A surprise last minute decision from Lord Falconer, Minister of State at the DTLR, agreed with Save London's Theatres Campaign's request to 'call-in' Westminster’s decision to demolish the Westminster Theatre. Falconer's finding has given new heart to the campaign which had all but given up hope of a reprieve for this unique theatre and arts centre. The final decision on its fate will now be in the hands of the Secretary of State following a full Public Inquiry which is likely to take place this summer.

The Secretary of State has declared that he is 'very selective' about 'calling-in' planning applications, and usually only takes this step if 'planning issues of more than local importance are involved' and 'that the application is one that he ought to decide himself because he cons

Rental Management Systems, provider of advanced software systems for the entertainment industry, has recently completed one of its most comprehensive multi-site systems installations to date, for European staging rental company, Stageco.

Founded in Belgium in 1985, Stageco now has rental operations in Belgium, The Netherlands, France, Germany and the USA, and has serviced some of the world’s most high-profile tours, sporting events and festivals, counting the Rolling Stones, Elton John, Pink Floyd, U2 and Robbie Williams among its clients.

The company stocks in excess of 7,000 different products - sometimes holding as many as 10,000 examples of each - making for a stock-holding which numbers literally millions of items. Consequently, the logistics of tracking movement and availability presents a huge administrative effort, hence why the company turned to RMS.

The system that

Gearhouse Broadcast have purchased five Soundcraft B800 multi-bus broadcast mixing consoles and ten BSS 9088 Soundwebs from Harman Pro, as part of a massive investment in their audio rental stock. A key factor in this investment are the requirements of Host Broadcasting Services (HBS) and German broadcasters, ARD/ZDF, for the 2002 Football World Cup, as well as ongoing commitments to Tennis Properties Limited (TPL) for the Tennis Masters Series coverage over the next three years.

"Having made large investments in video equipment, we recognized the need to upgrade our audio mixers to higher specification units in order to cater for the increasingly complex audio production requirements of our clients, and the scale of the events," remarked Kevin Moorhouse, technical director of Gearhouse Broadcast. "In particular we required compact, but powerful units in order to make sh

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Indochine X PixMob Fan Immersion

It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!

Read more about the Indochine tour in the latest issue of LSi

The SIB exhibition has a new home and new look. Lee Baldock reports from Rimini . . .

It was clear this year that Rimini’s SIB exhibition has moved away from its past in more ways than one. Most obviously, it has moved from its usual home - the relatively tatty old Fiera - to the gleaming, air-conditioned, marble-clad new Fiera. But behind the simple fact of location, there seems also to have been an effort to make this a more ‘professional’ exhibition, i.e. to cut out much of the nonsense for which SIB has been known and loved for years.

The ‘old’ SIB epitomised the unique Italian discotheque culture, and the show floor was a vibrant mix of promoters, performers, punters and posers, squeezed alongside the lights, lasers, smoke and sound - all generously applied. The show still retains elements of its past: a separate hall contained a vestige of

Screenco have purchased an opening stock of Barco’s DLite 10 tiles - primarily for use in the new £32m Manchester Aquatics Centre for the upcoming Commonwealth Games swimming events. The 144-tile order will give them a maximum 30sq.m presentation area, which will be split into three separate displays. Screenco also purchased additional rental structures to allow greater flexibility in creating non-standard shapes.

In view of the humidity in the pool, one of the recommendations made by Screenco was the need for displays to be rated to IP65 for dust and water protection, as confirmed by Graham Andrews, Avesco plc Audio Visual Services Division managing director. "We chose the D10 on its price versus performance ratio and its IP65 front and rear characteristics, which make it ideal for the high degree of outdoor arena and stadium work in which we specialize."

(Ruth Ross

CP Sound, the creative audio design and installation specialist, has completed two major projects in Manchester. Both are new build venues within a few hundred metres of one another, and both now feature sound systems designed by CP’s Colin Pattenden, featuring a variety of JBL speakers powered by RSE amplifiers.

At Waxy O’Connors, part of The Printworks complex, the acoustic challenge was to produce a clean multi-layered system. The Waxy’s site is a busy, good looking labyrinthine complex of passageways, spaces, snugs, small meeting/drinking rooms and several bars, spread across four floors. A stunning stripped wood, sculptured tree stretches up through a high atrium space slicing vertically through all four floors. Pattenden - who has also designed and supplied sound for the very successful Waxy’s sites in London and Glasgow - has used a mix of JBL speakers, i

The ABTT Show, which attracts over 100 exhibitors from across the wide spectrum of supplies and services necessary to stage a production or equip a theatre building, will set up base once again at The Royal Horticultural Halls in London from 19-20 June.

In addition to the main exhibition, there is also a complementary programme of theatre-related seminars, which includes the following. Revitalising Health & Safety: Eric Pirie, a health & safety inspector, will discuss publicly funded bodies and the Government in relation to key pieces of Health & Safety Legislation, together with a discussion of the role of the Broadcasting & Performing Arts Joint Advisory Committee.

Sound System Design in the Theatre: John Taylor of d&b audiotechnik UK Ltd will look at issues of sound intelligibility and in particular, the acoustic part of the signal path between the loudspeaker and the listeners&

Moving Pictures is a new touring exhibition exploring the experience of going to the cinema and watching television, celebrating both the past and present, as well as looking to the future of digital technology.

The exhibition showcases favourites from the extensive collection of film and television material held by the BFI chosen from thousands of films, programmes and production materials. David Atkinson Lighting Design was contacted by Land Design Studio to come up with a cost effective, flexible and dynamic lighting design to cope with the scope and scale of the exhibits, as well as the touring schedule. Land devised a bespoke modular steel system, with the resulting architectural solution having something of a warehouse feel.

As the designers wanted to use colour to define areas within the exhibition, Atkinson chose to use a large quantity of Encapsulite fluorescent fittings,

Six months on, and it’s the smell that still gets you. It’s worse at night: even if you had somehow not known what had happened at the place now called Ground Zero, you’d know it was something tragic.

It’s a tourist attraction now; they queue for hours to walk up the viewing platform, buy pictures of the burning buildings from street vendors. They look up into the clear blue sky and find the strangest part of the whole experience - that there is now nothing to look at. The long, dreadful task of sifting through the remnants of the World Trade Centre is nearing completion.

Fundamentally, they are looking at an empty hole in the ground and empty space in the air. In downtown Manhattan that, in itself, is unusual; to see the damage to the surrounding buildings, some eerily shrouded, silences the observers. The collapse of the Towers has left a void in many peop

The very first Midas Legend 3000, sporting serial number 001, has been shipped to EML, one of the largest rental companies in Europe. Headquartered in Brussels, EML also has offices in Stockholm, Madrid and Amsterdam and a busy summer season ahead with tours, shows and festivals all over Europe.

Ampco Belgium, Midas's distributor in Belgium, sold the console to EML. "EML is one of our biggest customers," said Ampco's managing director, Karel de Piere. "They already have two XL4s, two Heritage 3000s, a Heritage 1000, an XL3 and a couple of Venices, so it was only right that they be first in line for the Legend when it started production." By the time Midas's David Cooper went to Belgium shortly after the console had been delivered, it had already gone out on tour with Dutch band Bløf. Indeed EML was so taken with the desk that within two weeks the company’s p

CT NEC supplied a wide array of AV equipment to over 80 stands at the recent IPEX print exhibition at the Birmingham NEC. The most notable of these was the Xerox stand, produced by PGI, which covered 65,000sq.ft of the venue. Both CT NEC and CT London provided video technology, hardware, software, installation and manpower to the stand throughout the nine-day event.

PGI - who have offices in 30 cities across the world - offer business-to-business communication, exhibition and trade show services and destination management, and have been working with Creative Technology for over three years. A purpose-built theatre, which ran demonstration shows eight times each day, required three remote control cameras and four lipstick cameras which were placed on the new Xerox DocuColor iGen3 in the theatre and at various other places around the Xerox stand. Throughout each show, presenters were abl

Software provider Stardraw.com has promoted Rob Robinson to the position of marketing director. According to managing director David Snipp, Robinson's appointment was "a natural progression of his duties and reinforces an already strong management team at Stardraw.com.

"Rob has been doing a great job over the last year," continued Snipp, "and it was a logical step to have executive representation of the marketing function at board level. As well as many years experience in this field, Rob also has comprehensive knowledge of the company, our products and the markets in which we operate."

Robinson’s new role will see him involved in new business development. "In addition to building on the established successes of our existing design and documentation products, I'll be growing the new business sectors which arise from our introduction of new internet

London-based sound, lighting and video installation and consultancy company, Live Business International, has just added a new member to its team and re-united the duo that ran the sound at the Millennium Dome.

Almost a year to the day after completing his contract at Greenwich, Gerry Logue has joined technical director Roland Hemming to become Live Business International’s technical project manager. Hemming comments: "I’ve been trying to get Gerry on board for ages, but distractions such as his consultancy for the Commonwealth Games and work managing a large video conferencing project have prevented us from working together until now. I'm glad he has finally seen the light and come home."

During his 20-year career, Gerry has established himself as one of the best audio-visual project managers in the industry. He coordinated the sound at Madame Tussauds and Rock

When The Eagles take flight on their North American summer tour starting at the end of May, High End Systems' new x.Spot HO High Output automated luminaires will brighten their concert path.

Nick Sholem returns to take the reins as lighting designer/director on the tour, and although it's been six years since he was with the group on their 'Hell Freezes Over' stint, he was involved with their recent benefit concert in Los Angeles for the Recording Artists Coalition. "The group was delighted with the design I did for the LA fund-raising show in February," says Sholem, "so they approached me about doing the tour. Steve Cohen was going to be busy, so I said yes, provided I could beef it up in a few areas."

To help him in this, Sholem specified 12 x.Spot HO units with a 2:1 lens. "I saw a demo of the x.Spot HO a few months ago and could see how super bright they

Iemke Roos Audio b.v., Nexo distributor for The Netherlands, has sold a complete Nexo Alpha system to Alpha Audio & Light b.v., a Dutch rental company based in Apeldoorn. In a joint venture, Alpha Audio & Light and Iemke Roos Audio have invested in a number of Nexo Alpha cabinets in order to offer a complete system, with a total number of 32 cabinets, including all flying hardware and completed with system racks with Nexo NX241 system controllers and Crown MA5000VZ and MA3600VZ amplifiers. For larger configurations, Alpha Audio & Light will be working closely together with other European Nexo partners.

The system will be used on many of the ‘in house’ productions of Alpha Audio & Light. The system will also be available, in combination with the complete range of FOH and Monitor equipment, as part of the ‘Alpha summerrent’ programme. This is a concept in which Al

E//T//C UK, the large format projection specialists, created magic at King's Cross Station last week, as Platform 1 was transformed into Platform 9 ¾ for the launch of the Harry Potter and the Philosopher’s Stone DVD/video. Copies of the coveted DVD arrived onboard the Hogwarts Express, and were handed out to eagerly awaiting Harry Potter fans by members of the top grossing film’s cast.

When the idea of projection was thrown into the production mix, E//T//C’s Ross Ashton was approached by Chris Slingsby and Dave Hurd from Imagination. The platform was already decided upon, and then they needed over 100 different cross-fading images projected, large and clear, onto the wall at the end of the platform. The images were to be projected onto an arched projection surface, custom designed by Harkness Hall, attached to the wall at the station end of the platform. Since the r

Coe-tech has announced an exclusive UK distribution dealership with leading Czech lighting manufacturer Robe. Robe equipment is already a familiar name to users of TAS, Futurelight, Sagitter and Movietech since the company has been making the moving light units sold under all these brand names for some years.

Coe-tech MD Ian Brown comments: "We were looking for a new, good quality, range of moving lights to add to our portfolio. Robe fits the bill perfectly, and I jumped at the chance of representing them in the UK." He adds that Robe’s technology and engineering qualities are already tried-and-tested, and that Coe-tech is determined to establish the Robe brand at the forefront of moving light technology. The announcement of the Robe deal is the latest in a series of brand restructuring moves undertaken by Coe-tech. "Our philosophy is to increase Coe-tech’s n

Stardraw.com has announced that its complete range of ‘shrink-wrapped’ products, comprising Stardraw Audio, AV, Lighting 2D and the recently launched Stardraw Radio, is now available in Italian. This brings the number of language versions up to five with English, French, German and Portuguese already available. All language versions can be downloaded from the Starsraw website.

Thanks to the system architecture employed by Stardraw, translation into any language is a relatively simple task as all of the text in the program is held in an external file that can be edited using any word-processing package, even one as simple as Notepad.

(Ruth Rossington)

One of the world’s most successful trade show series is being brought to the Middle East by IIR Exhibitions. Pro Audio Light Middle East (PALME) is the region’s first dedicated professional sound and lighting communication showcase. It will run at the Dubai World Trade Centre from February 16-18 next year.

The show joins a strong IIR portfolio of professional sound and lighting trade exhibitions, which includes PALA, Asia’s largest entertainment technology event, which alternates between Singapore and Hong Kong; PALMM Philippines, which attracts over 7,000 specialised trade visitors; and CALM China, which spans over 25,000sq.m, boasts over 400 exhibitors and attracts 17,000 visitors. "Our entertainment technology showcases have been tremendously successful in the Far East and we are now looking to emulate that in the Middle East," said Jessica Sutherland, ge

When faced with the need for real audio flexibility, Anders Heftye and Arild Egeland, technical designers for ABC Audiovisuell Teknikk AS, turned to Biamp’s recently released Audia Digital Audio Platform.

One project included two 8 x 8 AUDIA units installed in Innovasjonssentret, Oslo, a conference facility with a main hall seating 250 and a smaller meeting room seating 100. Another AUDIA installation was the Quality Hotel Conference Center in Tønsberg, Norway, which has three rooms that can be reconfigured in a variety of combinations. According to Ian Hodgkinson, Biamp’s European manager, "these are the ideal applications for AUDIA. The product was designed to be economical and easily interfaced with all of the other equipment being installed."

In Innovasjonssentret, Heftye and Egeland needed a system solution that featured multiple inputs and outputs, a

ARRI’s new Pocket Par systems are the ultimate small location lighting fixture, allowing the user to simply choose the wattage, reflector system and accessories required, such as the new Pocket Lite and Pocket Lighthouse.

The low-heat 200W and 400W Pocket Par system represent the latest development in ARRI’s line of high-performance daylight lampheads. Both models have been developed for fast and safe set-up and operation, providing the freedom to supply high quality light output where higher wattage lights were previously required. They are ideal for lighting commercials, interviews or feature films - in the studio or on location - or where space is at a premium. Both models offer interchangeable accessories to make the one light source perform in a variety of ways. The 200W Par has a four-lens set and the 400W Par adds a fifth lens for greater control. Both systems utiliz

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