PLASA members Central Theatre Supplies, in conjunction with Solihull Arts Complex, is holding a Lighting & Sound Workshop on 2 February 2002 at Solihull Arts Complex, Homer Road, Solihull. This training day is open to schools and amateur theatres, providing an insight into stage lighting and sound, including demonstrations and advice on how to achieve certain effects. The cost for the day is £5, and tickets can be ordered from the Box Office at the Arts Complex, telephone 0121 704 6962.

Following the morning session there will be an exhibition where those attending will be encouraged to meet the manufacturers and view the latest products and equipment. People who do not wish to attend the workshops are welcome to attend the exhibition between 12.30 - 2.00pm. Manufacturers attending will include Zero 88, Selecon, HW International (UK distributor for Shure, QSC Audio and Phonic), Dought

Australasia’s leading entertainment technology exhibition opens in Darling Harbour, Sydney, from 4 February for three days. With over 120 exhibits across over 100,000 square feet of floor space, ENTECH is one of the key gathering points for technicians, engineers and designers from all over the region. Held every two years, this show also features a museum celebrating 30 years of entertainment technology - with never before seen video footage from the dark past, and numerous old photos of pioneering bands in Australia using very old equipment. There will be displays of the actual offending apparatus, including a genuine double four-way PA and old Australian-made amplifiers!

Entech runs from 4-6 February at the Sydney Darling Harbour Convention Centre. Entry is free after registration, but limited to trade and those who can demonstrate an interest in the technology, such as studen

The Showman’s Show North will take place at The Great Yorkshire Showground, Harrogate, on Wednesday 6 and Thursday 7 March 2002, and is generating increasing interest across the North of the country.

Organisers Lance Publications report that stand space is being filled by a wide range of event suppliers based in the North, indicating that the exhibition will achieve its aim of providing a show focused on the needs of the region. The show is offering both indoor and outdoor exhibition space, utilizing the permanent facilities of the Great Yorkshire Showground, and will cater for a wide range of event suppliers and organizers.

The show has been borne out of response to questionnaires and requests from event professionals in the North of England and Scotland to bring Showman’s North to serve their part of the country. The visitor marketing campaign is focused on event and s

More than 500 people from all areas of the live event production industry attended Total Production magazine’s first-ever Awards event at the Hilton London Metropole, London W2, on the evening of Wednesday 30 January.

The 90-minute awards ceremony was hosted by radio & TV personality Mike Read and featured live entertainment from The Commitments, snooker star-turned-recording artist Peter Ebdon, rising all-girl pop act the Four Tunes, and multimedia dance outfit Future Vision Project.

And the winners were...

Live Production of the Year - Robbie Williams - Weddings, Bar Mitzvahs & Stadiums Tour

Best Production Manager - Bill Leabody

Best Tour Manager - Henry McGroggan

Best Front Of House Sound Engineer - Robbie McGrath

Best Monitor Engineer - John Roden

Best Sound Rental Company - SSE Hire

Best Lighting Designer - Nick Sholem

Best Lighting Rental Company - Bandit

The Poll Winners Concert for the first ever BBC Radio 3 World Music Awards took place last week at Ocean, Hackney’s latest music venue. As the lights went down, the stars - including Johnny Depp and Damon Albarn - came out in force to present the Awards, which celebrate the diversity of music throughout the world.

The event, which featured short sets from the Poll Winners, was also being filmed for broadcast on BBC Knowledge, and crew chief Nick Moran needed to augment the venue’s existing lighting to create a rig which would create maximum impact when televised. This led him to contact Fourth Phase. "It wasn’t until just before the event that we knew exactly what the brief would be," explained Moran. To meet this brief, Fourth Phase supplied 10 High End Studio Colors and 12 Studio Spots, eight bars of four Par 36 ACLs and a Lycian 1.2k HMI followspot.

The

Since his TV debut in 1999, Bob the Builder has become a household name and has recently announced his very own 65-date arena tour and Vari-Lite Europe will be there to help him ‘fix it’!

The lighting designer is none other than Patrick Woodroffe, who will work alongside programmer Dave Hill and operator Mark ‘Sparky’ Risk. The Vari-Lite supplied rig includes 22 VL2Cs, 8 VL6C spot luminaires, 38 VL5, 12 VL5 Arc wash luminaires, all controlled from a Virtuoso console. Conventional equipment will consist of 108 Par 64s, 17 Bambino Fresnels c/w colour changers, six Starklite 1200W HMI followspots. The tour sets off in Sheffield, then moves to Nottingham, London Arena, Newcastle, Manchester, Cardiff and Glasgow. It will then travel to Wembley Arena and then finally to Birmingham.

(Ruth Rossington)

The organisers of Entech, the leading entertainment technology exhibition for the Australasian market have reported increased attendance for last week’s three-day show. Darling Harbor proved a popular destination for Entech, with greater interstate attendance (up 8%) and more local visitors. International visits were static, with decreases from destinations other than Singapore (up 10%) and New Zealand (up 5%). Audited actual attendance was up, a record 5,143 trade attended, in addition to 1,272 exhibitor personnel.

The Entech Awards dinner once again sold out, held again at the Metro in George Street. A complete list of winners is attached. Voting was done on the trade show floor, for the first time, in addition to votes garnered from all those who nominated products and people. The Award for Best Lighting Product at the show went to AVR for the Arc Screen; Best Audio Product at

Multi-talented Canadian singer Bryan Adams was recently accompanied by three of EST’s familiar purple and yellow trucks for a show in Stockholm as part of his UK and European tour. As well as entertaining fans in his distinctive, gravelly voice, Adams is a highly sought after portrait photographer and was recently commissioned to produce a portrait of Queen Elizabeth II for her Golden Jubilee. Keen EST spotters may recently have seen one of their trucks at Buckingham Palace. Delivering rolls of film perhaps?

Staying on a Canadian theme, French Canadian rock star, Garou is currently utilizing five EST trucks to entertain our French cousins on a tour which runs through to April 14. Meanwhile, the inexhaustible cast of Riverdance has now legged it up to Scotland, hotly pursued by as many as 10 EST trucks. The show runs in Edinburgh until the end of March.

Transport fans will be we

Brand experience consultancy Hotcakes has made two new appointments to its rapidly expanding team. Tracey Poulton, founder of sponsorship and production company The Staging House, has joined as associate producer. Working closely with Matt Briggs (producer and client services) and Sean Canning (creative director), Tracey will manage the implementation of projects, co-ordinating and overseeing all elements of production, bringing additional creative input to the conceptual stages of each job, liaising closely with clients and assisting in new business development.

Jason Ward moves from his post at global conference and exhibition company Mice International to join as production manager. Ward, who moves from London to the company’s headquarters in Skipton, will manage technical design and resourcing, freelance production staff, and the scheduling, technical and administrative requi

The SIEL show certainly had a buzz to it this year: most exhibitors were pretty upbeat about business in general and attendance seemed good, but the organisers’ claim of just under 25,000 visitors (unaudited) over the four days is still a little hard to swallow when compared with the audited, de-duped attendance figures of other shows. Percentages are more reliable in the circumstances, and in terms of international attendance, the published figure of just under 5% indicates that this is still a predominantly French show, but a highly successful one at that.

LIGHTING

Impact Diffusion distributes lighting brands such as Clay Paky, MA Lighting, Pulsar, ELC, Color Kinetics and Rainbow. News from the stand at SIEL included the very latest addition to Clay Paky’s Stage Line of moving head fixtures - the Stage Profile Plus SV. This HMI 1200 fixture features an impressive

The organisers of the forthcoming SBES, the dedicated broadcast sound exhibition (20-21 November 2002), report that 58% of stand space is already booked by only 45 of the 100+ exhibitors who were at SBES last year, indicating that this year’s show will be larger than last year’s event.

The SBES is the only show in the UK exclusively for sound broadcasting. For many exhibitors it is the only exhibition of the year at which they show and thus the SBES is an important opportunity to see the manufacturers and distributors of equipment and services for the broadcasting industry not seen at other exhibitions. The SBES web site at www.sbes.com has become an important resource for the industry as it lists all exhibitors, their products and services and has direct links to exhibitors' web sites. As the list of exhibitors grows this resource will become more and more useful to visito

Pyrotek Special Effects Inc is currently designing and supplying the pyrotechnics for a number of tours, including the Creed Australia Tour and the Kid Rock US Tour 2002. The effects for the latter include fireballs, a variety of gerbs, mines, flame projectors and flame dragons. Pyrotek also recently supplied effects to the European Tour for Slipknot, Creed Weathered Tour 2002 and the televised Miss USA event that took place in Gary, India last month. The company is heading into a busy spring with a number of tours in the pipeline including Britney in Japan, a Green Day Tour in Japan, the Creed North American Tour and Blink 182/Green Day Tour.

(Ruth Rossington)

The first Showman’s Show North was declared a success by visitors and exhibitors, as event professionals from the North of Britain gathered at the exhibition on the Great Yorkshire Showground, Harrogate this March.

Over 100 exhibitors and 656 visitors engaged in business in the relaxed atmosphere created at Showman’s North. Whilst not vast in size, the show drew event professionals from all sectors of the events’ industry with visitors ranging across representatives from Council events departments, the Manchester 2002 Commonwealth Games, agricultural shows, corporate and exhibition organizers and event management companies.

Whilst many of the visitors were looking at events for the coming 2002 season, exhibitors also reported taking enquiries for the 2003 season. The exhibitors at the show certainly represented a good cross section of event suppliers. On the avenue

Entech 2002 saw the welcome return of the show to its former venue at the Sydney Exhibition and Convention Centre in Darling Harbour, after its brief sojourn in the rather desolate Olympic precinct at Homebush. However, the change to an earlier, February time slot, proved to be rather unlucky weatherwise. On the first two days of the show, Sydney endured torrential downpours, with each day’s rainfall being equal to the entire average rainfall for the month.

That inclement weather may well be responsible for the slightly lower attendance of 5,143, compared with the 6,222 at Entech 2000. However from the comments of many exhibitors, the most notable absence was that of the casual brochure collectors (or ‘tyre-kickers’ as they’re affectionately known).

The Australian entertainment industry is a market dominated by products sourced from Europe and North America,

This year’s LDI Backstage event heads west to California, an event that takes in everything from Hollywood to Disney's new California Adventure. The event, which immediately follows the annual LDI Show, runs from Sunday October 20 through to Tuesday October 22.

Attendees will fly from Las Vegas to Los Angeles on the Sunday to see a show at the Mark Taper Forum. On Monday October 21, they will get the chance to explore some key Los Angeles venues, ranging from a classic Hollywood film studio to the new Kodak Theatre, home of the Oscars, and the LA Music Center, plus a hard-hat tour of the new Disney Concert Hall, with panel discussions with the experts along the way. On Tuesday October 22, it’s off to California Adventure where attendees can ride the rides, tour the Hyperion Theatre, play on Paradide Pier, and meet the designers and technicians from Disney Entertainment and

Halo Live is a new company, launched by Yann Guenancia and Steve Marley, set up to handle all aspects of visual production and lighting for live tours and events. Halo Live will work with its sister company, the successful London-based operation Halo Lighting, which has been trading for 12 years as a lighting sales, rental and installation house.

The new company will focus on the specific creative needs and demanding requirements of the live industry - from music tours to corporate presentation and everything in between. The move is also designed to enable Halo Lighting to concentrate fully on its traditional core businesses. Halo Live’s production manager is Steve Marley: "We’d reached the stage where we needed to separate the production projects from the straight hire and sales ones. With Halo Live, we offer more than just lighting - it’s a fully integrated vis

Sarner is working on a unique multi-million pound travelling exhibition of Russian Yachts, which is set to open in Hamburg at the end of this year. ‘Treasures from the Tsars Imperial Yachts’, depicts the evolution of the Imperial Navy from 1703, when Peter The Great launched his first ship, through to 1918 and the era of Nicholas II - it includes more than 400 original artefacts, jewellery and ships from the palace of Peterhos and the Central Naval Palace in St Petersburg.

Intellectual property management company, Eagle Crown Productions, who have the rights to this stunning collection, first met with Sarner to discuss the venture almost three years ago. As a result, Sarner have been responsible for every element of the exhibition design and concept; visitors enter by walking onto an imposing aft deck of an imperial yacht; once inside there are displays of panoramic archive

Production rigging experts, Flying Squad Aerial Rigging, were appointed by London-based brand experience agency, LIVE, to assist in the realisation of Robin Thompson’s set design for Barclays Human Resources event at London’s Excel Centre. As the largest single Human Resources event ever staged by Barclays, it stretched across four halls of the Excel centre, covering more than 8000sq.m and was attended by over 1,000 employees.

Working closely with Stage One and Robin Thompson, Flying Squad supplied and installed a staggering 1.2kms of trussing and 126 motors. With Rory Mckeown as project manager and Bryan Wilson as crew chief, Flying Squad accurately configured the structure underpinning Robin Thompson’s design into three sections: auditorium, reception and workshops. Ten individual workshop areas were constructed around the perimeter of the vast semi-circular auditor

Imagination - one of Europe’s largest independent design and communications companies, has opened an office in Stockholm. The company has appointed Bo Albertsson, former marketing director at Ericsson Mobile Communications, as the managing director of this new Scandinavian operation. Albertsson, took up the position in March coinciding with the official opening of the office.

"In my role as marketing director at Ericsson, I had been Imagination’s client for five years. I have always been a great admirer of the company and their unique approach to building brands. I think there is tremendous potential for Imagination in the Scandinavian market and I’m delighted to be joining them at such an important phase in their development," said Albertsson. Imagination (Scandinavia) AB will be supported creatively by Imagination’s headquarters in London.

(Ruth Ro

Now in its 10th year, Big Day Out is an Australian touring festival that visits Auckland, the Gold Coast, Sydney, Melbourne, Adelaide and Perth every January. It is unique in its design, scale and complexity and attracts many headline acts - the 2002 event featured The Prodigy, Garbage, New Order and Basement Jaxx.

This year, security was tightened following the tragic death of 16-year-old Jessica Michalik last year: organizers West & Lees made changes to audience safety provisions and introduced volunteer safety teams, increased audience lighting and erected a new, alcohol-free, D barricade area (from Mojo Barriers) in front of the main stages. The audience was given free water bottles and sun-block, and crowd surfing was banned. "We also carefully considered the time certain bands take to the stage," explained Matt Dougherty, one of three production managers on the tour. &q

That is the upbeat message from PLASA’s new Show Director, Sue Saint. Celebrating its 25th year, the PLASA Show is the world’s pre-eminent light, sound and audio-visual event, attracting major brands every year, and this year is no exception.

Stand bookings are currently at 82%, with top names such as Vari-Lite, Sennheiser, Martin Professional, Denon, BSS Audio and Total Fabrication already booked. The show pulls in over 13,000 visitors from the UK and abroad each year, having become the main marketplace for the £11billion entertainment technology industry.

"The show is evolving continually," commented Saint, "and one of the key trends emerging is the growing number of manufacturers choosing to exhibit in their own right, rather than rely solely on representation through distributors. In addition, many long-standing exhibitors, including Numark, Peavey, S

Liz Madden has joined Chevalier Event Design as Business Development Manager this spring. Madden has joined Chevalier Event Design, Millennium Sails and Eat to the Beat to work with Bonnie May and the team in taking their unique style of bespoke catering and event presentation to a wider range of clientele.

Madden began working in the operational side of the hotel and restaurant industry in 1990, and six years ago transferred her experience and skills to work in sales in the event services sector. Over that period she has become a familiar figure within the corporate events industry where her professional skills and ‘vibrant’ personality not only resulted in a successful career but also attracted the attentions of Chevalier.

"We have just experienced our most successful year to date and we are confident our continued expansion will mean that Liz will be ‘gainfu

Lighting and sound specialist Hawthorn Theatrical has recently supplied lighting, trussing, rigging and drapes for the UK and European leg of the current Chemical Brothers tour. Lighting designer for the tour is Andy Liddle, who has been working with Hawthorn Theatrical since last April. He has specified High End Studio Beams, Martin MAC 300s and Atomic strobes, Clay Paky Stage Scans, Avolites dimmers and a Wholehog 2 control desk.

Hawthorn Theatrical's main challenge was to produce a circular revolving structure which could be used as a projection screen and then flip over to its reflective side at the end of the show to form the centrepiece of a breath-taking finale. In addition, the screen had to be lightweight and modular as it was to travel with the band for the whole of the World tour. As an approved Prolyte dealer, Hawthorn Theatrical provided 4.5m circular truss from the H30V r

ESIP International Event Management launched its new corporate identity and announced its involvement in the new ‘Worldport’ festival taking place in Cardiff this summer. The company unveiled its new identity to clients and colleagues this April. Speaking on board Thames sailing barge the s.b. May, the company’s co-founder, John Ellson, explained that the new identity had been created to emphasize the collective skills and years of experience of the key people within ESIP.

ESIP have been something of a well-kept secret, having supplied event management and technical production services to the music and corporate events sectors. Recent projects in these areas include the Showtime in the Stadium concert at Millennium Stadium, Cardiff, shown on BBC TV last December; the 100th anniversary of Philip Morris International in Buenos Aries with a charity event; the Rochester I

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