Extreme AV has just completed a Powersoft installation at the latest Elbow Rooms venue in Bristol. This successful brand - part of an ongoing roll-out - is themed as a late licence hybrid environment, stylishly designed, with a loungey atmosphere, pool tables, mu
Sound for Reading (and Leeds too) was supplied by SSE. Chris Beale explained that the company had adopted a slightly different approach for the main stages this year, using BSS systems to split the Nexo systems into six separate zones and thereby optimize performance and controllability.
SSE used SIA SmartPro computer-based analysis software to give them precise system control. This ensured both systems behaved in exactly the same way in terms of SPL, EQ, dynamic performance and other general characteristics, allowing bands to have as near the same sound as possible at both sites - notwithstanding the natural variants of wind and atmosphere. True to form, the elements remained
The Galaxy Show Lounge is the main entertainment venue for the line's distinctive award-winning production shows,
The set was designed by Eye Design and built with the Barco iLite 6 indoor LED screen in mind. Owing to venue space restrictions, the Playhouse Disney Tour stage was a smaller, lightweight version of the TV set. Designed for durability on the road, the stage was made of a lightweight aluminium frame with cloth painted panels that Velcro onto the walls. The &ls
Martin Hunt, who has 15 years’ Industry experience is heading up the operation in Birmingham alongside dedicated and fully-trained staff. They will work closely with the London offices to bring clients the full range of technical services on offer at PSL.
The site is to benefit from a significant investment in new equipment providing a major Midland support base from where PSL can serve their clients’ presentation requirements. PSL already have a number of successful on-site offices at some of the UK’
Universal supplied everything - from the lighting, sound, video and staging - to the dome-shaped marquee and seating rostra. The company’s brief was to provide a clean, slick, streamlined environment in which to launch one of the most ecologically sound vehicles available. Universal’s Steve Butcher designed the show’s production elements. A flat, empty centre stage at the start of the show was soon filled with the demo smart car, revealed by elevator, clouds of smoke and flashing lights, early on in the p
'Tried & Tested' will take a simple approach: we're not asking for your views on hundreds of different product categories, we're just after your gut reactions to a series of broad-based questions on the equipment you're using, in the fields of lighting, sound, staging and effects.
The aim of this is simply to sniff out what's impressed you, what's made a difference to your working life. There are no awards and no ceremonies - we're just going to stir the pot and see what, if anything, floats to the top. The products you vote for can be new or old, high-tech or low-tech - all are valid.
The products which have the highest profile from among th
Robin Coles, managing director of SPS, commented: "We are delighted that the judges recognized our genuine commitment to innovation and excellence, demonstrated by a 70% increase in
Installed within the reception area - along with two Proxima projectors above the ceiling - the two Holo Screens present rolling information sourced from Korn/Ferry's website, and are controlled solely via PCs. Adrian Hicks of Wave commented: "We worked with the company’s project manager for the entire fit out and sat down at an early stage. We discussed their vision of the end result as a wh
Angelo brings with him a vast knowledge of Lighthouse screens and will be working alongside marketing support manager Sian Sparkes. Commented Lighthouse international sales and marketing director Graham Burgess: "Angelo's arrival brings an extra dimension to Lighthouse's UK-based team and we're delighted to have him on board."
The 'two Martins', who have already worked together as freelancers and project managers for seven years, have a wealth of industry experience. In his role as branch manager Martin Green will be helping to ensure that Blitz's clientele in the Midlands receive exactly the right solutions, whilst Martin Clowes, who is operations manager, will be supporting him in his efforts by maintaining smooth client relations.
Michael Breen, managing director of Blitz told us: "The Birmingham region is host to a whole gamut of AV opportunities due to the mix of venues and a healthy business environment. I am confident that our appointment of the two Martins with their technological expertise, custo
The 50 metre wide, seven metre high screen was used to show a specially commissioned film directed by Robert Butcher and Liam Lyons with a score by Jonathan Goldstein and produced by HP:ICM, in front of this screen was a huge water ‘lake’ which concealed submerged water and pyrotechnic effects which accompanied dynamic moments in the film; the roof supported a comprehensive lighting system and was covered by a 35 metre diameter fibre
A section of one of the halls was separated via drapes to create the main theatre. PSL provided the main staging and 900 feet of mini beam truss suspended from 38 half tonne electric motors to create the various lighting effects the show required. This involved using over 36 moving and 180 generic lights, including Studio Beam PCs, the latest in wash lights and Cyberlight Turbos
The move, a major investment for Blitz, is aimed at giving the company access to the £7million Midlands market. Blitz MD Michael Breen told L&SI: "We have invested £500,000 to ensure that we are offering our customers the high quality, professional service that is expected . . . namely, specialist skills in AV, video imaging, interactive media and graphics for business presentations."
The office will be run by branch manager Martin Green and operations manager Martin Clowes, with Ian Riley overseeing the operation.
E//T//C were approached by project director Mick Worwood from Ace Consultants, who had been commissioned to produce the event by Rear Admiral Burns, head of the Kensington & Chelsea branch of the British Legion. Burns initially had the concept of projecting onto a suitable building to make a stirring impact, and also to boost the two days of street collections that are an integral part
Link's managing director Assunta Fratocchi adds: "Link has built its reputation by observing and driving the technological evolution of equipment used for system interconnection. We are now implementi
This was the first time that a screen had been positioned at an angle of 20° to form a vibrant part of Hub Berkers' imaginative set decor and the overall stage environment. "It
Further satellite projectors showed off presentations from each of the specialist divisions within the company. The package wa
Lee Charteris, who was responsible for much of the pre-production and team building for the Exciter tour, asked XL Video's Des Fallon to an initial meeting with Corbijn, lighting designer Paul Normandale, set consultant Charlie Kail and himself. They saw Corbijn's stage design, an
Karen Brennan of TMA Ventures commented: "In what has been a difficult period in the telecommunications industry, we were delighted with the way that IT and AV supply at T
The project involved four 'zones', coming together at the centre, each having its own theme with a separate video and audio sound track. Periodically, the four videos would synchronize to form 270-degree 'wrap-around' computer graphics with lighting effects. As visitors moved from zone to zone, the soundtrack changed automatically to synchronize with the video material and exhibits in that area without the headphone wearer having to adjust or change units in any way. This was achieved through the use of infra-red headsets with video and audio material run from synchronized DVD players controlled by
