Lightpower pulls out of Frankfurt
- Details
At a press conference at ProLight+Sound last year, Lightpower - a long-standing ProLight+Sou
At a press conference at ProLight+Sound last year, Lightpower - a long-standing ProLight+Sou
A schematic design was created from basic concept sketches, and LTP operatives attended site during filming to install and program the lighting fixtures used to create the stunning visual effects Using products from Color Kinetics, Terry Reeves, Project Manager for the scheme specified a series of 'C75' fixtures for highlighting the walls and down lighting the 'DJ' area. A row of 'I-Cove' fittings were fixed behind a bulkhead above the seating area to provide a linear, even wash of colour changing light. The culmination of the scheme was to illuminate a commissioned piece of art, located behind the seating area, a 'C200' fitt
The Infra Red cameras are used to assess the movement and performance of athletes under controlled laboratory conditions in both research and teaching. Activities routinely investigated include: rock climbing (the laboratory features an adjustable indoor climbing wall); running, and various throwing and kicking exercises, with a heavy duty net designed to catch missiles.
A moving camera grid, constructed from a series of 48mm aluminium tubes was assembled, featuring adjustable and fixed drop arms,
Event manager Damian Clarkson had spent six months putting together a crack production team, which included lighting specialists Invisible Blue and caterers Taylor Made. The former were able to integrate moving lights, gobo projections and skytrackers with ARRI's generic tungsten and high-brightness HMI film and location luminaires. Invisible Blue project manager Richard Smart commented: "Amalgamating the two disciplines proved an interesting
The £1.2 million project sees the conversion of a utilitarian 1960's office block in Quay Street, central Manchester, into an 1600-capacity sports-themed environment on two levels. Facilities include bar/dining areas with a large dancefloor, a mezzanine chill-out/games area with 16 pool tables, a Team Room used for private functions and, behind a laminated glass wall but clearly visible from the street, a basketball practice area - for those wanting a bit of physical exertion mixed with their energy drinks.
The Sports Café's technical infrastructure was designed by Metropolis's Simon Harris, working directly for Sports Café. The client specifically
White Light has been involved with Selecon's equipment for some years, supplying it when requested by lighting designers. Most notably, White Light supplied the first Pacific 80V system in the UK to David Hersey for a projected window effect in My Fair Lady, currently playing at the Theatre Royal Drury Lane.
The addition of Selecon to White Light Sales' stock means that White Light can now offer customers lanterns from all of the major lighti
Sutcliffe's choice of lighting was largely determined by the set that was designed by Marcus Blee. His original thoughts were to use rope lighting in the actual set to provide lines of light, however Sutcliffe realized this to be a great opportunity to use a large number of Pulsar ChromaBanks - 65 in total. To complement the ChromaBanks, 36 ChromaPanels (which were also rope lights in the original plans) were built into the ceiling and catwalk area of the stage. Sutcliffe says these were "perfect for usin
The entire installation involved more than 200 product lines from industry leading manufacturers, including ETC, Strand, Aldo Ianiro, Manfrotto, Audio-Technica, Sennheiser, Soundcraft, Allen & Heath, Denon and Martin. The company provided not only the complete lighting, audio and AV systems but also bespoke solutions, by the design and installation of three multimedia control lecterns, tailored for each facility's specific requirements.
Each lectern has an integrated LCD touch-screen, offering the user access to a comprehensive
Forums have been created for all major industry disciplines, as well as for students, health & safety and useful outside sources of information, all alongside a place to just chat with other like-minded people. There is also a private messaging facility, where members may communicate with each other personally. Up-to-date security measures, together with sensitive, responsive moderation of the forums, help to maintain a relaxed and friendly atmosphere in which people
Schiller's lighting design credits include of a wide variety of productions and installations including AT&T, The Smashing Pumpkins, and the Capitol of Puerto Rico. In addition, his programming skills have been utilized by many designers worldwide including for the Sydney 2000 Olympic Games Opening and Closing Ceremonies, the 1996 Academy Awards and numerous concerts, telev
"Since joining, Rainer has been phenomenally successful in expanding our presence in Germany and the other countries he covered," says DHA's joint managing director, Diane Grant. "We are delighted that he will now be working across all of the European countries, representing our full range of products from gobos and moving effects to Digital Light Curtains."
"I'm looking forward to meeting all of Nigel's customers, and to introducing DHA's great products to many more people throughou
Scandinavian lighting company Louis Poulsen also sent a representative after the announcement last week of a cooperative agreement in which the company will sell Martin's architectural line of products in the Scandinavian market. All told, the Martin Architectural team, headed by International sales director Gorm Teichert, hosted some 30 guests. Held on 23-24 January in the distinctive natural environment of northern Denmark, the informal seminar had as its backdrop the unique quality of light in Skagen that has been the inspiration of artists for centuries.
The main purpose of the seminar w
"The studio set was designed by Peter Bingemann, who is a joy to work with," says Noad. "He built walkways and staircases backstage and raised the whole stage 2.5 m
The purchase prompted immediate expansion into new prestigious 18,000 square feet facilities, where Spectrum will be better positioned to develop and introduce new and innovative entertainment technology products to market.
Over the past few years, Spectrum has diversified its OEM product range which currently comprises: a wide range of colour changers, gobo rotators, moving mirror devices, power supplies and distribution equipment, DMX splitters and switches, cable assemblies and gel-strings. Many new products for the professional lighting industry are in the final stages of development, an
This prestigious lecture promises to be a highlight of the lighting calender and not to be missed by anyone with an interest
As part of the deal, the parties have agreed on transferring the production of all dimmers to the ultra-modern Siemens facility in Huizingen, near Brussels. The transfer has already started and should be completed during February. Manufacture of control systems and TV studio suspensions will be relocated to the ADB-TTV factory in St Quentin, France, where all theatre and TV luminaires are produced. This facility is currently being e
Gearhouse SA was contracted by Sun International in association with M-Net and Blue Moon Productions, with Deana Hislop of Blue Moon Productions taking the role of production manager and providing the key liaison point for Gearhouse SA. The cube walls formed an
"The Frog Support website has proved to be an immensely powerful tool in terms of the development of the Frog range software and we are hoping the new Illusion forum will be equally beneficial," says Tim Burt, Zero 88's brand manager." At the end of last year we relaunched the Illusion, upping its specification to 500 channels and adding in the hardware for moving light control. We are now in the proc
Other distribution lines for Adam Hall include Amphenol Audio Connectors, Palmer Audiotools and Racklight.
(Lee Baldock)
Brophy, Gordon and Bragg were arrested by the Fraud Squad in October 2000, following scrutiny into the awarding of contracts at the Millennium Dome. A woman in her 60s was also arrested at this time, at a residential address in West Yorkshire, followed by two further arrests in February 2001, of a man and a woman, both in their 30s. These three remain on police bail pending further enquiries.
(Lee Baldock)
Strong comes to Rosco after a long stint as operations manager at Special FX Lighting. She is well-known throughout the lighting design community for her ability to match the needs of the designers with specialized colour filter products. In making the appointment Stan Miller, Rosco's president, said: "Ame is an excellent addition to the Rosco staff for two reasons. The first is her long experience and deep understanding of colour filter products. The second is her attitude
Says LD Cormac Jackson: "Studio Colors are the only wash light I'll use. Studio Beams excluded! They work for David Gray and - more importantly - they work all the time. The fact that I can get Studio Colors in nearly all parts of the world is a real bonus. Lighting companies have them in stock and I don't have to re-specify shows. The light out of Studio Color is what I really want. It's not too harsh but it's bright, w
Yates utilized 16 Pixelline battens and eight PixelPAR 660 Par 64 equivalent fixtures, plus a large moving light rig for the shows. The Pixellines were used vertically all around the spectacular set - designed by Richard Plumb - to add a punchy architectural strip effect on camera. The PixelPAR 660s were also utilized visibly on the set, where they functioned as dancer footlights. Yates, who's lit this show for its various series over the last 5 years, decided to try the fixtures following a demo by James Thomas's Chris Ewington. Now "We wouldn't be without them" he enthuses.
Working with his team of Vari*Lite operator Mike 'Oz' Owen and console operator Ke
His role will augment the UK sales force for iLight and enable him to build upon his already impressive list of clients. Buck has been personally involved in the lighting control aspects of many prestigious projects including Canary Wharf DLR station, The London Coliseum, Sheraton Casablanca, Millennium Dome, Hyatt Regency Mainz and the Hermitage Museum St Petersburg.
His extensive experience in both architectural and entertainment lighting will not only enable him to grow iLight's business but also develop the increasing opportunities for projects requiring both architectural and entertainment lighting control. Buck comments: "It's a pleasure to return