HSL Group
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When it came to the enormous Godskitchen tent, Zig Zag's Neil Hunt wanted to install the highest impact lighting possible and also to try out Robe's ColorSpot and ColorWash 1200 ATs for the first time.
The rig comprised seventy-six ColorSpot 1200E ATs and 24 ColorWashes hung all over the stage and tent on an intricate trussing network, secured into the tent by 70 points - the work of Harry Box from Concert Lights. The fixtures were used for both stage and dance floor lighting and were the main wow factor of the arena.
Lighting was programmed and operated by Matt Holden-Jones who ran lighting for
The system - two PixelDrive computers - was installed and programmed by Simon Carter of Radical Lighting. One was running on a laptop and one on a desktop, with both triggered by the Avolites Diamond 4 lighting console operated by Matt Holden-Jones and Paddy Sollitt. One PixelDrive was used to run video sources into the moving lights and one to run them into the 34 James Thomas PixelLine fixtures - a mix of the 1044 and the new PixelLine 110 ec - used in the show.
Ligh
As well as dealing with
Paul came up with the idea of five curved snake like trusses hung under a mother truss along with a split front truss to allow the followspots a clear shot at the stage, all running off four data streams from the GrandMA with 3D visualization.
Along with 11 MAC 2000 Wash, four MAC 2000 Performance, 16 MAC 600 washlights and 16 Pulsar ChromaBanks, Paul used 15 MAC 2000 Profiles each housing the new Patrick Woodroffe Gobo Collection.
"I knew the gobos were on their way so I asked Vince Haddad from Show Technology to rush me through a set so we could use them for the Canberra show," said Paul. "The gobos are awesome! It's like using a completely dif
The workshop follows on from a similar, more basic training event staged four years ago by Avolites and Jagmag, also in Mumbai. "The take up was phenomenal," says Steve Warren - with over 110 people attending over the two days: "They all wanted to learn more. Many were Avo owners and use
Version 1.2's support for Capture 3.0 is via LewLight's CITP protocol. This allows Capture to be run on the same Windows 2000/XP machine as the BlueLite X1, or on two separate machines connected via a LAN. In addition to basic DMX data exchange, version 1.2 supports more advanced CITP options. This allows features like Capture's auto focus of
In Hampshire, Nothington Grange provides the home to Grange Park Opera, performed in a 540-seat horseshoe auditorium built within the listed out-house of the Grange. Lighting designer Chris Davey returned for his fourth season as resident LD, this year designing Maria Stuarda, Don Giovanni and South Pacific. As he notes: "each season the designs get bigger, pushing the stage and its possibilities to the limit. The operas rotate performances so virtually every day there is a complete set and lighting turnaround; my task was to light each piece on its own terms yet provide a design and rig
The festival has stayed on its original site at the Cherry Hinton Hall Grounds, since it's inception by Ken Woollard in 1964. Whilst the organizers have striven to maintain the relaxed atmosphere for festival goers, behind the scenes of the festival site has changed beyond all recognition.
Pearce Hire supplied all the power requirements for the festival, which has increased immensely over the years, catering for this unusual site where most of the electricity comes from a mains substation, which was upgraded from a 300A to 500A in 1995 to cope with the growing demands in all areas.
This year Pearce Hire supplied a
Crystal, one of the largest gambling establishments in Eastern Europe with three restaurants, several bars, a nightclub and dancefloor, needed a boost to its lighting system. The new installation was designed by Sasha "Eagle" Vasilyev - the club's chief LD - and Slava Savin, LD and desk programmer/operator, and undertaken by Moscow-based Light Sound. Contractor (LSC), one of Russia's leading installers.
Nightly onstage entertainment includes a variety of singers and bands. The club also has its own permanent cabaret/musical show once or twice a week, and the dancefloor is in use five days
The product is a simple connection device for DIN Rail installations. It is available with either male or female five pin XLR connectors and is used to provide cable entry into the installation equipment without the need to make up special cables.
The product has an XLR mounted on one edge and a three pin screw terminal on the other. Custom variants can also be produced. The product line is available throughout the world via a growing number of progressive dealers, a list of which is available from Artistic Licences web site, where visitors can also order on-line and download technical data and user guides.
Jump-Start can be seen at PLASA 2005 on Stand G12.
(Sarah Rushton-Read)
Alpha Spot HPE 1200 is the flagship luminaire of the company's Alpha range and boasts a high performance optical unit and features a 1200W discharge lamp. With a large, newly designed effects section, colour mixing CMY and linear zoom from 10°- 40°, Alpha Spot HPE 1200 is the most silent luminaire in the range, say the company. Other features include linear CTO, seven-color wheel, a graphic system with 20 gobos plus animation disc, two rotating gobo wheels - each with six bi-directional, indexable and easily interchangeable decorative glass and dichroic gobos, selectable 'Gobo shake' function and morphing effect.
The Alpha Spot 700 is a 700 W effects projector featuring linear zoom from 15° - 4
Ptarmigan contracted Artistic Licence to provide a Colour-Tramp control system along with a range of DMX512 and Art-Net distribution products. Simon Fraser of Ptarmigan comments: "I selected Colour-Tramp because of its graphics based LED control interface and its ease of programming and automated operation. The main control room is remote from the tower, so the use of Art-Net ethernet significantly reduced the length of expensive DMX512 cabling. The Art-Net ethernet was converted back to DMX512 locally a
The original set design was by Patrick Docherty who suggested using high brushed metal walls. Lingard then came up with the idea of lit panels to break up the walls; their basic visual aim was to make it bright, colourful and exciting with a high tech feel.
Pixels were not originally on the job, but the steely greyness of the set was proving a bit stark, so some textural treatment was needed to brighten it up and Lingard says he also wanted to be able to change the look and feel of the space for different sections of the show. "The PixelPAR 90s bring a new dimension to the space," he says. "They have really brough
Colour is provided from a CMY colour mixing system; a colour wheel with five fixed colours plus white rainbow/multi-colour/slide effects, synchronized black-out and colour change, and proportional CTO. Its easily interchangeable gobos, on two overlapping wheels of six gobos each plus open, provide a wide range of images. Also available are t
A visual highlight of this year's PLASA show will be the new Ayrton DreamPanel (50cm x 50cm) modular video-tile, designed for screen-floor applications, which will be built into a concept floor display on the side of the stand, fed from a media server. Lighting Effects Distribution will also give a first UK showing to Antari's new versatile, mid-level series of smoke machines, the Z Series.
The company also operates a projects division
The first two posters - The Light Fantastic and Getting an Angle on Lighting - have been distributed throughout the UK, New Zealand and Australia this year by participating Selecon dealers. The theme of each Switched On poster is fully supported with an on-line resource containing in-depth explanations and a series of exercises designed to help understand exactly what theatre lighting is, what it does and how you can achieve different looks and moods.
With an emphasis on approach and technique rather than product, the posters and web support con
This was the first time Zig Zag boss Neil Hunt has used a Diamond 4. "It was an ideal opportunity to put it properly though its paces and to get first hand feedback from my top programmers and operators," he comments. "We needed a desk with large capacity that was reliable, versatile and had Ethernet capability for the PixelDrive. The D4 was the solution - it has all the power and precision to do exactly what we needed."
The Godskitchen Arena rig was designed by Hunt and the D4 Vision was programmed and operated by Matt Holden-Jones, who ran lighting for most of the
The students, all enrolled in college study for 2005 in specialities related to lighting design, theatre or entertainment technology, applied for the sponsorship awards earlier this year. Tae-Hyun Kim, a student at Queen Margaret University in Edinburgh, was researching information on the Source Four Revolution when he saw ETC's call for applications. With an attitude of 'nothing ventured, nothing gained,' he seized the opportunity and proved he had the background to be a great ETC sponsorship choice. Working towards a 2006 MFA in advanced stage and screen practice (lighting design), Tae-Hyun will receive an all-expenses-paid trip to LDI, w
From humble beginnings running out of a garage in South London, company owners Iain Dennis and David Morgan turned a hobby selling bits and bobs on ebay into one of the fastest growing lighting sales companies in the industry. The partners say that they frequently ship used equipment to clients across the world, including sales to Norway, the UAE, the Czech Republic and Australia.
Earlier this year, they took on a 1,500sq.ft warehouse which they have already outgrown - a further 1000sq.ft will be taken on in September. Two new members of staff have been appointed in the last three months and a further is currently being recruited. Additionally, Lighting Partners has launched a sister website, stagelighting.co.uk specializing in "keenly priced new e
"The experience of S+H in the events market and their starcloth production capacity and expertise, will surely enhance ShowLED's presence at UK theatres, concerts and corporate events. Add this experience to an excellent service on both sales and rental and understand why confidence in a successful venture in the UK is so high!" says ShowLED's Kenny Janssens.
The official partnership will be launched at the ShowLED/S+H joint stand at PLASA 2005 in London next month. Not only will the partnership be launched, but both companies will be introducing the ShowLED Chameleon to the entertainment sector, at