On the set, from the proscenium, under the balcony, or even in the bar, portrait or landscape, d&b audiotechnik's E0 with a simple turn will take the spotlight at this year's ABTT exhibition. It is predestined for a variety of performances, thanks to its ingenious mounting device, cleverly shaped, robust polyamide cabinet and a coaxial design that guarantees identical 100° dispersion. Producing 116 dB SPL it will speak for itself.

Co staring on d&b's stand will be the highly acclaimed E-PAC power amplifier controller, making a welcome return with increased functionality: load monitoring, a signal generator with pink noise or sine wave program, and software update facilities. d&b's John Taylor will also be making a performance in the ABTT seminar program on Wednesday 19th June at 14.00.

Between 7 June and 27 July, Tim McGraw will visit some of the ‘B’ markets he missed over the past few tours in North America with a rig full of High End Systems products. This rig is ringed with 46 Studio Beam, 42 Studio Spot 575s, six Studio Color 250s, six Studio Spot CMY 575 automated luminaires and a Wholehog II console. Equipment this time is provided by Nashville-based lighting contractor Premier Global Productions. Steven ‘Creech’ Anderson recently decided to get off the road, so he's now at Premier overseeing this touring account and others as VP sales/account manager.

Lighting designer Leroy Bennett designed the last tour, and for this short run, "it's the same basic design," says lighting director Jerome Thompson. "This is somewhat of an extension of that but with a few modifications. I replaced out the Icons with Studio Spot 575s and St

Dallas-based sound reinforcement company Gemini Sound Inc (GSI) has purchased an entirely new sound system to accommodate Usher’s current Evolution tour. As part of the setup, GSI owner Tim Cain chose to acquire a hefty total of 99 Crown Macro-Tech amplifiers, mostly made up of Crown’s highest-powered MA-5002VZ models.

The MA-5002VZs are primarily called upon to drive the tour’s house system, which is comprised of 60 EAW KF760 Series line array loudspeakers and 44 BH760 subs. MA-5002VZs also power a total of 13 KF761 systems used as side- and front-fills, as well as 16 sub enclosures on stage. Additionally, six MA-36x12s are being used to power EAW SM84 stage wedges for the band, while 16 Crown MA-2402s and four MA-1202s are on hand for various other amplification needs. Notably, the MA-36x12s are all equipped with Crown’s IQ-PIP-USP2 modules, which provi

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Indochine X PixMob Fan Immersion

It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!

Read more about the Indochine tour in the latest issue of LSi

As the crews of this year’s Volvo Yacht Race embark from Gothenburg on the final leg of the 2002 challenge, Audio-Technica microphones continue to ensure that the on-line and TV broadcast coverage is kept up to date and crystal clear. Covering a massive 32,700 nautical miles, this year’s competition began in Southampton on 23 September 2001, with eight participating crews all aboard hi-tech Volvo 60 yachts. By the time they cross the finishing line in Kiel, Germany on June 9 the crews will have navigated their way across the worlds most treacherous ocean conditions, calling in at Cape Town, Sydney, Hobart, Auckland, Rio de Janeiro, Miami, Baltimore, La Rochelle and Gothenburg on an incredible 10 month journey.

As part of the entry agreements each vessel carries identical media equipment and event sponsors Volvo called in broadcast specialists BHP to design and specify the

XTA digital signal processing is featured throughout the audio installation for the Queen-inspired musical We Will Rock You at London’s Dominion Theatre. The system, created by leading theatre sound designer Bobby Aitken, has to capture the power and verve of Queen’s music, with the pristine sound quality that contemporary theatre musical-goers expect. A broad-based audience, from die-hard Queen fans to children and older people, watches the show. Says Aitken: "A balance had to be struck as with all such shows - on the one hand, keeping the Queen fans happy with a big, dynamic sounding show, but with responsibility for the younger and older members of the audience."

Heading the list of sound sources is a nine-piece band including four keyboards, two guitarists, bass, drums and percussion, 30 Sennheiser radio and hand-held microphones and DPA boom mics. A wi

Edwin Shirley Staging (ESS) has once again returned to the horse racing circuit, this time at Epsom in Surrey, with the broadcast infrastructure specialist ACS to cover the 2002 Derby season at the famous course.

ESS is providing a similar tower configuration to the one used successfully at this year’s Aintree Grand National to allow the host broadcaster to be able to follow the races by flying a television camera across a suspended line held under tension by ESS’ ballasted towers. John Wilson, ESS’ senior project manager tasked with delivering the trackside solution, has been travelling between Epsom and Finsbury Square in the centre of London during the set-up period, whilst also overseeing an ESS building installation in the City for Bloomberg, the blue chip financial information business. Both installations were completed as ESS were putting the finishing touches

In collaboration with Light & Building 2002 - the world’s biggest lighting and building automation fair - Luminale orchestrated a ‘path of light’ along the streets of Frankfurt, accentuating and enhancing a wide variety of urban settings. Over 50 sites, including buildings, parks, squares, churches and museums, public and private buildings as well as historical and artistic monuments, were illuminated using a variety of lighting technologies, underlining the importance of lighting design as part of the modern fabric of our cities.

Clay Paky, as one of Light & Building’s exhibitors, provided projection equipment to a number of sites. The botanical garden in Frankfurt’s Palmen Garden became ‘Tropicolors’ - the large glasshouse, with its dome, balconies overlooking the garden, numerous paths for visitors and fountain - lit for the occasion by CP C

The world famous Glyndebourne Opera House in East Sussex, England, recently installed 16 of Selecon’s 12-28 Pacific Zoomspots (supplied by Selecon dealers Stage Electrics of Bristol) in preparation for their 2002 Festival that started on 18 May.

The opera house lighting team, led by lighting manager Keith Benson, has installed them in the advance bridge position in the main opera house. "We chose Selecon after researching a number of similar spots on the market. The Pacific’s build quality and the light it produces were particularly impressive," said Benson. "The light is crisp, white and relatively distortion free." Despite being a luminaire only 24" long, the Pacific delivers a cool beam of light with a range of 12-28 degrees. "It’s handy having those extra degrees - it can make all the difference," Benson concluded. The 2002 Fest

Elation Professional has introduced Compu Ware DMX Lighting Software, an affordable solution for lighting professionals who want to turn their PC into a DMX-512 lighting controller. Available in two versions - Compu Club and Compu Pro - the software allows users to program and control a complete ‘point-and-click’ lightshow from a laptop (or any PC), using DMX-compatible lighting fixtures from virtually any manufacturer, via the software's extensive lighting library. It's also very easy to create settings for additional fixtures, allowing the software to be continually updated as new lighting products appear on the market.

Both versions offer an intelligent USB to DMX interface box with 512 DMX channels. One of the software's handiest features is that the USB Box can be used as a portable stand-alone controller without the computer, thanks to Stand Alone Software which allow

Symetrix has introduced SymNet Designer v1.2, which incorporates automatic mic mixers with master and slave modules in a 4, 8 and 16-channel configuration, as well as room combining modules for up to 16 rooms, with and without automatic mic mixing. These two highly requested features have been added in order to make the SymNet Audio Matrix system more versatile in a larger variety of applications. Another upgrade in SymNet Designer v1.2 is ARC-PS - a 1U rack-mountable power supply for up to 10 ARCs. The ARC-PS distributes power and control data via Cat 5 cable through 10 discrete outputs, or in daisy-chain combinations.

Two new add-ons to the SymNet line include BreakIn12 and BreakOut12. These products provide a cost-effective solution for extending the input and output capability of a SymNet system. Since they contain no on-board DSP, BreakIn12 and BreakOut12 are intended for use in s

The new series of Big Brother on Channel 4 is having its sound mix performed on the first Soundcraft MH4 to be deployed out in the field. Supplied by Showcom Audio to Event Technical Support, the desk forms part of a rental package to Roll To Record. The 48 + 4 frame, fitted with eight stereo channels, has gone into Elstree Studios and will remain there for three months, during which time it will be used by a number of sound engineers under the direction of Oliver France. It is backed up by a newly-purchased 48-channel Soundcraft K2, which is acting as a secondary desk.

Co-owned by Malcolm Whittall and John Hooker, Event Technical Support had been seeking a multi-function, highly-specified console, and the arrival of the MH4 meant that they could meet the performance criteria - inside their budget. Already Soundcraft owners, the company previously supplied PA equipment for live audienc

ETC (Electronic Theatre Controls Inc) has purchased the German lighting company transtechnik Lichtsysteme from its parent company transtechnik GmbH, Holzkirchen.

With headquarters in Middleton, Wisconsin, and offices worldwide, ETC is fast becoming a global leader in the lighting industry. Over 15,000 venues, including Broadway shows and high-profile clients like Royal Caribbean cruise lines, London’s Royal Opera House, Hanover’s Staatstheater Opernhaus, SAT1 in Berlin and Legoland in Germany, employ ETC lighting products. According to ETC CEO Fred Foster: "We have long had great respect for transtechnik’s reputation and technology in our industry. The two companies share the same dedication to serving customers. The combination of transtechnik Lichtsysteme with ETC will allow us to increase our range of products and services to the German, as well as global, mar

Timeless Communications has announced that Pro Production 2003, ‘The Live Event Marketplace’ will take place on January 10-12, 2003, at the San Diego Convention Center in San Diego, California. Building upon 2002’s inaugural show, Pro Production 2003 will offer expanded educational opportunities and social functions, in addition to the trade show portion of the event.

The event is designed to bring together the world of live event production professionals who coordinate, produce and manage major concert tours, sporting events, political conventions, touring Broadway shows, large corporate meetings and tradeshow exhibits. Suppliers and purchasers of services and products used in these environments also attend this annual winter gathering. Over 1,600 attendees from 33 states and 10 foreign countries visited the first Pro Production convention in January last year.

(Ru

Stagetec, UK distributor for Compulite, announces the latest addition to the product line - the Compy cable or wireless remote control. This cost-effective, flexible control solution can be used to control all Compulite consoles via Ethernet interface (i.e. the 4D and SABRE series). Compy has been developed jointly by Compulite and DTT Scandinavia, utilizing the latest Pocket PC technology.

One of the major problems with most rigger’s controls is that they are difficult to see in the dark: Compy solves this problem as it utilizes a Compaq iPAQ Handheld PC which is a colour TFT touch screen. Apart from this, when not being used as a rigger’s control, the iPAQ can be used as a standard PC.

Compy is available in three configurations: The Compy Rigger allows control of all the rigging and basic edit functions of the console; the Compy E-Mote allows control of all rigging and

The Queen’s Golden Jubilee Celebrations, held over the long weekend of 1-4 June, not only celebrated 50 years of Elizabeth II’s reign, but also had the added bonus of providing a stunning showcase for the UK’s entertainment technology industry, watched by television audiences worldwide. The cream of the UK’s design, production, staging, rigging, lighting, sound and pyrotechnics specialists combined to create a lavish display which has drawn praise from across the world and will be remembered for many years to come.

The BBC-produced Garden Concerts at Buckingham Palace and the surrounding infrastructure through central London included a roll-call of experts that would be familiar to any top-flight rock tour or major spectacular, including Mark Fisher (design), Robbie Williams (production management), Edwin Shirley Staging, XL Video, Screenco, Fourth Phase, VLPS L

With an exclusive Behind the Scenes tour, PLASA Media is offering a unique opportunity for you to take a privileged technical tour of two of London’s best-known entertainment institutions - the wonderfully atmospheric and newly refurbished Royal Albert Hall, and the fascinating Tussauds Group Studios, the creative heart of the world-famous visitor attraction specialist.

Behind the Scenes will take place on Thursday 12 September, immediately following the PLASA Show at Earls Court - one of the highlights of the entertainment technology industry calendar. As a participant in the tour, you will be transported by coach from Earls Court Exhibition Hall to the Royal Albert Hall, where you will be conducted on a backstage tour encompassing the breadth of the venue’s recently-completed £70 million refurbishment. The tour will take you through front-of-house and the historic audito

The Institute of Sound & Communications Engineers has informed PLASA Media that there are still a few places available on a two-day course on Basic Acoustics for Sound System Professionals, being presented by Dr Roy Lawrence on Wednesday 12th and Thursday 13th June 2002 at the Gardens Hotel, Piccadilly, Manchester. Further information is available from Cathy Mackenzie at the ISCE, tel: 0151 639 5211 Fax: 0151 639 5212, or at the e-mail address below.

(Lee Baldock)

Show Presentation Services (SPS), the UK's largest stockholder of the Barco Dlite7 large screen LED system, has created an industry first through its innovative use of LED screens in the corporate sector. The new ‘Pop Idol’ style LED screens, which allow images to move in sequence across a collection of screens in any order, were launched at the IPC Media Awards, held at Grosvenor House Hotel, London, where SPS continued to build on their longstanding relationship with IPC.

Bryan Leathem, head of SPS’s LED display department, explains: "Our brief was to take this important event that has been running for nearly a decade and bring something new and exiting to it, which we hope we achieved with this unique system. LED screens are often used as a back drop to events and conferences, but the feedback we had been getting from our clients was that they wanted to find a

SoundField has upgraded its flagship MKV microphone system. The new MKVrv control unit has been fitted with a robust 5mm thick anodised aluminium front panel with a brushed finish designed to withstand the rigours of outside broadcast use and rack-mount transportation. In addition, the main control sections have been given a contoured design layout for improved visibility. Perhaps the most significant new design feature, however, is the unit's new enlarged LCD bargraph display which shows SoundField B-Format, Stereo and M/S output level activity.Positioned at the top of the SoundField product range, the MKVrv System comprises a four capsule microphone and 2U control unit capable of generating full 5.1 surround sound delivery.

(Ruth Rossington)

QSC Audio has introduced its new AcousticDesign Series loudspeakers, incorporating a number of innovative features. Aimed at environments and applications ranging from hotels, restaurants, meeting and convention facilities to home theater and other multimedia environments, this loudspeaker system incorporates QSC’s new Intelli-Dock mounting system (patent pending) combined with Advanced Directivity rotatable waveguide. Available in both black and white color schemes that can also be painted to match any specific decor, these weather resistant enclosures are available in multiple configurations.

Available in high-output and standard output configurations, the speaker’s Advanced Directivity 60º x 90º rotatable waveguide enables sound to be focused precisely. Should a wide dispersion loudspeaker be more desirable for a job, the standard output version is also available in a

Nearing the end of an ambitious one billion dollar expansion project, the Mohegan Sun Casino in Uncasville, Connecticut, has installed Drawmer gates and compressors at FOH and monitor positions in each of its three venues. The Mohegan Tribe created the casino in 1996. At twice its original size, it is one of the largest casinos in North America, boasting over 360,000 square feet of gaming space, 20 restaurants, 30 shops, a 3,000 square-foot children's space, and its own gas station!

The Mohegan Sun's size and grandeur is complemented by three top-notch performance venues: the existing 350-seat Wolf Den, the new 300-seat Cabaret, and the new 10,000-seat Mohegan Arena. Mohegan Sun attracts national acts of the highest caliber, and everyone from Janet Jackson to Gloria Estefan to Aerosmith to Tony Bennett has graced the Mohegan Sun stage. Lead audio engineer Gene Mulcahy explained that ch

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