Licht & Ton Union, D.A.S. distributor in Germany, was responsible for mounting the audio on a stage built especially for the occasion. They flew 12 Aero 12A two-way powered systems, six on either side of the stage, along with six ground stacked LX-218A subwoofers. The Aero 12A, part of the new Aero Series2 debuted at Frankfurt's Prolight & Sound. D
His 2009 summer tour included a show beside Idroscalo lake in Milan on 27 June. Thousands of fans flocked to see Caparezza perform a selection of his more popular numbers.
The team from GM Music, the rental company from Salice Salentino, again chose Proel's Axiom and Edge professional systems. The configuration comprised 24 Axiom AX3210P modules and 20 21" EDGE121SP subs, positioned in the sound wings, and eight Edge compact C12P96 as front-fill.
The system is driven by six K10 and two K20 Powersoft amplifiers, one DSO26 digital processor and two Lake Contours. Audio and power distribution cabling is also Proel.
The sound reinforcement for the concert at t
SNP Productions was founded in 1999 when Pugsley was completing his final year as a student at the Guildhall School of Music & Drama in London. The company has evolved steadily over the last 10 years, starting as a vehicle for his freelance work and growing into a major UK supplier for lighting & video control solutions. It is now focussed on sales, hire, training and full tech support for Catalyst.
"Catalyst was among the first and most original digital media servers, and it has a strong and positive brand identity," states Pugsley. "It's hugely flexible and constantly being developed with new and innovative features added all the time. It has a history and track record of
One of the innovations at the 2009 festival was the silent rehearsal room set up behind the John Peel Stage, jointly the brainchild of RSS and the Liz Hobbs Group. Julian Spear, who is head of production for the Liz Hobbs Group, also works as area co-ordinator for the Glastonbury Festival, and is responsible for putting in all the production for the John Peel Stage.
"The Liz Hobbs Group has had a productive relationship with RSS since we first used the Digital Snakes at Glastonbury 2007," says Spear. "Together, we came up with the idea of a backstage rehearsal f
A key product range is the Harting Han family of heavy-duty connectors, which are increasingly being used for powering the spotlights used on concert stages and in theatres. In particular, the Han 16 E is a suitable for controlling special lighting effects in systems where 'multi-cables' incorporating six or eight lines are used to reduce installation times.
These connectors have proved their reliability and outstanding performance in industrial applications, and their rugged construction makes them ideally suited to stage environments. Typical applications include lighting connections for multiple spotlights, break-out boxes a
Conceived and developed by AvitaS founder members, Roland Hemming, Lauren Rogers, Mark McLean and James Eade (who is also technical editor for Lighting & Sound International) the course is aimed at giving people the information they really need to know about designing, specifying, installing and using audio systems, in the real world.
The inaugural programme starts 24 September 2009 at Teddington Studios. Running one day a fortnight over 16 weeks, it covers everything from acoustics, loudspeakers, microphones, processing and mixers. It also covers the design issues with sound - drawings
Bryanston takes drama seriously, and the well-appointed Coade Hall stages 15-20 student productions a year, providing plenty of opportunities for pupils to perform, design, direct and practise stagecraft. With its large proscenium arch stage, orchestra pit and sophisticated lighting and sound set-up, the Coade Hall also hosts numerous productions by professional touring companies, 'am-dram' and outside groups.
Two years ago, technical manager of the Coade Hall Stuart Myles spotted the RSS Digital Snakes, and, with the help of local dealer Stage Electrics, integrated these di
Months in the planning, the high profile event included a full choir and orchestra, church organ, grand piano, the English Rock Ensemble band - including Wakeman's son, Adam, on keyboards and percussionist, Ray Cooper - performing an extended version of the concept album, with narration from special guest, Brian Blessed, six wives, and a selection of ostentatious costumes.
Ian Barfoot, Wakeman's FOH engineer for nearly 25 years, selected two iLive systems, an iDR10 MixRack and iLive-80 Control Surfaces to manage the individually-mic'ed choir and orchestra, fed to a second, main F
The ninth G20 summit saw the meeting of finance ministers and central bank governors to discuss and agree a fiscal package to rescue the global economy from the current recession. Helping make sure that their views were not only heard - but also understood - at several events surrounding the G20 summit was the task of Westminster Sonus, a specialist digital AV equipment and simultaneous interpretation provider. Westminster Sonus, in turn, chose Bosch.
The chosen solution centred around Bosch's congress technology, including wireless discussion units and its Integrus simultaneous interpretation (SI) system. Integrus is a digital infrared language distribution system, with up to 32 different language chann
Specialists from A.C.'s Video and Lighting divisions, as well as manufacturer representatives, will be on hand to discuss how these two technologies are increasingly converging to provide innovative backdrops, set pieces and other video-based elements.
The informal event will provide an opportunity to learn more about, discuss with experts and see product demonstrations on video projection and associated equipment, creative LED surfaces and LED lighting. Brands represented will include Christie, Chroma-Q, Element Labs, GLP, Green Hippo, Martin, Robe and TV One.
With a week to go, the company reports that it has rece
This seminar was intended to prepare those individuals to properly handle EAW equipment and make educated decisions on the setup and configuration of such products, along with some basic discussions of the technology involved. Pepe Ferrer and Ferran Diez of Focus acted as the event's primary lecturers.
Part one of the seminar focused on the basics of acoustics, including signal coherence, phase issues, crossovers and LP/HP filters, acoustic and electric delays, sub-bass characteristics and pointers, and vertical and horizonta
Comprising a dual-colour Halo ring and switch combination that can be used with all Clockaudio through-table products, the Litetouch allows users to identify easily the status of microphones, as well as mute the units for privacy. With no moving parts, the switch is touch-sensitive, so there are no clicking noises when switching from one status to another. Both the switch and the Halo have been designed to operate remotely with all popular brands of electronic system control, so an integrator has complete freedom to assign function and LED colour. The Litetouch can be e
PLASA Connect, an idea developed in conjunction with RH Consulting and sponsored by L&SI magazine, will provide service-based operators - including consultants, installers and rental companies - with an opportunity to find new potential clients from a wide range of vertical markets.
People involved in large projects in many different walks of life often have very little idea of who to go to for the supply of sound and lighting equipment. The idea behind PLASA Connect is to help those people gain information and make an informed choice. The result will be a targeted business development opportunity which will bring genuine business benefits to all
Purple Audio's Funktion-one Resolution 5 system will be used for the main stage and its Funktion-one Resolution 4 systems for the second stages together with the new Funktion-one RM18 stage monitors.
Purple Audio has also been booked for Offset Festival in September where they will be supplying sound and light for the main stage along with two others.
Davis Roberts managing director of Purple Audio reports that he is very pleased with the ongoing progress the company is making. "Bookings into 2010 are very strong and it promises to be a very exciting year with at least 50% growth," he says.
(Jim Evans)
18 HK Audio CT 115 15"/1.4" cabinets in biamp-mode and powered by DSM 2060 controllers and Labgruppen FP 10000 power amps were used for monitors. A ConTour Array was used as a side-fill and for drum-fills, a combination of active CTA 118 subwoofers and CT 115 mid/high units.
Mike Taylor, production manager for the John Peel Stage remarks: "Last year we used all HK Audio gear for this stage, and the results were outstanding. Rarely have I ever experienced such stress-free monitoring at a festiv
Inaugurated in 1955 as a multipurpose facility, the Stadio Adriatico has hosted several matches of the Italian National Football Team and is the main stadium of Pescara. It is currently a CONI (Italian National Olympic Committee) sports centre.
Renovation works, which ended last May, were carried out in order to enlarge, restyle and modernise the facility in preparation for the 16th edition of the Mediterranean Games.
After completion of the works, which included a 15m euro allocation to ensure standards compliance, the stadium has now an all-seater capacity of 25.000. The Majella Stand is now covered and an air-conditioned VIP lounge, a new press stand and an area reserved for the Stadium Security Coo
For the music recording fraternity, Prism Sound's Mic To Monitor tour makes a welcome return. This series aims to dispel many of the myths surrounding the recording process. Each seminar will feature short presentations from Prism Sound staff and from guest speakers, including recording professionals who can answer audience questions on recording techniques.
The mastering and radio broadcast seminars will focus on how SADiE digital audio workstations can be used in these specific environments. Guest speakers, along with staff from Prism Sound an
Established almost 30 years ago, drpgroup has grown into one of Europe's largest and most experienced fully integrated communication and presentation organisations. Until four years ago all equipment was dry-hired, but the company has undertaken a concerted investment programme, building up a state-of-the-art inventory to which the PRO6 is the latest addition.
drpgroup took the decision to purchase the PRO6 having outgrown its previous digital console within a year of buying it. "After having a PRO6 on demo, we took the decision that we needed one immediately," says Ian Ruhback, drpgroup's head of sound. "Everything is instantly accessible and nothing is menu-based. A lot of the other digital consoles we have encountered
The event, aimed at young people between 15 and 25 years of age, featured guest speakers, choirs, Christian bands and worship, and was broadcast live on Dutch national TV.
Van Baasbank's system design incorporated 72 Kudo cabinets powered by 30 LA8 amplified controllers. The system was deployed in two right and two left hangs of 18 cabinets each, with 24 SB218 subwoofers powered by 12 LA48s under the stage in cardioid mode. 16 Kiva ultra compact line source cabinets powere
The client's criteria included that any system chosen had good longevity. It was therefore essential that Stage Electrics' Ed Gamble specified one that was both future-proof and best for purpose. The subsequent investment included 12 dv-Dosc full range WST enclosures, four dv-SUB compact high power subs, four SB118 high power subs, LA8 amplified controllers and all associated
The task of providing intelligible audio for the historic event was handled by Phoenix-based Clearwing Productions, using two SB-2 sound beams. Clearwing's general Manager David Temby explains that the SB-2 worked well with the house PA and achieved adequate coverage without obstructing the sightlines of attendees or multiple network cameras. "Without the SB-2s, it would simply not have been possible to reach the upper corners of the seating areas," he says. "Any other solution would have called for additional delay stacks, adding significant expense and creating issues with both line-o
The five days of production rehearsals at Sun City Superbowl was followed by one show there and another at Cape Town's Grand West Casino. The project was managed for Gearhouse by Michael Lewis, and their teams worked very closely with R Kelly's lighting designer Nook Schoenfeld and FOH sound engineer Rob 'Cubby' Colby.
Llewellyn Reinecke, Gearhouse Audio's systems engineer also looked after FOH. Colby specified a V-Dosc system, which was flown in Sun City as 12 elements a side for the main left and right hangs, complete with three dv-Doscs underneath for front down-fills. He also specified a 1:1 ratio for subs and V-Dosc, so the 24 subs were ground stacked three high and four wide on the floor of the Superbowl. Additional ha
To access the BEIRG Group on Linkedin all you have to do is go to www.linkedin.com and sign up for free. After you have completed a very quick and easy sign-up, just search under groups for BEIRG and apply to join.
Commenting on the new Linkedin initiative, BEIRG Steering Group member Alan March said: "With the increasing amount of decisions that are starting to be made it's very important that as many people as possible come forward and give us their input. In the coming weeks
Eurohire has, in recent years, provided equipment and services for such varied events as rock and pop concerts by UB40, Steve Winwood, Dionne Warwick and the Kooks, classical showcases by the likes of the Royal Philharmonic, and a number of festivals, plays/musicals and corporate events.
"With our busy and varied itinerary, we needed versatile products tha
