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14 March 2016

The system consists of four EAW DC4 Medium-Format Dance Club loudspeakers, four EAW DCS2 Bent Horn Dance subwoofers, 10 EAW JFX100i Compact Full-Range loudspeakers and one EAW UX8800 Digital Signal Processor. Lab.gruppen FP+ Series and C Series units are used for amplification.

The owner of London's Clapham Grand also has several venues throughout South Africa, many of which feature EAW units supplied by Surgesound. Andrew Rowan of Surgesound, stated: "We have equipped many of those venues with EAW, including the award-winning Manhattan Club in Rivonia

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14 March 2016

The show was produced by Emirates with support from The Event Production Company and staged at the Inkosi Albert Luthuli International Convention Centre in Durban. It was project managed for GHSA by Durban branch operations manager, Stuart Andrews, who comments, "Emirates is a six star client and extremely precise in their requirements. Our local knowledge of the venue coupled with the fact that we could draw on expertise from other areas in the company to supply elements like the bespoke staging, enabled us to deliver these exacting standards."

The event was divided into thr

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14 March 2016

The Jägermeister mobile stage featured a full Peavey Versarray line array PA system consisting of four VR112s and two VR218 subs per side, powered by Crest Pro 9200 amplifiers for the tops and Pro 7200 for the subs. The system showcases the versatility of the VSX26 for handling crossover, limiting and system EQ duties.

Monitoring was handled by QW monitors again bi-amped using the VSX26. A Crest CV20 handled front of house and all monitor mixes.

Peavey endorsees were out in force at the festival too. Saturday saw the Apollo Stage headlined by Bullet For My Valentine using the 6505s,

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14 March 2016

The system configuration was designed by IT Audio founders Til Schwartz and Ivo König with equipment supplied and operated by Emsdetten-based POOLsound (formerly known as Westfalen Sound). POOLlight provided lighting, with event planning supervised by POOLproduction.

The large crowd was captivated by a star-studded lineup split between two stages, including a political talk show hosted by journalist Sandra Maischberger and TV presenter Thomas Gottschalk of the popular Wetten dass..? The outdoo

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14 March 2016

CBC Technical worked closely with Buck Tallman and Dave Brown from Quantum to design and install an extensive Electro-Voice sound system to provide high-resolution sound for the SOAR's atmospheric soundscapes.

Chris Batchelor, Sales Manager for CBC, comments: "We've been supporting summer shows at the San Diego Zoo on a rental basis for the last few years with a system built around an Electro-Voice XLD compact line-array system. This year the producer of this new, permanent show asked me to put together a system that could provide

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14 March 2016

Sound integrator AVI-SPL performed the installation, which also included BSS Soundweb London signal processing devices. "When you're dealing with a project of this magnitude, you're constantly looking at the solution on a large scale. We need to know that the individual components will work together seamlessly and perform with the highest level of reliability. With Crown you know you're going to get that consistently," stated Will Parry, senior vice president, large product group at AVI-SPL.

"With the CTs series amps paired with the P

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14 March 2016

These awards are being generously sponsored by Clay Paky to recognise the outstanding contribution that lighting and lighting designers make to live performance and television created in the UK. They also honour work across a wide range of rock, theatre, opera and dance as well as four categories of televised work. Another feature of these awards is that each distinct area is being judged in a way deemed appropriate by practitioners in their respective fields.

The ALD advised Clay Paky on how the theatre awards should be decided. There is no way that a group of lighting designers could find time to see enough of the excellent work being produced nationally so the ALD

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14 March 2016

Founded in 1996, Intellimix was one of the first in Canada to become involved with LED lighting. Its products have been used in many high-profile installations and projects, including the video set of Le Match des Étoiles, Canada's version of Dancing With The Stars.

"We are thrilled to have a company so highly regarded in the industry as Intellimix come on board as our Canadian distributor," said Eric Loader, director of sales for Elation Professional. "With Intellimix's proven track record, product expertise and large custom

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14 March 2016

Lighting director Ethan Weber accepted the challenge of operating the lightshow, and has chosen two grandMA full-size consoles, with lighting associate Alex Murphy selecting two grandMA lights to run the stage and structure LED fixtures. There are a total of 10 MA NSP (Network Signal Processors) for lighting control.

Weber says: "The grandMA is a reliable and enjoyable console to programme and run. The worldwide support I've gotten from MA Lighting has always been great, no matter what size show I've been on. It's also comforting to know that there's a large network of users that I can call, all of whom are more than willing to share their knowledge and tricks."

Two grandMA full-sizes, one run in Full-Tracking-Backup-Mode, are

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14 March 2016

The system is composed of 250 FMS 9411-S microphone sets, semi-flush mounted on the desks of the parliament. The consoles are enabled for voting operations, with the possibility to assign a different level of audio to every seat, and to enable simultaneous translation.

Four FDC 9900 dome cameras with high-speed movement allow camera follow to the microphone in use, displaying video images on to two large plasma displays routed via an FVM9844 audio/video-switching matrix.

RCF Acustica C3110 loudspeakers have been installed as the main audio system for the room, delivering a uniform and highly defined audio coverage.

The project and the system start up, which were configured on site, have been

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14 March 2016

Lighting designer Chris Withers was approached to design the lighting for this gritty, yet sensitive production. With a tight timescale to programme the show, Withers needed a lighting console that was easy to learn and could control a theatre-style show with a mixed rig of conventional and moving lights. Withers first saw the ORB at its UK launch at the ABTT show in June.

"The ORB has all the features necessary to quickly programme a show when you haven't got time to learn a new desk. The functionality is simple, straightforward and yet very clever. I knew exactly what was happening within the Cues at any tim

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14 March 2016

The other stages supplied by Adlib were the Lake Stage, the Film & Music Arena and the Cabaret Tent which also had an associated 'roving' sound system. The Adlib team of 14 was crew chiefed by Richy Nicholson.

Adlib specified and installed an L-Acoustics V-DOSC rig for Uncut, configured as two flown arrays of six elements, 12 SB28 subs on the deck and a combination of dv-Dosc and ARCs cabinets for in-fills and out-fills. It was all processed via Adlib's standard set up using Dolby Lakes.

Uncut saw some heavy hitting headliners in the line up including Gossip, Magazine, Bat For Lashes, Squeeze, Newton Faulkner, Spiritualised and many more in a demanding environment for sound requi

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14 March 2016

The company has a long history with L-Acoustics, becoming the first V-Dosc partner in Asia in 1998. For more than a decade the relationship between the companies has flourished, and MSI has become one of Japan and Asia's leading sound companies. 11 years after their initial contact, MSI was contacted by L-Acoustics founder Dr Christian Heil and invited to France for a meeting about K1.

"I flew over to France with MSI vice president, Nishio Motoshige and listened to the K1 system at L-Acoustics," says MSI director Fujii Shuzo. "The moment I heard the system, I immediately knew I would be buying it, and we were given the opportunity to become part of the pilot programm

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14 March 2016

Crossword's new sanctuary system comprises five Phoenix PX2152 boxes in a flown left-centre-right configuration (including a central cluster of three) with two Phoenix PX2181 subs on the ground at stage left and right, with Dynacord VL262s compact double-six-inch, two-way loudspeakers as delays. The system is powered by EV's CP4000S amplifiers.

Chris Batchelor, sales manager for CBC, comments: "This is a Gospel church, and the system they had in there could not keep up with the volume they required. We came to the conclusion that Phoenix was the best option to get the SPL that the church was looking for, with dual drivers on each

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14 March 2016

Delstar Engineering kitted out the Palladium with a modular floor 15 years ago and was invited back again to enhance the engineering capabilities of the theatre for this fresh and exuberant show.

The installation includes a walkway and an arrangement of over 40 dedicated working winches that drive a variety of effects ranging from small flown pieces to heavy scenic walls. Delstar also installed a complex show deck, incorporating an inner and outer revolve that can raise and lower lifts while rotating as a central fo

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14 March 2016

New & Returning Exhibitors
Exhibitors new or returning to the show include Adam Hall, A.T. Industries, All Access Staging & Productions, Ambient Lighting, Artistic Licence, Avid Technology, Bestlight, Bison Produkter, Coemar S.p.A, Entertainment Equipment Supplies, Flying by Foy, Gerriets, Indu-Electric Gerber, Klotz Audio Interface Systems, Laserworld (Switzerland), LumenRadio, MediaLas Laserproducts, NEXO, Picturall, Prism Media Products, Promoberg, Pyrotechnology, R K Sound Engineering, ShowCAD Control S

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14 March 2016

Informationsteknik, the main contractor for lighting and sound which handled design and installation for the entire ship, was contacted last May by Prins Bernhard's owner who sought to do something 'really special' in order to put Malmö on the map for nightclub installations.

"We came up with the idea to design a nightclub concept with an LED wall as the

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14 March 2016

Some 1,808 14 to 24-year-olds from across the UK were surveyed this spring by the University of Hertfordshire. Of the 61% of respondents who said they illegally downloaded music, 83% said they did so on a daily or weekly basis. Last year's survey research was based on 773 respondents. Of those who said they would pay for an unlimited MP3 download service, 77% said they would continue to buy CDs.And 78% of respondents said they would not pay for a streaming service, such as Spotify.

UK Music

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14 March 2016

For the final weekend in Saffron Walden, featuring Back to the 80's, with an all-star line-up, followed by The Last Night of the Audley End Proms (headlined by Katherine Jenkins and featuring a Spitfire display) RG Jones assembled their own 'strictly '80s' technical line-up.

For acts like The Human League, Belinda Carlisle, ABC, Go West and Heaven 17, they had their own 'old boys' Jim Lambert project/production managing and Al Woods (both ex RG Jones employees from the 1980's) mixing all the bands on a Yamaha PM5D (with the exception of The Human League).

With the spectacular Audley End House providing a

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14 March 2016

The Nebraska-based outfit was formed 20 years ago and for the last four of those their LD Joe Paradise has been designing increasingly innovative stage sets to enable a band that has sold over eight million units in the US, and had five Top 10 albums on the Billboard charts, to reproduce the dynamic in a live context.

At last year's LDI Show in Las Vegas he saw the Impressions for the first time and was impressed both by the quality of the construction and rich array of features.

He immediately decided to integrate eight fixtures into the stage design - mounted atop a 40ft vertical arch truss upstage. This was one of three arch trusses that formed the set, along with Main Light 2.5 scrims. "The Impressions were used as intense 'e

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14 March 2016

The Pope celebrated Mass and recited the Angelus in the churchyard of San Pio da Pietralcina Church, which was packed with more than 50,000 worshippers coming from all over the world.

RCF's TT+ Touring and Theatre system had been chosen to amplify the sound for the event. Local rental company Sonika, which had organised the technical aspects of the celebrations and had also looked after many such events in past years, chose again to use the TT+ Series from RCF for this important day.

Apart from giving vast coverage, the system had to be flexible enough to amplify both the speech and the music, which was played by the Symphonic Orchestra of the Niccolò Piccinini Conservatoire in Bari. TT22-A and TT08-A were

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14 March 2016

"We have been working with the Burple's team for some time and were impressed by their demonstrating knowledge with our products and with their technical skills to serve the products. They have adopted our products and formed excellent relationships with our UK customers and users. We are confident that this partnership will be very valuable to our strong presence in this important market," said Compulite's CEO Yehuda Shukrun.

Agustin Arocha, director of Burple UK said, " We have been providing technical support to Compulite's end-users for some time now and taking on the distribution in the UK Market seemed like the logical next step. With our sound know

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14 March 2016

Lighting for the event was designed to exploit the charm of one of the best known monuments in the world. To create an unforgettable backdrop to the performance, it was necessary to use techniques that were compatible with the strict technical restrictions in place to protect the historical site.

Using SGM Giotto Spot 1500 and Giotto Beam 1500 moving head projectors with Wireless control, lighting designer Nicola-Manuel Tallino set up an unobtrusive lighting system without the need for wires and cables, which were expressly forbid

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14 March 2016

The festival has learned well from its forebears: this is not a 'cram them all in a big field and gouge the wallet' event; two main stages, and two lesser venues give fans the chance to sample a broad cross section of world class acts as well as some up-and-coming bands.

For Britannia Row Productions Ltd (Britrow), charged with servicing three of the four stages, the demands were clear. "They needed the controlled release of power," said Bryan Grant of Britrow. "That's what these bands are all abou