Flashlight buys Europe's First Showguns
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The Lighthouse screen was used as a backdrop of the catwalk that featured girls who had replied to an appeal on the band's MySpace web page.
Video director Charlie Lightening says: "Having seen other music videos using LED video walls I knew that, as a video director, I could do something amazing with it.
"I wanted a strong, clean image when the cameras were zoomed back, but also to have a pixellated style of image when the cameras zoomed in close. I approached R16 from an artistic point of view, it was the right screen to achieve the effect that I want."
(Jim Evans)
The show was halted after just six scenes on its opening night for about 10 minutes due to "technical difficulties", the audience was told. Fans were left waiting while the problem was sorted - thought to be an issue with the rotating floor.
It was not the first occasion in recent times that a technical issue has hit a high profile West End production - Chitty Chitty Bang Bang also had difficulties in its early shows. And a West End preview performance of the Lord of The Rings musical had to be cancelled earlier this year when actor Adam Salter broke his leg after getting it trapped in set machinery.
Despite the first half hiccup, it was a standing ovation for t
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Patrick Woodroffe was the global designer for the project, creating a formal plot that would be developed into the flagship London rig. As it was impossible for him to be present at all the events, he appointed a team of lighting designers - one in each hosting country - to re-create individual designs based on the availability of fixtures in the various locations.
In New York, Performance Environment Design produced the show and lighting designer Patrick Dierson explains, "We were approached not only out of trust, but also due to our past efforts in promoting environmental sustainability within live entertainment production. The crux of Woodroffe's vision for
One of the Vi6 desks is used as the mixer for the on-stage monitoring, the other as the main front-of-house desk. The installation completes RAG Support's refit of Koko's new sound system, which was designed by Harman Pro UK's engineers and which RAG Support has been putting together at the venue over the last few months.
Tim Hamper, FOH engineer at Koko, comments, "It's great to finally have our two Vi6 desks permanently installed here. Harman Pro UK have been closely involved with the design of the refit at Koko from the outset, and so we were offered a Vi6 when it was still in development. We've had a test desk in as the FOH console here for months and it's been easy to learn
Charcoalblue's specialist consultants worked in close association with architects Haworth Tompkins on the award winning Young Vic; John McAslan and Partners on the critically acclaimed Roundhouse and Ian Ritchie Architects on the RSC's groundbreaking temporary new home - the Courtyard Theatre.
Andy Hayles, managing director of Charcoalblue comments: "It was a great night. We're extremely proud to have been so closely involved with all three winning projects. It's great to see our contribution recognised from time to time."
(Jim Evans)
Staged by Seensee Musical Company at the Seoul Arts Centre Opera House, Dancing Shadows is an adaptation of the play Forest Fire, written by the celebrated Chilean Ariel Dorfmann. Music and lyrics are by Eric Woolfson of the 1970s rock band, Alan Parsons Project, with direction by Paul Garrington, lighting design by Simon Corder and sound design by Richard Brooker.
With plans to bring the show into both the US and Europe over the next couple of years, this initial production was designed to match up to international standards in all respects. Richard Brooker assembled a talented local sound tea
(Jim Evans)
La Parrilla is owned by Daniel Tercero, who commissioned Swansea-based interior design practice Thomas Parry to create the interiors, who in turn asked PAI to come up with the relevant technical infrastructure. The PAI team has worked with Thomas Parry on many previous projects, and on this one they collaborated closely with main designer, Matt Bailey.
High production values were at the core of the technical installation, for which a C-Burn computer music system wa
"For the complex setup that was spread over a long distance, the grandMA control system proved to be an invaluable tool. Its huge pre-programming abilities saved a lot of time during the design as well as during the programming part of the project development," says lighting designer Pawel Pajak.
One grandMA full-size and one grandMA light were used for the stage lighting and video server control. Additionally, another grandMA light controlled the searchlights using two wireless DMX lines. Two MA NSPs and grandMA 3D were also included in the event.
"Since the setup consisted of intelligent lights and video on stage with the searchlights being set on the other side of the river, we found working with the MA Net etherne
At the Monterrey Arena, Adamson long-time Yaxis partner Audio Systems del Norte provided 24 Adamson Y18 cabinets with 8 Y10 under hang for the main PA, and 12 T21 subs ground stacked, plus16 Y10 subs flown beside the main arrays. Additional side-fills featured eight Y10s per side.
The official Guns n' Roses website described the Monterray arena show: "From the opening notes of Welcome To The Jungle to the final encore Paradise City, Guns N' Roses had the rabid crowd going wild all night long.
(Jim Evans)
Production design was conceived by Roger Waters and LD Marc Brickman and manned by video director Alastair MacDiarmid and his crew, LED techs Clark Anderson, Icarus Wilson-Wright, Rob Maloney and John Scruggs.
John Wiseman, president of XL Video, notes: "This is a perfect execution between our UK and US offices. It was a great effort by myself and Chris Mounsor, but truth be told, we were just the pretty faces, all the hard work was done by Phil Mercer."
(Jim Evans)
Bandit Lites founder and CEO Michael Strickland comments: "We were trying to find a console we thought could be our go to standard and the Vista received unanimous approval from the LDs at the demo. We did the demo in March and now have Vistas out on three major tours, with other large tours in the pipeline as well."
Chief operating officer Pete Heffernan adds: "We'd been very interested in the Vista since our UK office purchased one and we then got a demo at LDI, but it wasn't until we started seeing lots of interest from LDs that we realised it was tim
Cory's Audio Visual Services (OKC), supplied a combination of Dynacord Cobra-2 line array TOP boxes and PWH subs, EV monitors and mics, a Midas Verona console and Klark Teknik outboard gear for the show, ensuring every step of the signal chain was impressive for the ISB's numerous live events and breakout rooms.
"We are really happy with how the Dynacord, EV, Midas and KT equipment all works and sounds together in this system," says Preston Williams of Cory's, himself a bass playing OCU alumni, who mixed FOH for the ISB concerts. "We can utilise this rig in a variety o
The concept and tour was organised by STREAM with the Cologne event production masterminded by Dietmar Koch of German agency Braintrust Event Marketing. He chose long-time Turbosound users, Westphalia-based BLL/CE Veranstaltungstechnik-Krefeld to provide sound, lighting and electrical installations for the Cologne event, which gave the opportunity for a range of Turbosound's new NuQ loudspeakers to be put through their paces in a challenging environment.
With a large site and crowd to cover
The EvenLED (100 x100cm) can be built to different specifications. The maximum number of modules is vertically limited by 12, but horizontally unlimited. Depending on the back projection screen, the average distance is 300mm. Additional features of the EvenLED are the low power consumption (150W), the very low maintenance, the low weight and heat and the long lifetime. Special flightcases for eight modules in
Wybron's Aquarams will illuminate the 164ft aquarium to allow visitors to see sharks, stingrays and other species of fish in their natural habitat. Each Aquaram contains up to 32 gel colours and is water resistant. The InfoTrace system will control and manage all of the fixtures via the RDM platform.
"We are very pleased with the spike in sales of our architectural fixtures," said Larry Turner, Wybron CEO. "Wybron continues to introduce new outdoor lighting technology as we expect the demand for lighting designs to grow in the overall architectural and
The MX-1400 and MX-1400 DSP offer extreme ease of connectivity. Each includes two phono, four line and four aux inputs on the recessed back panel, enough to accommodate any DJ's complete setup of playback units - including turntables, CD players and even tape decks. In addition, three Mic inputs give the operator the ability to mix karaoke performances, rapping, emceeing and announcements. A front-panel RCA auxiliary input jack is designed to accept portable MP3 players and satellite radio receivers, so you can mix using virtually any audio source.
The MX-1400 DSP offers the added power of onboard digital signal processing. It includes
From portable public address systems such as the compact Minivox PA system for indoor/outdoor crowds of 150+ to the Beacon portable sound system for crowds of 5,000+, Anchor Audio offers audio solutions that are ROHS compliant, with a full range of wired and wireless options, true AC/DC capability, and six-year warranties.
The company says that one of its most popular portable public address systems is the MegaVox portable PA system for emergency communication. Among
Collaborating with lighting designer Butch Allen and working with James Lars, Kirk and Rob Adams' effects list consists of 18 Red mines, 40 Fireballs, 21 Stadium reports (for a loud bang effect), 16 Red flashes, 24 Ack Ack bursts, 24 silver comets with tails, 24 Red comets, and 24 White flashes with bang.
(Jim Evans)
2007 marked the seventh year of Croma 440 taking the Sonar del Dia contract. The largest of the four stages was the open air Village, where trip hop and funk ruled with 12 Adamson Y18s and six Adamson T21s, wi