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ISE 2026 - Banner - Oct 2025

Video and AV

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Germany - Absen Europe will showcase and demonstrate its NXTGEN technologies featuring the recently unveiled Polaris and Altair ranges for the rental market.
The 105sqm stand is set to make an impact with Absen’s NXTGEN innovations taking pride of place - including its new COBALT (Chip-on-Board Advanced Light Technology) platform featuring Absen Chip-on-Board (COB) encapsulation technology and NanoShield technologies alongside its HBB (High Brightness Black) with Common Cathode LED driver technology solutions.
First to market with its NXTGEN COBALT technology with NanoShield, which has been specifically developed to meet the demands of NPP LED in live event rental applications, Absen has developed the Polaris Series with COBALT.
Another industry first, Absen’s NXTGEN HBB (High Brightness Black) technology, is a way to drive black SMD LED at ultra-high bright

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Germnay - Media solutions and control specialist ArKaos highlights its newly launched MediaMaster 5.2 software, the latest edition of its signature powerful and flexible real-time video control platform, on stand C67 in Hall 3.0 at Prolight+Sound 2018.
ArKaos will use the opportunity, buzz and high profile of the exhibition to preview a new ‘architainment’ orientated control product called An-Ki. Working over the internet, An-Ki enables digital content appearing as projections or on any LED mappable surfaces / devices to be updated, synched or tweaked in just a couple of clicks.
The An-Ki enabled layer of MediaMaster now gives content managers remote access to devices and displays from anywhere in the world - quickly, efficiently and reliably.
(Jim Evans)
ISE 2026 - Banner - Oct 2025

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Abu Dhabi - Protec helped deliver the opening ceremony of the Special Olympics IX MENA Games 2018.
It opened in Abu Dhabi on Saturday 17 March. After taking a tour of the city, hitting some famous landmarks along the way, the Olympic torch finally arrived at ADNEC to the applause of the waiting 2000 spectators. Once the ‘Flame of Hope’ cauldron was lit, the show began.
A video entitled Welcome to my City was played and more than 1,000 Special Olympics athletes from 32 different countries entered the arena in a colourful parade.
Protec provided lighting, audio and video as well as some rigging for the show in ADNEC. HQ Worldwide provided their own lighting design and the video content. Project manager, Simon Travis reports, “Due to the openness of the venue, scaffold towers were erected around the grandstand area. For the three big ones on the open s

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USA - Atlona has expanded its residential AV sales team with the appointment of Joshua Trujillo as regional sales manager, west residential. Reporting to Victor Baut, national sales manager, residential, Joshua will cover a vast territory across Alaska, Arizona, California, Hawaii, Idaho, Nevada, Oregon and Washington. He will work closely with systems integrators, rep firms, consultants and end users to expand regional visibility and market share for Altona in the residential AV market.
Joshua comes to Atlona with 15 years of AV industry experience, most of which was with Logic Integration, a commercial and residential AV dealer and integration firm based in Denver.
(Jim Evans)

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Germany - At Prolight + Sound (Hall 4, Stand C71) CAST will be showcasing the latest enhancements to BlackTrax, its real-time tracking system. The company will work with an unprecedented range of partners at the show.
The latest Version 2.3 of BlackTrax real time motion tracking system is being launched at the show and includes a number of significant new features.
“The number of partners demonstrating BlackTrax at Prolight + Sound is a strong indication of how widely accepted our solution is, and how rapidly it is succeeding,” says Andrew Gordon, director of business development for BlackTrax. “BlackTrax can bring a radically new dimension to any production, live performance or broadcast and more. Even in the most complex, most demanding shows, everything is where it needs to be, on time, every time, enabling a show to move to a whole new level.”
To ill

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UK - The first UK stock of the new ProLights OmegaPIX next generation LED video screen has gone straight to Lincoln-based event production company Peachy Events Services for use on a diverse range of client applications ranging from corporate events to outdoor music festivals.
Peachy Events were looking to upgrade to a higher resolution screen in the popular 3.9mm pitch specification. It was important that the chosen solution's price point and advanced feature set could provide them with a good rental return on investment.
Director Dave Broughton comments: "We are delighted to be the first UK event production company to adopt the ProLights' OmegaPIX LED screen. With the festivals season only a few months away, we expect it to be in high demand for outdoor live events as well as indoor use.
“The 3.9mm pixel pitch and fantastic screen resolution means content wi

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USA - The Richard E. Berry Educational Support Centre in Houston, Texas recently completed a major update to its AV systems featuring seven Allen & Heath dLive S Class Digital Mixing Systems and an ME Personal Mixing System.
Serving the Cypress Fairbanks Integrated School District, as well as the Houston area at large, the Berry Centre hosts 4000 yearly events in its five multi-purpose venues (arena, conference centre, theatre, and two stadiums).
Ford Audio Video Systems provided the Berry Centre’s new AV systems. David Shriver, Ford AV’s Houston Division job centre manager says, “Our big goal in all of this was flexibility because the centre defines ‘multi-use facility’.”
Ford AV installed an Allen & Heath gigaACE network and a second Dante network to supplement the existing Dante network. Together, the three networks allow several of the dLi

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UK - Alan Ayckbourn’s The Divide, staged at London’s Old Vic theatre features sound design by Bobby Aitken, who declares, “The sound design was defined by the use of TiMax. We could never have produced that without TiMax.”
Directed by Annabelle Bolton with the score composed by Chris Nightingale, Aitken recognised the potential for an immersive spatial sound design. The music is delivered via a 40-piece choir and five-piece music ensemble comprised of woodwind, strings, piano and electronics.
In addition to the score, the piece is supported by the extensive use of immersive sound effects. Out Board director Robin Whittaker provided design and programming support on-site to help Aitken realise his spatial vision.
Aitken was able to use TiMax to strategically create space within the music for the actors’ voices to be heard clearly. Instead of rais

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UK - Blackmagic Design reports that IMAG projection for the 2018 X Factor Lve arena tour was produced with a PPU, built around an ATEM 2 M/E Production Studio 4K with ATEM 2 M/E Broadcast Panel. Live acquisition was delivered by an HD multicam set up which included the URSA Broadcast.
The tour, produced by live specialist, PRG XL Video, took the talent show’s winners to 15 cities across the UK in just three weeks. Vis a Vis Video’s Stuart Merser led on all video production for the tour and collaborated with X Factor’s studio director, Diccon Ramsey, to ensure the live set up matched the format and feel of the popular television series.
“The live set-up is similar to the Saturday night show, with a presenter and acts performing for the audience’s vote each night, so Diccon was responsible for editorial consistency between broadcast and arena content,

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UK - Video Illusions won the Festival Supplier Award 2018 for Best Screen Supplier, impressing judges with the scale of the installation and the technology deployed at Boomtown.
The Festival Supplier Awards, held on 25 January at London’s Hurlingham Club, recognise the achievements, hard work and dedication of outdoor event and festival suppliers.
The award categories cover a multitude of outdoor event essentials, from staging, crowd management, temporary structures and crewing to crowd barriers, toilets, power, technology and screens. There are also specific awards for the green supplier and production teams.
Submissions for the 2019 edition of the awards run from 3 September to 31 October, with The Festival Supplier Awards 2019 set to return to London’s Hurlingham Club on Thursday 31 January 2019.
(Jim Evans)

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Europe - FIX8Group worked alongside Renault Sport Racing (RSR) to conceive and integrate a seamless, interactive, multi-purpose visual display for the Formula One team's high-profile, pit lane touring garage.
Providing an important visual information highway for RSR's race team, their VIP visitors and RSR sponsors, the 40K wide, digital display canvas features enhanced interactive connectivity that enables the RSR team members, VIPs and Renault Sport Formula One Team sponsors to respond to race critical content, live, as it happens, while interacting with screen resolution native content and sponsor marketing messages in real time, via advanced touch screen technology. Crucially, the content can also be viewed from the pit lane and can be seen by the TV broadcast cameras, further maximising the all-important ROI for the Renault team and its sponsor messaging.
François

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UK - The current tour by All Time Low is indicative of the frenetic pace this band sustains. Barely had they left rehearsals than the run of five gigs through the UK had ended and they’re off across the Atlantic for some North American dates that takes them through to the end of June. Once again LD Jeff Maker has designed a high impact show, the back of stage being dominated by a fractured, post-industrial looking LED screen supplied by Video Design.
“I’ve worked with Video Design on and off for the last couple of years”, says production manager Tom Clifford-Loynes. “This short UK tour - all back to backs - has been typical of the service they provide. Great equipment and first-class crew; we’ve had absolutely no issues with any of the hardware. The crew have been wonderful as usual; don’t forget the screen is quite a big piece of real-estate yet here we are tw

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UK - The 2018 version of connectCAD, an AV system design plugin for Vectorworks, has been released.
The plugin provides designers assistance with concept drawings, schematics, cable lists, bill of materials and presentations, and can also be used for designing connected systems like broadcast, IT and electrical.
The latest version has a faster, more optimised engine and incorporates Connect Tool, which follows all standard Vectorworks keyboard shortcuts and offers five connection styles: polyline, rounded, chamfered, arrow connection across layers and link connection that enables a connection to a socket in another document.
connectCAD 2018 has also improved the Make Cable Report, which now offers new options for calculating cable length estimates from both the equipment layout or by selecting standard cable lengths.
The community Device Library now comes

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Belgium - The popular Walibi theme park in Wavre near Brussels is renowned for its Halloween spectacular, when its rides are ghoulishly transformed. Awarded best Halloween attraction in Europe for three consecutive years - 2014, 2015 and 2016 - in the Diamond Theme Park Awards, expectations were very high for Walibi at the end of last year, and with the help of AV Stumpfl’s Wings IObox hardware module platforms, they were surpassed with the creation of Asylum.
The brief for Asylum was to transform a ride into a haunted house while making use of the latest automated AV technology to create an immersive and unforgettable experience for the public. DW Production was engaged to build from scratch all rooms and aesthetic decoration for the attraction as well as the music and effects and animatronics, with GSF Events taking the lead on the technical aspects of the ride with th

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Germany - Green Hippo’s scheduled activities for Prolight + Sound 2018 include exclusive presentations, plus demos with its show partner Notch, maker of the real-time visual creation tool.
The Green Hippo stand will be fully equipped with the latest Hippotizer+ Media Servers, enabling guests to experience solutions for real-time media playback and 3D mapping.
A key feature of the Green Hippo stand is the opportunity for visitors to gain hands-on experience of Hippotizer’s seamless integration with Notch. Designed from the creative process up, and supercharged by powerful real-time rendering and visualisation, Notch helps creators rediscover the joy of problem solving, experimenting and improvising on the fly.
Further demonstrating Hippotizer’s ways with Notch, Green Hippo has commissioned a short dance piece with the London based Tavaziva dance company sh

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Europe - ArKaos has released MediaMaster 5.2, the latest software version for its powerful and flexible real-time video control software platform.
The key new features that 5.2 brings to MediaMaster users are: DMX Merge: To combine parameters like Pan and Tilt from a lighting console and video sources from MediaMaster; Pixel Blending: Utilising the Blend function, the colour output of a lighting console can be blended - via DMX from the lighting console with the video output of MediaMaster; Kling-Net Draft Devices: Allow a show to be prepared remotely – disconnected from the physical devices; Extended Fixture Creation: Supports complete DMX Devices like moving heads with Pan / Tilt; 64 Bit Support: for all applications – enabling quicker and more responsive operation.
The Art-Net DMX merge facility implemented in MediaMaster 5.2 unlocks the system’s true potentia

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USA - Located on a 10,000sq.ft deck overlooking the Fountains of Bellagio, Beer Park at the Paris Las Vegas Hotel & Casino provides an exciting rooftop experience.
With over 100 eclectic beer options, including 36 beers on tap, the developers of the flagship location wanted the outdoor atmosphere to be a shining example of how to best enjoy the Las Vegas life. In this environment, they now needed a high-definition video display to be a focal point in the dynamic audio/visual design, so they worked with the design specialists at Ponto Solutions who chose a FLEXUltra 1.9mm LED video solution from PixelFLEX.
“The restaurant/bar design market is a big industry for us, and we were very fortunate to have the opportunity to work with the developers of Beer Park,” comments Matt Abbrederis, Ponto Solutions. “They really wanted this location to be a premier entertainm

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UK - SixEye is a new technology startup developing a flexible remote management platform which allows manufacturers and system integrators of lighting and audio-visual controls systems to provide a unified remote management solution under their own brand.
Bas Hoksbergen joins as SixEye is starting to bring on board manufacturer partners to integrate their products with its platform. His role will see him build relationships with new and potential customers and identify new markets for SixEye’s product.
SixEye CEO, Simon Hicks, describes the appointment as “The ideal combination of person, product and timing – we’re very pleased to be working with Bas as we bring SixEye’s solution to market. Having deployed large projects of exactly the kind that SixEye is designed to manage, Bas’s contribution will be invaluable as we add new features and fine tune the offe

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UK - Following a management buyout in May 2017, technical production company Saville is continuing its expansion of its in-house expertise with the appointment of international live event specialist, Chris Philpott, as head of operations for the live events division.
With over 15 years’ live events’ experience, Philpott has been brought on board to join the evolving senior leadership team and help shape the new generation Saville. The company has recently consolidated its national live event network to form two main operational hubs, located in Leeds and Guildford.
Joining Saville AV from Dubai-based Digicomm, where he was director of projects, Philpott was responsible for delivering technically challenging event experiences across Asia, Africa and the Middle East, for top global brands.
Colin Nixey, managing director of Saville Live Events, comments, “The

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Finland - Media server specialist Picturall has released version 2.4.0 of the software that runs their range of media servers. The new software improves and enhances performance with several fixes for minor issues, the addition of some new features and, most importantly, the addition of support for new hardware including dual DisplayPort 1.2 and uncompressed 8k playback options.
“The input cards were first unveiled last year, but the software was still in beta format,” explained CEO Samuli Valo. “The new release provides full support for the latest input cards, making Picturall one of the first media server manufacturers in the world to offer full end-to-end 4k compatibility as well as uncompressed 8k playback.”
V2.4.0 also provides support for the upcoming Analog Way server models. There have also been a number of improvements in display configuration and cus

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USA - Some of the biggest names in Latin music landed in Las Vegas in January for a night to remember at the Calibash mega-concert. Held at the 20,000-capacity T-Mobile Arena, the spectacular staging featured an array of 18 LED screens with content fed from by Avolites Ai Infinity RX8 Media Servers.
YC3 Lighting Design supplied the Ai servers to VJ director Richard Vicens, who oversaw the visuals for Latin/Urban music stars including Ricky Martin, Jennifer Lopez, Ozuna, Maluma and Bad Bunny.
"All of the artists wanted to give their audiences an awesome show," says Vicens. "As VJ director, it was vital for me to be able to design and create pixel maps and LED processing that worked for everybody and be ready to backup all of them with Ai media Servers.
"The show's size meant it was certainly a challenge - I have to go through every detail to make sure the audience

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UK - Green Hippo held its 3D Projection Mapping Masterclass at Down Hall Hotel and Spa in Essex this month. The Masterclass training course explored all things SHAPE and 3D projection mapping and attracted participants from Dubai, Greece, Hungary, Switzerland and the UK.
The 3D Projection Mapping Masterclass event involved 10 members of Green Hippo, plus two representatives from A.C. Entertainment Technologies, Green Hippo’s UK distributor and two trainers from Notch, the real-time visual creation tool that keeps up with your ideas.
A special aspect of this course was the opportunity for attendees to get ‘hands on’ 3D projection mapping experience. At the end of the day, once classroom sessions, delegates headed outdoors to pre-prepared projection mapping stations, equipped with Green Hippo kit, and eight HD Panasonic projectors, provided by VER.
The beginn

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Iceland - The new Lava Centre in Hvolsvöllur is an interactive, high-tech educational exhibition depicting volcanic activity and earthquakes that traces the island’s creation over millions of years.
The idea that gave birth to the Centre originated when one of the founders/owners of the exhibition was stuck in Florida in 2010 as a result of all flights being cancelled over the Atlantic Ocean (and in most parts of Europe) when Icelandic volcano Eyjafjallajökull erupted in April 2010.
The location was chosen because it sits at the heart of some of the major Icelandic volcanos and allows five of the country’s most iconic volcanoes to be seen.
The 2,500sq.m Lava Centre was therefore designed and built as a fully immersive show. The design, preparation, integration and finalisation of all AV equipment for the nine main show items took almost a year. Feris ehf

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UK - The Agriculture and Horticulture Development Board (AHDB) commissioned West Midlands-based Central Presentations Ltd (CPL) to design and deliver all the technical elements for their 2018 annual staff conference and awards, inclduing sound, lighting, video, staging and rigging.
The high-profile event for 400 delegates was staged in Warwick Hall at the NAEC, Stanleigh and comprised a seated conference presentation that was transformed into a glamorous setting for the evening’s dinner and awards.
The client wanted to use the width-ways orientation of the venue for sightlines, so CPL’s project manager Lee Gruszeckyj proposed a widescreen video blend as a striking visual starting point to align with the geometry of the space.
The 30ft wide by 10ft high upstage projection screen was flanked by gauze panels designed to take lighting nicely and elongate the spac
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