UK - EAW is exhibiting its new QX Series loudspeakers at PLASA 2010, optimised for installed system applications that require precise directivity in a powerful low-profile form. Engineered and manufactured at EAW's Whitinsville, Massachusetts facility, the QX Series provides size-efficient yet very high output point source clusters. The series is particularly geared toward medium-to-large-sized spaces including sports arenas but is also designed for a wide range of other venues requiring high power and consistent coverage in a compact housing, including houses of worship, outdoor stadiums, performing arts venues, theatres and clubs.

The passive, wired-for-biamplification QX Series draws on the knowledge and engineering resources gained through the development of EAW's AX Series, maintaining its reputation of 'big horns in compact packages'. All full-range models have squared, sy

UK - PLASA 2010 will provide the first major public showcase for Ateis International's new integrated public address (PA) and voice alarm (VA) system, the IDA8. Combining digital audio signal processing, matrix control, message play-out and microphone capability, the unit is the latest and most advanced step in the development of Ateis' PA/VA products.

The IDA8 is based on the successful IDA4, which is well established in the market. Over the five years since IDA4 was launched, tens of thousands of units have been sold internationally. But technology and what users expect from equipment in the exacting PA/VA sector has changed, so work on a next generation version began 18 months ago, says the company.

With extended DSP memory and communications capability, the IDA8 is more technologically sophisticated than its predecessor but it is also easier to use and set up. Neil Voce, s

Germany / China - Kling & Freitag has confirmed the appointment of Shanghai MYC Technology Company as its exclusive distributor for mainland China, Macao and Hong Kong. With headquarters in Shanghai, MYC also has regional offices in Beijing, Guangzhou and Hong Kong.

"MYC team has a solid competence technically as they often work with top artists and loudspeaker engineers in Asia. With the assistance from MYC, we will fully develop business in China and focus on both the installation and touring sectors," says Jürgen Freitag, managing director of Kling & Freitag.

"We had a lot of experience in the Chinese market and believe we can build a strong future with Kling & Freitag here," adds Jessie Chan, executive vice president of MYC Technology.

(Jim Evans)

USA / Europe - Crosby, Stills & Nash are mid-way through an extensive tour, which has taken in a wide variety of venues and festivals throughout the US and Europe. Front of House engineer Kevin Madigan is mixing with his DiGiCo D5.

"The D5 is my console of choice, I've been using DiGiCo for about five years and there's still no better digital console in my opinion," says Madigan. "I sometimes have to use other consoles on a one-off basis, but I always come back to my favourite because of its excellent sound quality and layout."

The tour is using a d&b J Line main system, with J-subs and B2s. Madigan sends left, right and sub outputs from the D5, from which sends for in, out and front fills are derived. All processing is done within the D5, except for Manley ELOP electro-optical limiters on vocal inserts and a Manley Variable Mu over the L-R outputs. "I

Australia / Germany - With a growing requirement for networked audio solutions in Australia's broadcast and live sectors, Optocore has appointed Professional Audio Technology as its exclusive territorial distributor.The experienced Sydney-based operation headed by Patrick Salloch takes up its role with immediate effect.

Speaking of the appointment, Optocore sales and marketing director, Tine Helmle stated, "I feel we have found the perfect partner in Australia. PAT will concentrate its activities on Optocore's core markets, namely broadcast, permanent and live sound. We look forward to an extensive and successful period in this region together with Patrick and his team."

Owned by MD, Salloch and technology director Tony Fitzsimmons, PAT have spent the last 15 years providing Australian and New Zealand customers with technical solutions and enjoy a good reputation in

Switzerland - Allen & Heath's iLive digital mixing system was used to manage two recent music festivals held in Switzerland.

For the second year running, an iLive digital system was used to mix monitors at the Festival de Loup in Corbeyrier. The two day event is a celebration of everything Celtic, with Celtic food, folk tales, dance and music, featuring top Irish band, Grada, and top French band, Blackwater.

A modular iLive system, comprising an iDR10 MixRack and iLive-144 Control Surface, was employed by engineer, Roland Dupertuis, to manage musicians with a range of instruments from electric guitars and bass, to harps, mandolins, bagpipes and accordions.

"I have managed monitors for the festival for several years and decided to use A&H's digital system again this year," says Dupertuis. "As usual, iLive enabled fast set changeovers and was very simple

Germany / UK - Optocore has responded to market demand for multi-format signal transfer by developing a new AES3 (AES/EBU) I/O card for its X6R 16-channel converters.

The new card provides 16 AES channels, with the ability to change the inputs or outputs in groups of eight. Complementing the existing Mic/Line conversion cards, the AES3 offers a number of new device options, providing flexibility way beyond the 64 AES/EBU channels offered by its primary DD32E network device.

The user-configurable architecture will "bring huge benefits to the pro audio community". For example devices equipped with an AES3 Card and an eight-channel analogue converter card will allow the user to decide whether he wants to use 16 AES channels (I/O switchable in groups of eight) or use the eight analogue channels combined with eight AES3 channels.

Optocore support engineer, Christian Pö

UK - Martin Audio will give a UK exhibition debut to its MLA Multicellular Loudspeaker Array at this PLASA 2010 (stand 1-F4).

The show comes at the end of a busytwo months which has seen the MLA system at work on the highly successful Fettes Brot tour (including the 15,000-seat Lanxess Arena in Cologne); debut in London at the month-long iTunes Festivalat the Roundhouse and now Stateside, on tour with Grammy Award winning country artists, The Zac Brown Band.

Martin Audio R&D director Jason Baird comments, "Our primary aim with MLA was to take the guesswork out of daily system design and enable the engineer's mix to be delivered throughout an audience with precision, consistency and repeatability."

"Based on the amazingly consistent results we experienced during the system's German tour debut, and now with the Zac Brown Band tour in the US, we are even m

UK - This summer's Wimbledon Championships saw one of the longest running relationships in pro audio mark its 25th anniversary. London based RG Jones were first called in to revamp The All England Lawn Tennis and Croquet Club's system in 1986, and following the basic installation, have been refining and adding to the sound facilities to make it one of the most comprehensive systems in a UK sports complex.

The number of departments operating behind the scenes at the Wimbledon site is vast. RG Jones' engineers work closely with them to ensure that the Championships receives the audio service that this world class, leading tournament deserves. This includes liaising with the officials to ensure that the umpires can be heard on the courts, and their communication systems are functioning correctly, liaising with the broadcasters to provide the correct sends for their television/radio

UK - With her new single Feedback officially launched at Madam Jojo's on 11 August, Sennheiser UK's endorsement of Laura Steel and her vibrant brand of electro-pop has been well placed, says the company. The combination of an SKM 935 G2 wireless microphone and ew 300 IEM G2 in-ear monitoring, plus a K-Array KR-200 loudspeaker system are used by the singer and her band.

"Sennheiser likes to form relationships with artists early on in their careers," says Sennheiser UK artist relations manager Phil Cummings. "It helps all concerned to get the most out of the partnership. Laura is someone we identified early on as being a potential hit, she's worked extremely hard and it's great to see things coming to fruition."

"When you're starting out, the backing of a company such as Sennheiser is invaluable," says Steel's manager, Celina Rollon of Rollon

UK At PLASA 2010, Alcons Audio will be exhibiting its pro-ribbon based sound system programme. Alcons offers a complete portfolio, from point-source, through line-source to line-array solutions, all based around proprietary and multiple-patented pro-ribbon transducer technology.

Rapidly making inroads in the installation market, the very successful LR7 micro line-array system, three CD's wide and 1.5 CD's high, which received acclaim in different international reviews and tests, will be on the stand, together with the LR7Bass system.

Following the UK preview at the ABTT show, the BC543 cardioid subwoofer will be on display. This self-contained triple 18" subwoofer enables cardioid pattern control, when driven by the Digital Drive Processor in the ALC amplified loudspeaker controller.

Also, Systems from the ACO Architect Colour Option programme will be shown. With ACO, A

UK - EAW will introduce two new additions to the KF Series, along with three comprehensively integrated NT variants at PLASA 2010. Designed for a wide range of applications, the new KF Series offerings deliver a scalable solution for corporate A/V events, small-to-medium-sized live sound reinforcement, performing arts venues, houses of worship, retail spaces, ballrooms, theaters, theme parks and more, says the company.

The new KF and KFNT make up a series of ultra-compact, three-way loudspeakers that deliver premium performance in designs that offer a lightweight solution. The complete range includes two externally powered models (90-degree x 45-degree and 60-degree x 45-degree) and three comprehensively integrated models (NT versions of the two previously described, and a 10-inch / 8-inch coaxial model). At the heart of the new KF Series product line is a core cabinet philosoph

UK - Trantec comes to PLASA 2010 as the first company to offer UHF wireless systems compatible with the new Channel 38.

On demonstration and already shipping in a Channel 38-compliant version of the company's S4.16 16-channel system, while also on display will be the successful S5.3 12-channel system and its newer, 'big brother' variant, the 24-channel S5.5. Between them, these products underline Trantec's commitment to ensuring customers have a future-proof solution once Ofcom phases out Channel 69 for wireless mic use during 2012.

Mark Parkhouse, head of sales & marketing at Trantec, comments, "Twenty-five years after pioneering the world's first readily available radio mics, our foresight and imagination have taken us to a whole new level. For entertainment industry professionals, our S4.16 offers great flexibility including the availability of various 'turnkey' racks

UK - For UK loudspeaker manufacturer OHM, 2010 has been a year of new developments in products for the pro-audio market. Field trials of the horn-loaded ERSA Major line array started in the spring and continued throughout the summer with great success combining with PUKK subs to provide substantial bass down to 22Hz.

Visitors to PLASA will be able to see a ground stack version of the ERSA system and the newly developed class D amplifier modules.

Also on show will be the new series of Saturn full range cabinets, co-axial stage monitors and a range of DSP controllers with a software platform common to all future OHM digital products.

(Jim Evans)

Indonesia - A Midas PRO6 spearheads the new performance space recently constructed for Indonesia's privately-funded University of Bunda Mulia (UBM) in North Jakarta. Chossy Pratama, one of Indonesia's most highly regarded musicians and performers and a leading recording engineer, oversaw the entire development while the console was provided by local Midas distributor PT Gracia Auvindo.

"I wanted the best, so it had to be a Midas," says Pratama. "Their analogue consoles are renowned for providing lots of gain and headroom but here, for a 21st century facility with some space constraints, I opted for a digital board."

Pratama has found that going digital has required no compromise on audio quality. "The EQ and dynamics are similar to those on the Midas Heritage console, and the EQ does exactly what I expect; the first time this has happened with a digita

China - Located in the new city of Pearl River, the Guangzhou Opera House has become one of China's three biggest theatres. Constructed from 12,000 tons of steel on a 70,000sq.m site, the Opera House includes an 1,800-seat and a 400-seat theatre. Both have been installed with L-Acoustics sound reinforcement systems supplied by Chinese distributor Rightway Audio Consultants and installed by contractor Leifull Light and Sound Enterprises.

The Guangzhou Opera House was designed by London-based architect Zaha Hadid to represent two boulder-like structures of different sizes, with a theatre located in each. The Grand Theatre in the main structure has been installed with eight Kudo line source cabinets and two SB28 high-powered subwoofers per side, with a central channel of 10 flown dV-Dosc line source cabinets. A dV-SUB subwoofer is installed on each side of the dV-Dosc array. Both t

UK - Sarm Studios, based in London's Notting Hill and owned by producer, songwriter and musician Trevor Horn, has purchased a raft of new Prism Sound equipment, including three ADA-8XR multichannel modular AD/DA converters, a Maselec MLA-2 mastering compressor limiter, and a Maselec MEA-2 mastering equalizer.

"We mainly use Studio 1 at Sarm for recording and need the highest quality converters, compressors and EQs," Trevor Horn says. "My engineers, Tim Weidner and Graham Archer, rated the Prisms very highly. We record into Pro Tools and it was the integration and superior quality of the ADA-8XR that were factors in our choice. The flexibility to specify the i/o options of the converters was great as we need more AD for recording. We greatly appreciate the clean and transparent nature of the compression and EQ."

The units have already been used extensively o

UK - At PLASA 2010, Out Board will be demonstrating powerful new software features for the TiMax2 SoundHub scaleable mix-engine, playback server and delay-matrix platform which offers up to 64 channels of analogue or AES I/O - with MADI, Ethersound, Cobranet and Dante networking options all in a single compact 2U chassis.

PLASA will see the UK debut of the TiMax2 SoundHub S-Version TimeLine Editor for in-depth audio showcontrol programming, featuring multi-channel waveform-based editing, looping, panning and volume profiling. Another first for PLASA is the new AES-MIO module which allows TiMax to handle multiple sample rates and clocking options across 16 AES inputs and outputs, plus 16 analogue outputs.

TiMax2 SoundHub will be joined at the show by the UWB TiMax Tracker radar system for performer tracking which makes actors'radio mic audio and other effects automatically foll

USA - EAW has announced that its DX1208 DSP Matrix Mixer now features full integration with Crestron Electronics control products, through a dedicated DX1208 module developed as part of Crestron's Integrated Partner Program (IPP).

This compatibility allows contractors and system integrators to install the DX1208 to operate seamlessly with other hardware in an open-platform Crestron systems environment. Such a system may consist of audio/video, security, HVAC, lighting and other controlled devices that may be incorporated into commercial configurations. This solves a number of problems for the contractor, as integration of disparate units is often a frustrating obstacle when setting up a new system.

The direct result of end-user feedback, the DX1208 represents the next generation of Digital Signal Processing (DSP) from EAW. Now, with full Crestron integration, the DX1208 provid

USA - Denon DJ Europe has announced the launch of three major new products at this year's DJ Expo in Atlantic City.

The Denon DN-MC6000 ushers in a new product category as an integrated, full blown mixer and 'dual deck' MIDI Controller. This mixer / MIDI Controller combines a four-channel / eight-source standalone digital mixer - featuring real time channel matrix operation - USB MIDI control and two stereo in / two stereo out USB audio interface. A slim tabletop design with solid steel chassis, paired with the DJ software of choice, the DN-MC6000 is billed as a complete turnkey control solution.

The Denon DN-X600 is a highly spec'd two-channel performance mixer, optimised for both traditional vinyl techniques and the latest digital media and computer DJ systems, that offers levels of technology and performance comparable with Denon's flagship four-channel models.

The Denon

USA - At the Country Club Hills Theatre, an outdoor venue situated in Country Club Hills, a suburb of Chicago, this summer's schedule includes performances by Toni Braxton, Al Jarreau, Eric Benet, Bobby Brown, David Sanborn, and Smokey Robinson. This season sound reinforcement is via a new sound reinforcement (SR) system comprised of components from D.A.S. Audio's Aero Series 2 catalogue.

Chicago, IL-based Sound of Authority was contracted to provide the sound system at the venue. Ernest Greene, Sound of Authority's president and CEO, deployed a new SR setup consisting of D.A.S. Audio's Aero 50 line array enclosures and LX-218 subwoofers from the Aero Series 2 product group, augmented by Aero-12A line array modules for side-fill.

"This is our third season handling sound services for the Country Club Hills Theater," Greene reports. "While our client has always be

UK - Marta Sebestyen is the leading light of Hungarian folk music and an internationally renowned performer. Best known as the haunting voice on the Oscar-winning soundtrack of The English Patient, Sebestyen's latest album, I can see the Gates of Heaven was performed in an intimate concert at the Paul Hamlyn Hall in the Royal Opera House in London. Marta was joined by album collaborators Balázs Szokolay Dongó and Mátyás Bolya for a special performance of songs personally chosen by the artists.

The ROH's Martin Adams turned to Paul Nicholson of Red Square Audio to specify a PA system for the show. Following a detailed sound assessment of the venue, Nicholson finally opted for an APG Beam Series system with an Innovason Eclipse console for FoH, monitors and recording.

"The brief was very straightforward," says Nicholson. "It was for a traditional

UAE - Tannoy's VQ Series loudspeaker system has been putting in a leading performance at a theatre in Dubai, with a pair of VQNET 60 cabs at Dubai Community Theatre & Arts Centre (DUCTAC), located within the Mall of the Emirates.

DUCTAC is the first modern, non-profit, cross-community creative centre in the Gulf region, built to international specifications. The brainchild of local theatre-lovers and business people who recognised the need for an entertainment and educational centre for the community and future generations of Dubai, the facility opened in late 2006.

The main auditorium within DUCTAC comprises of a tiered two level theatre with a capacity of 543, including four VIP boxes, and plays host to an array of international and local theatre, dance, comedy and music as well as TV shoots and exhibitions. The centre has been trying out Tannoy's new VQ Series, with positiv

Europe - Jay-Z has just completed a run of European dates and festival appearances accompanied by a FOH Midas XL8 live production system, provided by Clair Brothers. At the controls is Kenyatta 'Kelo' Saunders, the rap artist's long-time sound engineer and Grammy-award winner, whohas worked with artists including D'Angelo, Eminem, The Roots, Joss Stone and Erykah Badu.

Philadelphia-based Kelo has favoured Midas consoles throughout his long and distinguished career, and this was his first outing with a Midas digital system. "At heart I'm an analogue guy," he states. "I've been using the H3000 for most of my work for years, and I'm all about the warmth of analogue. I've tried other digital consoles, but moving to the XL8 is the only thing so far that makes me feel at home, I love it.

"I was able to get my mix going very simply; the learning curve was incredib

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