Brian Dowd joins Color Kinetics
- Details
Lighting
In action for Oasis' Friday night headline slot on the Pyramid stage were192 James Thomas Pixelline LED battens - part of a stunning lighting scheme designed by LD Andi Watson, with gear supplied by LSD/Fourth Phase.
On The Other Stage, LD Jonny Gaskell used 55 Pixellines and PixelDrive software, supplied by Bandit Lites, for Orbital's final set. Taking an experimental approach, Gaskell took
The band has used live sound specialist Canegreen since its first set of UK dates in 1998, as tour manager Henry McGroggan explained: "The Corrs have grown with Canegreen; tonight we have 80 channels of audio running from the stage and the Canegreen boys can manage it. The technology has moved on significantly over the years and Canegreen keep right up to date in terms of offering us new equipment that will make the ban
"Through the years, black lights have remained one of the most universal special effects for club and stage use - and they keep getting better with new, improved features," said John Lopez, national sales manager for Elation Professional. "Now, with the UV Wash, you can achieve great ultra-violet effects without having to lug around an awkward light with a transformer that weighs a ton, thanks to its compact fluorescent UV lamp."
In addition to using a fluorescent UV lamp, the UV Wash is rugged and durable, with
Dimming will be a major feature of the ETC stand, following the recent acquisition of IES, a pioneer in sine wave dimming technologies. IES' products provide silent dimming for concert halls and theatres and will become an integral component in ETC's total lighting systems.
ETC's own Sensor dimming now benefits from the new Control Electronics Module (CEM+), adding the functionality of a network and a graphic user interface. Visitors to the show will be able to see how Sensor CEM+ receives and manages Ethernet control signals and two DMX512 inputs, controls dimm
M32's Adrian Neilly explains that having used Robe fixtures for many club, pub and bar installations, they had no hesitation recommending them for this installation, knowing they would be used heavily: "The build quality is excellent, they are very robust, the price is excellent plus there's the great service from Robe UK and the two-year warranty - we couldn't go wrong," he states. Robe UK made several fixtures ava
(Lee Baldock)
Lit by Howard Harrison, the moving light rig consists of 65 Vari*Lite fixtures made up of VL2000 spots, VL2000 washes, VL3000Qs and VL5Bs. In addition to this, nearly 40 of ETC's new Revolution moving heads have been specified alongside two Martin MAC 2000 Performance units where remote shuttering is required. The conventional rig consists largely of ETC Source Four profiles in v
Until now, Telectra, the manufacturers of the Light*Wand has fulfilled USA orders from its facility near Oxford in the UK. Demand for the product, however, was running at such high levels that finding a distributor became a priority. Light N Trax made contact with Telectra after one of its customers showed them the Light*Wand products he had purchased.
Eddy Hoyer, president of Light N Trax commented: "W
Highlights of the PLASA stand this year will include the grandMA Video Software, which enables the operator to animate videos, graphics and 3D objects in real-time via a grandMA lighting desk. In contrast to other media servers, grandMA Video offers the possibility to choose any kind of animated 3D projection objects. Videos, graphics and the 3D objects can be selected, scaled, positioned, tiled, coloured and intuitively manipulated in a number of ways, si
House was particularly drawn to the role by the prospect of working on the launch of the revolutionary Vista console with A.C. Jands development team contributors Neil Vann and Glyn O'Donoghue. The Vista officially launches in September at PLASA and represents a radical departure from the traditional method of lighting console programming and design. Having previously played a key role at Flying Pig Systems for four years, House is no newcomer to the console market and brings a wealth of experience to the role. During this time he helped set up the European Technical Support department and provided support for all Hog
The VL3500 Spot fixtures share the same performance standards set by the original Vari*Lite Series 3000 Spot luminaires. The shutter system consists of four shutters on two planes, which allows the blades to be operated independently or in unison on the two planes. This, combined with the opposing chamfers, allows designers a clear, crisp focus on all four blades at once.
"Designers will be pleased with this product," said Vari-Lite product manager George Masek. "No other competitor can
The grandMA micro can control 1024 parameters for dimmer channels and moving lights as well as LEDs, effects and video. The configurable colour TFT touchscreen and the digital encoders are only a few of the convincing features of the console. The operating philosophy of all grandMA lighting desks is the same, so that the orientation for the
This proved to be less painful than anticipated so she joined the sales office and was soon writing press releases, which ultimately lead to her overseeing DHA's PR and marketing operations. Latterly, after expressing a conflicting desire to travel and a pathological fear of flying, she was given the role of sales manager for Asia-Pacific establishing and maintaining DHA's overseas dealer network.
Julie subsequently overcame her fear of flying and brings all her experience to White Light, where she is looking forward to in her new role as EPL sales manager, promoting the product ranges - Robert
The 'specials' element of the lighting rig - which toured everywhere including all the festivals - consisted of 14 Studio Spots, eight James Thomas Pixelline LED battens and four Manfrotto stands on risers. It was designed with festival practicality in mind - quick and simple to rig and wheel onstage - whilst also providing Air with their own unique set of v
The Digital Festoon System (DFS) can be programmed using a laptop or can be controlled from a DMX lighting console for integration with a lighting rig. The system carries both 48V lamp power and DMX using a patented data system; up to 200 lamps can be individually controlled on a single cable from each DFS power unit. Offering exciting opportunities to lighting designers, the DFS has been nominated for the PLAS
Automaton is a new product - ShowCAD's long awaited low-cost stand-alone show controller which can be programmed from a computer on or off-site using a web browser, and will then replay the programmed shows without the need of a host computer. ShowCAD will also be demonstrating how to integrate Artist with IP commands, as well as the standard MIDI, RS232, and digital connections. Also, the company reports,
Supplied by Las Vegas-based atmospheric and effects specialists Water FX, the Glaciators are used to create a three-dimensional cloud at the beginning of the film, a curved 37ft (11.3m) fog barrier that covers the projection screen. The fog creates a curtain onto which three projectors cast images of blue clouds. The fog curtain is controlled via fans and manifolds, and at one point a hole is blown through the cloud to create for the audience the effect of flying through the clouds.
At the end of the movie, viewers journey back through the clouds. Some 150ft (45.7m) of ducting, plus 120ft (36.6m) of manifold and 100ft (30.5m) of tubing with a large diver
Having finally taken over the premises which he had tried for four years to acquire, the new owner - who also runs the company Laser Light International - wasted no time. First he applied for a PEL (which he hopes will give him a 3am license) and then he contacted his friend, Glasgow-based Nadar Shahzad of Blue Audio. Shahzad reports, "Mark wanted the venue to constantly change colour. Although he hadn't seen the Mood panels, we had been sent a demo unit last year - and I knew this would be the perfect solution for him."
Offering a split screen di
For the re-branded PLASA Awards for Innovation, the judges will be looking for products which advance the industry, demonstrate a new style of thinking, represent a key step forward in safety terms, or improve technical practices. There will be eight Awards for Innovation at the judges' disposal and currently over 60 nominations have been received, with just three weeks before the deadline of Friday 3 September. Exhibitors who still wish to nominate a product are urged to submit their applications as soon as possible. Nominees w
"Color Kinetics works proactively to help OEM and Licensing customers enter and find success in the intelligent solid-state lighting space, and we're very pleased to extend the advantages of our intellectual property to Spectrum, whose Chroma-Q line will now feature the proven benefits of LED technology," said Bill Sims, President and COO, Color Kinetics. "This agreement represents the latest achievement in maximizing the value of our technology know-how and supporting industry-wide adoption of intelligent solid-
The Color Block can be used individually or in a number of configurations. By changing a few quick-release clips or brackets, the units can be easily stacked together to make blinders or locked together in rows to make battens. Fixing options include wall, floor or truss-mounting using a yoke attachment, or by utilizing the built-in M
"We are extremely proud to represent such a world-renowned supplier as Antari," said John Lopez, national sales manager for Elation Professional. "Not only do they make some of the highest quality fog machines, but for the past two decades they've been a leader in research and development and have introduced countless innovations to the category."
Elation Professional will exhibit the Antari line at the 2004 LDI Show (Booth #2000) in Las Vegas, October 22-24, and a range of the Taiwanese manufacturer's newest foggers and other atmospheric effects will be on display. "We are very excited t