LCI was invited to tender for the technical design, installation and commissioning of a comprehensive house production system, incorporating industry standard sound, lighting and video. This would be available to any incoming production companies along with smaller event clients who don't have a production partner associated with them.
Speed of rigging/derigging was an essential part of the criteria, as was a small
This is to further service the far wider and more diverse range of customers who are now investing in PAS's well engineered, high quality ranges, says the company.
PAS has added a new 5U rack shelf, new 2U Utility shelf and new 600mm deep shelving to the existing product ranges that have been hugely popular and at the core of PAS's day-to-day business.
Added to the PAS server enclosure range is a new 800mm depth product to complement the successful 600 mm and 1000mm depth options. This has been in response to direct client-feedback and makes PAS's server ranges among the most flexible on the market.
Server enclosures are currently available in 22, 32 and 42 models. The free standing network cabinet com
Dullabh studied at Witwatersrand University and has a degree in dramatic art. He has worked both in the TV industry and theatre industry around South Africa and most recently worked on the Grahamstown Arts Festival.
(Jim Evans)
Lewis, who is a director of Urban Audio Productions, comments, "When you're dealing with a band that has a big guitar sound you need a console that is sympathetic to that sound and not too analytical. All the Midas PRO series have what many engineers call this 'warmth' to them and it is this sound that I feel helps to tame really raw sounding instruments whilst preserving what you are really after in a mix."
A long time Midas user and fan, Lewis has already purchased a PRO2 and a PRO2C console for his company Urban Audio Productions and has previously used a PRO6 for Beady Eye live shows. But for this performance, as Gallagher's Beady Eye supported The S
Club chairman and commercial director Graham Callard comments, "The acoustics were terrible. W had some early parties and people could not hear themselves speak." This prompted Crowborough Rugby Club to look for a solution and Black Cat Acoustics were recommended.
Callard continues, "We set two criteria - the quality of the acoustic panels to do what they say they are going to do and of course the aesthetics. Black Cat Acoustics met both criteria and the people we worked with were excellent. The survey was done very quickly, very professionally with good advice. The fitting was just superb. Dates were agreed in advance and delivered on time."
Del
On the project, Ford AV worked closely with Acoustic Dimensions, an Addison, Texas-based consulting firm. The EAW systems, configured in a central cluster with delays, under-balcony/front-fills and choir monitors, provide voice and music reinforcement in the 3,500-seat auditorium. Additional EAW systems are installed in the chapel building's choir and orchestra rehearsal rooms.
The new 106,000sq.ft chapel building is intended as a training venue for expository preaching and will also house musical performances, such as the annual presentation of Handel's Messiah by the seminary's School of Church Music
The new, larg
The school was using an Allen & Heath analogue console and decided to stay with the brand for the upgrade. The school opted for an iLive-T112 Control Surface and iDR-64 MixRack, supplied by local distributor VV & Sons and installed by Crown Star Technology (LLC).
The surface is located in the main control room, connected via an AH 700 Cat 5 digital snake to the mixrack, which is placed on stage. The portability of the system is a major benefit to the school.
"The auditorium technician is very happy as he can shift the mixer to any location without hassle thanks to the AH 700 Cat-5 digital snake," notes Crown Star Technology's technical manager, Mr. Sabu John.
(Jim Evans)
The models in the XD Series - the XD12 and XD15 - have been designed to deliver best-in-class performance, including higher output levels and more extended frequency range than is normally associated with similarly-sized systems. They are designed to represent new benchmarks for the compact two-way format which has always played a central role in professional sound reinforcement.
Designed principally for live sound, theatre/fixed install and high power stage monitoring, both the XD12 and XD15 combine a full, rich sound and an accurate 80° x 50° dispersion pattern in a compact, multi-angle e
The soul of the DAVE 12 G3 is the LD LECC DSP digital signal processor, which controls all important system functions. It includes specially amplitude and low-latency optimised crossovers, separate equalisers and limiters for the bass, mid, and treble frequency ranges, and a dynamic compressor that controls the subwoofer according to volume and provides for increased punch at low volumes.
The professional full range of features
Exhibiting on Stand 1-F2, Allen & Heath will unveil the new products on the first day of the show. Also making their debut, will be the ZED60-10FX and ZED60-14FX, based on the top-selling ZED-10FX with the addition of premium quality 60mm faders. Central to the stand will be the new GLD, a user-friendly, cost effective and scalable live digital mixing system. Conceptually based on the hugely successful digital iLive series, a standard GLD 32 input system offers 28 XLR mic inputs with plug n' play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
The latest models from the Xone DJ range
"The new style programme forms a roadmap for the next twelve months in theatre, live concert and touring, live events and installed environments. PLASA 2012 continues to be the place where pace setters converge to share expertise and ideas, and we are delighted by the concentration of talent coming to London this September, it is simply phenomenal. Anyone wishing to
Four loudspeaker families are presented: the shiny new STM Series of modular line array cabinets, scalable for audiences from 1,000 to 100,000; the GEO S12 all-purpose compact line array; the radical 45° N-12 stage monitors, shaped like a wedge of Brie; and the classic PS Series, industry standards for nearly 20 years.
But in prime position at PLASA is Nexo's NUAR or Universal Amp Rack, filled with technological innovation and functionality. This is a scalable amplification solution for all Nexo concert systems, encouraging inventory standardisation among NEXO users and facilitating cross-hire opportunities.
The Nexo Universal Amp Rack contains two NXAMP4x4 amplifiers, a new Digital Patch U
The low profile and versatile hardware options make it ideal for installation under balconies in theatres, on poles for conferences and as a line array for larger venues. The TP62R is fitted with 2x 6" high efficiency drivers and a 1.7" rotatable, horn loaded compression driver. The compression driver uses a variable dispersion controller to enable the user to switch between conventional and line array modes.
This and many other products from the MilTec range including speakers, lightweight amplifiers and signal processing will be on view on stand number 1-F1.
(Claire Beeson)
The Tempest2400 Seamless Roaming feature affords crew members the ability to move freely and wirelessly throughout large venues, such as multi-theater complexes, university campuses and sports arenas. This ensures that users can walk from one coverage area to another without interference or dropouts. The Seamless Roaming feature allows BeltStation users to migrate between as many as 16 different Tempest240
Showcasing new solutions for both audio and video, there will be a series of exclusive PLASA product launches at the show, and the chance for visitors to the stand (1-F34) to be first in line to get 'hands on' with new technology.
Designed to give visitors to the show a truly interactive experience with RSG live, recording and video products, five 'Hands on Live' sessions will take place on the RSG stand each day, with up to 12 places available at each. Pre-registration will be available via the hosting dealer or the RSG website, or more information can be requested by email to Rebecca.peterson@roland.co.uk
Making its debut appearan
"We are extremely excited to get the DL1608 into the hands of musicians and engineers," commented Ben Olswang, Mackie product manager. "We've been addressing customer interest with a series of video podcasts that go over all the cool features. Plus, the Master Fader Control App has been fully updated with great new features that weren't available in the preview version."
The Mackie DL1608 combines the power of a full-featured digital mixer with the unmatched ease and mobility of iPad.
(Jim Evans)
"As well as a standard range that we will hold on the shelf, we will also build custom units to customer specification. These will be fitted into existing enclosures and there will be a new enclosure which is to be seen for the first time at PLASA on stand 1-F20," says the company.
(Claire Beeson)
It is essentially an autocue system or a stage prompt system. The software runs on any Windows platform.
From the gigging musicians point of view, Auto-Cue Pro has "every conceivable feature built in".
Auto-Cue Pro displays your music ( chords, guitar tabs, manuscript notation etc ) and the lyrics. The displayed content is easily synchronized to any backing track. There are various way your music and lyrics can be presented on screen.
The software can simply be run on your laptop or tablet, you can of course plug in a larger computer monitor.
Auto-Cue also builds Stage display units to order, from the audience point of view they look just like a fold back speaker, but in reality the enclosure contains the compute
Artists travel in special shuttles with priority on the road, there's also a heli-pad set up for medical emergencies. The general population also arrives by 'Gurtenbahn' a local equivalent of a cable car. Some people choose to hike the 45 minute trek to the site. Practically all choose to stay and camp for the duration of the show. Due to the site's constraints and access, a limit of 18,000 people per day is set for the festival.
Notably, Gurten Festival has made some efforts to be 'green'. Th
The June event, which drew a crowd of more than 270,000 people, has been confirmed as the biggest open-air festival in Europe and Asia. It featured eight of Russia's leading bands including Leningrad and Alisa, and was headlined by ZAZ, Garbage and Limp Bizkit.
Euroshow used 16 K1 and four Kara per side as the main system, supplemented with eight K1-SB subwoofers flown per side behind the main array. Out-fills were a further eight K1 with four K1-SB per side, front-fills were four stacks of two Kara cabinets with six stacks of four SB28 subs per side in cardioid mode. Stage monitors were provided by ZAZ alone in the form of 12 115XT HiQ, three ARCS and three SB218 subs per side performed as stage side-fills. The entire system was powered b
As in previous years, the 2012 organisers commissioned OneBigStar of Nottingham to implement the sound, video and lighting solutions for the event. "With 160 bands over the three days, we had our hands full," says Simon Taylor, OneBigStar's commercial director, "so we needed a sound system that would sound great, was utterly r
For his current British tour, playing festival and outdoor dates as well as theatres, Boe is carrying a Nexo 45°N-12 stage monitor system for his own use. Whether he's performing in front of his 32-piece orchestra, choir or a small band, Boe is happy with a cluster of the distinctive N-12 wedges, arrayed four wide.
The Nexo N-12s were suggested by Boe's monitor engineer Paul Hatt, whose company CS Audio is the sound rental provider for the tour. Hatt was tipped off about the radical line monitors by Tristran Mallett and Chris Wi
Also, new iPad and iPhone apps for the TiMax2 SoundHub system matrix, playback server and audio showcontroller will be featured. Simple factory-default setups are user-configurable, and a bespoke service provides GUI's tailored to individual systems integration and sound-effects projects.
Also introduced with Data Strategy are the CAB-5 Cable Tester and RCD-T modules which work with the PAT-4 Test Processors to provide automated cable test, RCD test with detailed logging and reporting at an
"Richard is an important addition to our company, and it's great to have him on the team," says Byrne. "He has a broad mix of skills - exactly what we look for in our staff - that combine highly relevant product knowledge with practical project work, ranging from broadcast to live sound. We will be using his sales skills to the maximum, extending his enthusiasm for d&b audiotechnik loudspeakers across our other brands, while assisting him to integrate with the wider Orbital team. We are sure that he will make a valuable contribution to the company - helping to drive our sales forward and ens
