Lighting

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14 March 2016

This appointment coincides with the continual expansion of the company in both staff and offices in Europe and the US and the increase in demand for GDS product, the company says.

(Lee Baldock)

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14 March 2016

"Each unit is light weight, compact and gives you a fantastic spread from such a small footprint. They are ideal for use on pitches and other sports arena and literally add a new dimension to flame effects. The other advantage is that the flames can now be coloured green, red, blue as well as the standard orange."

(Jim Evans)

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14 March 2016

The Special Leap Frog 48 package includes: Leap Frog 48 Console including Version 4.0 software featuring Colour Picker, direct links from offline editor to visualisation programmes and new low-light monitor options; 15" external touch screen; Light Converse Visualisation Software, and professional flight case for console and touch screen.

The Leap Frog 48 offers all the tools to create sophisticated lighting shows including control of 200 fixtures plus 48 generics, says the company. It features four opto-isolated DMX universe, multifunction keys for fast programming and provides a familiar syntax for users of Avolite, Strand, ETC and Whole Hog consoles.

(Jim Evans)

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14 March 2016

Audio Light Systems provide sales, installation project management and consultation for a wide variety of spaces that require audio, lighting, AV and specialist systems throughout the UK. The company says it is "set to make a serious impact on their debut at the second instalment of the exhibition - having booked the largest stand space by far on the show floor".

As well as Strand control desks and dimmers, Audio Light Systems will be exhibiting equipment from Crestron, EAW, QSC, NEC, Sennheiser, Tecpro, TOA and more for theatre, corporate and education markets.

(Lee Baldock)

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14 March 2016

Bale worked for KOL for the last four and a half years, since he was originally asked onboard by co-LD and the show's creative designer Paul Normandale. This latest tour is a co-lighting design between the two of them, on which Bale is also working closely with video director Phil Woodhead and live visuals director & Catalyst (digital media server) programmer/operator, Phil Haynes.

The lighting rig is based on 10 trusses, all moved into different positions throughout the set via a Kinesys automation system. This is operated by Yose Lawson and Andy Beller.

Each truss has a cluster of Element Labs VersaTUBE LED fixtures attached to the front of it which are driven by Hayne's Catalyst. The front trusses form a chevr

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14 March 2016

Shawn Lear's responsibilities as a project manager include organising and supporting clients' lighting systems for touring and television application. Lear has had a diverse and long career in the lighting industry and comments, "I'm excited to be a member of the Bandit team. Welcome to the Big Leagues! Batter Up!"

As an electronics technician, James Prince's responsibilities include repairing, servicing and maintaining Bandit's moving lights inventory. Before joining Bandit Lites, Prince was a freelance lighting technician for Disney in Virginia working in their dry dock programme. "With the recent move to the new premises and a fresh start of the new year, I'm really looking forward t

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14 March 2016

Kenyon first saw the units in action at one of Robe's The Future is Digital roadshows in London, which he attended along with moving light operator and Catalyst (digital media server) programmer Roger Williams at the behest of Lee House from AC Video.

After this, Kenyon decided that he could make good use of six DigitalSpot 7000DTs to illuminate and add extra treatments to the dancefloor of Studio TC1 at the BBC's Wood Lane HQ in West London.

The DT7000s were rigged 12m up in the roof of the studio and run via ArtNet protocol back to a CompuLite Vector console in the control room, operated by Roger Williams (for the Final) and Dave Bishop (the Xmas Speci

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14 March 2016

This year, the Star Events Group had been tasked with modifying the structure for an easier install and removal, and to create a new base which would house permanently installed, upward-facing LED lighting. Their main lighting supplier, Paul Jones of Ethix Management, approached Ambient for an LED lighting solution. Ambient's Tony Kingsley proposed the relatively new AVR Osiris 48, which due to its compact size would just fit into the new Menorah base, and following a trial at Star Events, six of the Osiris units were ordered from Ambient. These were the IP65 48

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14 March 2016

Lightswitch, which designed the lighting in the Nissan booth, used Elation Professional's Impression RGB LED compact moving head fixture to spotlight the 370Z. Additionally, Lightswitch chose another Elation light to illuminate the rest of the booth, the Design Par 575D, a DMX-compatible discharge moving head fixture with a par reflector.

According to Lightswitch principal Chris Medvitz, auto shows present unique lighting challenges. The Elation products, he said, helped his company meet the design and technical requirements of its client George P. Joh

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14 March 2016

The training will focus on the use of SHoW DMX, City Theatrical's wireless DMX system. The sessions will be 'hands on' and topics covered will include: Setting up a wireless DMX system, Advantages (and disadvantages) of wireless DMX, Avoiding other wireless users to reduce interference, Use of directional antenna to improve range and reception, Art-Net and SHoW DMX and Remote Device Management (RDM) using SHoW DMX.

There will also be a first chance to see other new products launched for 2009, and other existing City Theatrical products.

(Jim Evans)

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14 March 2016

The tour is carrying two grandMA full-size consoles - one live and one for backup - and four MA NSPs, with the whole control system run on PRG's new fibre optic looms.

PRG's control systems engineer Gordon Torrington is overseeing all the FOH elements of the tour. All lighting kit is being supplied to the tour by PRG,

(Jim Evans)

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14 March 2016

The Catalysts - running a pre-release version of the latest V4.2 software which gives 10 submixes on 16 layers - are outputting the nine-camera IMAG mix and assorted playback content to 1000 tiles of Barco MiTrix screen and 270 Element Labs VersaTube HDs.

These latest spec Catalyst machines were supplied by Catalyst's UK distributors Projected Image Digital (PID) to the tour's UK & European lighting contractors Lite Alternative. They are fitted with two Apple MAC 3.2 GHz Quad Core Intel Xeon processors, 4GB RAM, an 8800 Graphics card, 128GB Solid State Drives and

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14 March 2016

Executive producer of the show, George Stevens Jr, said he was taken by surprise by the eagerness of stars to perform once he was given the go-ahead by the Presidential Inaugural Committee. "On that first day, we asked Springsteen, Bono and Garth Brooks within a period of 45 minutes and got three 'yeses'," Stevens told the Associated Press. The artists have been asked to perform so

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14 March 2016

Since its launch in South Africa, Ion systems have been installed at Durban City Hall, Port Elizabeth Opera House and TV station M-Net.

(Jim Evans)

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14 March 2016

The 36 Robes - a combination of ColorSpot and ColorWash 700 and 575E ATs - were at the core of the rig. They were all hung off the theatre's over-stage fly bars, with the 700s rigged on the downstage bars and used for stage washes. Eight of the ColorWash 575E ATs were positioned on the floor, with the rest in the overhead rig.

Sound Stylists also supplied AV, rigging and crew for the Awards, run in conjunction with a conference and hosted for the eleventh year by Rhodes University, sponsored by the South African Broadcasting Corporation (SABC

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14 March 2016

In fact Pablo and Néstor Deligio, who run Deligio Iluminaciòn - the company responsible for the production - used exclusively PR Lighting pieces, as the country's most important artists were honoured.

Altogether, 36 x PR XL 700 spots, 12 x PR Wash 1200, 12 x PR 575 spots, 8 x PR Design 250s - and an Orland Follow 1200 were woven into Néstor Deligio's lighting design. These were controlled from two Avolites Pearl 2008 consoles.

Pablo Deligio commented: "We are consistently impressed with the performance of the XL700 moving head in particular - it meets all our requirements in the professional sector. We have been very surprised and impressed by the quality of the XL range

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14 March 2016

To light the event, lighting designer Will Twork primarily chose to use Martin MAC 500s, MAC 2000 Washes, Performances and Profiles, Coemar iWash Halos, Chroma-Q Color Web Panels, and Color Kinetic I-Color Accents. Lighting was controlled by a Whole Hog II and wing.

The Color Kinetic I-Colors were used to rim the stage with colour. Twork used the MAC 2000 Performances to provide an American flag theme with American flag stars and stripes gobos. The MAC 2000 Washes lit the runway up to the stage while he used MA

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14 March 2016

Lighting supplier for the tour was Arpège Son Lumière who, together with Watson, is the first in the world to put MAC III Profile production fixtures on a tour. Arpège purchased 14 of the new generation MAC fixtures via Martin France just in time for the tour's start.

"Although load in started 1 November, we didn't receive the fixtures on site until 4 November 4th with a first show on 7 November at the Zénith in Nantes," stated Jan Lambrecht of Arpège. "We purchased the MAC III Profiles because Arpège plays a big role in the touring market in France and across Europe and the fixtures will be useful on tours in early spring 2009. They will

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14 March 2016

Luminair allows users to wirelessly control, view and manage intelligent DMX lighting fixtures and consoles, straight from iPhone or iPod touch using Art-Net over a Wi-Fi connection; control intelligent lighting equipment through touch-sensitive fader and innovative channel-layout controls, or analyse incoming data packets in realtime.

"Luminair has been extremely successful in its first six months on the iTunes App Store," says company founder Ryan Hisey. "Customers worldwide are using Luminair in a wide variety of markets, from theatre and stage, to architectural and studio. We are extremely happy to be able to offer our users a significant discount of

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14 March 2016

The 50,000sq.ft facility includes 6,500sq.ft of office space. The remaining space is divided between the Technical Services Department, LED & Special Effects Department and the Generic & Rigging Departments, as well as a virtual programming suite, storage space and a substantial amount of system prep areas, allowing Bandit to prep multiple lighting systems simultaneously.

Parking for numerous trucks is available in the rear of the estate with acreage for future construction when it is needed. There are offices and a full kitchen available for visiting lighting designers as they work in the virtual programming suite within Bandit to programme their creations before th

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14 March 2016

Staged at the LTU Arena in Düsseldorf, the latest Pro 7 event, the TV Total Stock Car Crash Challenge saw about 30 VIPs - including singers, TV and sporting personalities - competing to demonstrate their driving skills in the race that was recorded and broadcast on German TV channel, Pro 7.

Of the 177 ColorSpot 1200E ATs, 40 were placed in the pit lane of the track, 72 were on a stage in the middle of the track mounted on the floor and 72 were on trusses in the ceiling of the indoor venue.

These were programmed, along with other moving l

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14 March 2016

In an effort to attract the right people to fill these many roles, the company is hosting a recruitment event in London on Tuesday, 3 February 2009. This 'Red Curtain Recruitment Event' will provide an opportunity for those interested in working with Cirque du Soleil to meet its recruiters and managers, have a drink and a quick bite to eat with current employees, and generally learn more about the company and its many career opportunities.

Anyone wishing to attend can r

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14 March 2016

"The original Artistic Licence Cata-Lynx converter was initially designed just as a handy widget," says Artistic Licence technical director, Simon Hobday, "but since its release it has proved very popular, especially amongst those needing to bridge the gap between lighting and video control technology."However, with the new Art-Net technology Artistic Licence has been developing, re-designing the Cata-Lynx range means that the product will benefit from many of the new features seen in Data-Lynx, while retaining the high specification and functionality of the original Cata-Lynx."

The result is a choice of two products in a standard 1U Rack Unit: the Cata-Lynx I/P and the Cata-Lynx O/P.

Cata-Lynx I/P is a rack mounted DMX512 to Art-Net Ethernet conver

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14 March 2016

With robust black metal casings, the single colour red, green, blue and yellow pars are each fitted with 96 LEDs and are sound controlled with simple connection to the four-channel, fully automated chaser. The fixtures can also be controlled using the included footswitch.

The lightweight tripod stand has a more than generous 20kg load capacity and is height adjustable to over 2.1m, with the mounting bar providing a width of 1m. All mounting screws are, of course, supplied.

With a total pack weight of less than 8kg, the one-box LED Par38 System is portable and is quickly assemble