"What wowed us in the demo was the colour rendition on the Hawaiian shirt," says associate master electrician Anthony Gutierrez. "The lime green frequency is in the middle of the human spectrum and fills in colour gaps you didn't even know were there."
Jessica Wodinsky has been the master electrician at Royce Hall for 30 years and can chronicle the evolving technology - "When I came here in 198
The three-month performance run included five cutting edge opera productions staged in the tensile structure erected by the Royal Borough of Kensington & Chelsea (RBKC) in its picturesque park, with the historical ruin of Holland House as an atmospheric backdrop.
HSL has been involved as a technical production supplier for the event for the last 12 years, in which time the lighting requirements and expectations have changed radically. What was once primarily a generic rig onstage now features nearly 90 moving lights with another 200 light sources supplied by HSL to light the surrounding and
"AC/DC has always demanded bold, bright, spectacular - yet uncomplicated - lighting and I think this time we gave it to them in spades," explains Woodroffe. "We were looking for powerful, bright lights that would work particularly well with no colour. We also wanted some more delicate effects, some tight beams and some hard edge source points. We chose a variety of fixtures including the new Vari-Lite VL4000 BeamWash and the VL3500 washes, which in combination gave us most of what we needed, in var
tn.jpg "Thomas Rhett's upcoming album, Tangled Up, is slated for 25 September release")
Bandit worked with lighting director Andrew Hunt and tour manager Logan Kornegay, supplying 14 Chauvet Legend Beams which span the top of the set, with four downstage on the right and the left, and another six in the middle of upstage to add depth. Additionally, 16 Martin MAC Auras are on the lower part of the set as eight fixtures light the drums and keys, while the other fill the outer parts of the set.
"I love the punch these beam fixtures pack, and they stand out really well, whether they are shooting out over the crowd in an arena, hitting Thomas Rhett on a cat
"The band decided pretty last minute to spice up the show with lighting, so we had a bit of a rush to get things together and get the show cued out," said LD Victor Zeiser of Squeek Lights (New Yor
Presented by multi award winning theatre and opera designer Paule Constable and large-scale arena spectacular lighting designer Durham Marenghi, both sessions were quickly over-subscribed from the moment they were announced and two further sessions were quickly scheduled to absorb the overflow.
Constable, who is also associate director of the National Theatre, London, talked passionately about her preferred collaborative approach to the design process and illustrated this with images of her recent designs for shows including the award winning Warhorse and The Curious Incident of the Dog in the Night-Time.
In contrast, Marenghi focused on t
Control Protocols Working Group
BSR E1.31 - 20xx, Entertainment Technology - Lightweight streaming protocol for transport of DMX512 using ACN
This standard describes a mechanism to transfer DMX512-A packets over a TCP/IP network using a subset of the ACN protocol suite. It covers data format, data protocol, data addressing, and network management It also outlines a synchronization method to help ensure that multiple sinks can process this data concurrently w
The CycFX 4s and LEDBeam 100s were both new purchases for Orlando based lighting vendor, LMG.
A prominent feature of the design are 10 lighting pods - that move into different positions during the show - providing an interesting, fluid and ever changing geometric element to the stage space.
The LEDBeam 1000s are used as wash fixtures due to the excellent zoom. Their individual ring control also opens up a whole range of new effects, together with the smooth dimming and color mixing, explained Brock who positioned them all over the rig. "The output is amazing," he stated.
The upstage truss is made up of five individual sec
Lighting designer Carter Fulghum used GLP X4S's to provide front light and colour for the stage. Robe Pointes brought punches of colour, cutting through the VL 3000s, the fixture Fulghum deemed "the workhorse of the rig".
Clay Paky B-EYES were utilized as dressing and backlight. "I really liked working with the B-EYES," said Fulghum of the recently added fixtures. "They have a lot of effects that help you keep each song looking different and new."
With the summer tour taking place in more intimate settings such as
Bloodstock's main 'Ronnie James Dio' stage featured metal heavyweights such as headliners Trivium, Within Temptation and Rob Zombie. LD Ben Coxon controlled using two HSL-supplied flagship Avolites Sapphire Touch consoles, networked together with a TitanNet Processor (TNP). HSL also supplied a dimming solution in the form of two 48-way Avolites ART2000 dimmers for the stage, as well as further Avolites consoles and dimmers across the festival site.
"Due to the busking nature of the festival, Avolites was the perfect choice," says Andy Whittaker of HSL. "The range of Titan consoles, going from the Quartz all the way up to the Sapphire Touch, suited each stage of the fest
Fifalite's managing director David Pfeiffer has always leant towards a different brand of lighting console but he happened to be visiting Brisbane Show Technology on a different matter, when Adam White showed him a brochure for the new dot2 console.
"I had always admired the MA brand in so much as everywhere I go, the grandMA2 seems to be the console of choice," commented Pfeiffer. "I never thought I would own one as I run a fairly small business and they are quite expensive for me. Plus the type of shows that I do would not warrant having such a fancy console. However, the dot2 brochure got me interested and once I found out the price, I was hooked."
Mu
Johnny Scholtz from DWR advised the client on a cost effective way to light up the set of their new News Studio. Jakes Mogale from DimBright was then commissioned to carry out the installation.
"While it was a very basic install, which included a power supply, controllers and LED strips the end result looked great," commented Jakes. "It was a wonderful experience as it was my first time in East Africa. Johnny had worked out a solution from South Africa for the client, but when I arrived, we had to alter the set somewhat to accommodate the lights."
The set was made out of Perspex and was showing spots. A simple vinyl print put over the Perspex set allowed the light to disperse evenly.
(Jim Evans)
As a leading specialist technical solutions agency, TechRig approached SGM's local distributor S.E.T Africa to expand their rental stock with SGM luminaires. "We were looking for cutting-edge LED solutions, and that's why we selected the SGM products," says director of TechRig, Michael Collyer. He adds, "The Q-7 is a nice small multipurpose unit, which can be used as a colour washing set piece to eye candy extravaganza."
SGM's profile matches well with TechRig's vision. This well-established and experienced company seeks to implement the latest technological developments with top quality gear that is constantly updated, and, as Collyer underlines, "SGM applies a different way of thinking to their products makin
With so much at stake, brands like Ford, Bentley and Jaguar Land Rover understand that an audience-engaging show booth is worthless without camera-ready, visually stunning displays of their new vehicles. That's why they tap design firms like Imagination and lighting suppliers like Static Light Company, which are staffed by experts who understand the challenges of illuminating a car's sleek curves and metallic sheen in an indoor convention hall. To meet those challenges, they rely on Martin Professional's lighting fixtures.
"Our MAC series of premi
"On Electric Tundra we had the challenge to present a national headlining act with limited setup time on a small stage with a video wall, all on a tight budget," began production manager, Katie Gilliland, University at Buffalo Centre for the Arts. "Inside the 6,500 seat arena, equipment cannot be hung from the r
Before taking on a huge number of concerts in major European and Asian capitals, he embarked on a tour of theatres in Italy to mark the release of his latest work Beyond This album also features foreign artists and producers.
Jo Campana, the lighting designer who has worked with Biondi for several years, briefly described how the tour lighting design came about: "After a discussion with Mario and after listening to his new album, I tried to steer my work so that it diverged from the Mario's past and supported his intention to seek out and discover new musical horizons.
"My idea was to create an elegant stage concept, with just a touch of
While Protec's core business is corporate events it also provides production for rock and roll events, and the year kicked off with #DBXNYE, Dubai's biggest New Year's Eve party, which featured Pharrell Williams, Busta Rhymes, Paul Oakenfold and others. Protec supplied the audio, an L-Acoustics K2 system with a DiGiCo SD5 desk; lighting which included many Clay Paky and Vari-Lite fixtures ran on a GrandMA2 Full desk; video, which was displayed on 150sq.m of Protec's Mambo 9mm LED screen; plus staging, rigging and the company's EHD Mark 2 concert roof system.
Another spectacular event was the opening ceremony for IDEX 2015, which won the 2015 Middle East Event Award for Best Tempor
Ray Woodbury of RK Diversified Entertainment (Los Angeles) used the moving LED panels to create a captivating lighting display over mid-stage for the Toyota Summer Concert Series during the Orange County Fair. Woodbury flew 16 Next NXT-1 panels on overhead truss for each of the 24 concerts in the series. "They were the workhorse of our rig," he said. "Of course they were also much mor
This is the fifth year running that Utopium has been called upon to supply its lighting and rigging for the creatively themed BoomTown Fair, which is well known for its imaginatively themed cityscape. Utopium provided festival lighting and rigging to 10 stages, including the expanded Lion's Den stage, The Town Centre, The Old Mines, The Jolly Dodger, Crazy Calamities Saloon and The Hidden Woods, as well as providing lighting for all the woodland areas.
Utopium provided a range of its LED fixtures to support the organiser's ethos of reducing energy use to minimise the festivals carbon footprint. This year the Lion's Den stage was re-located to a larger area and Utopium were called upon to supply all the lighting control, dimming, distrib
Maverick LD Pelle Larson's lighting design included 24 x Robe Pointe moving lights installed in prominent positions around the dancefloor and amidst the orchestra.
Pelle is a well-known and respected industry figure in Sweden and in addition to a host of top LE TV shows, including Let's Dance for national channel STV4 since the series began and many other TV productions, he has also been active as a touring and concert designer.
He likes to keep the business of his company, LD Sweden, literally '
Blackout worked alongside production manager Jon Howes, within a team of contractors, who year on year collaborate with the venue's management and sponsors. The team work to facilitate both events and aid Somerset House's transformation into a concert setting and then an open air cinema.
This is the eleventh year running Blackout has worked on the Summer Series concerts, supporting promoters Metropolis Music. This year the concert featured performances from Passenger, George Ezra and Jessie J and attracted crowds of up to 3,000 people.
Blackout provided all of the stage rigging as well as two truss wings, which flanked either side of the stage, to hang the PA systems and branding, negating
Using four Elation Platinum Profile 35 Pro fixtures amongst a plot of LED lights and conventional sources, it was Herrick's task to carve out a black and white world that was later colorized by the presence and strength of will of Eva Peron, in stark contrast to the character of Che and the various political elements that she was constantly beset by.
Herrick relied heavily on the Elation fixtures to define areas of the relatively small stage and make the world of
"It made complete sense" he stated, "It's small and light enough to easily fit in my car or go on the plane, and powerful enough to run the majority of the shows on which I am currently working." Having his own console means he can always have his control platform of choice. Peter was delighted that MA's small and highly versatile dot2 was also within a reasonable price range. The console was supplied via MA's South African distributor, DWR Distribution.
"It's the
This tightly planned and executed operation - which this year battled with inclement weather for the first time in the festival's recent history - involved the supply of nearly 500 moving lights, 228 high powered Dragon LED PARs and a mix of other kit, including LED screens for the Main stage and other areas.
Colour Sound's crew of 22 was chiefed by James Hinde and Alex Ryan. James co-ordinated the get-in and set up of all the operated stages, while Alex looked after all the other areas, and together with Woody (Stuart Wood), oversaw the whole operation during the show days.
Colour Sound regular Jon Rickets was working as techni
