USA - Nashville-based designer Chris Lisle was already working on the festival’s main and second stages when he was approached by Lollapalooza PM Brandon Sossamon about creating the Perry’s Stage rig.
As is typical of EDM stages, Perry’s was dominated by video. So, Lisle and his assistant LD Erik Parker began their design by layering video panels supplied by Go Vision. Then came the critical task of filling the gaps in the Z truss configuration of those panels with lighting from Bandit Lites. A key element that held everything together in this intricate, tightly woven multi-level rig were 78 Chauvet Professional COLORado Solo Battens.
“Perry’s Stage was an impressive structure, but considering all we had going on with this design, the space was relatively tight,” explains Lisle. “Much of our concept for the rig was based on Z-shaped trussing from Reed Ri

Argentina - The Alliance Group, which brings together four of the most important nightclubs in San Carlos de Bariloche, has invested in Claypaky Axcor 300 moving heads for its Cerebro nightclub. Macaio Argentina is the country’s distributor of Claypaky lighting products.
The installation, carried out by the staff of Roberto Maqui, features an array of Axcor Spot, Wash and Beam fixtures.
“We chose Claypaky not only for its performance and quality but also because we have known the brand for years,” says Carlos Zeiss, CEO of The Alliance Group. “Despite intensive use they usually require very little maintenance.” These attributes, combined with the fixtures’ low power consumption, contributed to the purchase of the fixtures.
Roberto Maqui also performed the programming and commissioning of the Axcor fixtures.
(Jim Evans)

Czech Republic - Lighting designer Jiri Roucek is enjoying a busy summer as the LD for leading Czech pop-rock band Krystof and has also created the production design for the main stage of the 2019 Ceske Hrady Festival tour, a two-day event with an identical line-up that visits eight castle and cultural locations around the Czech Republic.
Krystof is headlining this year’s Ceske Hrady tour as well as playing their own shows concurrently. The tour presents the best of Czech ‘multi-genre’ rock - from psy-core favourites Dymytry to crazy punk anarchy with Visaci Zamek - to mixed, family-friendly, sold-out crowds at every stop.
The format is two stages set up side-by-side and ‘flip-flopped’ both exclusively using Robe moving lights supplied by ZL Production which also supplies audio, video and staging. ZL has been servicing this event since 2013.
This year,

China - A High End Systems Hoglet 4 is providing big control for a new outdoor multimedia installation in China.
Two times each night, a lake in the park in Liaocheng, Shandong Province comes alive with lighting, lasers, mist, flames and fountains. The free half-hour interaction enthrals up to 10,000 spectators with the colourful, watery spectacle.
LD Theo Cox - a High End Systems Hog 4 lighting console user - chose the smaller, more compact member of the Hog family for this project. “I elected to programme with a Hoglet 4, as this was the right piece of kit to leave in permanent situ after the shows were up and running,” he explains. “As well as the nightly timecode shows, there was a requirement to run a few simple cues manually, and a physical console was desired but it had to be streamlined. So with only two kinds of fixtures to program, and no need for lot

Australia - Elation Professional has announced that ULA Group is the new exclusive distributor for Elation Professional products in Australia and New Zealand. Established in 1991, ULA Group provides lentertainment, architectural and LED digital lighting solutions to an extensive portfolio of clients across the region.
“We understand the value in providing our clients with as many options and solutions as possible, therefore we sought an internationally recognized brand that was well respected and could cover a vast array of markets,” states Cuono (Con) Biviano, managing director of ULA Group. “As an acknowledged brand on international tour riders and an emerging standard in the major theatre market, Elation was a natural fit.”
Elation director of sales & marketing, Eric Loader, adds: “A partnership with ULA was a logical step for us to move forward in th

USA - The ADJ Group of Companies has announced the appointment of Robert ‘Bob’ Mentele in the new position of vertical market manager with a particular focus on the worship, theatre, TV/broadcast and education markets.
Already a familiar face in the industry, Bob served as the lighting category manager at Full Compass Systems for the past six years. Previously, he was the rentals supervisor at Full Compass and technical director and lighting designer for The Armory Theatre in Janesville, Wisconsin.
“As we continue to grow within the theatrical, worship, broadcast and educational markets, we’re pleased to be welcoming Bob Mentele into our tightknit team in the new role of vertical market manager concentrating on these areas,” comments Toby Velazquez, president of the ADJ Group of Companies.
Following an initial period of induction, which is already unde

Russia - ETC and High End Systems’ dealers will present the latest product innovations from both companies at the 2019 Prolight+Sound NAMM Russia tradeshow. From 12-14 September, visitors to the Sokolniki Exhibition Centre in Moscow will find the latest additions to ETC and High End Systems’ fixtures and controls families in Hall 4.
DOKA Centre will demonstrate Augment3d, ETC’s new fully integrated 3D programming environment in Eos v3.0 on stand C6. Users can interact with their fixtures through augmented reality as well as controlling and designing in a three-dimensional space. Augment3d will be shown on an Eos family console desk.
They will also present Relevé Spot, ETC’s moving light specifically designed for theatre which brings affordable, high quality color mixing to smaller venues. Alongside this there will be EchoTouch, a standalone intuitive touchscr

USA - Utah Festival Opera & Musical Theatre is a popular five-week summer festival in Logan, Utah, that presents four fully staged works in repertory at the Ellen Eccles Theatre. Lighting designer Chris Wood, who just wrapped up his seventh season working on the festival as part of a top-notch cast and crew, had the opportunity to use Elation Artiste Picasso LED profile moving heads on this year’s productions - Newsies, West Side Story, Mary Poppins, and The Marriage of Figaro.
4 Wall in Las Vegas recommended the Picasso to Wood and although the fixture entered the lighting specification somewhat late, which didn’t give the designer much time to familiarize himself with it, he says he got better acquainted with the light through fixture documentation. “I appreciate that Elation puts out a lot of photometric data,” Wood says, “which

Germany - For Rammstein’s latest stadium tour, lighting designers Patrick Woodroffe and Roland Greil specified four grandMA2 full-size consoles, one grandMA2 light, 15 x MA NPU (Network Processing Unit) and seven MA 8Port Nodes.
Roland Greil explains: “Together with our programmer Marc Brunkhardt, we made the decision to specify a proven workhorse in the form of a grandMA2 system. The reasons are its reliability, performance and all our positive previous experiences with this console.
“Our concept from the beginning was to create a range of unique scenes,” continues Greil. “Our approach was quite theatrical. Obviously, the whole design needed to work hand-in-hand with the overall production design and be different to the more regular concert designs out there. Besides the very industrial look, we also wanted to create a modern aesthetic for part of the show.

The Netherlands - The Bridges of Madison County is a musical based on Robert James Waller’s 1992 novel produced by OpusOne that is mid-way through an extensive Netherlands tour with lighting designed by Benno Barends who is using Robe DL7S Profile and ColorWash 700 moving lights at the heart of the touring lighting system which us being supplied by P3 Podiumtechniek.
Benno has worked for Opus One for 10 years, starting as an intern and becoming their principal lighting designer. The Bridges of Madison County initially completed two successful runs in Amsterdam Zonnehaus and DeLaMar Theatre before hitting the road with Benno staying onboard as the lighting designer.
The main challenge was adapting the lighting to ensure it was practical to tour, play one night stands and fit into a wide range of venues - although most Netherlands cities are well endowed

Poland - Projection Artworks has completed Poland: First to Fight, an ambitious outdoor live immersive experience to mark the 80th anniversary of World War II at Museum 1939, Gdansk.
The Projection Artworks team scripted, storyboarded, choreographed and produced Poland: First to Fight in collaboration with Museum 1939. The Museum’s dynamic external architecture is transformed into a skyline canvas, creating a 20-minute live sensory experience that integrates archive footage, animation, projection mapping, live action, music performance, narration and sound effects to tell the heroic story of Poland’s journey through the war. An interpretive dance is woven through the show, with dancers and actors interacting with the projection, choreographed by dance and theatre artist Rhiannon Faith.
Museum 1939’s façades are manipulated using 3D mapping illusions, with

Belarus - Thousands of lighting fixtures and LED devices supported the Bright Year, Bright You theme of the opening and closing ceremonies of the 2019 Second European Games earlier this summer. Dinamo National Stadium in Minsk, Belarus was aglow with the glittering pageantry, and a network of High End Systems Hog lighting consoles controlled it all.
The main lighting control system was comprised of two Hog 4-18 flagship consoles plus two Full Boar 4 consoles, all networked in a multi-programmer setup, outputting data via five DMX Processor 8000 units. A near identical backup system was also on standby.
The physical set featured eight stages. In addition to the more than 1,000 moving head fixtures, Hog consoles controlled all the LED pieces, including the set decorations, the interactive audience bracelets and pixel tubes. Because of the massive amount of pixel m

UK - Lighting console manufacturer ChamSys is opening new headquarters in Southampton’s Brooklands Courtyard.
The facility features a multi-line manufacturing centre, which will enable the company to build its MagicQ Stadium and MagicQ Compact consoles simultaneously. Also inside are storage and dispatch warehousing area, R&D facilities, service department and customer training area along with a dedicated repair centre, two training rooms, and a pre-visualisation suite for visiting programmers.
Chamsys, which is celebrating 15 years in business this year, is officially opening the new HQ with an event on 2 September - contact the company on openhouse@chamsys.co.uk for details on how to attend.
“The new headquarters reflects our dedication to maintaining the highest quality standards as we grow,” comments C

UK - Ambersphere Solutions has announced that Rob Beamer has joined the company as key account manager. Based in Liverpool, he will be representing the Ambersphere portfolio in the North of England.
Beamer has worked in theatre for 14 years before moving into sales 11 years ago, working for Stage Electrics and Sound Technology. He will make his Ambersphere exhibition debut at the upcoming PLASA Show (15-17 September, London Olympia).
“This is a new role created for Rob and will allow us to offer our northern clients a more attentive and personalised service,” says sales director Philip Norfolk. “Rob is professional, knowledgeable, calm and friendly, precisely what our clients appreciate. The whole Ambersphere team is delighted to have someone as exceptionally capable and good fun to join us”.
“I am really excited to have joined Ambersphere. It’s such

USA - Vari-Lite has announced the VL800 Series of fixed and moving head LED fixtures. These cost-effective event fixtures bring a feature set specifically for mid-sized tours, productions, and entertainment lighting installations.
“Our goal with the VL800 Series was to introduce event fixtures that have been built with the DNA of Vari-Lite,” says Martin Palmer, senior product manager, Vari-Lite and Strand Luminaires at Signify. “This means that the fixtures look, move, and feel the way you would expect from us, but with a cost and feature set that fits installations and smaller rental applications. Our customers trust the Vari-Lite brand and the pre- and post-sale support behind it, and we’re committed to delivering on that promise.”
The new VL800 Series includes three new fixtures which have been designed to work together. The fixtures have been colour-mat

UK - The Olivier and Tony award-nominated Blues In The Night has undergone its first revival in 30 years at London’s Kiln Theatre.
Running until 7 September, and originally conceived by Sheldon Epps, Robert Jones’ hotel-based set design, steeped in Chicago 1930’s depression, is brought to life by eminent lighting designer, Neil Austin, with the aid of purpose-selected LED tools from GLP, with whom he has collaborated frequently in the past.
It was Austin who had initially suggested the more theatre-friendly variant of GLP’s popular X4 Bars, proposing an RGBY batten that would deliver warmer tones, which is now available as a custom option in the GLP catalogue. Austin himself has been using quantities of these fixtures on an internationally renowned production currently being produced around the globe.
It had been Rob Jones who was responsible for

USA - Six-piece band Fitz and the Tantrums are currently touring with Young the Giant. Lighting design is by Jeremy Lechterman and his team at FragmentNine.
Working with co-designer Jackson Gallagher from FragmentNine, and associate designer Mike Hankowksy from Hemlock Design & Technology, Lechterman uses a collection of 28 Chauvet Professional COLORado Solo Batten fixtures supplied by LMG.
The bright RGBAW linear fixtures are arranged in two layers of semi circles behind the band and in vertical stacks between video panels. From these positions, they backlight the performers, separating them from the upstage area. This seems to bring the band closer to the audience. At the same time, the straightforward geometric configuration of the bright, colourful battens draws the crowd’s attention to the stage bringing them closer to the band.
“Our client’s mus

Mexico - Emmanuel and Mijares, two leading figures in Latin pop, are delighting audiences across Mexico, Central America and the US by performing their popular ballads and pop songs beneath a large rig of Elation Professional fixtures, with lighting design by Hector Valencia and Axel Rebollo.
The Mexican singers’ career that spans over 35 years with millions of records sold and multiple national and international accolades to their credit. As friends, they joined together to create a show of their all-time greatest hits, Two’r Amigos, a performance that has now been touring for almost six years, breaking several attendance records along the way.
The show has been evolving since 2013 with musical arrangements and set lists changing, as well as the stage, video and lighting design. The show has been re-designed four times and this year returned to Auditorio N

UK - White Light has returned to the Edinburgh Festival Fringe where it is supplying the lighting and rigging equipment for all of the Gilded Balloon venues for the sixth year running.
WL’s customer service key account manager Dan Last comments: “We work closely with Gilded Balloon across their five buildings: Teviot (nine spaces), The Museum (auditorium space), Old Tolbooth Market (three spaces), Rose Theatre (three spaces) and the newly-acquired Patter Hoose (five spaces). Our role is to supply the lighting and rigging solutions in each of these, ensuring that they are well-equipped and able to host a range of performances throughout the Festival.”
Prior to the Fringe, Last and the WL team work closely with Gilded Balloon to decide on the equipment that will be used in each space. “We initially work with Karen and Katy Koren who each run Gilded Balloon, whi

UK - MDG has partnered with Arcadia Spectacular for this year’s Glastonbury Festival by supplying two of its Me8 fog machines for Arcadia’s new creation, Pangea.
Named after the Paleozoic-era supercontinent that broke apart to form the seven continents we know today, the Pangea installation replaces Arcadia’s Spider, a prominent fixture at Glastonbury for the past decade. The installation also marks one of the first major installations for MDG’s Me8 fog generator.
“As the first year of a five-year permanent installation, we were able to 'go to town’'with Pangea on a totally different scale from a touring show,” says Arcadia’s head of communications, Cyrus Bozorgmehr. “We wanted to explore possibilities with more scope for upward expansion into three-dimensional space, and investigate how to take over the area above people’s heads to make

Europe - eLumen8 has released a new fixture - the the MP180 LED Fresnel RGBALC, part of the company’s MP series.
With 180W LED source and smooth colour mixing, this luminaire is designed for short to medium throw applications, including use in theatres and studios. It can produce an even field of light thanks to an adjustable 13°- 46° beam angle, while the addition of amber, lime and cyan within the COB LED source makes for “perfect colour on any scene or subject, giving this fixture the edge over Fresnels with only quad-colour LEDs” according to eLumen8.
Andrew Jeffrey, Prolight Concepts Group MD, comments: "Since the inception of this series, the units have proved to be amazingly popular for many applications and this new addition with higher power and six colours will further expand the market for this series."
As with most others in the series, the MP

USA - Delicate Productions of Camarillo, California has taken delivery of a large stock of Ayrton Khamsin LED profile luminaires.
“The Khamsins are our first Ayrton fixtures,” says Joe DiCarlo, director of operations at Delicate Productions. The investment came after an enquiry by the lighting director of rock band, Tool. “Lighting director, Mark ‘Junior’ Jacobson, a long-time client of ours for concert tours, was looking for an LED source profile fixture for the anticipated Tool tour. That started us on the path of exploring these types of fixtures.
“Multiple manufacturers sent us demo units and we staged a shoot-out, with Brad Nelms at ACT Lighting supplying the Khamsin fixtures.”
Khamsin stood out from the other fixtures for a number of reasons according to DiCarlo and Angelo Viacava, lighting operations at Delicate Productions. “Khamsin prom

USA - When the Events United team first saw the venue for the Warrior Conference in Waterville Valley, NH, they knew they had to push their design to the next level. The low, sloping ceiling of the Waterville Valley Ice Arena, where the event took place this May, is anything but conducive to creating the kind of dynamic lighting displays that were needed to reflect the spirit of this popular men’s conference. Compounding the task was the arena’s strict prohibition on rigging from the roof, which made the task of getting the adequate trim height for potential lighting even more daunting.
The team met this challenge by building their lighting rig from the ground up. Helping them was a collection of Chauvet Professional fixtures and LED video panels.
“Supporting all the lighting from the floor limited how much gear we could send up and how high we could go,” say

UK - Singer-songwriter and musician Howard Jones is back on the road celebrating 35 years since his Human Lib hit album, complete with a striking lighting design by Yenz Nyholm from New Illumination Lighting Design.
The moving lights include 12 x Robe MegaPointes, and 26 x LEDBeam 150s which were supplied in the UK and Europe by rental company Siyan.
Jones is considered one of the defining figures of the mid-1980s UK synth-pop genre and he has generations of loyal and new fans who enjoy seeing him live.
Yenz collaborated with Howard and his producer Stephen Tayler on the production design and look of the show, and the brief was to create something off-beat and interesting. The artist also wanted it to look and feel contemporary in an electronic / robotic way. He wanted an aspect of video in the production but stipulated that this should be part of the band

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