As a company focused solely on entertainment lighting, 4Wall Entertainment takes pride in maintaining a rental inventory that represents the latest technology and value for its clients. The Rogue R1 Wash allows the company to offer clients a high-output moving LED fixture that includes performance features not ordinarily found at its price point. For example, the fixture has a bubble lens design th
Sublime with Rome is a musical collaboration between bass player Eric Wilson, formerly of the band Sublime, singer/guitarist Rome Ramirez and drummer Josh Freese. Their North American tour is their biggest headlining gig to date. They released their new album, Sirens,this summer.
Warner designed the band's tour two years ago when they carried only a floor package. "They wanted to step up their light show for this project," he says. "I was ready to start programming when I had to move over to another client, but thank goodness lighting director and programmer Aaron Craig was ava
Bennett, of Seven Design Works, has used the MagicBlade-R units to delineate thirteen jointed truss 'arms', which are suspended in a 'V' shape above the stage to form a pivotal feature of the stage design. The MagicBlade-R fixtures are rigged in double rows along the arms, which split along the centre line and move independently on a series of separate wire winches to shape and sculpt the stage from above.
"I didn't know the band well but knew their music. I wanted to give them something very different from the video-heavy designs of their past tours - and create something that I haven't done before!" says Bennett. "I like transparency, reflection and mirrors ri
The festival is an important event on the South African cultural calendar, and the biggest annual celebration of the arts on the African continent, but many of the venues suffer from similar issues: excess heat and lack of power.
One such venue, Vicky's, is a small school canteen converted into a fringe theatre with a 150 seat capacity - but in previous years, the power supplied to the venue could not sustain its demands. To reduce the issues caused by the lighting, this year they decided to go all-LED, thanks not only to assistance from Prosound, but also to sponsorship from ETC.
Prosound's Mac Makhobotloane, who was responsible for lighting technical support, says, "We used
Main Attraction - Cast members are the biggest draw for a
CTS supplied full technical production for the event area created in one of the aircraft hangers. This was draped off and used to present a high profile gala dinner on the Friday evening and an after-show party for RIAT staff and behind-the-scenes workers on the Sunday.
RIAT is geared to offering a great family day amidst all the drama, spectacle and adrenalized fun of a 7.5 hour flying display featuring a plethora of different aircraft.
CTS has been involved with supplying production for specific areas of RIAT since 1987. The gala dinner - now for 660 invited guests, including a host of dignitaries and VI
Artistic Licence, a well-known name in the architectural and entertainment lighting sectors, is using the show as a launch platform for moody - a product that the company anticipates will appeal to a particularly wide market.
moody is a wall controller & programmable scene-setter for LED. It has a simple rotary dial, just like a conventional dimmer, except that it is lit up by a colour LED at the centre. This is not just for show - the LED indicates the colour and intensity of zones of light that can be programmed and controlled by moody.
The USP of the product is its a
"We hadn't done any major upgrades or renewals since 2005," Mr McMahon explained. "Graeme came up to Bundaberg to do another job for the school and I spoke to him about it. That started a very strong
Radio Télévision Suisse (RTS) is a Swiss public broadcasting organisation which handles production and broadcasting of radio and television programming in French for Switzerland. Two RTS channels cater for Switzerland's 1.6 million French speakers. RTS Un is a mainstream channel showcasing its major in-house productions and is complemented by RTS Deux which leans towards sports, the arts and youth interest programmes.
Recently, the channel invested in a new, fully automated HD television studio dedicated to news programming, which would
The fourth Lumiere festival will see some of the world's most eminent artists transform Durham City's unique urban landscape and architecture into a magical nocturnal adventure. Artists include Janet Echelman from the US, Fujiko Nakaya from Japan, Catherine Garret from France, as well as two French pioneers of digital art, Miguel Chevalier and Patrice Warrener.
Alongside international artists, County Durham's residents will be playing a starring role in this year's festival. Working in collaboration with Lumiere artists locally produced ideas include Ho
In short, the venue - home to the Goteborg Symphony Orchestra (GSO) - took the world of concert halls into a new league. It remains one of the most prestigious venues in Sweden and a place that everyone enjoys playing at and visiting.
Now they have Robe LED moving lights. The venue's investment in Robe fixtures was instigated by Måns P?r Fogelberg (aka 'MP'), Head of GSO Play, the in-house streaming and broadcasting division, together with Konserthusen's head of technical Johan Bjorkman in consult
"We needed the show, to look good for the live audience, as well as on television," explained Aaron Russ, lighting designer at Protec.
The opening ceremony used a riot of colour and light to depict the central theme of urging youth towards core sporting principles of determination, perseverance, stamina and the will to achieve. This was explained through a narrative and skit that was inter-woven in a film that depicting the history and culture of the UAE. Held at the NAS Sports Complex, the high-profile event was attended by His Highness Sheikh Hamdan bin Rashid Al Maktoum, the Crown Prin
WL will be exhibiting at stand C30 and showcasing the very latest in lighting, audio, effects and AV solutions.
The equipment on show includes the ArKaos MediaMast
Kilmurry's design for the Hozier tour is based around a warm tungsten atmospheric feel, using old school Edison bulbs dotted around the stage which gives a wonderful glow to the performers.
"I've been using Avolites consoles since I started out in lighting in 2001," says Kilmurry. "I trained in Ireland and the first console I used was a Pearl 2000. I chose the Sapphire Touch for the Hozier tour in the UK and US this year as I find the cloning/exchange fixture works very well and I can get around it much quicker than other consoles. Everything I need seems to be a few less button pushes away."
The Sapphire Touch is designed for ambitious shows, with more submasters, more flash and executor buttons, and the pow
Peppering the corrugated iron façade are a large number of Clay Paky Sharpy Washes, positioned inside transparent protective domes. These fixtures are barely visible until they strike up to bring texture, colour and dimension to the set and to bathe the audience in sharp, randomly angled, acid coloured light.
"AC/DC's identity is distinct, they're a straight forward rock and roll band," states Woodroffe. "We wanted to reflect that in
Steve Hankin, chief executive officer of VER said, "We are very excited to team with Aurora, an industry-leading lighting rental house that offers the UK a boutique, premier service. Over the next year, we will invest significantly to expand the equipment offering and other resources to support the tremendous demand for their service. The combination of Aurora's knowledge and quality service with VER's broader product line will offer Aurora's clients a truly one-of-a-kind resource. "
Nick Edwards, managing director of Aurora said, "VER is a glo
The festival, which drew over 25,000 people to Connecticut's sprawling Seaside Park (it covers over two miles of shoreline on the Long Island Sound), is a far cry from the small get-together that Ken Hays and a group of friends held 20 years ago to honour Jerry Garcia, following the death of the Grateful Dead's legendary frontman. Hays, who still runs Gathering of the Vibes, recentl
"We chose them to fill a gap we felt existed in our inventory of consoles, for desks suited to the smaller and medium sized corporate work," commented Stuart Andrews, lighting operations manager.
"Given that we have established the MA2 platform as the standard for the Gearhouse Johannesburg branch to supersede the MA1 platform on which we operated for many years, it made sense to us to continue in this vein. The units are small and extremely powerful consoles yet very compact."
(Jim Evans)
Organised by the ALD, STLD, The Fifth Estate Ltd and Clay Paky and now in its 8th year, the KOI Awards is a celebration of the creative talents of international lighting and digital content designers working in the UK across TV, Theatre and Concert Touring and Events.
The sub-categories for Television are: Drama; Light Entertainment; Small Studio; Events; and Video Graphic Display.
The TV shortlist judging panel comprised: Stuart Gain (Chairman) - Rob Horne (Small Studio) - John O'Brien (Drama) - Stuart Gain (Light Entertainment) - John King (Events) and Mike LeFevre (Graphics).
The shortlist is as follows:
DRAMA - Gavin Finney for Wolf Hall; John
"It was a great experience and it's a trending video in the country market," says Jeff Lavallee, lead designer at 44 Designs, who has been designing Thompson Square's stage look for the past four years, almost as long as the duo has been around. "The song and video capture the brazen passion and energy of Thompson Square's live shows. Together with Keifer and Shawna Thompson, we then decided to use the look on their 2015 tour."
An important visual element of the
In celebration of the bridge's world-renowned history, the city commissioned Netherlands-based lighting integrator and distributor Fairlight BV to illuminate the bridge in 2004. Eleven years after the initial install, Fairlight BV was brought back to retrofit the design with more energy- and cost-efficient lighting fixtures from Martin Professional.
Fairlight BV faced two main challenges during the installation. The first was the location of the fixtures. Due to the bridge's architect
Music Bank and Yoo Hee Yeol's Sketch Book - both produced by and aired on the Korean Broadcasting System (KBS) network - had lighting designed by Kim Jung Hyun, with the BMFL Blade fixtures provided by rental company, RGB.
Music Bank is one of the most popular TV shows in South Korea. It airs every Friday night at 6.30 p.m. prime-time KST and is broadcast across a further 72 countries worldwide. Yoo Hee-Yeol's Sketchbook is a K-Pop music programme combining a chat show with live performance. Its celebrity host Yoo Hee-Yeol, also known as Toy, is a one-man band.
Both shows are recorded at the TS15 studios in Seoul, Korea with a live audience of around 300. Kim Jung Hyun used 24 x BMFL Blades for Music Bank and 16 fixtures to light
Roskilde Festival 2015 featured a new edition last year's successful Art Zone. In an area of approximately 6,400sq.m, located on the left side of the renowned Orange Stage, this year's Art Zone consisted of some interesting architectural installations that were stunningly lit.
Dutch architect duo, Marco Zolos and Robbert van der Horst, once again carried out the design for Art Zone. The young aspiring Danish lighting designer, Jakob Kvist, subsequently added the powerful lighting expression - "I got contacted by Johan Kjaerulff Rasmussen, responsible for Art Zone, in May. At that time, the building structures and concepts were already at thei
Many high-profile show designing companies have relied on Laseranimation's Lasergraph DSP for many years: The Lasergraph DSP controllers provide extreme output performance, as they are small computers on their own which handle the whole output processing in a decentralized way. This means, that there is only a small programme necessary to remotely access the de-central units over LAN - the actual programming as well as the output calculation is done in the Lasergraph DSP controllers.
It is possible to connect a multitude of DSP units via LAN and run them in one huge network - this is how huge shows can be controlled. Synchronizations with other media can easily be done over SMPTE timecode and the whole setup can be remote controlled over DMX or MIDI. DMX remote c
