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ARX continues to produce interesting solutions to audio problems. New products on show included the AVstream, a two-zone audio mixer that simultaneously switches both audio and video sources to each zone, and the AV-DI, an addition to their Audibox range, designed to deal with the unbalanced stereo input from a PC sound card or consumer AV equipment. Also on show were the iSwitch, a stereo line-level switcher that routes one of two inputs to any one of12 outputs and the DI-Pre, another addition to the Audibox range that provides a single-channel
Plus, the company launch the new ERAC 2500R amplifier/controller package, a four-way, active control and amplification system specifically designed for the KV2 Audio ES Series modular loudspeaker systems. This draws technology from KV2's existing EPAK amplifier/controller and combines it with the company's VHD technology to produce a rack mounted amplifier/controller that incorporates digital alignment utilizing a DSD (Direct Stream Digital) 6.0 MHz delay line. It houses all signal processing and a
You're A Star's lighting was designed by Andrew Leonard and programmed by Peter Canning. Canning also co-ordinated the supply and design of the VersaTUBE feature and the Catalyst system used to run it, via his company Zencorp.
Dublin-based Zencorp specializes in digital media and LED fixtures and control systems. The company purchased a quantity of VersaTUBEs from UK and Irish distributor Projected Image Digital at the end of last year which have been in constant use ever since.
Leonard and Canning came onboard for this - their first - You're A Star series, having worked on a special charity edition of the show last year. For visuals, they broug
Rimini Fiera Chairman, Lorenzo Cagnoni, announced the official figures of each of the key sectors of the two expos, which were hosted simultaneously at the expo centre until Tuesday 14 March: "Overall, between lighting, audiovisuals and complementary products, SIB represents a part of Italy's economy with a value of approximately 650 million euros. Last year, the sales of actual musical instruments, for which DISMA Music Show is the leading event, increased by 3.6% com
The AKG system was selected after numerous different systems were tested, both in rehearsal and live on stage, prior to the tour in the US. Production manager Bryon 'Hot Dog' Tate, and FOH mixer for the European tour John C. Clark III, unanimously elected the WMS 4000. "Intelligible vocals at high volume levels, road worthiness, and customer support were our main requirements, and AKG got the job done!" states Clarke.
The tour carries two C5900 equipped WMS 4000 systems for use by Kanye on stage. Eight AKG C 411 MicroMic condensers are also being used to mic the string section on the tour. These attach
XL tendered for and won the contract on the strength of their previous West End work including Women In White. Theatre and arts expert, Malcolm Mellows, is handling the project for them. XL is working with video designers Scharff & Weisberg, who initially designed the system for the New York production at Radio City Music Hall.
Video is central to the show, and is divided into three main display device types: There are 70 tiles of Barco I-6 LED making up two downstage moving slabs of video, whilst upstage is 3630 clusters of Barco MiPix in custom fibre optic star effect frames. All LED is supplied complete with Barco D320 processing; and custom remote diagnostics. Finally, projections come from
The event featured plenty of award action plus live performances from six acts including Dirty Pretty Things, Pete Doherty; Razorlight; The Sugababes; Plan B and Ian Brown.
Fleetwood recorded the show 'as live' and it was broadcast 90 minutes later to E4 viewers and re-broadcast n Channel 4 the following day. The audio team was led by Fleetwood's operations director Tim Summerhayes and Dave O'Carroll looked after any musical fixes and the Audio Dub. The OB Scanner for the event was supplied by Andrew Jones of 021, while Tony Gregory directed the show for Remedy.
Emma Sheldon, production manager for Remedy Productions, which commissioned Fleetwood, says: "This was the biggest Awards sh
The new items are the Mediator Enterprise media asset manager system; the Exception alarm monitoring system; the Reflection browse system; the Transcoder file converter; and the Rewrapper MPEG2 processor.
Mediator Enterprise has been developed from the Mediator media management system and integrates media asset management, browsing and workflow control. It can perform automated ingest and transfer, automated transcoding and low-resolution previewing under Web browser control. According to the company, it has a greatly expanded ability to link disparate systems, to audit library content bookings and tape movements, and to handle the
Neverthe
In total, five Lighthouse screens were deployed. One - formed of 21x2 R6 6mm panels - was arranged in a circle, hung from the lighting grid, while two more were positioned either side of the stage, each comprising 4x13 panels of R6 screen.
Providing a memorable backdrop to the stage itself were two large Lighthouse R10 screens, formed from 103 panels each and curving in an arc from the centre of the stage
The hosts (Solihull Society of Arts) and organisers (UKSLC.ORG - UK Sound and Lighting Community) have assembled a top team of leading UK console manufacturers to deliver training on the latest lighting desks and entertainment technology throughout the day.
Brand names like Compulite, MA, Chamsys, ETC, Zero 88 and Robe are providing a wide variety of lighting control equipment for attendees to use, and their staff will be on hand to answer questions for console operators at all levels of experience.
The training sessions are designed to cater for everyone from drama pupils wishing to learn about 'real world' performance technology, to freelancers who want to practice on new consoles and seasoned LX
Designed to meet the increasing demand for digital signage multimedia solutions the DN-V755 offers extensive playback capabilities through its built-in 40 GB hard drive and extended range of compatible formats. The DN-V755 also features true drag-and-drop content uploads and an RS-232 port for integrated onsite system control.
Media Transfer has never been easier than with the DN-V755. The user is able to upload MPEG video, still pictures, WAV and other media directly from a computer. In addition to ea
Jack Kelly, Group One Ltd. president, remarked that the new appointments position Group One for ongoing expansion, while assisting the company to provide the highest level of service and support for the distinguished brands it represents.
Hudson Marketing is now responsible for the territory of Upstate New York as well as the New York Metro area, and Michael Chafee Associates has been appointed as the Florida representative for the XTA and MC2 product lines. Warman Marketing's coverage area for XTA products has been expanded to include Arizona and Las Vegas, Nevada, in addition to Colorado, Utah, New Mexico and El Paso, Texas. The Mac West Group will now represent XTA and MC2 in Southern California
The iSpot Extreme is Coemar's ultimate moving yoke projector and was expressly designed for 2006 Winter Olympics' opening ceremony in the Stadium of Turin, where both the iSpot Extreme and other Coemar luminaries played at their best.
It p
The Le Maitre Stadium Hazer is the top of the range of hazing machines. It utilizes a proven, patented conversion technique to provide a truly awesome output and is eminently suited for large venues. At the same time, electronic control of the output issue enables its use in smaller areas where rapid atmosphere fills are required, say the company.
The non-toxic fluid used to provide the unique haze form, departs from undesirable oil type use, and can only be converted by the advanced techniques employed. By maintaining a narrow band, cyclic temperature operation, consistent micron sized particles are formed, c