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Born and bred in Ipswich, Antony moved to London in 1982 to study Physics at Imperial College in South Kensington. He rapidly immersed himself in the Drama Society there and within a year was one of the main "techies". His involvement with Dramsoc resulted in an 'unplanned' gap year during his course which he spent working for Theatre Projects Lighting, then at Blundell Street. He ultimately returned to Imperial to finish off his degree before re-joining TP for a further 18 months.
From there he joined Strand Lighting's service department in 1990, spending the next five years travelling the world, commissioning new installations or servicing existing installations of Galaxy, Gemini, EC90 and LP90. His expertise in LP90s resulted in a two-year stint at S
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Seen previously at PLASA, the ArtDC dimmer is a clever stand-alone unit which works from a DC battery supply. Wireless and eDMX enabled, it offers an ideal solution for dimming in remote, inaccessible places. Incidentally, Avo's Rik Salzedo reports good growth in dimming markets in the UK: ART2000 dimming is enjoying success in the film world, having been used on the Harry Potter films, as well as Tomb Raider, Bridget Jones, Die Another Day, The Italian Job and Charlie and the Ch
The final show has taken over three years to complete. Since 23 December 2005, 31 buildings located on either side of Victoria Harbour, have blossomed nightly into a dazzling display of visual firepower. The 11-minute show of 2004 has now become a 17-minute performance, with a kaleidoscope of effects including almost 15,000 dynamic lighting fixtures, Stella Ray YAGS producing thousands of high powered laser beams, world class pyrotechnics and a sound
As the room is used for both live bands and club nights, the brief was for a versatile and compact system that was capable of handling a wide variety of music. It also had to offer very precise pattern control, as the previous sy
TMB also showed three impressive and increasingly successful UK-made systems: the Hippotizer media server from Green Hippo; the excellent K2 motion control system from Kinesys, which was demonstrated by a moving truss arrangement above TMB's ever-busy seating area (see Clouseau, pages 52-53, for more of the K2); and the award-winning Pharos LPC. Pharos was also promoting its moving light data service to lighting c
Leading the new products at PLASA was the Lutin - a 1kW tungsten washlight which, through interchangeable lenses, can be a fresnel, a plano-convex or a pebble-convex unit to provide the precise beam edge quality to suit any wash application. Ideally suited to rep theatres or rental companies, Lutin offers the maximum possible versatility from a much smaller investment than would be required to purchase separate lanterns of each type; the specially developed cable connection concealed within Lutin's rear handle also ensures that the luminaire is easy to
XL's warehouse, located just 600m from the epicentre of the explosion, was damaged in the blast, and the entire area was sealed off, including the truck-full of gear destined for the Thomson event. This was due to depart XL that day for a 6 a.m. Monday get-in at the NEC - ready for a 10 a.m. show start on Wednesday. XL project manager Phil Goddard, who lives 22 miles away, was awoken by the blast. Shortly after, he received a call from
Hoyts wanted their foyer areas to be unique, colourful and most of all dynamic. They turned to Michael Trudgeon and David Poulton of Crowd Productions, the chief architects of Hoyts' public spaces, to design an environment that reflected the ever-changing nature of the cinema world. Their idea was to install colour-changing panels and lighting right through out the foyer and surrounding entrance areas.
Trudgeon and Poulton approached Lightmoves to transform this complex idea into reality. Lightmoves
Chandler claims that its strong light output and low heat and energy use make the new enLux floodlights ideal for applications including theatres, nightclubs, casinos and restaurants. Remote locations where power is limited, such as in tents, will greatly benefit, and can use more of the enLux units than would be possible with traditional floodlights. There are 23 theatrical-designed colours, as well as a UV LED black light.
The R30 can be used in Par-style medium screw based fixtures, R40 Striplights, as well as architectural downlights and track fixtures. Models are available for use
The diversity of presentations was a prime consideration in the theatre's redesign and renovation. The stage was designed as a flexible, movable structure that is capable of adjusting to various models, depending on the production needs. The theatre seats just over 1,100, with slightly more than 700 seated on the orchestra level and an additional 400 in the balcony.
Osaka-based Native Audio Company provided the audio system, which is based around eight M1D ultra-compact curvilinear array loudspeakers suspended at the centre of the proscenium and two CQ-2 narrow coverage main
The Rolling Stones, currently on tour around the world with lighting supplied by PRG, will headline the halftime extravaganza. Produced by Don Mischer Productions, with lighting designed by Bob Dickinson and Patrick Woodroffe, Super Bowl XL will be televised live on 5 February, on ABC to over 100 million viewers.
(Chris Henry)
Appreciating the growing pressure on manufacturers in the electronics and technology industries to be more environmentally-friendly, initiatives included the adoption of comprehensive environmental protection policies, that complimented by a programme o