PLASA held its most successful AGM to date on Thursday 14 June in the stunning setting of Coombe Abbey, near Coventry. Just under 70 Members attended, including for the first time, a number of Associate Members. One Member even made the trip from Europe.

During the AGM, both PLASA Chairman Mick Hannaford and Treasurer Sammy de Havilland reported a successful year for the Association, covering the wide range of initiatives that had been introduced in the past 12 months.

In his keynote speech, Chairman Mick Hannaford reflected on the changes taking place within the industry and the need for companies to equip themselves to cope with a rapidly changing world. He emphasized the role that PLASA had to play in this, and also stressed the need for more training, an ambition that the Association has given a further boost to with the recent establishment of its training and education steering

Amsterdam’s Museum Square provided the ideal setting for an audition of Meyer Sound’s new M3D system. Mike Mann reports.

The audition in question was a classical concert by the Royal Concert Orchestra of a range of classical music - the first performance of its kind to be streamed live on the Internet in The Netherlands.

The Meyer System came courtesy of Hof Audio - The Netherlands’ biggest Meyer Sound user, and owner Bart Hof regards himself as being part of a team - which means that he’s not afraid to voice criticisms. "I’m a true Meyer fan," he explained, "which means that while I can be extremely critical, I can also understand where the product concepts are coming from." The decision to purchase an M3D line array system was, he added, based on a need for a system that would cope with outdoor events: "I knew that we needed a

Manchester’s most comprehensive cultural festival, Keyfest, is being held this summer. Keyfest offers 103 hours of varied events in a range of Manchester venues spanning 17 days. Event Associates created the programme and co-ordinated the production of the whole festival for radio station Key 103.

The co-ordination of the artists, venues and production of Keyfest was managed by the Event Associates team, with director Colin Sinclair overseeing the project. Manchester’s ‘street cred’ as one of the UK’s main cultural cities was once again underlined with the launch of Keyfest on Thursday 21st June at Loaf. Tom Hunter, managing director of Manchester’s radio station Key 103 welcomed a gathering of media and celebrities to the opening party. The festival programme includes a celebrity fashion show, performances from Ocean Colour Scene, Paul Weller and Da

The Leicester-based National Space Centre has opened. The £52million project, part-funded by the Millennium Commission, has a host of visitor attractions, in addition to a research facility for scientists and various space exploration artifacts. Central to the new attraction is the Space Theatre, the latest technology is being used to project virtual reality images onto its dome-shaped roof screen.

You can read a full report on the Centre in the August issue of Lighting&Sound International.

A panel of crowd safety experts, appointed on March 11 2001 by the ILMC (The International Live Music Conference), has now agreed its agenda. The panel (CSP) has been created in order to increase the focus on health and safety in connection with music festivals and similar larger outdoor concerts. Its main purpose is to assist the government, licensing authorities and legislators with ensuring crowd safety at ongoing or future events.

The panel’s work is highly topical through recent developments in the music and festival culture, and its creation was spurred by a number of accidents and deaths at high profile events including Roskilde Festival 2000 in Denmark and other recent crowd tragedies in Australia and South America. An awareness campaign aimed at educating festival audiences across Europe about the seemingly innocent (but proven dangerous) practice of ‘crowd surfing

The UK’s first ever grouping of crowd management companies, the UK Crowd Management Association (UKCMA), has marked its first four months with the announcement of official recognition from two major bodies. The UKCMA was launched in March at the International Live Music Conference in London. Its principle aims are to raise standards within the entertainment event industry and promote awareness of crowd safety issues among legislative bodies in the UK, as well as to foster co-ordination of training and operational standards. The UKCMA, representing the major players in crowd management, aims to achieve this through a continuing educational and networking programme and open forums, targeting all decision makers involved within the crowd management sphere. In the short space of four months, the association has gained recognition from such organisations as the British Standards Institu

PLASA has worked in co-operation with some of London’s leading entertainment venues to offer an exclusive insight into the workings of some of the city’s most famous venues; this exclusive backstage tour immediately follows the close of the PLASA Show in London this September. Theatrical London delegates will visit the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Victoria Theatre to see the upgraded Starlight Express; Tussaud’s Group Studios for an exclusive technical tour, and the Donmar Warehouse for a ‘Divas at the Donmar’ performance. To top it off, you can step back in time at Shakespeare’s Globe Theatre . . .

Wednesday 12th September: The experience begins with A night at The Proms, The Royal Albert Hall, featuring Stravinsky: The Rite of Spring. Pre-show drinks will be served in the foyer. Performance starts at 7.30pm.

The 26th Sound Broadcasting Equipment Show (SBES) will take place at the NEC in Birmingham from 14-15 November 2001. The way that audio systems within broadcast environments has changed can be described as nothing less than radical: audio networking is the key to how radio stations and studios will see their future and the expansion of products in this sector is likely to witness rapid growth. Companies such as IBM/Jutel, Klotz Digital, and The Oxford Sound Company have been pivotal in the implementation of substantial installations for the BBC and GWR during the course of 2001. "We can set up a studio without having to be concerned about exactly what it is going to do," commented Tim Donaldson, GWR's Technical Director. GWR have recently completed a move to a new studio that is fully networked using Klotz Digital equipment and dining out on the fact that "this is the larg

This weekend, 250,000 spectators at the 35th British Grand Prix enjoyed a close-up view of racing heroes Michael Schumacher, Mika Hakkinen and David Coulthard, via two 4.8m by 8.1m jumbo TV screens from Screenco, supported by 16.5m high tower structures provided by ESS, the international staging and structure specialist. The 43 tonne screens were located at key spectator spots on the circuit, namely Copse Corner and Chapel Curve and relayed live TV coverage. So far this year, ESS has provided support structures for Wimbledon, the Grand National, the Kentucky Derby and Royal Ascot, as well as the one-day international cricket tests at Lords and Edgbaston, as part of the UK tour by Pakistan. In addition, ESS has also supplied screen supports at Twickenham for various national rugby fixtures. This brings the total number of locations where ESS has provided camera and screen supports to eigh

Cadbury Trebor Bassett hosted its 2001 Management Conference at the National Exhibition Centre in Birmingham in June, using the whole of Hall 4. The hall was transformed into five Themed Zones, a Central Piazza Area, an Auditorium Theatre and a Reception Area. Stage Electrics’ NEC branch was contracted to supply and manage the events’ lighting, staging, mains distribution and truss screen structures. Delta Sound provided all audio systems, with PSL/PCP completing the technical aspect with a complicated interactive projection system. Rigging was provided by the NEC’s in-house department.

Lighting designer, Ben Holdsworth, utilized 150 Martin Mac Moving lights headed by 42 Mac 2000s. The room wash was provided by 620 conventional lanterns with 12 City Color Wash Lights, while four flown ZR22 smoke machines provided heavy fog for the central area. The space also require

Booking your tickets to the PLASA Show, the entertainment technology industry’s leading event, running from 9-12 September 2001 at Earls Court Exhibition Centre in London, has never been easier. You can now book in any of the following ways:

By Telephone: The Visitor Hotline is now live! Call +44 (0) 870 429 4472 to make your credit card booking or to request an advance booking form.

Online: Go direct to www.plasa.org/show/register to book online.

There are many advantages to pre-registration. Not only will you save £6 on the cost of entry to the Show (tickets on the door are £12) but you will be sent a personalized badge in advance permitting you fast entry into the show. You will also receive up-to-date information on the Show’s Masterclass Programme and how to book your seat at any of

The 10th Annual TiLE Conference was held for the third, but last, time (for a few years) at the Business Design Centre in Islington, London 12-14 June 2001.

For those unfamiliar with the TiLE concept, it is not unlike Showlight in its make-up with a conference and exhibition running hand-in-hand, and an associated social programme gluing the two together. Certainly one of the most important conferences in Europe, perhaps in the world, TiLE is a key ‘networking’ event bringing together major developers, operators, designers and suppliers from the international leisure market. It attracts people from around the world because it is the one place to meet people of all levels and to listen to and debate about the real projects, techniques and problems facing this major industry.

Most of the major players can be found on the show floor - companies like Electrosonic, Farmer St

The 40th anniversary of Amnesty International was celebrated in style at Wembley Arena in a comic cavalcade starring Eddie Izzard, and featuring Paul Whitehouse, Harry Enfield, Phill Jupitus, Jeremy Hardy and many more. Alan Rickman also appeared on the bill, as did Badly Drawn Boy, the Stereophonics and Tom Jones - with a satellite-linked slot from U2 in Toronto.

Called We Know Where You Live: Live! the show was hosted by Eddie Izzard in the spirit of the classic Secret Policeman’s Balls of the seventies, eighties and nineties. The role of production manager fell to John Farquar-Smith ably assisted by crew chief Nick Jones.Izzard is known for his love of performing in an intimate club atmosphere, rather than on television, so a compromise had to be reached to ensure that the light levels were high enough for TV company Initial’s cameras, but not too bright for Eddie’

To complement the exhibition, PLASA has lined up a range of seminars, workshops and clinics that will give an insight into how new technology is creating new opportunities, how individuals have pulled together highly complex projects, why integration is so important and how you can achieve more by picking up tips and techniques from others.

DJs can learn more about MP3 digitally-compressed music files and how this new technology is already creating a platform for a more creative approach. In a programme of seminars sponsored by Installation Europe, audio installation and integration is the theme under which issues of networking, control and the benefits of converging technologies are explored. Tuesday sees a Theme and Leisure Masterclass, presented by Leisure Management, in association with the TEA and TiLE, which focuses on how the leisure industry exploits special effects, lighting a

Fisher Productions has completed its move to new offices. "The new building is far more spacious than our previous office - as our staff numbers continue to grow, we really needed a place with room for expansion," says Fisher marketer Gemma Courtenay. More staff, bigger projects, a developing in-house lighting and staging department and storage of a variety of props had resulted in Fisher outgrowing its last premises. The 40,000sq.ft area, with warehouse and offices above, presented the company with the ideal solution. With a location that is convenient for both central London and international travel, all that was needed to complete the package was an internal refurbishment to include bright, modern office space with multiple meeting areas and state-of-the-art features.

Projects coordinated from the new premises have ranged from South African Airways Product Launch, the Rel

On Tuesday 17 July, the world famous Ministry of Sound played host to the Final of the DI UK Light Jockey Contest, sponsored by Clay Paky and Pulsar. Battling it out in front of the judges were Simon Elliott, Chris Penney, Richard Whiteley and Rob Calvert. Simon Elliott emerged as the new UK Light Jockey Champion, with Chris Penney and Richard Whiteley being awarded a silver and bronze medal respectively.

The difficult task of judging the final was given to DI’s Paul Fowler, Ministry of Sound’s Lorenzo Meddi, lighting designer Carl Dodds and current World Light Jockey Champion Chris Shead. Each contestant had to program a five minute lightshow to a piece of music of their choice. The standards were very high throughout, with originality and creativity making each lightshow unique in its own right. As part of his prize package Elliott also won a customised gold plated Master

The organisers of Entech 2002 have released preliminary details relating to next year’s event, which takes place from February 4-6 at Darling Harbour in Sydney. The visitor programme includes keynote summits for audio, vision and lighting practitioners on 4 February. The summits will cap the opening day’s educational programme set to feature new format seminars held in the lecture facilities within the Sydney Exhibition and Convention Center. Day One features a Venue Design Forum, an afternoon session with leading lighting designers, two pro audio seminars and a vision/video seminar.

Additional events on Day One include a rigging workshop, an opening day reception on the rooftop at closing time and Mark Cunningham’s famous pop quiz at sundown. A complete programme of events, including the sixth and largest Entech Awards Dinner, will be released ahead of an extensive

The PLASA Show, London’s leading entertainment technology event, represents far more than just an arena from which to see the latest developments and innovations within the entertainment technology industry. It also offers visitors the opportunity to learn more about how to use this technology to best effect through its Masterclass Programme. This year, the Masterclass Programme, which runs from the Monday to the Wednesday, will focus on the fields of special effects, architectural installations and audio and corporate presentations and will include an impressive line-up of speakers, all of whom are experts in their specific fields.

Tuesday 11th September 2001, Theme and Leisure Day of the Masterclass Programme is a ‘must’ for visitors interested in learning how, through imaginative design and intelligent production techniques, special effects can be utilised in live

On the day I visited the Cheltenham Jazz Festival, the sun came out. It blazed all day, the perfect start for a night of hot Brazilian jazz.

Funny thing was, I was there to hear one of the classic voices of British r&b: from the early sixties with the Spencer Davis group, through Traffic and Blind Faith to a lengthy solo career, Stevie Winwood has never been less than a national treasure.

He’s not toured since the mid-90s, so this appearance was all the more welcome. How he came to be performing on stage with Brazilian guitar genius Jose Neto is a lengthy story, suffice to say good musicians attract one another like magnets, and I know from speaking to Jose (a friend, as well as a star) that he’d always wanted to re-arrange some of the Winwood canon, so this was to be a special evening in every sense.

For supporting this fledgling festival, mention must be made of Richa

PLASA’s Standards Office is appealing for help from the industry. The office is currently reviewing a number of standards-related issues and would value feedback and input from the industry in general, but PLASA Members in particular. Current topics under review include the Event Stewarding Standard - a new British Standard is to be written; EN 55103 - the EMC standard for audio, video and lighting control systems is under revision; EN 60598-2-17 - the electrical safety standard for stage and studio luminaries is to be revised. Also being reviewed at the moment is the Draft Revised EMC Directive - the European Commission's proposed revision and the ESTA Power Cabling Survey - which examines the usage of single conductor feeder cables. If you have an interest in any of these issues, please e-mail Tim Cox at the PLASA Standards Office on tim@p

With the closing deadline set at 10 August, there’s just one week to go for companies exhibiting at the PLASA Show 2001 to enter their new products for the prestigious PLASA Awards for Product Excellence. Two awards - one for Design Excellence and one for Technical Innovation - are given in each of the four categories of Lighting, Sound, AV and Stage Engineering. Winners are presented with a trophy (specially-designed by DHA Lighting) at a ceremony on the final morning of the show. All the winners will be featured in a special post-show Awards supplement published with the October edition of Lighting&Sound International magazine, but win or lose, all nominees will benefit from full pre-show publicity for their latest products.

If you want to enter your products for a PLASA Award, full details of the nomination process can be found on the PLASA Show website or call us now on +44 (

Lighting design and events specialists Rainmaker recently lit an open air stage on Brighton Beach for a Channel Four party event starring dance impresarios Norman Cook AKA Fatboy Slim and Groove Armada, and enjoyed free by approximately 35,000 excited revellers.

The main focus of the stage was a giant Screenco LED screen. This had been rigged to facilitate a C4 broadcast of the Ashes cricket from Edgebaston on the Thursday through Sunday. However, Channel Four then decided it would create a great local buzz of they threw a party on the Friday night, offering an opportunity to groove the summer evening away with the best in contemporary club vibes with local hero - the Fatboy himself! They then decided to broadcast parts of the party a week later on C4’s ‘Fatboy Slim Night’.

The Fatboy Slim event originally started out just as a just live show, with Rainmaker initial

For those visitors new to PLASA or simply keen to remind themselves how impressive last year’s event was, the Show website now features a virtual tour of last year’s PLASA Show. The tour takes in various elements of the exhibition with views from both the lower and top decks. By clicking on any of the green circles featured, visitors can look at the show floor in 3D and also explore other facilities at Earls Court 1.

A huge 17m x 10.5m Harkness Hall Airscreen took centre stage at two open air screenings during the revived Cambridge Film Festival. Shown as part of the Festival’s first run Children’s Film Festival, the highlight of the week long programme of events took place on two consecutive evenings with free screenings of Disney’s immensely popular ‘Toy Story 2’ and Aardman Animation’s smash hit ‘Chicken Run’, which entertained audiences of some 5,000 late into the night. Registering another first for the Festival, ‘Chicken Run’ was shown in a special subtitled version, making it the biggest screening ever to take place for deaf and hard-of-hearing audiences.

The Airscreen, a giant inflatable frame incorporating a projection surface from Harkness Hall, was rigged and de-rigged for each show in a little over 25 minutes. A powered air pum

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