Having surpassed necessary key indicators, the IiP standard helps TSC to continue working more closely with its staff to monitor and develop employee skills in an effort to becoming a more customer-focused organisation.
Chairman and managing director Neal Abdool, said: "We recognize staff as our most valuable asset and with the right nurturing and appropriate training they make the difference that counts in TSC achieving
The lead contractor for the installation was Hong Kong's Pacific Audio Supplies who made extensive use of the Bose Modeler and Auditioner design programs in the design and consultative stages of the project. Featuring an innovative Loudspeaker System constructed from multiple Bose FS32SEs in a line array configuration the system is powered by a combination of Bose and Carver power amplifiers.
All Loudspeaker Feeds from the console output groups are equalized with ARX EQ60 1/3rd octave graphic equalizers. Bose ‘doubl
"Q1 combines our international experience and expertise with the impressive service reputation of Showtime Lighting in Vancouver and our expanded asset inventory in our 20,000 sq ft facility here in Vancouver," stated partner Marc Raymond on behalf of partners Phil and Brian at the open house.
Representatives from Vari-Lite, High End, Strand Lighting, Rosco, Sm
The ultra slim 36-panel system allows screen sizes of up to 12sq.m and facilitates the relay of both video and data imaging. Patrick Hill, Group managing director told us: "We have always driven our business forward by looking for ways to improve the service we offer. By investing in this product, we can now provide clients with an innovative solution where more conventional projection alternatives just don’t work."
The LVP0630 purchased from Lighthouse, has a pixel pitch of 6mm and a very high brightness of 3000 Nits. It incorporates Lighthouses proprietary fourth generation M4 Technology that has been developed to ensure that the colour balance of every pixel, a
It’s not the first time the RNT has turned to AVW: this latest project follows the success of the Impressario system in the Olivier Award-winning productions of A Streetcar Named Desire staged in the Lyttleton Theatre and other work carried out on Anything Goes in the Olivier Theatre. Impressario Advance! controls 13 flying bars in the Cottesloe, including four point hoists and three dedicated lighting bars, and with the amount of equipment set to increase on a yearly basis, it was deemed the best tool for the job. It was the use of the Impressario in the RNT’s production of Howard Katz that captured the interest of
The move is part of the company’s ongoing restructuring since it became part of the CSS Stellar Group PLC, and all its regional branches will be transferred to the new facility. The move coincides with the launch of a new corporate identity and significant restructuring of the procedures and team approach. Commercial director Steve Kilby commented: "The move is one of several significant changes that will improve our efficiency and the service we can offer clients. The events marketplace has changed a lot in the last decade and it is time to bring some long-established ARB p
Head of Midas sales, David Cooper, recalls that Ampco was one of only six companies in the world who liked the concept of the Heritage 3000 so much that they ordered two consoles purely on spec before they had even seen a prototype. According to Ampco Pro Rent managing director Fred Heuves, the investment has more than paid for itself. "We were the first people in Europe to offer our customers a console that has since become an industry-standard, so we have been reap
The event takes place on Thursday, 3 April 2003 from 2.00pm onwards at White Light’s Merton Industrial Park, Jubilee Way, Wimbledon, facility.
To attend, RSVP to the e-mail address below.
(Ruth Rossington)
His employer, Unusual Rigging Ltd, admitted liability for the accident, and Judge Anthony Thompson QC approved a £2.1m settlement on Wednesday.
In a statement to PLASA Media, the company said: "In September 2000, Mr David Upton, an employee of Unusual Rigging Ltd, had an accident at Olympia Exhibition Centre, where he fell from an entrance canopy, approximately 12ft above the pavement, whilst erecting a signage panel. Unusual Rigging Ltd's insurers settled the claim out of court last week.&quo
Features of the site include full product information with concise narrative and comprehensive specification downloads for the new LARC1 line-array system, new MPA-82000 8-channel amplifier and the current range of BR products. News information is also presented, along with an extensive reference segment and a brief history of the 30-year old company. Company contact details and an interesting staff segment can also be found.
(Ruth Rossington)
The club favoured Coemar lighting, and Alessandro Caldarera (Coemar’s technical and marketing man) supported the architect, Marco Lucchi, by designing an inventive rig equal to the talents of lighting operator, Romain Toppano, and controllable from an MA GrandMA desk. The
Mark, who is 38, started his career as chief electrician for the Piccadilly Theatre in London, where Mark White (now with ETC) gave him his first job. He then worked as resident lighting designer for the Phoenix Dance Company in Leeds, then at the Nottingham Playhouse, later going on to Sadlers Wells and The Peter Hall Company at the Piccadilly, The Royal Court, and the Royal National Theatre. A member of the ALD, for the last four years Mark has worked for Maurice Bril
Stagetec’s range of special offers provides an opportunity for drama departments to gain access to a wide range of sound, lighting and studio products at reduced prices: "Spotlight on education will help consolidate Stagetec&rsq
A simple enough idea - but how do you light a 628ft tall tower, all the way around with four projection points, without permission, except for CAA notification - and what kit do you use? Sales and projects manager at Laser Grafix, Richard Hawkins, sought knowledge and a free dinner from LD ‘Mr. P’ (real name kept secret
Fast Track had been contracted by the IAAF to stage manage the prestigious three-day event, and their production manager, Bob Capel, was soon in conversation with Avesco’s business development manager, Dave Crump, discussing ways in which the somewhat antiquated scoreboard technology might be improved. Crump called LED display manufacturers (and Screenco suppliers) Unitek. They debated the feasibility of a colour LE
Bluman is an experienced projection designer: he started his career with Labyrinth, a company which specialized in ‘Guerilla-style’ projections, probably the most famous of which was the image of a naked Gail Porter projected on to the Houses of Parliament in London. He went on to work on numerous projects, including projections onto Buckingham Palace, MI6 and the Tate Gallery, as well as being involved in the River of Light project for the Millennium celebrations in Liverpool.
In the last two years he has been the video crew chief for a number of large projects, including the Vodaphone Ball 2002, the New Year’s Eve celebrations at the Millennium Dome and the launch event for the Birmingham Bullring. More recently, he has taken on the p
96sq.m of Barco’s SLite 10 LED screen will be installed at the Estadio das Antas Stadium, which has a seating capacity of 50 00. The opening game of the championships will be played in the stadium on June 12, 2004.
Commenting on the project win, Marco Bruines, Division Manager, Barco Media said: "Barco’s LED display solutions have long been regarded as the reference in the rental & staging and major events industries. Reliant Park in Houston was our first maj
Among the stars helping to raise money for the cause were Alan Bates, Terence Stamp, Nicholas Grace, Dame Eileen Atkins, Michael Palin, Rula Lenska, Sinead Cusack and Jeremy Irons. Among the musical line-up were Bryan Adams, Brian May, Alessandro Saffina and the Operababes.
Production manager Robbie Williams brought in White Light Events to take care of lighting, a duty overseen by lighting designer Mikey Robertson, with Jason Larcombe as associate LD. Robertson says: "The stage was too big for our purposes, even with the number of performers who would be appearing on it, so we halved the depth by putting in a back projection screen. This freed up some of the side lighting fixtures which we used for back-
In the past decade the larger arenas such as Sheffield, Manchester, Birmingham, Newcastle, Wembley and London Docklands have all invested considerable amounts of money to provide quick, easy mechanisms by which they can convert from ‘full house’ to smaller, 7,000, 5,000 and even 3,000 seat configurations.
Also, in the same decade, the traditional smaller venues - the city halls, theatres, and smaller sports halls - have all become busy, catering specifically for a different audience through the plethora of tribute bands and revival pa
"This was a very difficult 5.1 mix. Not from a musical point of view, because the record really lends itself to a three-dimensional treatment, but from the point of view that everyone knows the original mix so well. It is indelibly printed on our minds. We've had
The work has been carried out by Edinburgh-based black light, who installed the new technical facilities within the six performance and presentation spaces. Paul McGreal, the company’s project manager, took on the planning and management of the £650,000 project, whilst Jock Wallace, as the company’s site manager, spent most of last summer on site, supervising the practical elements of the installation.
The key elements of the project included the installation of new lighting control and dimming equipment, audio and PA systems, cinema projection and sound equipment, communication and stage management equipment and AV systems. black light also used its in-house resources (o
According to TMB president Marshall Bisse
Pierre Vijgen, who owns Vizion, has invested more than 10 million in the venue, which sits tucked beneath the stands of Kerkrade’s Parkstad Limburg stadium. And get this for luxury - visitors arriving by car can choose from one of 1,500 parking spaces, with entry to the club costing only 10 euros.
Despite the scale of the venue, its split-level layout ensures that even when the building is not entirely full, its feel remains intimate and busy. Numerous internal galleries, like stork’s nests, of
Austin Burbank founder and editor is Bruce Jordahl, formerly the editor of the US-based Pro Lights & Staging News (PLSN) magazine. He commented: "Total Production has long had a great reputation over here for its editorial values and commitment to the industry. A US version will give us the time and space to fulfill those same aims specifically for the American market. By bringing the title over, the industry already knows the style and quality of magazine
