ETC Eos wins at the Olivier Awards
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The National Theatre embarked on a programme to upgrade all its lighting control desks to Eos some three years ago, while Paule Constable took the decision to run Love Never Dies on Eos less than a year ago, declaring herself the desk's "biggest fan".
Control supervisor Sarah Brown moved from her previous position as a lighting programmer to being responsible for training all the staff in the use of the Eos at the National Theatre. "While I was an operator," she explains, "I was approached to ask what I thought of the desk - and I really liked the way it works. Our previous desks had reached the limits of their capabilities, and were takin