In terms of hearing protection, Morales sees a major advantage to Sensaphonics soft-gel silicone construction. "It's not just a comfort thing, although that's part of it," he says. "The silicone gives better isolation than anything else, which keeps everything you don
2010 has seen no let-up for the Massachusetts-based five-piece; this past Autumn they supported Muse for a string of North American dates. Tour manager Andrew Dobbins and monitor engineer Francois Pare - both a part of London-based live music production house Cato Music - spec'd the equipment for the tour, including Shure PSM900 in-ear monitors.
"Before the tour we were looking to try something new - mainly because we weren't very happy with the system we were using at the time. We were getting a lot of interference and the sound quality wasn't great. I'd heard about this new Shure system so I thought I'd try them on a tour that started back in
As the shows were more complex than Sir Cliff's usual live appearances, both PRO6s were full to capacity. Engineers Mike 'Bunny' Warren (FOH) and John 'JJ' James (monitors), who have worked with Richard for 12 and 30 years respectively, were new to the PRO6, and both were unanimous in their praise for the system.
Bunny felt the PRO6 had been a boon for the notoriously difficult acoustics of the Albert Hall. "It's definitely helped in this environment," he says. "The EQ just does what you want it to do, and I've been able to add definition between different instruments, which has been especially useful as 24 of my 56 inputs are brass. To get a difference between each of the sax
Named Temple Spasa Nerukotvornogo Obraza, loosely translated as the Parish Church of the Saviour 'Not Made by Hands', the grand and imposing new complex was designed by the architect Vyacheslav Izhikov, and completed in record time last year - with the inaugural service taking place on 29 August.
The construction project was initiated by the local community and funded by Rosneft, one of Russia's largest oil and gas companies, with support from the Russian government and the formal opening ceremony was attended by Russian Prime Minister, and former President, Vladimir Putin.
Tannoy's distribution partner in Russia, I.S.P.A Engineering, was brought to the project by main AV con
One of the biggest challenges the church faced prior to the equipment upgrade was the building's hexagon shape, with the pulpit centred on one of the six sides. The live band is located directly to the right of the pulpit and the choir is positioned on the left. The separation of the choir and the band, along with the uncommon shape of the worship hall, added to the unfavourable nuances of the audio system.
With this type of design, speech intelligibility was a prime consideration for selecting the new audio equipment. The church wanted parishioners to be able to hear the services clearly,
The Guangzhou Opera House is one the three largest theaters in Asia. To provide the most comprehensive communications infrastructure for the control room, director and technicians, the opera house installed a combination of wired Riedel Performer partyline and wireless Riedel Acrobat intercom technology.
At the heart of the installation are two Performer C44 system interfaces. Performer's digital signal chain provides high quality digital audio. A total of 12 Performer C3 beltpacks are installed at the opera house. They are complemented by eight Performer CD-2 desktop cont
RSG's new S-MADI REAC Bridge was launched this summer. "We are seeing remarkable demand for the ability to cross-talk between devices in all sectors of the market, from recording to live production," says RSG product manager Simon Kenning. "Extending its compatibility within professional audio circles presents great opportunities for Roland."
The design of the S-MADI REAC Bridge was inspired by high levels of interest in the M-48 personal mixer sy
The new LM2 is one of the first products that complies with the European R128 loudness standard, as well as US standards. The meter analyzes any audio, be it speech, music or other sources, assigning it an ATSC A/85- or EBU R128-compliant loudness number. Numbers may be used to normalise programmes, commercials and music tracks, and to set metadata in AC3 transmission.
This elimin
In late 2009 an upgrade of the audio system was approved and local consultants GHD were appointed to prepare the specification. With the heat, rain and humidity of Darwin's tropical environment, careful consideration was given to the type of loudspeakers to be used in the installation and Community R and WET Series were selected.
National contracting company Eo Design was awarded the project and went on site in early June 2010 with a completion date of end
One of the most important features of the new version software is the extra provisions made for integration of the console with Roland's M-48 Personal Mixing System.
An engineer's monitor function has been added to the M-48 Manager software on the M-300, M-380 and M-400 digital consoles, enabling him or her to designate an M-48 unit from which the engineer can monitor and control the balance of each musician's M-48 monitor mix. The musician's group mix can also be controlled from the engineer's own M-48. A MIX Option has been added, ensuring that only sources assigned to a group will b
The sound reinforcement demands of the event were complex, the Millennium Stadium being divided into two for the dinner and concert elements. Audio company Capital Sound was required to treat both the dinner and concert as separate entities which were effectively competing against one another. Walk-in music was provided to mask the sounds of the dinner from the public filing into the concert seats but, at the same time, a performance by male choir Only Men Aloud in th
The varied programme included opera, musical theatre, military band, traditional choral, and a headline performance by the Royal Philharmonic Orchestra conducted by John Rigby and accompanied by soloists Wynne Evans (tenor), Elizabeth Watts (soprano) and Richard Morrison (baritone). The evening was also narrated by actor Robert Powell, featured the marching band of the Brigade of Gurkhas, and included a fireworks and cannons finale.
"With crowd coverage extending 365m deep x 100m wide, and due to the predominantly orchestral material, audio requirements reached 180 inputs. To c
Utilising AKG's C 12 VR Tube microphone and a set of C 414's, Studio Manager Dave 'Roz' Rosner offers his clients, including Jordan Sparks, Jay Sean, Jay-Z, Neil Diamond, Paul Simon, Lil Wayne, Beyonce and many others, a selection of the most widely requested microphones in the industry at a moment's notice
"Each artist has their own personal taste, but a large portion of our clientele are very loyal and will request the C 12 for their sessions," he said. "The C 12 is a great microphone and really gives a 'whomp' to any artists' vocals." The C 12 is also
Recently, demand for Suburban Legend's production expertise expanded to the point where the company had clearly outgrown its Allen & Heath GL3300 analogue console. "In shopping around for a larger board, I knew that going digital would provide a lot of advantages, both in terms of operational flexibility and being more portable and self-contained," states Wade. "The expanded audio capabilities, sound quality, and lower cost made the iLive-T Series an obvious choice
"We've been an EV house for a long time," says Sound Art technical projects manager Iain Graham. "Their gear is very reliable, and EV is consistently evolving their processing, so their speaker systems keep sounding better and better." Graham designed the system in Electro-Voice's Line Array Prediction Software (LAPS) and directed on-site setup.
FOH mixing was handled by Toronto-based freelancer Peter Stoynich, while the mix on the EV Xw12 stage monitors was handled by Gerald Sawchuk, also of Sound Art Winnipeg, with Chase Tower and Dave Coe from Sound Art Calgary on RF and patch, respectively. Mike Noga, an independent technician from Edmonton was the fifth member of the Sound Art c
Supplied by SSE Audio Group, the new equipment comprises an M7CL-48ES and LS9-32 digital mixing consoles, MY16-ES64 Ethersound interface cards for the latter, three SB168-ES stage boxes and two Nexo PA systems.
"When I moved here just over a year ago, it was obvious that the equipment needed updating," says the university's technical manager David Mitchell. "Having never worked in education before, it surprised me that the technical theatre students were still using rather dated methods to run live shows."
He continues, "I knew that this was going to be a one-off opportunity to get the university to buy a system that would bring the
Entec won the contract after being recommended to production manager Brett Enzensperger by Milwaukee based Clearwing Productions, the company that supplies technical production for all Steve Miller's US based live work, and with whom Entec also has a close association.
They wanted an operation that could deliver a competitive all-in production package for sound and lighting. Says Enzensperger, "I asked Clearwing's Gregg Brunclik who I should use for production in Europe, and Entec was the clear choice. Gregg knows the standards I expect from a rental company, so I knew that Entec would fit the bill - and also that account manager Noreen O'Riordan would put up with me."
Steve Miller's show was designed by N
Headquartered in Emsbüren, Germany, S.E.A. Vertrieb & Consulting carries a wide range of products for today's audio professional, including microphones, signal processors, mixing consoles, digital audio networking equipment, and sound reinforcement systems.
"We are very pleased to be representing Royer Labs," says managing director Uwe Kirchfeld. "Royer is one of the world's premium microphone companies and is a perfect fit with our existing line card. The microphone is one of the most important components in terms of ensuring a quality recording or true to the source sound acquisition for live sound reinforcement purposes and Royer Labs is a first-tier choice among today's discriminating audio pros.
"
For the event, StagePro supplied the audio reinforcement system as part of its Apex Mobile Stage. The main PA system included left/right hangs of four Vertec VT4886 subcompact line array loudspeakers and two VT4883 subcompact arrayable subwoofers per side, supplemented by an additional four VT4886 loudspeakers placed along the centre edge of the stage for front-fill.
"The response to the awards ceremony was very positive and the audio s
Monitor engineer Doug Kimball (Rob Thomas, Christina Aguilera, Goo Goo Dolls) insisted that the tour switch over to a complete Sennheiser package to accommodate the 12 wireless vocals, four wireless instrument packs, 38 wireless personal monitors, plus a plethora of conventional and unconventional instruments.
"In my opinion, there are a lot of mic manufacturers that make products that will do a passable job for a straight-up rock show involving musicians without nuanced technique," says Kimball. "But Rahman's show is much more than a straight-up rock show, and both he and the people he performs
It's Ashton's first major work in the US and follows his installations at last year's event for curators Marguerite Jarrett-Marks and Christopher Oberdorf and another that he produced for New Year's Eve 2009/2010. The challenge was on to produce something that was completely different from anything in the past and that would engage the public as well as bring critical acclaim to the festival.
The Festival of Light was concentrated in The Cultural Quarter of the city, and the art works had to utilise existing architecture and spaces, which for projection purposes, were primarily confined to a series of flat walled buildings.
Says Ashton, "It was a great p
The EV loudspeaker spec at Nehru Stadium comprises 132 customized XLC127DVX (line-array), 120 Sx300PI, 300 EVID 6.2, and 60 ZX5-60PI surface-mounted systems, all driven by a combination of 135 P3000RL and TG amplifiers to deliver an average of 107 dB and a peak of 115 dB. The entire system is remote-controlled and supervised from a single laptop in the stadium control room, all via EV's IRIS-Net software platform. The system's Auto Gain Control increases or decreases the sound levels consistent with changes in the level of ambient crowd noi
Costing 380m, The CCD is Ireland's first purpose-built convention centre. It features 22 multi-functional spaces and can host up to 8,000 people at a time.
The three biggest single spaces are the 2000-seat Auditorium, a theatre which encompasses the top three floors of the building; The Forum, a 2721sq.m exhibition hall which can house over 3000 delegates for a conference or up to 2000 for a banquet and The Liffey, a 1650sq.m space which can hold 1800 conference delegates or 1200 banqueting guests. The latter can be divided into two separate rooms by the lowering of a soundproof wall from the ceiling.
The technical specification was agreed between developers The Convention Centre Dublin and consultant Theatre Projects,
