Wilson commented on the grandMA2, "I am using the grandMA2 because I have had such success using the grandMA series 1 for the past 10 years and I decided it was time for me to upgrade to the grandMA2. The learning curve was easier because I have been using the grandMA series 1, but there are so many new things on the grandMA2 that make programming and operating my show much easier and quicker. Also havin
After its 2010 purchase by current owners/operators Ezio Carosielli and Luisa Sassano, the venue has revitalized both the interior space and the iconic architectural elements of its façade, including a new exterior lighting system outfitted with Martin Professional architectural lighting solutions.
When structural renovations in the summer of 2014 presented an opportunity to refresh the façade, Garou Blancan, the Rialto's technical director and winner of Martin Professional's 2014 Yo
Twenty-two years after it was originally performed in the venue, the play made a welcomed return to the stage to once again raise the profile of HIV awareness as well as the charity's work. White Light was called upon to provide some essential lighting equipment for the performance, which not only meant assisting on an important event but also continuing their relationship with one of the UK's leading HIV charities.
Established in 1990 as West End Cares, the rebranded TheatreMAD is a group of volunteers bringing the theatre community and its audiences together to raise awareness and funds for those diagnosed with HIV. Originally starting w
Auditoire Qatar, a well-known event organizing company headquartered in France with branches in Qatar and various locations worldwide, conceptualized, designed and produced festivities in different locations across the city establishing Qatar as a world class sport hosting country in the region.
SGM's Middle East distributor, TechnoPro llc, contributed to the success of the event by providing the technical production with the latest state-of-the-art equipment, manpower, and system operation in the month long preparation and implementation of the event.
The Doha Corniche skyline was illuminated with a dynamic lightshow featuring 1000 x SGM LED fixtures. One hundred and twenty G-Spot, 600 x P-5, 280 x SixPack were installed on 28 x Litec truss
Lighting designer Al Gurdon dazzled the audience with an array of looks from soft and subtle ballads to rock and punk, accented by LED screens embedded in the floor and providing a constantly evolving backdrop to the stage. Providing media technology and kinetic lighting effects was Entertainment Technology Concepts GmbH. Volker Suhre, CEO, selected LumenRadio as their wireless partner for the event.
The CRMX technology was used in the show to provide links to difficult
The glittering spectacle staged in the new 55,000 capacity National Stadium was broadcast live on national TV and across south East Asia, reaching an estimated audience of 600m, and saw the 28th SEA Games declared open in great style. It also featured the greatest number of Robe BMFLs - to date - used on a single event.
The BMFLs represent a massive investment made by Singapore based rental company Showtec Communications Pte Ltd., which purchased over 700 BMFL fixtures, most of them especially for the event, once Mac had confirmed his decision.
Mac was asked to design the high-profile event's lighting by creative director Beatrice Chia, with whom he has worked on previous larg
Norwest Oceania Productions supplied the lighting, audio and rigging for the project, which include eight ETC Source Four Revolutions, purchased especially for The X Factor.
Garrett, Norwest Oceania's general manager, is delighted with his purchase which is essentially a high performance Source Four zoom profile spot equipped with motorized pan, tilt, zoom, on-board dimming, and colour scroll.
"I knew they would be good but I underestimated how much fixed lighting they would render obsolete," Garrett remarked. "Being able to shift lights live when the tal
Working closely HSL's MD Simon Stuart, he will play a key role in HSL's active expansion over the next five years, and is one of a number of high level appointments to be announced by the company in the coming months.
HSL and Mick's accountancy practice have already been collaborating for several years. During that time, Mick has been instrumental for the management and co-ordination of several acquisitions by the HSL Group, including the purchase of Playlight, The Lighthouse and Production Services Ireland.
Simon Stuart states, "We welcome Mick to his new role at HSL. His combination of foresight, financial savvy and imagination will help shape our future and ensure that HSL remains a major force, as well as an adaptable and efficient bu
Electric Run, an internationally run event originating in the US, is in its second year in the UK. It has grown from a single Wembley date to multiple events across the country in 2015.
Watts, who also programmed the show last year, specified an Avolites control solution for the 5k run around Wembley Park. This included five Titan One dongles, running on touch screen Panasonic Toughbooks, all provided by VME.
Designing colourful and energetic displays across
Novalight, just outside of Viterbo, Italy, both designs and produces intelligent moving concert-style lights and high-powered sky tracers.
Novalight products have been used on many projects including NBC's The Voice and both the American and British versions of the talent competition show The X-Factor. Novalight products were also used on the Coldplay and Kings of Leon concert tours.
DNJ Pro offers professional products for the entertainment industry and architectural lighting sectors. With in-house support and repair service for all of its distribution products, DNJ Pro is dedicated to exceptional customer service.
(Jim Evans)
Dream Sets were the set and technical supplier of the event, which had a live broadcast on SABC1, while rental companies Black Coffee supplied 12 newly purchased Clay Paky Mythos units and Insane Sound & Lighting made available another four.
"I like the Mythos," commented Francois van der Merwe. "I prefer them to the Sharpys and they are nice and bright. The beams and gobos make a difference and they are fast. I would use them again." Robert Hoey from Dream Sets shared his sentiment.
The Mythos units were placed standing on the stage deck and created brilliant beam work, punching upright through the air. They
Located at the southwest corner of 34th Street where Broadway and Avenue of the Americas converge, Herald Centre is set to become a fashion destination for millions of New Yorkers and visitors who pass through busy Herald Square. The 63,000sq.ft store will showcase all of H&M's fashion brands as well as H&M's Home Collection. The renovated structure is topped by a bank of low-resolution Barco LED fins flanking a bullnose elevator shaft.
"They had wanted
Playing to enthusiastic reviews and audiences, it's the first year that Genk based Painting With Light has produced a fully comprehensive creative concept encompassing all the disciplines - lighting, set and video - one of many strengths enabled by Luc and his talented team of associates.
This scenario allowed Luc to maintain a complete visual harmony for the work, and also gave the scope to design several new and bespoke lighting elements including wireless controlled LED soles that clamp to the base of the stakes.
Says Luc, "With Passion being partly autobiographical in relation to t
UK-based lighting designer David Wolstenholme was engaged as lighting consultant for the event by Hype Hotel's production designer / manager Brian Kim. The two previously worked together for Cirque du Soleil production. David helped create the lighting scheme using the Robe fixtures. He also liaised between any incoming artist LDs and his team which included assistant LX Eric Kim and lighting intern, Lila Neiswanger.
Hype Hotel featured two live sessions a day with five artists per session, complete with lightening quick changeovers, so the lighting requirements were extremely demanding. David likened the incredible vibe of this event to the craziness and buzz of the Edinburgh Fringe Fe
Any network that hopes to stand out during this ad bazaar had better create a strong visual impression on potential sponsors. The red-hot and rapidly growing Spanish Language Azteca Network did just that, thanks in part to an inspired stage lighting design by Barrett Hall that featured Chauvet Professional Next NXT-1 moving LED panels provided by WorldStage.
Hall used a collection of 12 Next NXT-1 panels to surp
"This was a new construction project which was phase two of the University Center renovation," began Eric Cope, USI assistant professor of lighting design. "In the new space everyone wanted a visually dynamic environment which led to the design of two large LED walls flanking the stage of the theatre that we could use for both performances and educational purposes. To control it, we needed a console that would
In addition to having a tight 3.9 mm pixel pitch, the PVP X3 utilizes SMD 2121 black body Tri-Color (red, green, blue) LEDs to produce the highest in class contrast and exceptional clarity of images. Each panel's 500mm square display surface is densely outfitted with 16,384 LEDs, which emit a standard total illuminance of 1,560 NITS (which can easily be adjusted up to
"We mounted Mozarts on the downstage edge of Brandon's floor monitors," explains Douglas, "as well as attaching them to mic stands and the back line. We used iPad holders to rotate them into a diamond orientation."
Douglas adds, "After using the Solaris LED Flares for The Killers, I heard about the Mozarts and tried them on a shoot for the new Guitar Hero Live video game. I like the superior quality of light and their compact size - we can put them pretty much anywhere!"
The European leg of the tour ends this month, followed by
Elation invites technicians and all interested service professionals to PRO Service Days to be held 21 July (beginner) and 22 (advanced). July's PRO Service Days will focus on providing in-depth technical knowledge of Elation's most popular products with a detailed look at technological construction while covering important service guidelines.
A 30 hospitality fee covers food and drinks and registration is required. There is only room for 15 participants each day so early registration is recommended.
(Jim Evans)
Odessa-based rental company, Grand Master, was brought in as technical partner of this event, providing stage, light, sound and special effects as well as control of light and sound. Previously acquired rental stock from SGM's distributor ART-R was put to use, when implementing no less than 20 x SixPack blinders, six X-5 LED strobes and 16 x Idea Moving LED 300 to ensure a special atmosphere to accompany the band's performance.
General director and owner of ART-R, Mr. Sergey Rusnak, informs, "I would like to emphasize that this dynamic lighting sho
"I've been involved with the M3 Rock Festival since 2009 and putting the design together for this type of event is actually two parts," began Lurz. "First, we use the Merriweather Pavilion house rig to give the bands as many lighting options as possible with profile and wash fixtures, colours, patterns, etc. Then, for this particular genre of music, we need to look at providing a lot of contrast and movement to make the rig look big through the layering of beams. To accomplish this, versatility in your lighting instruments is essential and that's where the VL4000 BeamWash and VL4000 Spot luminaires truly excel."
As Lurz began to put togethe
This year was the third time in which White Light has worked on the event, collaborating closely with Timebased Events who organised proceedings. Katy Haile, client services director at Timebased Events, states: "The Glamour Awards expect a high quality level of service and we are constantly pushing ourselves in an attempt to make them the best they can possibly be. As it is important for us to ac
Anthony Bastic, Vivid light curator says: "Vivid Sydney placed art into the hands of the public, giving visitors a visually triumphant feast of artistic and technical innovation."
Vivid Sydney is probably the world's largest festival of light, music and ideas and is owned and managed by Destination NSW, the NSW Government's Tourism and Major Events agency.
Michael Hassett, managing director of TDC, said: "We've worked with Destination NSW on Vivid Sydney for four years now, and it is s
It is the sixth JB tour in which Adlib has been involved. The first one was in 2008, and once again, the Liverpool based company won the business because they could offer all the resources and flexibility of a single source technical solution, making the package cost-effective as well as efficient to their client.
A Coda ViRAY system was chosen by FOH engineer Walter Jaquiss. He was one of the first engineers to take its predecessor LA12 out on the previous two JB tours and wanted a similar sound but in a smaller mor
