Lighting

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14 March 2016

Lighting designer Carlo Pastore and Gianna met professionally for the first time in 2011, in a show where Patrick Woodroffe was in charge of setting up and directing the lighting design. That tour was entrusted to the care of Eneas Mackintosh, founder of Lime Light.

At the time, Carlo Pastore was a programmer and Eneas's lighting assistant. During the second part of the tour, he was put in control of lighting desk operations and that was when he met Gianna Nannini.

"We met again this

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14 March 2016

The technical director of The Heights Baptist Church outside Dallas, Dennis flew six of the 330W Rogues in front of stage positions when Daigle appeared at his well-known house of worship. "There are a lot of nice performance features in the

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14 March 2016

This year Production Resource Group L.L.C. (PRG) showcased cutting edge developments that continue to provide practical yet inventive solutions to the various challenges of production. PRG understands that true innovation must enable producers, designers, gaffers, cinematographers and technicians to work smarter - to accomplish more, with greater efficiency, at lower costs.

One of the innovations making its debut at LDI was the PRG GroundControl Remote Followspot System. Followspot control hasn't changed for decades. It's time to take the truss spot operator out of the truss and put him on the ground where it's safer and more efficient to operate the followspot.

The PRG GroundControl System allows a technician to remotely operate a

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14 March 2016

Robe upped the stakes at the popular U.S. entertainment technology exhibition to reflect the surge in growth of its business in the United States, Canada and Latin America.

The eye-catching stand was busy from the moment the show opened, where visitors could enjoy an action packed program including comprehensive demonstrations of all Robe's technology new to the U.S. market.

This included the powerful and refined DL7S Profile, an LED fixture built for theatres and TV studios; the Square, a 5x5 zoomable LED matrix for video projection, pixel animation, beam effects plus a highly effective wash and cyc light with continuous pan/tilt rotation movement; the ColorSt

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14 March 2016

Filmed for BBC Two by Avalon Television, the topical comedy show looks at his unique perspective of some of the big stories dominating the news that week. Good News includes sketches and guest appearances as well as stand up from Russell.

Lighting director Martin Kempton has updated the rig and it now includes a mix of MAC Auras and Martin Stagebar 54s with a few MAC 700s and VL1000s, all supplied by RML. He explained that the Auras are the perfect wash light for this show. "Behind Russell are three giant projected images relating to the topic he is discussing. The stage floor is lit with a

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14 March 2016

The Sunday Night Football opening sequence is the official introduction to America's prime time Sunday night programme and features Carrie Underwood for the third year running. Filmed in June on Stage 23 at Warner Brothers, Burbank, the Open was first broadcast nationwide on 13 September 2015, with weekly updates tailored to feature each Sunday's rival teams.

This year marked a style change - described as Nashville meets Hollywood - with the creation of a large virtual video backdrop and a new arrangement of the famous theme tune, Waiting All Day for Sunday Night, which Underwood performs in front of a live audience, amid real and projected

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14 March 2016

Organized by the African Union (AU), this multi-sports event drew in participants from 54 nations with a programme of 22 separate sports disciplines plus two additional disability sports.

GL events Audiovisual, a subsidiary to GL events Group, was tasked with the exceptional closing ceremony of the Games. From design to production, the teams focus was fully on guaranteeing top-quality service within sound, lighting and video. To achieve the best possible light installation, they selected 18 G-Spot LED moving heads from SGM with an IP-rating of 65.

French lighting designer, Vincent Mongourdin, worked

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14 March 2016

Technical production - including all lighting and sound - for Tilfest 2015 was provided by Phantom Power headed by Clive Nicholes, a Cambridgeshire based rental and production company supplying festivals, live events, dance and theatre shows.

The FLX console is a new purchase by Phantom Power that was supplied via Impact Products in Northampton.

Guy first saw the FLX in action at a Zero 88 product information day - Phantom Power already owned a Zero 88 Solution console, which everyone liked, but when Guy received the FLX demo, it really stood o

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14 March 2016

The musical made its debut as a preview on 7 March 2015 at the Teatro Coccia in Novara with a cast of professionals from the Compagnia della Rancia directed by Marco Iacomelli. The scenery was designed by Gabriele Moreschi, costumes by Carla Ricotti, choreographies by Gillian Bruce, and lighting by Valerio Tiberi.

Next to Normal started in 1998 in the United States as a workshop lasting just 10 minutes. Ten years later, it was a short step from the first Off-Broadway performance to its final seal of approval on Broadway itself. The musical made its début at

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14 March 2016

Speaking at a meeting for PLASA Members held during the PLASA Show, John Simpson, PLASA Governing Body chairman and chairman of the White Light Group of companies, said, "Without doubt our major issue this year has been that of diminishing profit, which has led to a critical cash-flow problem for the organisation.

"We have taken action in implementing cost-cutting measures across many parts of PLASA, including reduction in staff, putting the Eastbourne office up for sale and a substantial restructure of the organisation. We have overcome the immediate cash flow problems for 2015, but will be limited in services we can provide during

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14 March 2016

"We were very pleased with the widespread interest shown in our products," said Berenice Chauvet, vice president of Chauvet. "I think the response we experienced at LDI this year speaks to the diversity of our product line."

Among the new products attracting attention was the ÉPIX Tour Series, 20mm bars and strips with RGB SMD LEDs that were built for life on the road and engineered to deliver dynamic looks with or without pixel mapping.

Another LDI success for Chauvet Professional was the Ovation E-910FC, a new five-Color RGBA+Lime LED ellipsoidal. Bringing a new leve

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14 March 2016

The 66th edition of IAA Cars, the world's largest motor show, saw one of the biggest collections of GLP impression LED moving heads ever assembled under one roof.

Taking place over 225,000sq.m of stand space at the Messe Frankfurt, leading manufacturers and their creative teams chose GLP impressions from right across the X4 range to deliver mission critical solutions.

Leading the charge was Volkswagen, where the team from lighting design and technical conception company, rgb gmbh specified a massive 430 of GLP's new X4 L heads and 300 X4 Bar 20, (part of an overall complement of more than 2,000 fixtures) with the inventory provided by PRG Germany, who had been nominat

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14 March 2016

Following an enthusiastic response and non-stop crowds in the PRG booth all Friday and Saturday, the LDI team was awarded the LDI Best Debuting Product - Staging and Rigging for the new PRG GroundControl Followspot System. Presented at the LDI Awards event on the show floor and accepted by PRG product manager for Luminaires Chris Conti, who thanked PRG's Technology Development team, based in Dallas. He also thanked the industry colleagues who contributed feedback during development, especially Lighting Designer Bob Barnhart and the Full Flood team for their inspiration towards developing this revolutionary product.

The PRG GroundControl Followspot System allows the spot operator to be in a remote location up to 2,000' away whi

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14 March 2016

Dizzy Gosnell accepted the award, which was held at the Rio Resort and Casino October 24 during LDI, and was hosted by Kevin Lyman, founder of Vans Warped Tour. This is the fifth win and fifteenth nomination for Bandit, which has been nominated every year since the award's commencement. It is the twenty third Lighting Company of the Year award Bandit has won globally.

Bandit chair, Michael T. Strickland credits the win to Bandit's hardworking staff and valuable clients. "It is always humbling to be honoured in such a way by your peers," he said. "All at Bandit appreciate the recognition and support. We could not do it without the great support

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14 March 2016

Bico's lighting designer Hans Henrik Schmidt says, "Originally, the tower was lit by some 40kW of lighting; the management were keen to reduce power consumption, so cut that by half, but were then, of course, disappointed with the output quality.

"After talking to us about how they could obtain the same high quality of lighting, but with lower power usage, we offered them 17 of the outdoor ETC Desire fixtures, which use a combined total of little more than two kilowatts."

Using an ETCnomad system, Schmidt was able to create a look that could be stored directly in the Desire fixtures. At night, all that the end users need to do is turn on the powe

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14 March 2016

On presenting the cheque, David Lincecum, vice president of marketing, commented, "When we started this, we never imagined that the sale of this app could produce over $233,000 for such a great cause. An important part of the ETC culture is being of service to each other, especially in times of need. We are very humbled by the large impact this small app has produced for the members of our community who have needed a little help."

Rick Rudolph, chair of Behind the Scenes, responded, "We are as amazed as ETC at what this app, developed by Chris Mizerak and Anders Ekvall, has been able to do for our colleagues in need who are so often in deseperate situations due t

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14 March 2016

As White Light is Central Hall Westminster's production service partner, the company provided all of the production support for the evening - with the venue being the only English landmark to be featured as part of this iconic occasion.

Central Hall Westminster has a long and historic relationship with the UN. In 1946, the venue was chosen for the very first General Assembly of the newly formed United Nations; a meeting that saw the appointment of the first Secretary General, along with the c

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14 March 2016

With the festival growing in popularity every year, Creamfields producer LarMac LIVE are working to create a bigger and better experience for the audience at each event.

Featuring two main stages - North and South - with identical screen set-ups, and a further seven tent arenas, PRG XL Video were brought in early in the design process to help deliver Creamfields' most ambitious production to date.

The recent combination of PRG and XL Video further streamlined the process this year, with video across all stages, and lighting and rigging on the two main stages all supplied by the new integrated team. Under the direction of Ian Greenway of LarMac LIVE, Paul 'Macca' M

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14 March 2016

Every year the association Arketipos brings internationally renowned landscape architects together and invites them to present their most significant experiences at an international meeting held in the evocative setting of the old Teatro Sociale.

The fringe events attract a wide, varied audience, especially thanks to the now famous "green makeover" of Piazza Vecchia, which is transformed radically for the event and renamed Piazza Verde (Green Square). The design of the square is entrusted to a different internationally renowned landscape architect each year. This year the idea for Green Square

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14 March 2016

Equally relentless are his live shows, for which he has garnered a huge reputation in France. For his latest Paris show, Admiral T's lighting designer Gregory Lichtle deployed Chauvet Professional's Nexus Aq 5x5 RGBW LED panels and Legend 230SR Beam moving fixtures to support the 34-year-old's energetic and feverish live performance.

Lichtle included 19 of the Nexus panels in his dynamic design. The barrage of Nexus fixtures worked together to form a powerful rear wall, from which sharp beams of pixel mapped light could be punc

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14 March 2016

The massive EDM gathering, produced by Insomniac Events, celebrated its 20th Anniversary 3-6 September at the San Manuel Amphitheatre & Grounds in San Bernardino, California. Stage design for the Queens Ground and Sunken Garden stages was by production design specialists SJ Lighting with production company Visions Lighting, who has been involved in a number of top festivals this summer, supplying the lighting and video gear.

Southern California-based Visions Lighting has been involved with Nocturnal for over a decade and this year worked closely wi

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14 March 2016

The Wimbledon Light Operatic Society production was based on an original story by Jersey Boys authors Marshall Brickman and Rick Elice, which has been described as an 'off-beat take on 19th century gothic'. The plot line is a ghoulish romp, involving ancestors of the family making their annual visit from the grave only for chaos to ensue.

Lighting designer Paul Flook's theatrical brief was to differentiate between the living and dead characters using coloured light. He added 10 Philips Selecon PLprofile1 luminaires, four PLcyc1 luminaires and eight Philips Showline SL WASH 180 movers to a basic rig, creating a versatile mix of traditional

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14 March 2016

The venue - which also includes food stalls - is being facilitated by Exeter City Council. It enables rugby fans without a ticket to Sandy Park or other games to enjoy the buzz plus all the thrills and spills of the 2015 Rugby World Cup match days as they unfold on the big screen in this convenient location in an official Rugby World Cup host city.

There are two video screens, the main one comprising 63 panels of Lighthouse R7 screen totalling around 50sq.m, which is flown on a truss installed towards the back of a Serious Stages 16 metre Supernova stage. There's capacity in front of this for up to 5000 sports fans.

Fineline's crew also installed two general purpose lighting truss

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14 March 2016

In addition to being the owner of Landru Design - which offers lighting design and consulting services for Houses of Worship, corporate events, conferences, and festivals - Andrew is the LD and part of the production team for the main 400-seat Worship Centre space at the Two Rivers Campus. Beyond programming and running services, he also maintains the lighting system and supports the team of production volunteers.

Andrew worked closely with Josh Holowicki of lighting sales and production company, E2i Design - who also passionately support a number of Houses of Worship and education centers in the region - to supply the Jands Vista system.

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