Midas PRO6 takes FOH for Beverley Knight
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This was Gilligan's first time out with a PRO6. "I put together a 37 channel mix using one stereo sub group for Beverley and another for the backing vocals," he says. "This was so I could insert a frequency compressor on each sub group, and they worked beautifully. As I mixed our first show I started to notice how solid and smooth the mix was getting, very easy to control."
Gilligan was impressed with the PRO6's accurate metering, often an issue with digital consoles. "Having grown up with analogue desks of all kinds, you get used to how the metering works, what can peak and what shouldn't peak etc, and the PRO6's metering is spot on," he says.
"The effects are also some of the best sounding I have ever used, clean but r