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London-based Sparks Theatrical (Lighting) Hire has purchased seven Martin MAC Ultra Performance from UK distributors Sound Technology Ltd, which have gone straight onto the acclaimed new production of Straight Line Crazy at the influential Bridge Theatre.
The Bridge is the first theatre run by London Theatre Company which was founded by Nicholas Hytner and Nick Starr back in 2017. The lighting plays a prominent role in the production, lit by fast emerging LD Jessica Hung Han Yun.
Said Sparks MD, Paul Anderson, “Because I design and also run a rental company I can see in the field what the designers and technicians are working with. When we were asked to supply the next show at the Bridge I suggested the MAC Ultra Performance and Jessica said “absolutely”.
In addition to using six Martin MAC Ultra Performance (with the seventh as a spare) Jessica is featuring 15 MA

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USA - A large complement of Claypaky’s Sharpy Plus hybrid beam lights and spotlights were something to cheer about when Richmond-based Lite-Tek Entertainment deployed them on the Spirit Sports Ultimate Battle cheerleading competition on 25 March.
The Myrtle Beach (SC) Convention Centre hosted Ultimate Battle, a one-night event showcasing the talented teams that have reached the pinnacle of cheerleading excellence and are headed to the 2022 Cheerleading World Championships in Orlando. Lite-Tek spends most of the winter months working on cheerleading events throughout the southeast; the rest of the year the company acts as a tour vendor and local lighting vendor for numerous music venues. Lite-Tek was the first company in the US to take delivery of Claypaky’s Sharpy Plus, and the fixtures have been busy ever since.
Lite-Tek founder Darren Lewis designed the rig, acte
ISE 2026 - Banner - Oct 2025

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Austria - Designer/programmer Niklas Fuchs was called upon to light Red Bull Symphonic, an event where ‘Austropop meets Classics’, held on three consecutive February nights at Vienna’s historic Wiener Konzerthaus concert hall. In this capacity, he would have to reflect the music of a symphonic orchestra in light, in addition to supporting the usual pop and rock artists that he typically lit.
“I was asked to light the three concerts they did with Max Steiner Orchestra conducted by Christian Kolonovits,” said Fuchs. “For me it was a new challenge to design a lighting system for an orchestra, especially challenging was lighting the orchestra and the band in a way that is suitable for a TV recording as well as a live audience.”
Helping Fuchs rise to the occasion was his ChamSys PC Wing Compact and Extra Wing Compact. “I used the Extra Wing only for Master I

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USA - Evolve Technology is a video gear rental company serving the live event and virtual production industries, with offices across the U.S. The company’s ethos is built around the three equal pillars of rent, buy, and learn, where clients can get customised packages to meet their production needs, as well as hands-on education and training so that teams feel confident using any new piece of equipment. In the past several years Evolve has successfully expanded into virtual production consulting and training.
Recently, the company opened its new Evolve CX (Customer Experience) space in the Atlanta BeltLine. Evolve CX is a technology laboratory aimed at education and training specifically for the virtual production market, where professionals can gain valuable hands-on experience and creative studios can develop and demo content for their clients. The Evolve CX team, led by

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UK - The London School of Economics’ LSE Cities runs the Executive MSc in Cities, an 18-month modular education programme for senior urban professionals who want to better understand and deliver change in cities. The travel disruption arising from the COVID pandemic prevented almost all international students attending in person the programme’s five-week teaching modules. This challenge became an opportunity to transition the Executive MSc in Cities to a blended remote teaching format, choosing Shure Microflex Complete Wireless (MXCW) as the solution for fostering the “hybrid-flex” learning model at LSE Cities.
Microflex Complete Wireless System (MXCW), combined with the videoconferencing experience and technology of global solutions provider AVer Europe, enables all participants in the classroom to communicate and collaborate with far end participants in a natural

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USA - The new Future Nightclub, located in the Underground Atlanta district of Atlanta, Georgia, is a crowd-favourite dance and entertainment venue for the city’s music lovers. Future Nightclub worked diligently to design an impressive production with video, lighting, and audio for the two-story venue. The Future Nightclub management team worked alongside local AV systems integration company, House of Music Productions, to accomplish this lofty goal by selecting the Pioneer Pro Audio XY Series sound system.
Future Nightclub owners Keith Young and Hoosh Mishu approached House of Music Productions in late 2019 to begin the system design process after acquiring a large, oddly-shaped, two-story retail space with a large staircase in the middle to be the club’s location. However, as renovations began to take form, the space was almost completely gutted, giving the new nightcl

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USA - JEM Productions Texas upgraded G&B Productions’ newly renovated studio with three sets of JBL Professional loudspeakers and a JBL Intonato 24 monitor management and tuning system.
G&B Productions is co-owned by producers G.Luck and BDon, who have worked with a variety of high-profile artists as well as local Houston musicians. With their business growing, the production duo decided to upgrade their studio with improved acoustical design, custom lighting and enhanced sound. According to Gavin Luckett (G.Luck), the goal was threefold: to upgrade the studio’s main monitors for more transparent sound, to satisfy artists with loud and bass-heavy playback, and to create a flexible monitor management system to switch between sources and speakers.
“We were looking for a speaker system that would impress our clients,” said Luckett, co-owner, G&B Produc

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UK - Bristol-based experiential and party planning specialists, PYTCH, recently supplied local event organisers, Alfresco Disco with a full Martin Audio rig for a classic warehouse-based dance party.
Comprising two stages, the sound needed to be carefully EQ’d to cope with the all-nighter’s early proceedings - when it was little more than an empty, echoey warehouse - to ramping up the volume once the venue was packed with around 2,150 revellers.
But then, according to Chelsea Hopkins at PYTCH, care had to be taken to avoid sound escape in a densely packed residential area. “Although the bass was powerful the sound was directional and well contained - resulting in minimal disruption for local residents,” she confirmed. This was assisted by a cardioid pattern sub array which reduced any troublesome low frequencies.
She added that PYTCH has been staging par

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Croatia - Pop superstar Petar Grašo wanted to make a spectacular impact with his first post-pandemic live shows - which were also the first arena music shows in the country as pandemic restrictions were lifted – so his brief to lighting designer Sven Kučinić was to “make it absolutely awesome”.
Sven, who took on the full visual design - lighting, set and video - chose to use nearly 200 Robe moving lights to help him achieve the desired results - which were supplied to the production together with the other lighting kit by Zagreb-based rental company, Promo Logistika.
The Zagreb Arena shows were followed by performances in Split and Slovenia in this high-profile mini-tour which delighted the artist’s many fans in the region, going ahead in truly “seat of the pants” fashion as the Covid restrictions relating to large audiences were lifted on the morning of

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Germany - Ayrton recently received this message from lighting designer Phil Kong of Kong Design: “We just used 20 Ayrton Diablos on Ghost: Nachricht von Sam for ShowSlot and I wanted to let you know I was very happy with them for all of the things they were able to do, and how fast they were. The flat field, the gobos, the colour rendering - a lot of good things going on with them - and the size and price point are great. I was so glad to have these Ayrton fixtures on the show.”
Co-written by Glen Ballard and Eurythmics' Dave Stewart, Ghost: Nachricht von Sam is a re-telling of the film classic which is currently touring several major German-speaking cities until the end of April.
As the tour’s lighting designer, Kong rigged five of Ayrton's versatile, feature-rich, ultra-compact 300W Diablo fixtures across the downstage truss, three across the ups

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Taiwan - Robert Juliat reports that 36 of its Dalis 860 cyclorama lights, complete with mini yoke and Quickrig systems, have been supplied to the National Taichung Theatre in Taiwan by DLHG Co.
The National Taichung Theatre (NTT) has three main venues: the 2007-seat Grand Theatre, the 794-seat Playhouse and the 200-seat Black Box theatre. The main location for the Dalis 860 fixtures will be the Grand Theatre which hosts a broad programme of musicals, opera, ballet, modern dance and drama. The Dalis 860 cyclorama fixtures will be installed in truss and groundrow positions to light the venue’s impressive 18m wide x 10m high cyclorama with a smooth, even, highly controllable coverage.
“However, the mini yoke and Quickrig system make it easy for us to transfer the Dalis units to our other venues as required,” says the venue’s head of lighting, Simon Hsieh.
No

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Colombia - The Suba district of Colombia’s capital city of Bogotá is celebrated for its inclusiveness, home to all social classes and Colombia’s indigenous peoples. It’s also where Iglesia El Lugar de Su Presencia wanted to make sure its message would be clearly heard and understood by everyone filling the nearly 4,000 seats of its newest church location.
Following an onsite comparative evaluation of four brands of loudspeaker systems -and later witnessing the L-Acoustics K2 arrays in use at Christ Fellowship Church in Port St. Lucie, Florida - El Lugar de Su Presencia chose L-Acoustics for its Suba campus, which celebrated its grand opening on 20 February.
Bogotá-based AVCOM, an L-Acoustics certified provider for install (CPi), integrated a full complement of L-Acoustics K, A, and X Series loudspeaker systems at the new church, which was constructed on the sit

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UK - Spectacular sell-out lighting trail Woodyfest saw Vari-Lite VL2600 Profile fixtures from Signify deliver stunning projections, punchy colour-rich washes and breakup patterns on the rear façade of Scotland’s finest stately home, Hopetoun House in South Queensferry. These effects were augmented by far-reaching aerial light effects, created by the Vari-Lite VL10 BeamWash, which reportedly attracted the local community’s attention some distance away, and even caused some to speculate that the aliens were coming!
Woodyfest, produced by Wondrous Woods, with creative design and technical production from 21CC Group, ran for the second year within the magnificent woods and grounds surrounding Hopetoun House. The popular, and celebrated, annual lighting event took audiences on a magical journey along winding pathways, each of which led to exciting and dynamic

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UK - Stars including The Who, Yungblud, Paul Weller, Liam Gallagher and Ed Sheeran took to the stage at London’s Royal Albert Hall in March in support of the Teenage Cancer Trust, backed by Production AV’s cameras, screens, servers and crew.
Taking place over seven consecutive nights, the series of live music and comedy gigs were performed as fundraisers for the Teenage Cancer Trust (TCT), which provides care for people aged 13-24 with cancer. It was the second time Production AV supplied kit and crew for the events.
This year’s set up comprised Production AV’s Desay M6 LED panels as a central 8m x 4.5 screen flown above The Royal Albert Hall’s iconic stage and a large, curved 23.2m x 0.9m banner of LED screen across the back of the main stage, to help drive donations. This was supported with a camera package for the relay of real-life stories and live perfor

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Italy - When Spazio Bizzarro, a red and white big top circus tent in Casatenovo, Milan, launched its latest project In The Air, it turned to BroadWeigh for its load monitoring requirements. The project, which was conceived in 2012, is a cultural sports and social centre, offering annual courses and workshops in contemporary circus and performative arts, including street art, music, theatre and dance.
Nicola Bruni, director of Spazio Bizzarro explains: “We knew we would need a reputable partner for this venture and selected Monkey Rigging to help us devise a rigging structure for our new indoor space, Il Delado. Working with Monkey Rigging’s Andrea Mammolenti, we came up with a solution that would give us a safe system for both the big top and Il Delado - the training spaces for this project.”
Andrea adds: “The challenge was to design a structure for th

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UK - Grammy award-winning musician, singer, songwriter, actress and producer St Vincent is renowned for her visual performances, an invigorating mix of grittiness, conceptual art and superlative music - a great match with lighting designer Paul Normandale, who also has a penchant for imaginative risk taking.
Normandale designed the set and lighting for St Vincent’s most recent Daddy’s Home tour following the launch of the album of the same name. He worked closely with the artist who had numerous ideas about the style she wanted onstage, and after some creative brainstorming, Paul evolved a dynamic set and lighting scheme to bring flexibility, texture, depth, and dimension to the stage that was also practical and tourable.
At the core of the touring lighting system were 19 Astera Titan Tubes. These were fully maximised as scenic, practical and effects light

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UK - Ollie Wilkinson put together the lighting rig for the Panto performance of Snow White and Seven Dwarfs at Blackpool’s Grand Theatre.
“I took on many hats with this project,” said Wilkinson. “One of the first was to prep the equipment at Arranpaul's warehouse for the show, and coordinate with the venue regarding the rigging and weight of the equipment that was being flown on their mother grid. My next role was to manage the load in team to ensure the equipment was placed, rigged and cabled ready for the first day of technical rehearsals. I also specified the Chauvet Professional Net-X, one main and one back up, to provide key ArtNet control.”
Given the long Covid layoff, Wilkinson didn’t mind all the activity, especially when he saw the final production, a wonderfully joyful retelling of the classic tale filled with exuberant singing, dancing, co

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USA - With Pearl Jam currently in the process of rescheduling its four-month North American Gigaton tour, which was postponed amid coronavirus concerns two years ago, frontman Eddie Vedder recently tested the touring waters with a brief road trip to support his new solo release, Earthling.
Backed by a band including Chad Smith (Red Hot Chili Peppers), Glen Hansard (The Frames), Chris Chaney (Jane's Addiction), Josh Klinghoffer (touring Pearl Jam/RHCP member), and Andrew Watt (producer of Earthling) Vedder’s tour spanned nine shows across six US cities throughout February.
The shows marked the first time that Pearl Jam’s long-time front-of-house engineer, Greg Nelson, manned his mix from behind a new DiGiCo Quantum338 mixing console supplied by touring sound company RAT Sound. Meanwhile, on monitors, Karrie Keyes, who has been with Pearl Jam from the s

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USA - Lighting designer Matt Mills is currently on tour in USA with the Californian Nu Metal, Rock band KoRn. Due to international travel restrictions the booked LD for KoRn was unable to join the tour in USA. Stepping in, Matt saw this as an opportunity to tour with his Follow-Me 3D SIX remote follow-spot system.
Having been Introduced to Follow Me-2D in 2017 on a Europe run with Avenged Sevenfold and Disturbed, Matt immediately saw what this could add to his shows: “Since then I have bought several Follow-Me 2D licenses and early January 2019 our design firm, Touch Light & Media, invested in the new Follow-Me 3D systems. We have rented our systems to several international tours, Shinedown, The Killers, many corporate events, and several high-profile political events.”
On previous shows, the band was bothered by the traditional follow-spots being at lower angl

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USA - Both performance stages at this year’s Black Joy Parade celebration in California were illuminated primarily by ADJ fixtures, alongside a handful of additional units from sister company Elation Professional. IP65-rated fixtures were chosen by production company Islay Events for this outdoor event, which took place in the heart of downtown Oakland, CA.
18P HEX IP LED pars illuminated the performers on stage, while Hydro Beam X2 moving heads created piercing beam effects that shot out from the stage over the heads of the huge crowd. The mainstage rig was controlled from an ADJ LINK, while the PA system for the second stage utilised the Imperio mini line array system from ADJ’s Avante Audio brand.
The Black Joy Parade is a celebration of the black community’s influence on cultures past, present and future. This year it involved a parade that started at 13th St

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Australia - Canberra-based Elite Event Technology has made a new investment in 16 x Robe MegaPointe moving lights for general stock, which join the 16 that they already owned, purchased when the product was launched in 2018.
“MegaPointe is a go-to lighting fixture for so many entertainment and corporate event scenarios,” commented EET’s Darren Russell. “It is highly versatile, so we knew it was a solid investment with a good ROI, and that the kit will be busy all the time,” he stated, adding “it’s a great all-purpose fixture with an amazing output for the size and weight.”
EET has several other Robe products in its rental inventory, including Spiiders, Pointes, BMFL Spots and BMFL WashBeams, Spikies, LEDBeam 100s, LEDWash 600s and LEDWash 300+s, MiniMe’s, MMX Spots, DLX Spots and 600E Spots. Darren was an early adopter and started purchasing Robe prod

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USA - With five Primetime Emmy nominations and four CAS awards for sound mixing, Darryl L. Frank is a household name in production sound mixing in New Mexico - a state Breaking Bad elevated as a filming location. In fact, he worked on the blockbuster AMC show. Lately, Frank has been chasing actors on horseback in the acclaimed western series 1883 and miking up Tom Hanks in the sci-fi drama Finch, which explores human-robot relations on a post-apocalyptic Earth.
Instead of six-guns or lasers on his hip, Lectrosonics Digital Hybrid Wireless keeps the peace by ensuring flawless sound even under harsh production conditions. Frank’s rig includes Venue2 receivers, wideband SMWB transmitters and their dual-battery SMDWB siblings, SMV and SMQV high-output transmitters, and up to 30 R1-series IFB receivers depending on production needs. All frequencies are coor

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UK - Production designer Owen Pritchard-Smith used multiples of GLP’s impression X4 Bar 20 battens and JDC1 hybrid strobes for several rescheduled UK shows on Dermot Kennedy’s recent Better Days tour. These included dates at Alexandra Palace in London before the Irish singer headed off to the States.
“Two of the Ally Pally shows were rescheduled from last year, and then a third date was added,” he explains. “We also did shows in Manchester, Glasgow and Belfast, and a couple of festivals.”
Returning to the same winning combination he had taken out with the artist when they first started working together three years ago, the GLP fixtures again formed the “absolute core” of a rig that was embellished for Ally Pally, Pritchard-Smith says. Working alongside creative director Richard Sloan and producer Peter Abbott, he adds that he set out to design a show th

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USA - This year’s Super Bowl LVI at SoFi Stadium in the Los Angeles area was an inflection point for the event’s signature halftime spectacular. It was to be the first time that all of the music performers were hip-hop artists, reflecting a shift what has taken place over the last decade that has seen the genre come to dominate popular music sales, charts, and culture.
One thing that has remained a constant, though, was the event’s reliance on DiGiCo as ATK Audiotek, now a Clair Global company, once again deployed four SD5 mixing consoles to handle the complex and high-profile production.
The headliners - Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, Kendrick Lamar, and surprise guest 50 Cent - were intended to constitute what halftime sponsor Pepsi called “the greatest 12 minutes in music entertainment the world has ever seen”.
As with previous years’
  1. Van Damme cables help power K-pop studio
  2. Ovations in Wellington landmark venue upgrade
  3. Nexo brings versatility to Tokyo Garden Theatre
  4. Chauvet makes music flow at Winterlude
  5. Nexo delivers for London live music restaurant
  6. Brompton Technology joins Usher Raymond in Vegas
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