Lighting

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14 March 2016

At the ceremony, driver Jimmie Johnson added his name to the NASCAR record books by becoming the second driver in the sport's history to win three consecutive Cup Series championships.

Lighting designer, Mark Carver oversaw lighting production at the event. Equipment included Vari*Lite 3000 Spots, MAC 250s and 600s, PixelRange Pixelines PAR 64s, Lycian M2 Spots, and ETC Source Fours. Lighting was controlled by two Grand MAs and NSPs.

Co-production manager, Steve Hoover, said that the VL 3Ks, MAC 600s and PixelRange Pixelines all acted, in part, as the c

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14 March 2016

Founded in 1989 by CEO John Gunton, Dynalite has grown from a six-person team in the Australian lighting control industry, to a 130-person enterprise with offices in China, UK and the Middle-East. The company is also represented by a distributor and dealer network in over 40 countries. According to Gunton, the success of Dynalite - which is still Australian-owned with all manufacturing in Sydney - has been the result of picking people who are the best in their field and incorporating a customer focus into every part of the business.

"Our new corporate logo heralds the beginning of a new era for Dynalite," Gunton said. "It represents where we are today and where we see ourselves going. While the future of t

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14 March 2016

The new six-floor, 174,000sq.ft building at the corner of Andy Holt Avenue and Volunteer Boulevard houses 34 classrooms, more than 50 offices for staff and administration, 35 team and presentations rooms, a technology centre, an investment centre and an atrium with a glass elevator.

Lighting designer Shawn Beaulieu chose to use ETC Source Fours, Martin MAC 2000 Washes, Vari*Lite 3000 Spots and Coemar LED Pars to light the event. Lighting was controlled by a Flying Pig Systems Wholehog II.

(Jim Evans)

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14 March 2016

According to Peterson: "We massaged our single look over a course of three nights. The primary component was to light the President Elect to his very best advantage, then cleanly illuminate the 100,000 plus people in the park, all at exposures that would allow the skyline and city to be a backdrop in the network cut shot." Several disciplines of equipment including Martin, Sync

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14 March 2016

Lighting director Bernie Davis comments: "The key thing is flexibility. All the programming is done over three days on site, and we have to be ready for any plans to change. The only way to achieve the range of looks is to use moving lights."

The decision on which lights to use was partly influenced by the venue. Bernie explained, "We took over the Palladium dur

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14 March 2016

"We were approached as event producers and asked to come up with a number of different ideas," explains Mark Harrison. "Milton Keynes is set out on a grid system and the city wanted something unique that, when the centre of the city was closed off, would work with the road system, naturally leading people from place to place, with the building projections u

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14 March 2016

The show included performances by several high profile artists including headliner Loyiso Bala, supported by Loading Zone, Dr Victor and the Rasta Rebels, Denim and Dozi, all MC'd by comedian Wayne McKay. The event was project managed on site for Gearhouse by Zane Carim.

The main stage was a 22m wide by 14 deep Layher construction, with a Slick Dome roof giving 12m of headroom.

Upstage of this was a Lighthouse high-resolution LED screen. Most of the artists performed before dusk, but it was dark by the time the main ceremony swung into action. This plus three del

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14 March 2016

Bintliff states, "It's always a pleasure to work with HSL - their kit, crew and service is second to none, and they also came up with a very good deal."

The trussing structure comprised of four 5m pre-rigged 'fingers', each fully loaded with 24 PARs, and each length also forming an integral architectural element of the design. The fingers fanned out from a central point at the back, and in between them were three triangular pods. Each pod was rigged with four Robe ColorSpot 575E AT moving lights, four JTE PixelLine LED battens and a string of ACLs.

The impact of the pods was maximised by being moved in an

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14 March 2016

After completing three years in the army as a tank mechanic, Marshal moved into theatre and has worked for much of the last 40 years as chief electrician for the Northcott Theatre in Exeter. Maurice has been committed to training new entrants to the industry for numerous years and many of today's top lighting designers and technicians have benefited from his tutelage.

In addition to his full-time commitments to the Northcott Theatre and to national training, Marshal co-founded Stage Electrics with managing director David Whitehead in 1979 and remains actively involved in the business tod

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14 March 2016

This is the fourth year Stage Electrics has worked on behalf of the Greater London Authority to mark the New Year. Stage Electrics supplied MAC 2000 Wash moving lights in each of the 32 pods of the London Eye, search lights on floating pontoons (eight each side) and a wireless DMX control system. Lighting designer for the event was Durham Marenghi, who has previously worked on the lighting of the London Eye at New Year.

As with previous years, the importance of installing lighting units into all 32 pods quickly and efficiently was paramount to the succe

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14 March 2016

The Awards were judged by a panel of 12 industry experts, including Julien Pavillard, artistic director for Lyon's festival of light. They closely examined each nominated product, before conferring and making their final decisions.

The BB4 was selected as the winner for its intensity, colour mixing capabilities and its homogenised lightsource - all three qualities impressed the judges.

Since taking on the i-Pix distributorship in September, JC Lampes has already experienced great interest in the i-Pix range, which has also been boosted by winning the award.

(Jim Evans)

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14 March 2016

Kev Harris of HD Promotions comments, "Our main aim with every event at the Live Nation venue is to push the limits with all lighting equipment and production. Martin was a pleasure to have on board with the Gatecrasher event."

Richard Bishop, MD of Gravesend Sound & Light adds: "This has been one of the most spectacular light shows we have done for a while. It was fantastic to work with HD Promotions and Martin and we definitely look forward to more of the same in the future."

24 of the Martin products were used in the trussin

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14 March 2016

In The Money - Madonna's Sticky and Sweet show was the highest-earning tour of 2008, taking $281.6m (£193m) worldwide, according to music trade publication Pollstar. It also became the eighth highest-grossing tour of all time in North America, Pollstar said.

Celine Dion's

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14 March 2016

This two-day course is designed for entertainment technicians at a basic to intermediate level. The session will be held 16 and 17 March at the Duke Energy Convention Centre. Training will cover current control protocols including Remote Device Management over USITT DMX512-A and Architecture for Control Networks. This course qualifies for ETCP Certification Renewal Credits for ETCP Certified Entertainment Electricians.

The Control Protocols course will be taught by ETCP Certified Electrician and ETCP Recognized Trainer Milton Davis, of Doug Fleenor Design. Davis is a member of the Control

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14 March 2016

To date, this is the most of either type of Robe's new generation of digital moving lights to be used on a single show.

When Gearhouse South Africa won the contract to supply full technical production for Miss World and Dunn was asked to design lighting and visuals for the show, the opportunity also presented itself for him to incorporate some of the new Robe fixtures in his design.

He worked closely with set designer Dewet Meyer to develop a big visual picture that stamped a contemporary African flavour on the performance space. The resulting elegant 40m wide, multi layered spherical set was based on an African jewel and

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14 March 2016

On 1 November 2008, in collaboration with the Garden's landscape gardener, an illumination programme, Garden Play with Light commenced. Two concepts define this Japanese style of illumination: 'Static Vision' in which the Garden radiates a dreamy atmosphere, and 'Dynamic Vision', a series of colour changing programmes that shift with the season. Some programmes are synchronised to music and offered as an optional service to customers on special occasions like weddings or birthdays.

Lighting design is by Reiko Chikada of Reiko Chikada Lighting Design. Chikada and her team chose I

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14 March 2016

Until now, rental projects have been the focus of G-LEC's business in the UK, but Lars Wolf, managing director of G-LEC Europe, wants to begin to put more emphasis on the company's new architectural products, saying, "Chimera, which we launched at PLASA this year, is a strong product for us. We already have 700sq.m installed in the BMW Museum in Munich, and we are getting a lot of enquiries. We need a full time sales office in England and, as we have other partner companies in Europe and the Americas, it made sense to form G-LEC UK."

As well as managing sales, G-LEC UK will also support the company's existing UK rental partner, Creative Technol

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14 March 2016

At the 2008 ETC/ABTT Christmas party, held at Theatre Royal Drury Lane on 15 December 15, Light Relief Trustee John Simpson accepted a cheque for £5,000 from ETC's general manager, Matthew Brookfield - part of a £12,500 commitment made this time last year. Thanking ETC for its continuing generous support, Simpson, who is also chairman of White Light, said: "There is no doubt that the economic downturn will affect our industry, magnifying the problems that can be triggered by illness or injury. While Light Relief's funds cannot be used as unemployment benefit, I am sure that the calls on our resources will increase in 2009."

For ETC, M

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14 March 2016

"Although we only took delivery of the ORB very recently, we have already arranged for it to be used at the closing ceremony of Dubai Film Festival and at the Shakira concert in Abu Dhabi," says Nick de Fay, sales manager LED Products for IBS Decor.

"We feel the potential in this market for ORB is excellent," he continues. "In addition to Dubai Shopping Festival and Summer Surprises, the region hosts a large volume of concerts, exhibitions, promotions and corporate events. There is a high demand for sponsorship for these events and this is where we see ORB coming into its own.

(Jim Evans)

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14 March 2016

Folene, a graduate of Adelphi University and most recently the inside sales manager for Strand Lighting's New York representative, will join Pete Borchetta (North East regional manager) and Bobby Harrell (lighting designer and controls specialist) in the new facility.

The Strand Lighting NYC office is located at: Fourth Floor, 267 5th Ave, New York, NY 10016. Telephone: +1 212-213-8219. Fax: + 1 212-532-2843.

The new office will feature a training area and a collection of equipment for hands on use of its products. Pete Borchetta comments: "I am excited to be in our new location and to be sharing an office with another Philips company Color Kinetics. T

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14 March 2016

66 panels of R10i/o LED panels, purchased by Operacija Trijumf production company Emotion Production, formed four screens on the stage.

"We choose the R10 panels partly on recommendation and partly because the only other LED screens currently in the region are 19mm pixel pitch," says Aleksandar Miljus of Emotion Production.

"We want to offer more versatile LED panels to the region and, after this series of Operacija Trijumf, we will be able to use the 10mm panels on a wide range of indoor and outdoor events. We will

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14 March 2016

The IFA in Berlin is deemed to be the world's largest consumer electronics fair. The biggest showcase by a single exhibitor is that of Sony, which takes up a whole hall, an area of 6,000sq.m, this year developing an enchanted forest concept, with thick white floors to absorb sound, soft round shapes and bare white trees.

Under the direction of technical director Peter Mader, Limelight Veranstaltungstechnik was responsible for

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14 March 2016

GDS, now in its fifth year, has been through some important changes during 2008 - focusing the business on product development and manufacture only, and increasing its product range to five main lines - Blues System, MOBAL, Motor Control, Stage Manager's consoles and its new RGB LED Wireless DMX Up-lighter.

The new operation will be in operation from 1 February 2009, with Scott Vontobel (previously with GDS's US distributor, TMB) at the helm as GDS-US Director. Vontobel has been in the industry for over eight years with significant success in brand de

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14 March 2016

At the Royal Albert Hall, White Light was tasked with providing reliable DMX distribution to the dimmer room and lighting trusses to make life easier for the Hall's staff and for visiting companies. White Light's Roger Hennigan notes that: "the Hall has a Jands Vista console which outputs lighting data as ArtNet. We therefore designed a system that used Ethernet to distribute ArtNet around the building, and then ArtNet to DMX nodes to convert the ArtNet back to standard DMX locally wherever it was required."

The final system uses products from network specialists ELC: truss-mount dmXLAN Node 1 power-over-Ethernet ArtNet nodes for each of the six main lighting trusses, a dmXLAN node 4 in the dimmer room for dimmer DMX output, dmXLAN Node 2s for DMX output