UK - Audio specialist tube UK returned to the familiar urban territory of Manchester’s Albert Square to help deliver the city’s 2017 Christmas Switch On ceremony, which officially fired up the city’s Christmas lights for the run up to a fun-packed festive season.
tube has been involved with the Switch-On since 2001 and has seen it grow massively in that time, so the audience now fills the entire square and the event involves multiple road closures and the traditional hoisting of Manchester’s own huge LED clad Santa onto the front of the Town Hall to oversee the proceedings!
The d&b sound system spec’d for the show was designed by tube’s John Redfern and based on the required crowd coverage and the needs of the multiple acts appearing onstage in the hour-long entertainment extravaganza headlined for the first time by a DJ – Sigala. He was joine

France - The second edition of the Fun Radio Ibiza Experience, organised in association with Ushuaïa Ibiza Beach Hotel, took place on 14 April 2017 at the Accor Hotels Arena in Paris. Around 17,000 people gathered at this huge EDM event which transformed the venue into a massive dance floor to the sounds of top DJs Robin Schultz, Nervo, Sam Feldt, W&W and headliners, Afrojack and Hardwell.
“The Paris show is a little taste of resistance,” says show director, and founder of High Scream, Romain Pissenem. “To stand up and dance and have fun is the only response we can show to the threats to which our city has been subjected.”
Helping Pissenem bring the spirit of Ibiza and the Ushuaïa vibe to Paris were over 200 Ayrton lighting fixtures, including over 100 MagicBlade-FX, 50 MagicPanel-FX and 50 MagicDot-XT. The fixtures were supplied by Ayrton as part

Brazil - Four Robert Juliat Lancelot 4K HTI followspots took pride of place front-of-house at Brazil’s Rock In Rio Festival this summer. Held over two weekends at the Cidade do Rock at Rio de Janeiro’s Parque Olímpico da Barra, this festival saw headliners Aerosmith, Guns ‘n’ Roses, Bon Jovi, Maroon 5 and the Red Hot Chili Peppers play to over 700,000 across seven nights.
The Lancelot followspots were supplied by Robert Juliat’s Brazilian rental partner LPL Lighting Productions Ltda, whose Caio Bertti worked in association with Daniel Ridano of Robert Juliat’s Brazilian distributor, Lighting Bits Ltda and the festival’s lighting designers, Patrick Woodroffe and Terry Cook of Woodroffe Bassett Design.
The Lancelot fixtures were rigged in full view of the audience on stylish, modern lighting and sound towers - skilfully designed for minimal impact on audie

USA - Work Pro introduced a new range of hardware lighting consoles, LightShark, at LDI. Billed as the first DMX-based hardware lighting console range to offer wireless, browser-based control from a multi-touch smartphone or tablet, with support for up to three connected devices simultaneously, LightShark sets a new standard for features and usability at its price point, says the company.
The LightShark range comprises the LS-Core and the LS-1 console, both developed and designed entirely within Work Pro's lighting division. The LS-1 “brings together the best features from the world of innovative software-only lighting control and marries them to an intuitive, ergonomic assignable hardware control surface”. The LS-Core omits the LS-1’s hardware control surface, but offers exactly the same lighting control software, processing power, and smartphone/tablet-based software

USA - SGM released an all-in-one IP65-rated LED luminaire, Q-10, at LDI.
With an output of 60,000 lm, this RGBW unit has the functionalities of a strobe light, a flood light, a pixel light, and a blinder with a non-fading continuous output. At the same time, the powerful and low-noise Q-10 is practically maintenance-free and comes with a user-friendly display, wireless control, and integrated handle making is easy to operate, transport, rig, and to focus, says the company.
As with all the other IP65-rated luminaires in SGM’s product range, the Q-10 comes with the SGM thermal management and is kept free of externally induced particles on internal optics and light sources. The internal built-in patented SGM dehumidifier further protects the fixture from moisture, smoke fluid, pollution, humidity, and any other factors that can generate corrosion.
With an expecte

USA - Czech manufacturer Robe Lighting showcased its MegaPointe fixture for the first time in the USA at LDI 2017 in Las Vegas.
The moving light was presented with a 2017 PLSN Gold Star Product Award for Best New Hybrid Light and was the focus Robe’s lightshow which featured 42 x MegaPointes and a number of LEDBeam 150s, onePATTs, Divine UVs, Spiiders and pixelPATTs, while a freestyle mirror suit dancer performed hourly at booth 715. The stand design and the show’s choreography were conceived by Robe’s creative team led by Nathan Wan and Andy Webb.
Robe North America CEO Bob Schacherl described the show as “our busiest and most energised LDI to date”, adding: “The turnout of clients was amazing and validates our sales and marketing approach for the North American market.”
Robe’s architectural division Anolis had its own dedicated space on the boot

South Africa - Robe Lighting showcased its MegaPointe moving head in South Africa in November.
The launch was attended by the company’s international sales director Harry von den Stemmen and product manager Ondrej Hegar, who presented the product in Johannesburg and Cape Town, while DWR Distribution also hosted a launch event in Durban.
Von den Stemmen says: “Industry professionals are raving about the feature packed, ultra-compact yet extremely powerful light and the quality of the product. I see the same evolution coming for the South African market, and there have been enthusiastic reactions and comments to its recent launch, like everywhere else.”
Hegar agrees: “The fixtures have been really well received across the globe and we have had positive feedback on the unit. Already specified on a huge amount of shows and tours in the upcoming year, the Mega

Ireland - Galway-based stage lighting equipment supplier Cue One Ireland has invested in the Chroma-Q Color Force II luminaire for servicing its theatrical and corporate events clients.
Cue One Ireland wanted to replace its existing battens and dimmable fluorescents stock with an all-in-one fixture and after looking at various colour-mixing battens on the market, Cue One Ireland's managing director Kieran Cooney placed an order for eight Color Force II 48 battens.
"We chose the Color Force II for the quality of light and colours produced, particularly its ability to achieve difficult pastels,” he reports. “The end results stood out against a number of other cycs and battens that we looked at."
Since investing in the fixtures, Cue One Ireland has supplied them for a number of high-profile theatrical and corporate events.
Kieran adds: "The Color Force I

USA - Harman Professional Solutions is introducing a full-featured LED moving head - the MAC Encore Wash - at LDI 2017 in Las Vegas.
Set to be released for sale in January, the unit will be available in two dedicated colour temperature variants: WRM for 3000K warm incandescent emulation, and CLD for 6000K neutral daylight. The WRM is a replacement for the discontinued MAC TW1, while the CLD is a LED-based alternative to the MAC Viper Wash DX. Both variants can also be used as replacements for tungsten or HMI based Fresnel fixtures.
“When we released MAC Encore Performance a few months back, we instantly had lighting industry influencers praising this new benchmark fixture in high quality LED lighting,” said Markus Klüsener, product manager - stage lighting, Harman Professional Solutions. “With the introduction of MAC Encore Wash we now have a fixture f

UK - Steve Warren is working in partnership with Chroma Q distributors A.C. Entertainment Technologies (AC-ET) to develop sales of Chroma-Q's lighting fixtures range.
This partnership follows the recent appointment of Steve’s company, Lighting Distribution Consulting, to assist the development of Chroma-Q’s international sales and distribution channels outside of North America.
The latest generation of Chroma-Q LED products have won multiple awards and garnered much praise from users for their high performance. These include the new Color Force II colour-mixing LED cyc and wash light, the Inspire colour-mixing LED house light, and the Space Force variable white LED soft light.
(Jim Evans)

USA - Claypaky is releasing a new range of the Axcor 300 family of moving LED fixtures at LDI 2017 in Las Vegas. It comprises of a spot, a wash and a beam, all driven by a white LED engine with a rated power of up to 180 Watts.
The Axcor Spot 300 has 17 gobos on two wheels, including seven dichroic rotating gobos. Weighing just 20kg and measuring a little over 500mm, this unit incorporates features that are not often found in models of this size, like a rotating prism, a motorised iris, a soft edge filter, a 16-bit dimmer, and a 8-40° zoom.
The Axcor Beam M 300 has an even more compact body, measuring less than 500mm, and is able to emit a super-concentrated solid beam with a beam angle as small as 2° and a surprising light output. The wealth and quality of its colours and aerial effects, its electronic focus and its 140mm diameter front lens make the Axcor Beam 300

USA - In 1997, race car driver Geoff Bodine put the pedal to the metal and reached 197.479 miles per hour on the famed Atlanta Motor Speedway. No-one has ever equalled that speed on the big course since, but the action was probably even more blistering on the weekend of 22-24 September, as nearly 100,000 fans descended on the site for the Imagine Festival.
Nowhere was the action hotter than on the Inferno stage, where Deadmau5, Flux Pavilion, The Floozies and other stars jammed under the intense output of Chauvet Professional Rogue fixtures supplied by 4Life Entertainment.
Designed by Incendia, with consultation provided by 4Life Entertainment, the stage featured eight Rogue R2 Spot, 16 Rogue R2 Beam and 24 Rogue R1 Wash fixtures. Drawing on the output of these fixtures, the rig provided an eye-popping level of brightness that blended well with the incessant pyr

South Africa - MJ Event Gear supplied the full technical for the annual employee awards organised by building materials merchant Cashbuild.
The annual Cashbuild Hall of Fame Awards were hosted at the Maslow Hotel in Sandton to recognise the top performers among its 4,700 employees based at stores in South Africa, Namibia, Lesotho, Botswana, Swaziland, Malawi and Zambia.
Commissioned by Trace Elements, MJ Event Gear has provided the full technical for the event since 2010. MJ’s Theo Rood ensured the event, which catered for just over 200 guests, was stage manager for the awards. He relied on Robe moving lights, programmed by LD Gary Sam on a grandMA2 light, to create the fire and ice theme that lit the ballroom.
Gary Sam said: “It’s always such a pleasure to work with the MJ team. Equipment-wise, the grandMA2 light worked well for me as I enjoy the MA pla

UK - Rental specialists Pinewood MBS Lighting worked alongside cinematographer Josie Williams on the award-winning film David and Bathsheba by directors Sammy Patterson and Dagmar Scheibenreif.
Filmed at Pinewood Studios Underwater Stage as part of the 48hour Film Project, the film is a resplendent mix of storytelling and spectacular lighting and camerawork.
Working with Robert Shears, Pinewood MBS provided supported and equipment to the shoot, including ARRIMax M18 and Dedo Octadome kits which the crew employed to good effect, particularly during the underwater sequences filmed by Dagmar Scheibenreif.
Commenting on the support received by the production, director Sammy Patterson says: “Our heartfelt thanks go out to Pinewood MBS Lighting, Pinewood Studios and absolutely everyone who helped us and worked so hard to put this film together - we could not

Germany - When pop singer Nena celebrated her 40th stage anniversary, the radio and TV host Thomas Gottschalk led a constant stream of top international stars coming and going to honour the occasion. Peter Maffay, Gianna Nannini, Wolfgang Niedecken von Bap and Dieter Meier of YELLO were among the illustrious guests along with other well-wishers like Sasha, Samy Deluxe, Frida Gold or The Boss Hoss. Even Dave Stewart insisted on passing by for a duet.
Impressively staged, the event was set in the round in Hamburg’s Mehr! Theatre. For the occasion lighting designer, Manuel da Costa, was commissioned by Herr! Media, a production company which specialises in music production.
Manuel and Nena have known each other and worked together for many years. For example, the lighting designer and the musician collaborated closely on the format The Voice Of Germany. “But ov

Asia - Chauvet has announced that Hanslee Lim will be spearheading its sales division in Asia. Lim comes to Chauvet after directing Asian market sales for Robe and SGM.
“We are extremely happy to have someone with Hanslee’s impressive track record and commitment to excellence on our team,” said Stéphane Gressier, international sales director of Chauvet. “Hanslee has an extraordinary depth of knowledge about lighting in general and more specifically about lighting in the Asian market. Most importantly though, he has a well-deserved reputation for understanding the needs of customers and putting them first. This makes him very compatible with the Chauvet way of doing business.”
In his new role, Lim will be responsible for directing sales throughout the Asian market for all Chauvet brands including ChauvetProfessional, Chauvet DJ, Iluminarc architectural lighti

USA - ADB has landed at the LDI show in Las Vegas alongisde Claypaky and the Osram Group, who acquired the brand in 2016. Through in-depth market insight and advanced technological know-how, it aims to optimise the brand’s products after having updated production all over the world.
“ADB had already pioneered some of the key technologies used in theatre & studio lighting, such as digital dimmers, memory control systems, condenser optics for theatre spotlights and it was strongly established as a leading manufacturer”, says Simone Capeleto, ADB CEO.
“The range of services and products types that ADB now offers is one of the most complete on the market: ADB is mastering software and hardware development, as well as product engineering and production of all key components of a stage lighting system, i.e. luminaires, dimmers, control desks, networks and motoris

USA - ADJ Lighting is debuting two new product ranges as well as showcasing other recent additions to its portfolio of lighting, video and effects equipment at LDI 2017.
The company is launching a new video panel range, the Design Series. This system comprises four modular panels of different shapes - DS4 (square), DS4T (triangle), DS4QC (quarter circle) and DS4HC (rectangle) - that can be combined into almost any shape and size of video screens.
The new MOD Series is ADJ’s latest range of professional LED pars. The range comprises four models, each featuring the same casing design, but with a different LED configuration: MOD QW100 (7 x 15W RGBW LEDs), MOD QA60 (4 x 15W RGBA LEDs), MOD HEX100 (7 x 15W RGBWA+UV LEDs) and MOD TW100 (7 x 15W CW/WW/WW/Amber 4-IN-1 variable colour temperature white LEDs – a LED chip made exclusively for ADJ).
The modular design m

UK - Rental company Impact Production Services (IPS) has reported “unprecedented demand” for the ProLights StudioCOB Plus LED par.
The company says the LED par has been “hugely popular across a wide range of events ranging from outdoor live music concerts to film premieres and corporate functions in high end hotels”.
IPS’ Tom Warden commented: “They have been consistently popular with customers since we started adding them to our hire stock – we keep ordering more and still can't keep up with the demand for them.”
IPS purchased its stock from ProLights’ UK dealer A.C. Entertainment Technologies Ltd (AC-ET), including the StudioCOB Plus Full Colour and StudioCOB Plus Daylight White models.
Steven Moseley, from IPS’ lighting department, said: “There has been an ever increasing demand from our clients for an LED fixture with a single beam

USA - SGM will launch the G-Spot Turbo at LDI to mark the start of a new series of IP65-rated LED moving heads that will eventually include a Spot, a Profile, a Wash, and a narrow Wash-Beam.
The G- Spot Turbo is based on an optimised additive colour mixing to match the highest demands of colour rendering and total output. The IP65 rating and the integrated patented dehumidifier in the fixtures ensures perfect inner cleanness and no accumulation of externally induced particles and liquids on internal optics and light sources, such as smoke fluid, dust, dirt, airborne pollution and humidity on internal optics, gobos, or the light source unit. The patented SGM dehumidification, not only removes humidity, but also prevents oxidation and condensation, which can lead to corrosion.
The G-Spot Turbo is a solution for those in need of a powerful LED moving head with good chro

USA - ETC’s booth at LDI 2017 will be awash in colour as the new ColorSource CYC luminaire makes its debut at the Las Vegas Convention Centre. From 17-19 November, visitors to booth #2773 can demo the new fixture – a compact, affordable five-colour LED cyclorama light that specialises in smooth washes and rich colour – and see its optics in action on the booth’s cyc.
Among the other products making their first appearance at LDI are the Ion Xe and Ion Xe 20 consoles, which update the compact Eos family desk with backlit keyboards, increased output, and the option of built-in faders. LDI attendees can also see new varieties of the Irideon FPZ architectural luminaire.
ETC will present talks and events throughout the show. On Friday morning, Jim Uphoff will introduce the ColorSource CYC to the hungry attendees of the New Technology Breakfast in Room N112. On Saturd

USA - When MTV’s TRL returned to the air on 2 October, after a nine-year hiatus, it represented a homecoming of sorts for Mike Grabowski of the Lighting Design Group. Having worked on the star-studded programme in the final years of its original run, Grabowski was familiar with the challenges of lighting a live show with a mix of artists and programming formats. He also knew first-hand how to work within the parameters of MTV’s Times Square studio.
Based on this experience, Grabowski was focused on building his new TRL design around a moving fixture that could not only create a continuous stream of vibrant visuals, but also looked good on camera in its own right. He was looking for a light that fit this bill, when his phone started ringing. At the other end of the line were friends and associates with voice and text messages about the new Maverick MK Pyxis from Ch

Germany - It has been 500 years since Martin Luther sparked the Reformation and the German city of Worms, which played a central role in the movement, has been marking the event throughout the year. From 27 October to 1 November, a Ecumenical Bridge of Light was cast between the city’s St. Peter’s Cathedral and the Luther Church using Elation Professional Proteus Hybrid moving heads.
Lighting designer Thomas Gerdon was contacted by the city to connect the lofty Catholic Cathedral with the Protestant Luther Church in a bridge of light intended to express the bond between Catholics and Protestants. “Even though they are separate religions, they are still connected by the Christian faith,” Gerdon says of the reason behind the project. “The bridge of light was meant to visualize this connection as a symbolic meeting of the two great faiths in partnership.”

Europe - Gary Numan is on tour promoting his his 21st album, Savage (Songs from A Broken World), with Luke Edwards of Cue Design working on his lighting design.
Edwards has been Numan’s lighting and visual designer for the last four years keeping everything looking fresh and interesting onstage and for this tour, he specified 36 x Robe moving lights for the touring package with 18 x Spiider LED wash beams and 18 x of the new LEDBeam 150s.
The artist initially gets involved in the style of the stage design when planning a tour, then leaves Luke to bring his own touches of lighting magic to the table.
For this one they wanted to include a video element and make the show look as awesome as possible, all the time reinforcing the album themes based on the blending of Western and Eastern cultures in a post-apocalyptic world, arid and desertified by global warm

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