Scott Davies, general manager of the American DJ Group of companies said: "The Dynamic Light Pak is an incredibly fun way to liven up DJ shows, band gigs and house parties, it provides virtually everything you need to add brilliant visual effects to your act."
One of the units included in the Dynamic Light Pak is the Trilogy, a popular American DJ lighting product that projects moving triangle shapes onto a wide area of the floor or ceiling. A sou
Swelite W-DMX is based on the technology and thinking of GSM, with the same security of transmission including Frequency Hopping (FHSS) and Time Division Multiple Access (TDMA) once developed by the US Army for safe and encrypted communication during wartime. With 999 different FHSS patterns and TDMA it's more or less impossible to get interference from other equipment on the 2,4 GHz band. To make it even safer the company has included encryption on the signal from sender to receiver so that each receiver only listens to its master sender and ignores all other signals.
The system is used for both point to poi
Outline has designed this plug-in for the CATT-Acoustic DLL Directivity Interface (DDI) which, called up by the program when required, offers designers accurate modelling capabilities for complex systems, based on every conceivable VLA configuration of elements from the Butterfly range, including a combination of Hi-Pack and Low-Pack units.
Results achieved by the DLL, based on proprietary modelling techniques for the simulation of linear rather than single-point sources, have been c
Featuring 10 receiving channels, this compact receiver is ideal for multi-channel set-ups and can be used with any transmitter from the extensive evolution wireless series including the new evolution G2 products, recently launched by Sennheiser.
Accessories for the EK 1035 includes the L1035 charger, with the facility to daisy-chain up to four chargers, and the NT 1035-UK plug-in mains unit, which accommodates up to four L 1035 Chargers. Sennheiser will also be showing a wide range of Infrared, TourGuide, GuidePort and SDC (Sennheiser Digital Conference) products at the Show.
Simon Jones, business area manager for Inst
"The addition of these new technologies gives contractors and consultants ways to cost effectively expand the depth of functionality of a truly networked audio system while ensuring that it can be used at any level of facility," said Matt Czyzewski, VP of Technical Operations, Biamp Systems. "Now with the use of digital I/O expanders, our clients can accommodate the growing number of digital devices that need to be hooked to our networked sy
20 years on, Cadac is focused on combining the best of digital and analogue technology in its latest generation designs, with the D16 going into production in Summer 2004 and plans for a full-scale integrated digital console to be announced later this year. Cadac's R&D team has worked closely with operators and sound designers to develop the D16 concept, majoring on extending the control facilities through Ca
Each tile contains 48 pixels which are individually addressable RGB LEDs featuring a Beadlight diffusion screen (patents pending). The Bead light technology (patents pending) employed within the system was originally developed for the aerospace industry to gain the advantages of LED lighting such as low power consumption and low heat emission, without the disadvantage of directional glare often associated with LED's.
The battens are connected to a controller, which are supplied with one batten communication card capable of
Scott Davies, general manager of the American DJ Group of companies said: "American DJ is always striving to make the latest lighting technology available to our core customers - mobile DJs, working bands and small clubs, these lighting users were telling us they wanted to join the trend to moving head effects, but without having to pay a thousand dollars or more for a fixture. So we came up with the idea of designing a moving head with a less expensive halogen lamp. The DJ Spot 250 provides sufficient brightness for the average DJ or club's needs, plus it's got 360-degree moving head rotation, DMX compatibility and all th
Equipped with a total of 136 DMX channels, the DMX Operator Pro utilizes 128 of its channels for intelligent lighting control and eight for par can Dimming/On/Off. Designed to offer the convenience of total lighting control from a single board, the DMX Operator Pro is great for small- to-mid-size theatres, concerts, churches, touring companies, or any stage production where both parcans and DMX special effects are used.
"In the past, if you wanted a multi-functional controller that could handle both DMX effects and parcan dimming, you basically had to buy a large stage board that could cost up to s
New features include inhibitive sub-masters, track and fill cue editing, a media window providing graphical browsing and selection of digital media content, and a high resolution encoder mode for precision control of 16-bit parameters. Other enhancements include luminaire type-specific parameter labelling in the console status windows and timing/function filter displays, expansion of DMX512 support to over 700 universes (using external Virtuoso Ethernet Nodes), and expansion of the Beam Palette to 200 selects. The Virtuoso SV 5.0 upgrade is now available exclusively for purchase through VLPS Lighting Services.
Version 3.4 has custom serial port settings and strings, which allow the iDR system to communicate with a wide variety of third party equipment, such as CD and DVD players, software programs, and alarm and lighting systems.
The new software also allows more PL remote control devices to be connected and uses chain/star configurations, which reduce the need for extensive wiring. The number of automated, programmable presets has been increased to 250
High End Systems (HES; Austin, TX) is now segmenting its Media Server products into Catalyst Pro and Catalyst DV offerings. In 2003, HES introduced the Catalyst Pro v3.0 Media Server, featuring four video layers and twin outputs. Now designers also have the option of the Catalyst DV v1.0 Media Server and Software, which offers three crossfadable video layers and one output, sized for many new budgets and projects. The Catalyst DV v1.0 Media Server and Software has RS232 and RS422 serial control capabilities, allowing it to control a multitude of video switchers and playback devices.
Catalyst DV v1.0 Media Server gives the user the ability to apply more than 80 visual and colour effects to digit
The original vintage tube 49 microphone is still the gold standard in studios around the world, due to its incredible flexibility in any application from distant orchestral recordings requiring a neutral sound quality to close up micing where the tailored proximity effect is well known and valued for achieving big vocal sounds.
Like the original, the Soundelux E49 is a remote variable pattern tube mic that uses Soundelux' KK47 large diaphragm capsule and a unique head grille design that replicates the original's acoustic and mechanical sonic signatures. A specially designed Soundelux SteadyState(r) fixed-bias type tube amplifier (similar to the original) is used but has lower no
Marc Bénard, Digigram's sound cards product manager said: "ASIO has become a recognized standard for multi-channel applications in music and audio content production, as well as video post-production and DJ applications. We are proud that professional users and ambitious amateurs now can capitalize on both ASIO's low latency and the miXart 8's sound quality."
The miXart 8 is a platform that combines powerful Digigram o
Following the footsteps of the 7000 series of LSE subwoofers, the 8000 series takes a new approach to enclosure design, driver technology, and active electronics, say Genelec. All three models utilize all aluminium, minimum diffraction enclosure (MDE) design, with large internal volumes, curved edges, and significant mechanical strength.
Ilpo Martikainen, MD of Genelec, commented: "Genelec changes models only when real performance improvements can be achieved. The design brief for the new 8000 series called for a reduction in various linear and non-linear distortions. After careful analysis of what improvements were technically and economically feasible, our engineer
Resting on mobile casters, the Foam Cannon X-Stream is versatile and easy to operate. The cannon can be angled up and down to shoot up to 480 cubic feet of foam per minute from 10 - 25ft distance. The self-contained foam cannon has a 25-gallon reservoir; a pumping system and a one touch control (On/Off Switch).
The foam generated by the Foam Cannon X-Stream is biodegradable, hypoallergenic, non-toxic, fire retardan
The new iNode is a small, self-contained unit which operates with power-over-LAN and can be located anywhere within the lighting rig using Cat 5 cable or wi-fi. The range comprises iNode2 in cable, 19" rack-mounting or wi-fi versions with Ethernet in and 2 DMX-in and 2 DMX-out and iNode4 (Ethernet in and either 4 DMX-in or 4 DMX-out). The innovative design, which also includes a merge function, may also be integrat
In addition, each module can work as a stand-alone unit, so it can function as a full desk on its own. There are three modules available, each being tailored towards a specific use: the Designer module for direct access, the Performer for playing back complex shows and the Fader module for flexible device mixing.
Technologies such as the easy to use ColorTarget and the ShowDrive make the E.GO show control system one of the most versatile and easy to use s
The Datagate can also accept standard DMX inputs and merge or copy them to the other 5-pin DMX outputs, or the Ethernet port. Merging can be configured as HTP for LTP, and the configuration can vary from port to port. Some of the other features of the Datagate are easy wireless DMX links (using third party wireless LAN access points), opto-isolatio
The HR (High Resolution) series of PCX sound cards is designed for the most demanding applications in broadcast such as production, on-air, continuous playback, and logging. Featuring state of the art sound quality with 24-bit/192 kHz converters, more advanced functions, more processing power, and greater flexibility for custom developments, the new generation will be the Number one choice for pro audio manufacturers and independent software vendors. The design of the new generation addresses current and future market needs as expressed by Digigram's 100+ OEM development partners.
Philipp
Ken Berger, vice-president of marketing and product development at Loud Technologies Inc said: "The significant excitement generated by the dXb concept at the AES show last October revealed a universal acceptance for the platform. Because the dXb platform is so versatile, we've been able to introduce two distinct models for two individual markets, in a very short period of time."
Both dXb.200 and dXb.400 share the same basic architecture including the unique dual touch-screen interface, 96kHz operation (optional to 192kHz), on-board automation and
The system is fully searchable and currently contains nearly 400 US patents including both utility and design patents: applications and European patents will follow. Complete copies of all patents in the database are available for immediate download as PDF documents.
To access the database visit the web address below and follow the 'Industry Patents' link.The database is for general i
If required, the Emerald and Saffron laser systems can come with The Zion 3D laser show software and PC. Zion 3D is one of the most advanced software titles available for laser display applications, and provides an easy-to-use interface e
