Tomcat UK at Wallingford Corn Exchange
- Details
Ogilvy's cross media campaign, evocatively titled 'I shouldn't be here', was launched on the 4 February with DRTV advertising across 15 channels, while a second wave of press advertising and direct mail went live on the 14 February.
Working on behalf of event management specialists Event Force, PRG Europe beamed three faces on to Battersea Power Station using a 12K PANI projector. Photographed at an angle and 'key stoned' so that the projected images appeared straight, the event ran for four hours to coincide with rush hour - ensuring the launch teaser got maximum exposure.
Chris Stephens, project manager at Event Force Ltd commented: "Having contact
"We've had a fantastic reaction to this project," comments Mushroom's Paul Butler. "It's always a great pleasure to
Thomas Herzberg, head of the Estrel Convention Centre's technical department, chose the Sy80 for its flexibility and easy handling. "Since we a
Several other Shure endorsers walked away with Grammy awards on Sunday night, including:John Mayer, who won Song of the Year and Best Male Pop Vocal Performance for the song 'Daughters' from his album 'Heavier Things'; Ozomatli receiv
A friend of Cernicky's, Travis Oates, bought the 15-year old ACME Comedy Theatre and asked him to supervise the renovation of the theatre's technical elements. Cernicky brought two second-hand High End Technobeams to the theatre and immediately realized that t
AV systems integration specialists, The Sound Division Group was called in to design, specify and install the audio visual system throughout, which includes LCD screens for laptop presentations, a 12ft projection screen with a powerful Mitsubishi projection system on the lower ground floor, and a 50" plasma screen in the VIP room. All are equipped with the usual DVD, CD and VCR facilities along with terrestrial and SKY TV feeds.
The brief was for a fully integrated and zoned audio visual system with the ability to route a
James Bryant, who runs MTS, explained that this is the third time he has fitted out the venue, previously known as XS. "The Chapman Group were looking for ideas to create a wow factor - particularly on the dancefloor of Club East - and so we decided to augment the traditional disco lighting with LED effects. At the same time we wanted to enhance the general mood of the bar and restaurant with some general colour-changing washes. This is by far the biggest LED project we have carried out - and for each application Lighting Effects Distribution were able to
A total of 26 units grace eight of the famous main display windows running along the prime Knightsbridge façade of the building. The battens run the full width of the rear of the windows, washing the back walls and offering a massive range of colours.
The creative potential of Pixel LED fixtures initially came to the attention of Harrods after they were used to illuminate a special installation window display promoting the James Bond 007 movie at the end of 2002. The lighting s
To differentiate the sound in the dinning area and the bar, Reynolds of Raphoe created two zones. For the restaurant area, located on the second floor, the system is based around the D.A.S. Factor 5W in white, providing the high quality background music required for a locale of this type. The bar area, requiring a more predominant sound, was fitted with white D.A.S. DS-8 two-way systems. These high-output, compact enclosures are ideal for a wide variety of installations requiring a hi
After changing its lighting and sound suppliers at the last minute, the producers, Theatrical Management Group (TMG), put the job out to tender across Europe with PRG Europe's Croydon office winning the contract. Alan Thomson, Loz Wilcox and the team at PRG Europe, along with production electrician Simon Needle had only two weeks between getting the contract and having to ship to Frankfurt.
Simon Needle explained that to accommodate the huge lighting rig within the turnaround times - just one and a half days including traveling between each gig - the
Delicate Productions of Camarillo, California, supplied the good lighting vibrations with a package featuring High End Systems equipment. LD David 'Gurn' Kaniski and crew chief Andy Figuroa took charge of the rig of 18 Studio Beams, 16 Studio Color 575s and 12 Studio Spot 575s. A Wholehog 2 console with a Wing was specified for control. The Palladium rocked out with performances by Backstreet Boys, Barenaked Ladies, Jeff Beck, Michelle Branch, Jamie Cullum, Earth, Wind & Fire, India.Arie, John Legend, Darlene Love, Shelby Lynne, Fred Martin & The Levite Camp, Michael McDonald, Red Hot Chili P
ATC's method is to use recording studio quality loudspeakers in slightly greater numbers to give enhanced sound performance and extended listening comfort. "The major advantage in the greatly reduced distortion over a PA-type system," says ATC's R&D engineer, Ben Lilly. "Distortion is the major cause of listener fatigue and discomfort."
"We wanted hi-fi quality bu
The resurrected venue is a fusion of new design elements and classic tradition. From an audio perspective the main hospitality area splits into two zones - the Long Bar and the Beer Garden. Globally connected and able to be operated as a single system, each area can also run independently and has been custom-designed to best meet the expected use.
All the audio system zones are controlled by an 8 x 16 Allen & Heath iDR-8 digital mix processor with settings addressable via wall panels - including the eight fader PL-6 - via laptop, or using the iDR's TCP-IP address over the web.
Strategically located between The Long Bar and The Beer Garden is
IAG says it will continue to manufacture the existing range of Coef-branded products for the architectural, entertainment and theatre markets but above all will inject considerable investment into research and development of new products to address the needs of those markets. However, the company will cease to operate in Italy.
In recent years, say the compan
Hall One, with a capacity of 1650, is the largest of the two concert halls and uses retractable acoustic curtains, as does Northern Rock Foundation Hall, whereas the unusual design of Hall Two called for acoustic banne
The latest to install the specially-designed weather-proofed cabinets is West Bromwich Albion FC. Argus has added seven AM15 cabinets to the main stand at West Brom's Hawthorns stadium. Jerry Matthews of Argus explains that "it's a deep tiered stand, and, although there was already a single row of speakers at the front, the further you went up the rows, the less you could hear. We've had to mount a row of Martin Audio AM15s about 25ft up the stand, just about where the directors sit!" All the AM15's have been suspended on custom-built brackets. "These enable us to do everything fr
"We always said that we would take the digital plunge when it was necessary," says Paul Owen, vice-president of Thunder Audio. "We chose to go for the D5 and D1 Live with fibre optic split because of DiGiCo's excellent reputation and the request for these particular consoles on the Garbage tour. We know that we're going to have them rented out for the coming 12 months and that makes for a very sound investment."
Geoff Lissaman, DiGiCo's vice-president - Concert Sound,
Remaining with Strand products was the obvious choice and with the increasing number of clients using intelligent lighting in their productions, SDD finally settled on the 350 channel, 520i to replace the ageing Strand LBX. Clive Walker, the Arts Centre manager, said: "Our relationship with SDD goes back to the early years of the centre
With the new Worship Center in place to showcase the performance, Taylor needed the lighting to be perfect. The decision was made to install the Wybron Autopilot II system with 22 x.Spots in the ceiling and four on the floor, plus eight High End Systems 575 Studio series in the ceiling, for
The two projectors - each displaying 1920 x 1080 pixels - were rigged for rear projection using a soft edge overlap, and giving a full screen display area of 3200 x 1080 pixels across the 12m wide asymmetric surface. Gaskin has produced the show for the last nine years and this year wanted to attempt something radically different. The highly flexible Barco Folsom system enabled her to break the mould not only in live video effe
The new venue is a gift to the people of Denmark from Danish businessman Mærsk Mc-Kinney Møller, and home to the Danish Royal Theatre, with whom DPA Microphones enjoys a close relationship. The Danish Royal Theatre has assumed technical responsibility for the venue, and the mics were specified by Claus Wolter, head of sound for the Royal Danish Theatre and Opera. "I have to believe in the quality of every single piece of equipment we use in our daily work, and that's why we always have different type
Adam Rudd explains, "We've had various systems in the Lyttelton over the years, but never one we were completely satisfied with. Up for evaluation were the usual systems you'd list for top quality theatre and Alan Lochhead also approached us with the Opus products. I have to say that there was some scepticism before the listening tests but it soon became clear that the full Opus system of loudspeakers, amplifiers and controllers were in a league of their own as far as accurate, n