Lighting

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14 March 2016

Lighting designers Michael Creason and Seth Rapaport of Visionary Light & Media in Montverde, Florida, were charged with illuminating the iconic bottle and creating lighting effects for the attention-getting signage. Within the bottle are 216 Color Kinetics ColorCast 14 fixtures, 10 Flutes, 96 Birkett Strobes and one Coemar PAR. Each six-foot high level of two-ply glass panels forming the glass cylinder, which goes from opaque to translucent to give the illusion of ice, is outfitted with 104 x Color Kinetics Color Blast 12s.

"The client came to us with the fixtures already specified and pu

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14 March 2016

Production designer Marc Brickman chose to use six Lycian M2 under hung truss spots, 52 Vari*Lite 3500 spots, 37 VL 3000 washes, seven VL 3000 spots and 36 Martin Atomic Strobes with Atomic Colors.

Additionally, Brickman puts great emphasis on smoke machine styles and effects as well as placement to enhance the show's looks. Specifically, the Martin ZR33 smoke machines provide an added effect by bering hung up in the upstage truss.

The most substantial element in the production design is a 29ft tall by 56ft wide LED display from Barco.

(Jim Evans)

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14 March 2016

The show is staged at the iconic Carlton Hotel in downtown Johannesburg. The 119m high building with its distinct bell-bottomed base has been mothballed since 1997. Once a week, its deserted but still highly atmospheric ballroom is reinvented beyond its former glory days.

The essential lighting requirement for the series was to make the dancefloor into 'an ocean of gobos'. Working with original LD Hugh Turner, rental company Gearhouse SA achieved this with a little Robe power - buying the fixtures off Robe SA's distributor DWR Distribution for the show.

Production company Rapid Blue have required the same spec for the last three seasons, explains lighting director Sean Rosig from Gearhouse SA, who programmes and runs each epi

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14 March 2016

Chairman, president and CEO Larry Powers said: "We are pleased to report second quarter increases in both sales and earnings. Our focus on higher margin product lines and the price increases helped us achieve higher sales and gross margins for the second quarter.

"Our commercial lighting business grew moderately from last year, but the growth was offset by weakness in the residential sector. In addition, results for the second quarter of

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14 March 2016

The PS 450i is RDM compatible and is modelled after Wybron's popular PS series power supply products. This new permanent power supply is compatible with Wybron's Nexera and Forerunner, as well as all of the company's InfoTrace System products, including the Coloram IT, CXI IT, Eclipse IT and Eclipse II IT.

"We are receiving more client requests for permanent installation products for theatrical and architectural applications," said Larry Turner, Wybron's CEO. "Therefore, we designed the PS 450i power supply to fill the greater need for this type of product."

The PS 450i is designed to easily mount to a wall or unistrut and has multiple convenient conduit knockouts. All connections are on terminal blocks with separate blocks for main power

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14 March 2016

Artists featured on the main stage included Scissor Sisters, Razorlight, Kasabian, Kaiser Chiefs, Stereophonics, Natasha Bedingfield, The View, The Fratellis, The Fray, The Twang, Jamie T and Mika.

Lite Alternative's Paul Normandale provided the creative direction for all three stages at this year's event for SJM, assisted on the main stage by lighting director Glen Johnson.

The brief was to create a dynamic, encompassing visual range which as well as achieving a big look for the live stage audience, would translate well on camera for the TV audience.

The back wall of the stage featured a 19m wide by 6m high drop of Color Web 250, with further panels turning the stage corners to provide

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14 March 2016

This is not the first time lighting designer Andrew Bridge and associate Michael Odam have worked on Joseph, nor PRG Europe project manager Peter Marshall - all were involved with the last West End production back in 1991, which starred Jason Donovan. This time the star of the show is Lee Mead, who won the part following the BBC show Any Dream Will Do.

The rig, installed under the supervision of production electrician Fraser Hall, includes some 70 Vari-Lite luminaires, over 200 ETC Source Fours, Wybron colour scrollers, Lycian follow spots and other conventional lights, along with strobes, smoke and special effects.

The reworking involved a major desk transfer from the Artisan control console to a Wh

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14 March 2016

Now in it's fourth year and set in the beautiful Berkshire countryside near Aldermaston, the boutique 'electronic music' mix of Glade offers a laid back funky vibe with "a strong aversion to all things corporate/mainstream and a great love of everything alternative, underground and interesting".

Lighting for the Glade (main) stage and the tented Vapour stage was supplied by west London based Colour Sound Experiment, who have serviced the Glade Festival's main venue since the inaugural event in 2004.

Colour Sound's Jasper Johns designed the Glade Stage rig based on a flexible, generic design, that could be used by all artists. The lighting was fitted to the roof

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14 March 2016

Russell Armentrout, president of Performance Lighting, says, "When we powered up the Showguns for the first time, everyone's jaw dropped. The whole production staff, including Mr. (Gene) Simmons, were very much impressed by the fixture. And the Showguns are just as easy to hang as any automated luminaire."

Longtime Kiss LD Bryan Hartley designed the system, while lighting director Sean "Motley" Hackett programmed and operated the concerts in Sault Ste. Marie, MI, and at RockFest 2007 in Cadott, WI.

Hackett reports, "I hung the Showguns stage left and stage right of the Kiss sign to fill the gap where video screens used to be. By placing th

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14 March 2016

After the infrastructure was installed by Northern Light, AC Lighting won the supply of loose equipment to include 48 x Selecon Rama High Performance Fresnels, 5 x Aurora 4-way Cycs and 2 x Performer Series Toru Followspots.

Matt Kingslake, technical manager at the Grove Theatre comments, "I have been very pleased with the Selecon equipment I used at my previous venue and with the equipment I have seen brought in by visiting companies. Due to my experience using Selecon equipment they were my first choice when sourcing lighting equipment for the Grove Theatre. I am es

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14 March 2016

The Arena Hazer features true continuous output of up to 20,000cfm. To aid in diffusion and distribution, it has an integral fan and an auxiliary external squirrel cage blower to adjust the speed and orientation of the haze.

The system is housed in a wheeled road case that allows easy access to the control panel as well as easy refilling. Also included are DMX control capability (for output adjustment, fan speed, and blower speed), a wired remote control and 1.4-quart onboard fluid container.

(Jim Evans)

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14 March 2016

One4All is the first dealer to supply Showgun to the Italian market. The company will also represent other HES products including DL.2 and the Road Hog console.

Luisa Valenti, sales and marketing director for One4All, says, "We are excited at the opportunity High End Systems is giving us and we shall do our best to make High End products popular and successful in our domestic market. Showgun is a unique product and we are confident it will be a success."

"We are thrilled about the new opportunities we'll now have in Italy because of this new relationship," says Ruediger Haeming, HES regional sales manager for Central Europe. "I look forward to working together with One4All in promoting o

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14 March 2016

The D4 is controlling the venue's stage lighting rig plus over 800 architectural LED fixtures which are illuminating the interior walls, balconies and general auditorium architecture.

The Opera House in Boscombe originally opened in 1895 as the Boscombe Grand Theatre and has been an entertainment venue of sorts throughout its entire colourful 102 year history. Most recently the premises were leased to local rave 'Slinky'.

Now restored to its former Victorian splendour after a seven-month multi-million pound refurbishment project, spearheaded by owners Arnwood Estates, it has reopened as Bournemouth Opera House, a 3-tier 2200 capacity live entertainment venue.

Mikey Howard was brought onboard

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14 March 2016

The lighting rig included 12 x Clay Paky Alpha Spot 1200 HPE, 18 x Clay Paky Alpha Wash 1200 and 168 x Par Cans. They were used to light the 18m x 16m stage with 16m x 11m wings.

Rick Wade, Protec's operations director, said, "I didn't receive a single complaint about the kit we provided. The Aerosmith crew was extremely happy with the venue, set-up, and of course the turn-out, which was very encouraging.

MA Lighting International recently opened its own office, MA Lighting Middle East India, in Dubai. "The idea of our global network is to getting even closer to the market", comme

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14 March 2016

Pandemonium Productions' MD, Simon Garrett collaborated with Brunel University's event manager, Liz Thomas, from the outset. Garrett appointed Malcolm Birkett as production manager. Together they managed their team of preferred suppliers to tackle the challenge of transforming the Athletics Centre into a ceremonial auditorium environment, which complied with current DDA regulations.

Working with appointed set designer, Ian Fogden of IFD Design, Pandemonium configured a set that was sympathetic to the simplicity of the hall.

Custom built by Centre Stage, the modular stage boasted a curved fr

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14 March 2016

There is no requirement to be working at the Fringe to attend. Sessions are being held at Assembly Universal Arts (venue number 7) between 9am and midday each day from 13-17 August and 20-22 August.

Anyone interested in attending should contact ETC on telephone: +44 (0)20 8896 1000.

(Jim Evans)

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14 March 2016

The event is attended by over 40,000 Scouts from 160 countries around the globe. An additional 10,000 support staff and services personnel are also on-site, involved in running the Jamboree, which features full daily programmes of entertainment taking place on one main and four 'hub' stages.

Mike Oates leads the HSL team who are working closely with Jamboree technical production manager Mike Bryan and lighting designer Andy Hook of Shock Solutions. Oates comments: "It's great to be involved in this event. It has all the infrastructure and demands of a major festival with an excellent atmosphere and lots of dedicated staff all very passionate about doing the job."

Bryan and his Technical T

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14 March 2016

Thousands of dance and electronic music fans braved the torrential rain, mud, flooding and truly abysmal weather conditions to attend one of the UK's friendliest alternative 'boutique' festivals.

London-based Colour Sound has supplied the Glade since the event started four years ago, but this year was the first time they lit both main spaces - deciding to go with Robe in both. Twelve ColorSpot and 12 ColorWash 700E ATs - newly bought for the summer - featured on the Glade stage, with six ColorSpot and ColorWash 575E ATs in the Vapour Tent.

Colour Sound's Jasper Johns and Kester McClure looked after lighting for the Glade Stage, producing a generic design with plenty of options and flexibility that would suit all

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14 March 2016

"Helen Huang used intense colours in both her scenery and costume designs," says Schertler. "Because the scenery was basically a unit set, it was necessary that my design control the palette to create a leitmotif that would underscore both the characters and the storylines. The Selador units were an important tool in making this work."

Rebecca Fuller Jensen, lighting and video coordinator for CTC explained that Suessical was just the opportunity that CTC had been looking for, "We had seen a demo of the Selador units before, about five months ago and asked if we could try them in production. It just happened that Nancy

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14 March 2016

Sykes comes to LSC with an extensive background and impressive employment history, including being part of the LSC team from 1988-1999 as a product development engineer. Whilst at LSC he co-designed the Axiom, which was honoured with an Australian Design Award in 1993. Adding to this, he was also responsible for the design of another 20 Stage Lighting products.

Most recently Trevor has been working with AAPL, a large multi national (Japanese parent) company in the automotive sector.

(Jim Evans)

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14 March 2016

The Jewel LED is an LED version of the classic moonflower effect. It features an output similar to a 100W halogen lamp with 47 sharp red, green, and blue high output coloured beams.

The Vision LED features an output similar to a 400W halogen lamp with 26 large, sharp red, green, and blue high output coloured beams. It can be operated as a sound active light show or as a DMX effect.

The Revo Scan LED, a flat-mirrored scanner, has an output comparable to a 250W halogen lamp, with 52 total red, green, white and blue LEDs. There are three operation modes: Master/Slave, Sound active, and DMX. The Revo scan has 4 DMX channels with a four button LCD display and is linkable via XLR connec

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14 March 2016

Grease, opening at the Piccadilly Theatre in August, is the latest version of the production that first appeared at the Dominion Theatre in 1993 and was one of the earliest moving light rigs supplied by White Light; the show has been playing in London or touring ever since.

For its latest West End outing, which had its leading actors cast by the public on ITV's Grease Is The Word, lighting designer Mark Henderson has updated his rig to include Martin MAC 300, MAC 550 and MAC 700s, High End StudioBeams and StudioColors, Vari-Lite VL2000 Spots as well as Par Cans, ETC Source Fours, Rainbow colour scrollers and L&E MiniStrips plus Robert Juliat Aramis followspots and haze and smoke machines from Look Solutions. Control for the rig is from a Wh

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14 March 2016

The event was project managed for ShowSupport by Andy Mayneord, who led a team of 12 for the get-in on the Thursday to be ready for a Saturday early afternoon start.

Two landscape format 4:3 ratio Lighthouse R16 I/O side screens were installed, and a 4 camera PPU. The cameras were positioned at FOH, two each side of the pit and a hand-held onstage.

Live video director Jim Bennett's fast cut mix matched the jittery energy of the music, adding an additional edgy layer to the show's visuality for the set - much of which was in daylight.

Working closely with lighting op Rob Gawler, the ShowSupport team also supplied a Coolu

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14 March 2016

The centre was designed by Penoyre & Prasad Architects in consultation with patients, their families and staff. One of its most striking features is the south façade. Folded aluminium louvres are suspended on a tensioned cable net to prevent direct light entering the building, whilst at the same time creating fascinating abstract imageries.

Lightscape Projects - part of the Light Projects Group - was responsible for the lighting design, installation and programming. A total of 64 Tryka Strip Module Optic IP67 in different lengths were selected for the project, along with other Light Projects LED fittings.

Light Projects Group's director Roger Beckett enthuses: "The Tryka LED linear units were mos