the support for a small projection screen for gobo images and the whole g
South Ayrshire Council provided the project management. The Pilewind winches enables the Gaiety’s busy technical staff to raise, lower and position four of the stage lighting bars quickly, efficiently and safety. Before the Pilewind winches were installed, the Gaiety crew was reliant on old hand winches, and hauling ropes to position each lighting bar. This took considerable time and physical effort. PCM’s Pilewind winches, operati
Twenty artists appeared across two stages, whilst 48,000 heavy metal devotees partied hard as Castle Donington was reclaimed by the new generation of rock fans. As well as protecting the bands, the 25-metre Vertech stage protected the PA and monitor system (supplied by Audio Rent), the huge lighting rig (supplied by Light & Sound Design) and gave the production team plenty of room to prepare equipment to ensure the tight schedule of 10 bands was kept on time throughout the day. The main stage area was then extended with Vertech PA towers, which flanked the stage and housed 28 tons of Clair Brothers’ PA. Outside of these were the screen supports housing Screenco’s LED screens, and cre
(Lee Baldock)
